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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAAEDB it is the complementary color #355124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAAEDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAAEDB shade: #CFAED6, #E0C0E9, #F1D2FC, #FFE4FF and #FFF6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAAEDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAAEDB shade: #CAAEDB, #B99CC8, #A88AB5, #9778A2 and #86668F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAAEDB shade: #C9AEDA, #D5AEDA, #DAAED3, #DAAEC7 and #DAAEBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAAEDB shade: #C9AEDA, #BDAEDA, #B1AEDA and #AEAEDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAAEDB shade matches the following richer shades: #C9AEDA, #CCA4E4, #CE9BED and #D091F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAAEDB shade: #C9AEDA, #C7B7D1, #C5C1C7, #C2CABE and #C0D4B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAAEDB shade: #B1AEDA, #BDAEDA, #C9AEDA, #D5AEDA and #DAAED3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAAEDB shade: #A475C1, #B791CD, #C9AEDA, #DCCAE7 and #EFE7F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAAEDB shade: #CAAEDB, #DAAEB6 and #AEDAB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAAEDB shade: #CAAEDB, #DAC9AE and #AEDAC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAAEDB shade: #CAAEDB, #DAAEB6, #BFDAAE and #AEDAD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAAEDB shade: #CAAEDB, #DAB3AE, #BFDAAE and #AED5DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 21 / 0 / 14

HEX #CAAEDB

RGB 202 174 219

HSL 277.33, 0.38%, 0.77%

LAB 74.79, 18.34, -18.92

 

Complementary color

CMYK 35 / 0 / 56 / 68

HEX #355124

RGB 53 81 36

HSL 97.33, 0.38%, 0.23%

LAB 31.28, -19.87, 23

 

CMYK 3 / 19 / 0 / 16

HEX #CFAED6

RGB 207 174 214

HSL 289.5, 0.33%, 0.76%

LAB 75.07, 19.01, -15.73

 

CMYK 4 / 18 / 0 / 9

HEX #E0C0E9

RGB 224 192 233

HSL 286.83, 0.48%, 0.83%

LAB 81.53, 18.55, -16.13

 

CMYK 4 / 17 / 0 / 1

HEX #F1D2FC

RGB 241 210 252

HSL 284.29, 0.88%, 0.91%

LAB 87.88, 18.12, -16.52

 

CMYK 0 / 11 / 0 / 0

HEX #FFE4FF

RGB 255 228 255

HSL 300, 1%, 0.95%

LAB 93.44, 13.83, -9.68

 

CMYK 0 / 4 / 0 / 0

HEX #FFF6FF

RGB 255 246 255

HSL 300, 1%, 0.98%

LAB 97.79, 4.57, -3.25

 

CMYK 8 / 21 / 0 / 14

HEX #CAAEDB

RGB 202 174 219

HSL 277.33, 0.38%, 0.77%

LAB 74.79, 18.34, -18.92

 

CMYK 8 / 22 / 0 / 22

HEX #B99CC8

RGB 185 156 200

HSL 279.55, 0.29%, 0.7%

LAB 68.21, 18.82, -18.59

 

CMYK 7 / 24 / 0 / 29

HEX #A88AB5

RGB 168 138 181

HSL 281.86, 0.23%, 0.63%

LAB 61.51, 19.35, -18.26

 

CMYK 7 / 26 / 0 / 36

HEX #9778A2

RGB 151 120 162

HSL 284.29, 0.18%, 0.55%

LAB 54.68, 19.92, -17.93

 

CMYK 6 / 29 / 0 / 44

HEX #86668F

RGB 134 102 143

HSL 286.83, 0.17%, 0.48%

LAB 47.69, 20.56, -17.6

 

CMYK 8 / 20 / 0 / 15

HEX #C9AEDA

RGB 201 174 218

HSL 276.82, 0.37%, 0.77%

LAB 74.67, 17.81, -18.57

 

CMYK 2 / 20 / 0 / 15

HEX #D5AEDA

RGB 213 174 218

HSL 293.18, 0.37%, 0.77%

LAB 75.75, 21.77, -16.83

 

CMYK 0 / 20 / 3 / 15

HEX #DAAED3

RGB 218 174 211

HSL 309.55, 0.37%, 0.77%

LAB 76, 22.15, -12.6

 

CMYK 0 / 20 / 9 / 15

HEX #DAAEC7

RGB 218 174 199

HSL 325.91, 0.37%, 0.77%

LAB 75.64, 20.04, -6.59

 

CMYK 0 / 20 / 14 / 15

HEX #DAAEBB

RGB 218 174 187

HSL 342.27, 0.37%, 0.77%

LAB 75.31, 18.04, -0.53

 

CMYK 8 / 20 / 0 / 15

HEX #C9AEDA

RGB 201 174 218

HSL 276.82, 0.37%, 0.77%

LAB 74.67, 17.81, -18.57

 

CMYK 13 / 20 / 0 / 15

HEX #BDAEDA

RGB 189 174 218

HSL 260.45, 0.37%, 0.77%

LAB 73.64, 13.91, -20.22

 

CMYK 19 / 20 / 0 / 15

HEX #B1AEDA

RGB 177 174 218

HSL 244.09, 0.37%, 0.77%

LAB 72.68, 10.09, -21.77

 

CMYK 20 / 20 / 0 / 15

HEX #AEAEDA

RGB 174 174 218

HSL 240, 0.37%, 0.77%

LAB 72.45, 9.16, -22.15

 

CMYK 8 / 20 / 0 / 15

HEX #C9AEDA

RGB 201 174 218

HSL 276.82, 0.37%, 0.77%

LAB 74.67, 17.81, -18.57

 

CMYK 11 / 28 / 0 / 11

HEX #CCA4E4

RGB 204 164 228

HSL 277.5, 0.54%, 0.77%

LAB 72.89, 26.29, -26.72

 

CMYK 13 / 35 / 0 / 7

HEX #CE9BED

RGB 206 155 237

HSL 277.32, 0.69%, 0.77%

LAB 71.34, 33.69, -34

 

CMYK 16 / 41 / 0 / 3

HEX #D091F7

RGB 208 145 247

HSL 277.06, 0.86%, 0.77%

LAB 69.74, 41.8, -41.94

 

CMYK 8 / 20 / 0 / 15

HEX #C9AEDA

RGB 201 174 218

HSL 276.82, 0.37%, 0.77%

LAB 74.67, 17.81, -18.57

 

CMYK 5 / 12 / 0 / 18

HEX #C7B7D1

RGB 199 183 209

HSL 276.92, 0.22%, 0.77%

LAB 76.44, 10.46, -11.02

 

CMYK 1 / 3 / 0 / 22

HEX #C5C1C7

RGB 197 193 199

HSL 280, 0.05%, 0.77%

LAB 78.54, 2.5, -2.52

 

CMYK 4 / 0 / 6 / 21

HEX #C2CABE

RGB 194 202 190

HSL 100, 0.1%, 0.77%

LAB 80.42, -4.93, 5.03

 

CMYK 9 / 0 / 15 / 17

HEX #C0D4B4

RGB 192 212 180

HSL 97.5, 0.27%, 0.77%

LAB 82.69, -12.52, 13.58

 

CMYK 19 / 20 / 0 / 15

HEX #B1AEDA

RGB 177 174 218

HSL 244.09, 0.37%, 0.77%

LAB 72.68, 10.09, -21.77

 

CMYK 13 / 20 / 0 / 15

HEX #BDAEDA

RGB 189 174 218

HSL 260.45, 0.37%, 0.77%

LAB 73.64, 13.91, -20.22

 

CMYK 8 / 20 / 0 / 15

HEX #C9AEDA

RGB 201 174 218

HSL 276.82, 0.37%, 0.77%

LAB 74.67, 17.81, -18.57

 

CMYK 2 / 20 / 0 / 15

HEX #D5AEDA

RGB 213 174 218

HSL 293.18, 0.37%, 0.77%

LAB 75.75, 21.77, -16.83

 

CMYK 0 / 20 / 3 / 15

HEX #DAAED3

RGB 218 174 211

HSL 309.55, 0.37%, 0.77%

LAB 76, 22.15, -12.6

 

CMYK 15 / 39 / 0 / 24

HEX #A475C1

RGB 164 117 193

HSL 277.11, 0.38%, 0.61%

LAB 56.55, 32.55, -32.76

 

CMYK 11 / 29 / 0 / 20

HEX #B791CD

RGB 183 145 205

HSL 278, 0.38%, 0.69%

LAB 65.53, 25.34, -25.48

 

CMYK 8 / 20 / 0 / 15

HEX #C9AEDA

RGB 201 174 218

HSL 276.82, 0.37%, 0.77%

LAB 74.67, 17.81, -18.57

 

CMYK 5 / 13 / 0 / 9

HEX #DCCAE7

RGB 220 202 231

HSL 277.24, 0.38%, 0.85%

LAB 83.56, 11.51, -12.05

 

CMYK 2 / 5 / 0 / 4

HEX #EFE7F4

RGB 239 231 244

HSL 276.92, 0.37%, 0.93%

LAB 92.59, 5.01, -5.34

 

CMYK 8 / 21 / 0 / 14

HEX #CAAEDB

RGB 202 174 219

HSL 277.33, 0.38%, 0.77%

LAB 74.79, 18.34, -18.92

 

CMYK 0 / 20 / 17 / 15

HEX #DAAEB6

RGB 218 174 182

HSL 349.09, 0.37%, 0.77%

LAB 75.17, 17.24, 2.01

 

CMYK 20 / 0 / 16 / 15

HEX #AEDAB7

RGB 174 218 183

HSL 132.27, 0.37%, 0.77%

LAB 83.21, -21.13, 12.56

 

CMYK 8 / 21 / 0 / 14

HEX #CAAEDB

RGB 202 174 219

HSL 277.33, 0.38%, 0.77%

LAB 74.79, 18.34, -18.92

 

CMYK 0 / 8 / 20 / 15

HEX #DAC9AE

RGB 218 201 174

HSL 36.82, 0.37%, 0.77%

LAB 81.69, 1.64, 15.65

 

CMYK 20 / 0 / 8 / 15

HEX #AEDAC9

RGB 174 218 201

HSL 156.82, 0.37%, 0.77%

LAB 83.63, -17.72, 3.64

 

CMYK 8 / 21 / 0 / 14

HEX #CAAEDB

RGB 202 174 219

HSL 277.33, 0.38%, 0.77%

LAB 74.79, 18.34, -18.92

 

CMYK 0 / 20 / 17 / 15

HEX #DAAEB6

RGB 218 174 182

HSL 349.09, 0.37%, 0.77%

LAB 75.17, 17.24, 2.01

 

CMYK 12 / 0 / 20 / 15

HEX #BFDAAE

RGB 191 218 174

HSL 96.82, 0.37%, 0.77%

LAB 84.11, -16.88, 18.72

 

CMYK 20 / 0 / 4 / 15

HEX #AEDAD2

RGB 174 218 210

HSL 169.09, 0.37%, 0.77%

LAB 83.86, -15.9, -0.8

 

CMYK 8 / 21 / 0 / 14

HEX #CAAEDB

RGB 202 174 219

HSL 277.33, 0.38%, 0.77%

LAB 74.79, 18.34, -18.92

 

CMYK 0 / 18 / 20 / 15

HEX #DAB3AE

RGB 218 179 174

HSL 6.82, 0.37%, 0.77%

LAB 76.19, 13.31, 7.85

 

CMYK 12 / 0 / 20 / 15

HEX #BFDAAE

RGB 191 218 174

HSL 96.82, 0.37%, 0.77%

LAB 84.11, -16.88, 18.72

 

CMYK 20 / 2 / 0 / 15

HEX #AED5DA

RGB 174 213 218

HSL 186.82, 0.37%, 0.77%

LAB 82.73, -11.67, -6.72

 

Description

Color code: HEX #CAAEDB | qconv.com Color code: HEX #CAAEDB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 174 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 174 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 21 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 21% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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