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Color name
HEX #CAB46D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAB46D it is the complementary color #354B92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAB46D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAB46D shade: #CFB468, #E0C67B, #F1D88E, #FFEAA1 and #FFFCB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAB46D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAB46D shade: #CAB46D, #B9A25A, #A89047, #977E34 and #866C21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAB46D shade: #CAB46C, #CA9A6C, #CA816C and #CA6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAB46D shade: #CAB46C, #C7CA6C, #ADCA6C, #94CA6C and #7BCA6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAB46D shade matches the following richer shades: #CAB46C, #DABC5C, #EAC54C and #FACD3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAB46D shade: #CAB46C, #BAAB7C, #AAA38C, #9A9A9D and #8992AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAB46D shade: #CA816C, #CA996C, #CAB26C, #C8CA6C and #AFCA6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAB46D shade: #A88E3C, #BFA44E, #CAB46C, #D5C38B and #E0D3A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAB46D shade: #CAB46D, #71CA6C and #8D6CCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAB46D shade: #CAB46D, #6CCAB2 and #B26CCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAB46D shade: #CAB46D, #71CA6C, #6C84CA and #C56CCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAB46D shade: #CAB46D, #6CCA84, #6C84CA and #CA6CB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 46 / 21

HEX #CAB46D

RGB 202 180 109

HSL 45.81, 0.47%, 0.61%

LAB 73.74, -1.68, 38.96

 

Complementary color

CMYK 64 / 49 / 0 / 43

HEX #354B92

RGB 53 75 146

HSL 225.81, 0.47%, 0.39%

LAB 33.7, 15.13, -41.84

 

CMYK 0 / 13 / 50 / 19

HEX #CFB468

RGB 207 180 104

HSL 44.27, 0.52%, 0.61%

LAB 74.13, -0.09, 42.08

 

CMYK 0 / 12 / 45 / 12

HEX #E0C67B

RGB 224 198 123

HSL 44.55, 0.62%, 0.68%

LAB 80.55, -0.76, 40.82

 

CMYK 0 / 10 / 41 / 5

HEX #F1D88E

RGB 241 216 142

HSL 44.85, 0.78%, 0.75%

LAB 86.88, -1.33, 39.61

 

CMYK 0 / 8 / 37 / 0

HEX #FFEAA1

RGB 255 234 161

HSL 46.6, 1%, 0.82%

LAB 92.87, -2.98, 38.06

 

CMYK 0 / 1 / 29 / 0

HEX #FFFCB4

RGB 255 252 180

HSL 57.6, 1%, 0.85%

LAB 97.7, -9.72, 34.93

 

CMYK 0 / 11 / 46 / 21

HEX #CAB46D

RGB 202 180 109

HSL 45.81, 0.47%, 0.61%

LAB 73.74, -1.68, 38.96

 

CMYK 0 / 12 / 51 / 27

HEX #B9A25A

RGB 185 162 90

HSL 45.47, 0.4%, 0.54%

LAB 67.2, -1, 40.24

 

CMYK 0 / 14 / 58 / 34

HEX #A89047

RGB 168 144 71

HSL 45.15, 0.41%, 0.47%

LAB 60.54, -0.18, 41.52

 

CMYK 0 / 17 / 66 / 41

HEX #977E34

RGB 151 126 52

HSL 44.85, 0.49%, 0.4%

LAB 53.76, 0.83, 42.72

 

CMYK 0 / 19 / 75 / 47

HEX #866C21

RGB 134 108 33

HSL 44.55, 0.6%, 0.33%

LAB 46.85, 2.09, 43.62

 

CMYK 0 / 11 / 47 / 21

HEX #CAB46C

RGB 202 180 108

HSL 45.96, 0.47%, 0.61%

LAB 73.73, -1.78, 39.46

 

CMYK 0 / 24 / 47 / 21

HEX #CA9A6C

RGB 202 154 108

HSL 29.36, 0.47%, 0.61%

LAB 67.09, 12.19, 31.02

 

CMYK 0 / 36 / 47 / 21

HEX #CA816C

RGB 202 129 108

HSL 13.4, 0.47%, 0.61%

LAB 61.08, 25.85, 23.11

 

CMYK 0 / 47 / 47 / 21

HEX #CA6C6C

RGB 202 108 108

HSL 0, 0.47%, 0.61%

LAB 56.45, 37.09, 16.84

 

CMYK 0 / 11 / 47 / 21

HEX #CAB46C

RGB 202 180 108

HSL 45.96, 0.47%, 0.61%

LAB 73.73, -1.78, 39.46

 

CMYK 1 / 0 / 47 / 21

HEX #C7CA6C

RGB 199 202 108

HSL 61.91, 0.47%, 0.61%

LAB 79.31, -14.36, 46.27

 

CMYK 14 / 0 / 47 / 21

HEX #ADCA6C

RGB 173 202 108

HSL 78.51, 0.47%, 0.61%

LAB 77.41, -24.63, 43.51

 

CMYK 27 / 0 / 47 / 21

HEX #94CA6C

RGB 148 202 108

HSL 94.47, 0.47%, 0.61%

LAB 75.84, -33.94, 41.22

 

CMYK 39 / 0 / 47 / 21

HEX #7BCA6C

RGB 123 202 108

HSL 110.43, 0.47%, 0.61%

LAB 74.53, -42.4, 39.31

 

CMYK 0 / 11 / 47 / 21

HEX #CAB46C

RGB 202 180 108

HSL 45.96, 0.47%, 0.61%

LAB 73.73, -1.78, 39.46

 

CMYK 0 / 14 / 58 / 15

HEX #DABC5C

RGB 218 188 92

HSL 45.71, 0.63%, 0.61%

LAB 77.07, -0.7, 51.68

 

CMYK 0 / 16 / 68 / 8

HEX #EAC54C

RGB 234 197 76

HSL 45.95, 0.79%, 0.61%

LAB 80.71, 0.32, 63.19

 

CMYK 0 / 18 / 76 / 2

HEX #FACD3C

RGB 250 205 60

HSL 45.79, 0.95%, 0.61%

LAB 84.13, 2.21, 73.11

 

CMYK 0 / 11 / 47 / 21

HEX #CAB46C

RGB 202 180 108

HSL 45.96, 0.47%, 0.61%

LAB 73.73, -1.78, 39.46

 

CMYK 0 / 8 / 33 / 27

HEX #BAAB7C

RGB 186 171 124

HSL 45.48, 0.31%, 0.61%

LAB 70.19, -1.72, 26.2

 

CMYK 0 / 4 / 18 / 33

HEX #AAA38C

RGB 170 163 140

HSL 46, 0.15%, 0.61%

LAB 67, -1.41, 12.87

 

CMYK 2 / 2 / 0 / 38

HEX #9A9A9D

RGB 154 154 157

HSL 240, 0.02%, 0.61%

LAB 63.68, 0.59, -1.58

 

CMYK 21 / 16 / 0 / 32

HEX #8992AD

RGB 137 146 173

HSL 225, 0.18%, 0.61%

LAB 60.69, 2.69, -15.23

 

CMYK 0 / 36 / 47 / 21

HEX #CA816C

RGB 202 129 108

HSL 13.4, 0.47%, 0.61%

LAB 61.08, 25.85, 23.11

 

CMYK 0 / 24 / 47 / 21

HEX #CA996C

RGB 202 153 108

HSL 28.72, 0.47%, 0.61%

LAB 66.84, 12.73, 30.69

 

CMYK 0 / 12 / 47 / 21

HEX #CAB26C

RGB 202 178 108

HSL 44.68, 0.47%, 0.61%

LAB 73.21, -0.72, 38.8

 

CMYK 1 / 0 / 47 / 21

HEX #C8CA6C

RGB 200 202 108

HSL 61.28, 0.47%, 0.61%

LAB 79.39, -13.96, 46.38

 

CMYK 13 / 0 / 47 / 21

HEX #AFCA6C

RGB 175 202 108

HSL 77.23, 0.47%, 0.61%

LAB 77.54, -23.86, 43.7

 

CMYK 0 / 15 / 64 / 34

HEX #A88E3C

RGB 168 142 60

HSL 45.56, 0.47%, 0.45%

LAB 59.89, 0.11, 46.12

 

CMYK 0 / 14 / 59 / 25

HEX #BFA44E

RGB 191 164 78

HSL 45.66, 0.47%, 0.53%

LAB 68.15, -0.5, 47.44

 

CMYK 0 / 11 / 47 / 21

HEX #CAB46C

RGB 202 180 108

HSL 45.96, 0.47%, 0.61%

LAB 73.73, -1.78, 39.46

 

CMYK 0 / 8 / 35 / 16

HEX #D5C38B

RGB 213 195 139

HSL 45.41, 0.47%, 0.69%

LAB 79.06, -1.83, 30.48

 

CMYK 0 / 6 / 25 / 12

HEX #E0D3A9

RGB 224 211 169

HSL 45.82, 0.47%, 0.77%

LAB 84.64, -2.04, 22.46

 

CMYK 0 / 11 / 46 / 21

HEX #CAB46D

RGB 202 180 109

HSL 45.81, 0.47%, 0.61%

LAB 73.74, -1.68, 38.96

 

CMYK 44 / 0 / 47 / 21

HEX #71CA6C

RGB 113 202 108

HSL 116.81, 0.47%, 0.61%

LAB 74.08, -45.47, 38.65

 

CMYK 30 / 47 / 0 / 21

HEX #8D6CCA

RGB 141 108 202

HSL 261.06, 0.47%, 0.61%

LAB 52.57, 33.17, -44.32

 

CMYK 0 / 11 / 46 / 21

HEX #CAB46D

RGB 202 180 109

HSL 45.81, 0.47%, 0.61%

LAB 73.74, -1.68, 38.96

 

CMYK 47 / 0 / 12 / 21

HEX #6CCAB2

RGB 108 202 178

HSL 164.68, 0.47%, 0.61%

LAB 75.23, -33.69, 3.36

 

CMYK 12 / 47 / 0 / 21

HEX #B26CCA

RGB 178 108 202

HSL 284.68, 0.47%, 0.61%

LAB 56.54, 43.59, -37.79

 

CMYK 0 / 11 / 46 / 21

HEX #CAB46D

RGB 202 180 109

HSL 45.81, 0.47%, 0.61%

LAB 73.74, -1.68, 38.96

 

CMYK 44 / 0 / 47 / 21

HEX #71CA6C

RGB 113 202 108

HSL 116.81, 0.47%, 0.61%

LAB 74.08, -45.47, 38.65

 

CMYK 47 / 35 / 0 / 21

HEX #6C84CA

RGB 108 132 202

HSL 224.68, 0.47%, 0.61%

LAB 56.04, 10.24, -39

 

CMYK 2 / 47 / 0 / 21

HEX #C56CCA

RGB 197 108 202

HSL 296.81, 0.47%, 0.61%

LAB 58.84, 49.1, -34.01

 

CMYK 0 / 11 / 46 / 21

HEX #CAB46D

RGB 202 180 109

HSL 45.81, 0.47%, 0.61%

LAB 73.74, -1.68, 38.96

 

CMYK 47 / 0 / 35 / 21

HEX #6CCA84

RGB 108 202 132

HSL 135.32, 0.47%, 0.61%

LAB 74.25, -43.11, 26.54

 

CMYK 47 / 35 / 0 / 21

HEX #6C84CA

RGB 108 132 202

HSL 224.68, 0.47%, 0.61%

LAB 56.04, 10.24, -39

 

CMYK 0 / 47 / 12 / 21

HEX #CA6CB2

RGB 202 108 178

HSL 315.32, 0.47%, 0.61%

LAB 58.5, 46.41, -20.79

 

Description

Color code: HEX #CAB46D | qconv.com Color code: HEX #CAB46D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 180 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 180 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 46 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 46% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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