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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CABC95 it is the complementary color #35436A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CABC95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CABC95 shade: #CFBC90, #E0CEA3, #F1E0B6, #FFF2C9 and #FFFFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CABC95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CABC95 shade: #CABC95, #B9AA82, #A8986F, #97865C and #867449

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CABC95 shade: #CABC95, #CAAE95, #CAA095 and #CA9595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CABC95 shade: #CABC95, #C9CA95, #BBCA95, #ADCA95 and #9FCA95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CABC95 shade matches the following richer shades: #CABC95, #D6C289, #E3C87C, #F0CE6F and #FDD462

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CABC95 shade: #CABC95, #BDB6A2, #B0B0AF, #A3AABC and #96A4C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CABC95 shade: #CAA095, #CAAE95, #CABC95, #CACA95 and #BCCA95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CABC95 shade: #AE995E, #BCAA7A, #CABC95, #D7CDB1 and #E5DFCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CABC95 shade: #CABC95, #99CA95 and #A795CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CABC95 shade: #CABC95, #95CABC and #BC95CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CABC95 shade: #CABC95, #99CA95, #95A3CA and #C695CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CABC95 shade: #CABC95, #95CAA2, #95A3CA and #CA95BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 26 / 21

HEX #CABC95

RGB 202 188 149

HSL 44.15, 0.33%, 0.69%

LAB 76.49, -1.15, 21.56

 

Complementary color

CMYK 50 / 37 / 0 / 58

HEX #35436A

RGB 53 67 106

HSL 224.15, 0.33%, 0.31%

LAB 28.93, 6.26, -24.52

 

CMYK 0 / 9 / 30 / 19

HEX #CFBC90

RGB 207 188 144

HSL 41.9, 0.4%, 0.69%

LAB 76.83, 0.12, 24.75

 

CMYK 0 / 8 / 27 / 12

HEX #E0CEA3

RGB 224 206 163

HSL 42.3, 0.5%, 0.76%

LAB 83.25, -0.26, 23.7

 

CMYK 0 / 7 / 24 / 5

HEX #F1E0B6

RGB 241 224 182

HSL 42.71, 0.68%, 0.83%

LAB 89.58, -0.59, 22.7

 

CMYK 0 / 5 / 21 / 0

HEX #FFF2C9

RGB 255 242 201

HSL 45.56, 1%, 0.89%

LAB 95.57, -1.98, 21.39

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 0 / 7 / 26 / 21

HEX #CABC95

RGB 202 188 149

HSL 44.15, 0.33%, 0.69%

LAB 76.49, -1.15, 21.56

 

CMYK 0 / 8 / 30 / 27

HEX #B9AA82

RGB 185 170 130

HSL 43.64, 0.28%, 0.62%

LAB 69.95, -0.8, 22.62

 

CMYK 0 / 10 / 34 / 34

HEX #A8986F

RGB 168 152 111

HSL 43.16, 0.25%, 0.55%

LAB 63.28, -0.38, 23.76

 

CMYK 0 / 11 / 39 / 41

HEX #97865C

RGB 151 134 92

HSL 42.71, 0.24%, 0.48%

LAB 56.49, 0.12, 24.98

 

CMYK 0 / 13 / 46 / 47

HEX #867449

RGB 134 116 73

HSL 42.3, 0.29%, 0.41%

LAB 49.54, 0.73, 26.29

 

CMYK 0 / 7 / 26 / 21

HEX #CABC95

RGB 202 188 149

HSL 44.15, 0.33%, 0.69%

LAB 76.49, -1.15, 21.56

 

CMYK 0 / 14 / 26 / 21

HEX #CAAE95

RGB 202 174 149

HSL 28.3, 0.33%, 0.69%

LAB 72.89, 6.31, 16.58

 

CMYK 0 / 21 / 26 / 21

HEX #CAA095

RGB 202 160 149

HSL 12.45, 0.33%, 0.69%

LAB 69.38, 13.9, 11.65

 

CMYK 0 / 26 / 26 / 21

HEX #CA9595

RGB 202 149 149

HSL 0, 0.33%, 0.69%

LAB 66.69, 19.92, 7.83

 

CMYK 0 / 7 / 26 / 21

HEX #CABC95

RGB 202 188 149

HSL 44.15, 0.33%, 0.69%

LAB 76.49, -1.15, 21.56

 

CMYK 0 / 0 / 26 / 21

HEX #C9CA95

RGB 201 202 149

HSL 61.13, 0.33%, 0.69%

LAB 80.08, -8.83, 26.43

 

CMYK 7 / 0 / 26 / 21

HEX #BBCA95

RGB 187 202 149

HSL 76.98, 0.33%, 0.69%

LAB 79.03, -14.1, 24.82

 

CMYK 14 / 0 / 26 / 21

HEX #ADCA95

RGB 173 202 149

HSL 92.83, 0.33%, 0.69%

LAB 78.05, -19.24, 23.33

 

CMYK 21 / 0 / 26 / 21

HEX #9FCA95

RGB 159 202 149

HSL 108.68, 0.33%, 0.69%

LAB 77.15, -24.2, 21.95

 

CMYK 0 / 7 / 26 / 21

HEX #CABC95

RGB 202 188 149

HSL 44.15, 0.33%, 0.69%

LAB 76.49, -1.15, 21.56

 

CMYK 0 / 9 / 36 / 16

HEX #D6C289

RGB 214 194 137

HSL 44.42, 0.48%, 0.69%

LAB 78.86, -1.15, 31.27

 

CMYK 0 / 12 / 45 / 11

HEX #E3C87C

RGB 227 200 124

HSL 44.27, 0.65%, 0.69%

LAB 81.34, -0.49, 41.37

 

CMYK 0 / 14 / 54 / 6

HEX #F0CE6F

RGB 240 206 111

HSL 44.19, 0.81%, 0.69%

LAB 83.87, 0.52, 51.13

 

CMYK 0 / 16 / 61 / 1

HEX #FDD462

RGB 253 212 98

HSL 44.13, 0.97%, 0.69%

LAB 86.43, 1.82, 60.41

 

CMYK 0 / 7 / 26 / 21

HEX #CABC95

RGB 202 188 149

HSL 44.15, 0.33%, 0.69%

LAB 76.49, -1.15, 21.56

 

CMYK 0 / 4 / 14 / 26

HEX #BDB6A2

RGB 189 182 162

HSL 44.44, 0.17%, 0.69%

LAB 74.12, -0.95, 11.06

 

CMYK 0 / 0 / 1 / 31

HEX #B0B0AF

RGB 176 176 175

HSL 60, 0.01%, 0.69%

LAB 71.81, -0.18, 0.5

 

CMYK 13 / 10 / 0 / 26

HEX #A3AABC

RGB 163 170 188

HSL 223.2, 0.16%, 0.69%

LAB 69.59, 1.22, -10.05

 

CMYK 25 / 18 / 0 / 21

HEX #96A4C9

RGB 150 164 201

HSL 223.53, 0.32%, 0.69%

LAB 67.47, 3.32, -20.54

 

CMYK 0 / 21 / 26 / 21

HEX #CAA095

RGB 202 160 149

HSL 12.45, 0.33%, 0.69%

LAB 69.38, 13.9, 11.65

 

CMYK 0 / 14 / 26 / 21

HEX #CAAE95

RGB 202 174 149

HSL 28.3, 0.33%, 0.69%

LAB 72.89, 6.31, 16.58

 

CMYK 0 / 7 / 26 / 21

HEX #CABC95

RGB 202 188 149

HSL 44.15, 0.33%, 0.69%

LAB 76.49, -1.15, 21.56

 

CMYK 0 / 0 / 26 / 21

HEX #CACA95

RGB 202 202 149

HSL 60, 0.33%, 0.69%

LAB 80.16, -8.45, 26.55

 

CMYK 7 / 0 / 26 / 21

HEX #BCCA95

RGB 188 202 149

HSL 75.85, 0.33%, 0.69%

LAB 79.1, -13.73, 24.93

 

CMYK 0 / 12 / 46 / 32

HEX #AE995E

RGB 174 153 94

HSL 44.25, 0.33%, 0.53%

LAB 63.83, -0.4, 33.76

 

CMYK 0 / 10 / 35 / 26

HEX #BCAA7A

RGB 188 170 122

HSL 43.64, 0.33%, 0.61%

LAB 70.07, -0.63, 27.14

 

CMYK 0 / 7 / 26 / 21

HEX #CABC95

RGB 202 188 149

HSL 44.15, 0.33%, 0.69%

LAB 76.49, -1.15, 21.56

 

CMYK 0 / 5 / 18 / 16

HEX #D7CDB1

RGB 215 205 177

HSL 44.21, 0.32%, 0.77%

LAB 82.53, -1.11, 15.19

 

CMYK 0 / 3 / 11 / 10

HEX #E5DFCC

RGB 229 223 204

HSL 45.6, 0.32%, 0.85%

LAB 88.82, -1.16, 10.03

 

CMYK 0 / 7 / 26 / 21

HEX #CABC95

RGB 202 188 149

HSL 44.15, 0.33%, 0.69%

LAB 76.49, -1.15, 21.56

 

CMYK 24 / 0 / 26 / 21

HEX #99CA95

RGB 153 202 149

HSL 115.47, 0.33%, 0.69%

LAB 76.79, -26.26, 21.4

 

CMYK 17 / 26 / 0 / 21

HEX #A795CA

RGB 167 149 202

HSL 260.38, 0.33%, 0.69%

LAB 64.94, 17.32, -24.84

 

CMYK 0 / 7 / 26 / 21

HEX #CABC95

RGB 202 188 149

HSL 44.15, 0.33%, 0.69%

LAB 76.49, -1.15, 21.56

 

CMYK 26 / 0 / 7 / 21

HEX #95CABC

RGB 149 202 188

HSL 164.15, 0.33%, 0.69%

LAB 77.44, -20.13, 1.41

 

CMYK 7 / 26 / 0 / 21

HEX #BC95CA

RGB 188 149 202

HSL 284.15, 0.33%, 0.69%

LAB 66.86, 24.12, -21.73

 

CMYK 0 / 7 / 26 / 21

HEX #CABC95

RGB 202 188 149

HSL 44.15, 0.33%, 0.69%

LAB 76.49, -1.15, 21.56

 

CMYK 24 / 0 / 26 / 21

HEX #99CA95

RGB 153 202 149

HSL 115.47, 0.33%, 0.69%

LAB 76.79, -26.26, 21.4

 

CMYK 26 / 19 / 0 / 21

HEX #95A3CA

RGB 149 163 202

HSL 224.15, 0.33%, 0.69%

LAB 67.16, 3.81, -21.57

 

CMYK 2 / 26 / 0 / 21

HEX #C695CA

RGB 198 149 202

HSL 295.47, 0.33%, 0.69%

LAB 67.85, 27.41, -20.14

 

CMYK 0 / 7 / 26 / 21

HEX #CABC95

RGB 202 188 149

HSL 44.15, 0.33%, 0.69%

LAB 76.49, -1.15, 21.56

 

CMYK 26 / 0 / 20 / 21

HEX #95CAA2

RGB 149 202 162

HSL 134.72, 0.33%, 0.69%

LAB 76.82, -25.29, 14.5

 

CMYK 26 / 19 / 0 / 21

HEX #95A3CA

RGB 149 163 202

HSL 224.15, 0.33%, 0.69%

LAB 67.16, 3.81, -21.57

 

CMYK 0 / 26 / 6 / 21

HEX #CA95BD

RGB 202 149 189

HSL 314.72, 0.33%, 0.69%

LAB 67.82, 26.35, -12.9

 

Description

Color code: HEX #CABC95 | qconv.com Color code: HEX #CABC95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 188 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 188 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 26 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 26% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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