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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAAD7C it is the complementary color #355283. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAAD7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAAD7C shade: #CFAD77, #E0BF8A, #F1D19D, #FFE3B0 and #FFF5C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAAD7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAAD7C shade: #CAAD7C, #B99B69, #A88956, #977743 and #866530

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAAD7C shade: #C9AD7C, #C9987C, #C9837C and #C97C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAAD7C shade: #C9AD7C, #C9C17C, #BCC97C, #A8C97C and #93C97C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAAD7C shade matches the following richer shades: #C9AD7C, #D8B06D, #E7B45E and #F6B850

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAAD7C shade: #C9AD7C, #BAA98B, #ACA59A, #9DA1A9 and #8E9DB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAAD7C shade: #C9837C, #C9977C, #C9AC7C, #C9C07C and #BEC97C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAAD7C shade: #AD8746, #BD9A5F, #C9AD7C, #D5BF99 and #E1D1B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAAD7C shade: #CAAD7C, #8AC97C and #8D7CC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAAD7C shade: #CAAD7C, #7CC9AC and #AC7CC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAAD7C shade: #CAAD7C, #8AC97C, #7C9AC9 and #BB7CC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAAD7C shade: #CAAD7C, #7CC985, #7C9AC9 and #C97CC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 39 / 21

HEX #CAAD7C

RGB 202 173 124

HSL 37.69, 0.42%, 0.64%

LAB 72.16, 3.65, 29.08

 

Complementary color

CMYK 60 / 37 / 0 / 49

HEX #355283

RGB 53 82 131

HSL 217.69, 0.42%, 0.36%

LAB 34.86, 5.08, -30.8

 

CMYK 0 / 16 / 43 / 19

HEX #CFAD77

RGB 207 173 119

HSL 36.82, 0.48%, 0.64%

LAB 72.55, 5.12, 32.33

 

CMYK 0 / 15 / 38 / 12

HEX #E0BF8A

RGB 224 191 138

HSL 36.98, 0.58%, 0.71%

LAB 79.01, 4.49, 31.11

 

CMYK 0 / 13 / 35 / 5

HEX #F1D19D

RGB 241 209 157

HSL 37.14, 0.75%, 0.78%

LAB 85.37, 3.94, 29.95

 

CMYK 0 / 11 / 31 / 0

HEX #FFE3B0

RGB 255 227 176

HSL 38.73, 1%, 0.85%

LAB 91.38, 2.33, 28.46

 

CMYK 0 / 4 / 24 / 0

HEX #FFF5C3

RGB 255 245 195

HSL 50, 1%, 0.88%

LAB 96.21, -4.31, 25.33

 

CMYK 0 / 14 / 39 / 21

HEX #CAAD7C

RGB 202 173 124

HSL 37.69, 0.42%, 0.64%

LAB 72.16, 3.65, 29.08

 

CMYK 0 / 16 / 43 / 27

HEX #B99B69

RGB 185 155 105

HSL 37.5, 0.36%, 0.57%

LAB 65.57, 4.29, 30.33

 

CMYK 0 / 18 / 49 / 34

HEX #A88956

RGB 168 137 86

HSL 37.32, 0.32%, 0.5%

LAB 58.87, 5.05, 31.67

 

CMYK 0 / 21 / 56 / 41

HEX #977743

RGB 151 119 67

HSL 37.14, 0.39%, 0.43%

LAB 52.04, 5.96, 33.08

 

CMYK 0 / 25 / 64 / 47

HEX #866530

RGB 134 101 48

HSL 36.98, 0.47%, 0.36%

LAB 45.07, 7.1, 34.53

 

CMYK 0 / 14 / 38 / 21

HEX #C9AD7C

RGB 201 173 124

HSL 38.18, 0.42%, 0.64%

LAB 72.07, 3.25, 28.94

 

CMYK 0 / 24 / 38 / 21

HEX #C9987C

RGB 201 152 124

HSL 21.82, 0.42%, 0.64%

LAB 66.77, 14.63, 21.85

 

CMYK 0 / 35 / 38 / 21

HEX #C9837C

RGB 201 131 124

HSL 5.45, 0.42%, 0.64%

LAB 61.75, 26.12, 14.95

 

CMYK 0 / 38 / 38 / 21

HEX #C97C7C

RGB 201 124 124

HSL 0, 0.42%, 0.64%

LAB 60.15, 29.93, 12.72

 

CMYK 0 / 14 / 38 / 21

HEX #C9AD7C

RGB 201 173 124

HSL 38.18, 0.42%, 0.64%

LAB 72.07, 3.25, 28.94

 

CMYK 0 / 4 / 38 / 21

HEX #C9C17C

RGB 201 193 124

HSL 53.77, 0.42%, 0.64%

LAB 77.29, -7.29, 35.75

 

CMYK 6 / 0 / 38 / 21

HEX #BCC97C

RGB 188 201 124

HSL 70.13, 0.42%, 0.64%

LAB 78.41, -16.5, 36.99

 

CMYK 16 / 0 / 38 / 21

HEX #A8C97C

RGB 168 201 124

HSL 85.71, 0.42%, 0.64%

LAB 77.01, -24.13, 34.91

 

CMYK 27 / 0 / 38 / 21

HEX #93C97C

RGB 147 201 124

HSL 102.08, 0.42%, 0.64%

LAB 75.72, -31.72, 32.98

 

CMYK 0 / 14 / 38 / 21

HEX #C9AD7C

RGB 201 173 124

HSL 38.18, 0.42%, 0.64%

LAB 72.07, 3.25, 28.94

 

CMYK 0 / 19 / 50 / 15

HEX #D8B06D

RGB 216 176 109

HSL 37.57, 0.58%, 0.64%

LAB 74.03, 6.21, 39.61

 

CMYK 0 / 22 / 59 / 9

HEX #E7B45E

RGB 231 180 94

HSL 37.66, 0.74%, 0.64%

LAB 76.34, 9.08, 50.21

 

CMYK 0 / 25 / 67 / 4

HEX #F6B850

RGB 246 184 80

HSL 37.59, 0.9%, 0.64%

LAB 78.73, 12.35, 59.76

 

CMYK 0 / 14 / 38 / 21

HEX #C9AD7C

RGB 201 173 124

HSL 38.18, 0.42%, 0.64%

LAB 72.07, 3.25, 28.94

 

CMYK 0 / 9 / 25 / 27

HEX #BAA98B

RGB 186 169 139

HSL 38.3, 0.25%, 0.64%

LAB 69.95, 1.38, 17.74

 

CMYK 0 / 4 / 10 / 33

HEX #ACA59A

RGB 172 165 154

HSL 36.67, 0.1%, 0.64%

LAB 68.03, 0.57, 6.59

 

CMYK 7 / 5 / 0 / 34

HEX #9DA1A9

RGB 157 161 169

HSL 220, 0.07%, 0.64%

LAB 66.15, 0.17, -4.65

 

CMYK 23 / 15 / 0 / 28

HEX #8E9DB8

RGB 142 157 184

HSL 218.57, 0.23%, 0.64%

LAB 64.42, 0.69, -15.74

 

CMYK 0 / 35 / 38 / 21

HEX #C9837C

RGB 201 131 124

HSL 5.45, 0.42%, 0.64%

LAB 61.75, 26.12, 14.95

 

CMYK 0 / 25 / 38 / 21

HEX #C9977C

RGB 201 151 124

HSL 21.04, 0.42%, 0.64%

LAB 66.52, 15.18, 21.51

 

CMYK 0 / 14 / 38 / 21

HEX #C9AC7C

RGB 201 172 124

HSL 37.4, 0.42%, 0.64%

LAB 71.81, 3.78, 28.6

 

CMYK 0 / 4 / 38 / 21

HEX #C9C07C

RGB 201 192 124

HSL 52.99, 0.42%, 0.64%

LAB 77.02, -6.77, 35.41

 

CMYK 5 / 0 / 38 / 21

HEX #BEC97C

RGB 190 201 124

HSL 68.57, 0.42%, 0.64%

LAB 78.56, -15.72, 37.21

 

CMYK 0 / 22 / 60 / 32

HEX #AD8746

RGB 173 135 70

HSL 37.86, 0.42%, 0.48%

LAB 58.65, 6.92, 39.96

 

CMYK 0 / 19 / 50 / 26

HEX #BD9A5F

RGB 189 154 95

HSL 37.66, 0.42%, 0.56%

LAB 65.56, 5.49, 35.72

 

CMYK 0 / 14 / 38 / 21

HEX #C9AD7C

RGB 201 173 124

HSL 38.18, 0.42%, 0.64%

LAB 72.07, 3.25, 28.94

 

CMYK 0 / 10 / 28 / 16

HEX #D5BF99

RGB 213 191 153

HSL 38, 0.42%, 0.72%

LAB 78.29, 2.04, 22.04

 

CMYK 0 / 7 / 19 / 12

HEX #E1D1B7

RGB 225 209 183

HSL 37.14, 0.41%, 0.8%

LAB 84.5, 1.38, 14.9

 

CMYK 0 / 14 / 39 / 21

HEX #CAAD7C

RGB 202 173 124

HSL 37.69, 0.42%, 0.64%

LAB 72.16, 3.65, 29.08

 

CMYK 31 / 0 / 38 / 21

HEX #8AC97C

RGB 138 201 124

HSL 109.09, 0.42%, 0.64%

LAB 75.22, -34.79, 32.24

 

CMYK 30 / 38 / 0 / 21

HEX #8D7CC9

RGB 141 124 201

HSL 253.25, 0.42%, 0.64%

LAB 56.38, 23.59, -37.73

 

CMYK 0 / 14 / 39 / 21

HEX #CAAD7C

RGB 202 173 124

HSL 37.69, 0.42%, 0.64%

LAB 72.16, 3.65, 29.08

 

CMYK 38 / 0 / 14 / 21

HEX #7CC9AC

RGB 124 201 172

HSL 157.4, 0.42%, 0.64%

LAB 75.47, -30.37, 7.03

 

CMYK 14 / 38 / 0 / 21

HEX #AC7CC9

RGB 172 124 201

HSL 277.4, 0.42%, 0.64%

LAB 59.35, 32.81, -32.88

 

CMYK 0 / 14 / 39 / 21

HEX #CAAD7C

RGB 202 173 124

HSL 37.69, 0.42%, 0.64%

LAB 72.16, 3.65, 29.08

 

CMYK 31 / 0 / 38 / 21

HEX #8AC97C

RGB 138 201 124

HSL 109.09, 0.42%, 0.64%

LAB 75.22, -34.79, 32.24

 

CMYK 38 / 23 / 0 / 21

HEX #7C9AC9

RGB 124 154 201

HSL 216.62, 0.42%, 0.64%

LAB 63.02, 1.37, -27.5

 

CMYK 7 / 38 / 0 / 21

HEX #BB7CC9

RGB 187 124 201

HSL 289.09, 0.42%, 0.64%

LAB 60.96, 37.42, -30.26

 

CMYK 0 / 14 / 39 / 21

HEX #CAAD7C

RGB 202 173 124

HSL 37.69, 0.42%, 0.64%

LAB 72.16, 3.65, 29.08

 

CMYK 38 / 0 / 34 / 21

HEX #7CC985

RGB 124 201 133

HSL 127.01, 0.42%, 0.64%

LAB 74.67, -37.86, 26.7

 

CMYK 38 / 23 / 0 / 21

HEX #7C9AC9

RGB 124 154 201

HSL 216.62, 0.42%, 0.64%

LAB 63.02, 1.37, -27.5

 

CMYK 0 / 38 / 4 / 21

HEX #C97CC0

RGB 201 124 192

HSL 307.01, 0.42%, 0.64%

LAB 62.2, 40.13, -23.12

 

Description

Color code: HEX #CAAD7C | qconv.com Color code: HEX #CAAD7C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 173 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 173 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 39 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 39% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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