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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAC6EA it is the complementary color #353915. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAC6EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAC6EA shade: #CFC6E5, #E0D8F8, #F1EAFF and #FFFCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAC6EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAC6EA shade: #CAC6EA, #B9B4D7, #A8A2C4, #9790B1 and #867E9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAC6EA shade: #CBC7EA, #D4C7EA, #DEC7EA, #E7C7EA and #EAC7E3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAC6EA shade: #CBC7EA and #C7C7EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAC6EA shade matches the following richer shades: #CBC7EA, #C6C0F0, #C1BAF6 and #BCB4FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAC6EA shade: #CBC7EA, #CFCDE4, #D4D3DD, #D9D9D7 and #DEDFD1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAC6EA shade: #C7D6EA, #C7CDEA, #CAC7EA, #D4C7EA and #DDC7EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAC6EA shade: #938AD4, #AFA9DF, #CBC7EA and #E7E5F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAC6EA shade: #CAC6EA, #EAC7DF and #D1EAC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAC6EA shade: #CAC6EA, #EACAC7 and #C7EACA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAC6EA shade: #CAC6EA, #EAC7DF, #E6EAC7 and #C7EAD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAC6EA shade: #CAC6EA, #EAC7D5, #E6EAC7 and #C7EADC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 15 / 0 / 8

HEX #CAC6EA

RGB 202 198 234

HSL 246.67, 0.46%, 0.85%

LAB 81.23, 8.4, -17.29

 

Complementary color

CMYK 7 / 0 / 63 / 78

HEX #353915

RGB 53 57 21

HSL 66.67, 0.46%, 0.15%

LAB 22.78, -7.99, 21.52

 

CMYK 10 / 14 / 0 / 10

HEX #CFC6E5

RGB 207 198 229

HSL 257.42, 0.37%, 0.84%

LAB 81.46, 8.99, -14.23

 

CMYK 10 / 13 / 0 / 3

HEX #E0D8F8

RGB 224 216 248

HSL 255, 0.7%, 0.91%

LAB 87.84, 8.71, -14.62

 

CMYK 5 / 8 / 0 / 0

HEX #F1EAFF

RGB 241 234 255

HSL 260, 1%, 0.96%

LAB 93.78, 6.15, -9.28

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF

RGB 255 252 255

HSL 300, 1%, 0.99%

LAB 99.26, 1.52, -1.09

 

CMYK 14 / 15 / 0 / 8

HEX #CAC6EA

RGB 202 198 234

HSL 246.67, 0.46%, 0.85%

LAB 81.23, 8.4, -17.29

 

CMYK 14 / 16 / 0 / 16

HEX #B9B4D7

RGB 185 180 215

HSL 248.57, 0.3%, 0.77%

LAB 74.74, 8.7, -16.96

 

CMYK 14 / 17 / 0 / 23

HEX #A8A2C4

RGB 168 162 196

HSL 250.59, 0.22%, 0.7%

LAB 68.13, 9.01, -16.63

 

CMYK 15 / 19 / 0 / 31

HEX #9790B1

RGB 151 144 177

HSL 252.73, 0.17%, 0.63%

LAB 61.39, 9.36, -16.32

 

CMYK 15 / 20 / 0 / 38

HEX #867E9E

RGB 134 126 158

HSL 255, 0.14%, 0.56%

LAB 54.51, 9.74, -16.01

 

CMYK 13 / 15 / 0 / 8

HEX #CBC7EA

RGB 203 199 234

HSL 246.86, 0.45%, 0.85%

LAB 81.56, 8.18, -16.79

 

CMYK 9 / 15 / 0 / 8

HEX #D4C7EA

RGB 212 199 234

HSL 262.29, 0.45%, 0.85%

LAB 82.26, 11.08, -15.66

 

CMYK 5 / 15 / 0 / 8

HEX #DEC7EA

RGB 222 199 234

HSL 279.43, 0.45%, 0.85%

LAB 83.08, 14.34, -14.35

 

CMYK 1 / 15 / 0 / 8

HEX #E7C7EA

RGB 231 199 234

HSL 294.86, 0.45%, 0.85%

LAB 83.85, 17.31, -13.12

 

CMYK 0 / 15 / 3 / 8

HEX #EAC7E3

RGB 234 199 227

HSL 312, 0.45%, 0.85%

LAB 83.91, 17.04, -9.27

 

CMYK 13 / 15 / 0 / 8

HEX #CBC7EA

RGB 203 199 234

HSL 246.86, 0.45%, 0.85%

LAB 81.56, 8.18, -16.79

 

CMYK 15 / 15 / 0 / 8

HEX #C7C7EA

RGB 199 199 234

HSL 240, 0.45%, 0.85%

LAB 81.25, 6.91, -17.28

 

CMYK 13 / 15 / 0 / 8

HEX #CBC7EA

RGB 203 199 234

HSL 246.86, 0.45%, 0.85%

LAB 81.56, 8.18, -16.79

 

CMYK 18 / 20 / 0 / 6

HEX #C6C0F0

RGB 198 192 240

HSL 247.5, 0.62%, 0.85%

LAB 79.61, 11.65, -22.99

 

CMYK 22 / 24 / 0 / 4

HEX #C1BAF6

RGB 193 186 246

HSL 247, 0.77%, 0.85%

LAB 77.94, 14.72, -28.8

 

CMYK 25 / 29 / 0 / 1

HEX #BCB4FC

RGB 188 180 252

HSL 246.67, 0.92%, 0.85%

LAB 76.29, 17.92, -34.59

 

CMYK 13 / 15 / 0 / 8

HEX #CBC7EA

RGB 203 199 234

HSL 246.86, 0.45%, 0.85%

LAB 81.56, 8.18, -16.79

 

CMYK 9 / 10 / 0 / 11

HEX #CFCDE4

RGB 207 205 228

HSL 245.22, 0.3%, 0.85%

LAB 83.19, 5.06, -11.1

 

CMYK 4 / 5 / 0 / 13

HEX #D4D3DD

RGB 212 211 221

HSL 246, 0.13%, 0.85%

LAB 84.9, 2.19, -4.81

 

CMYK 0 / 0 / 1 / 15

HEX #D9D9D7

RGB 217 217 215

HSL 60, 0.03%, 0.85%

LAB 86.64, -0.35, 0.97

 

CMYK 0 / 0 / 6 / 13

HEX #DEDFD1

RGB 222 223 209

HSL 64.29, 0.18%, 0.85%

LAB 88.4, -2.78, 6.73

 

CMYK 15 / 9 / 0 / 8

HEX #C7D6EA

RGB 199 214 234

HSL 214.29, 0.45%, 0.85%

LAB 85.09, -1.03, -11.53

 

CMYK 15 / 12 / 0 / 8

HEX #C7CDEA

RGB 199 205 234

HSL 229.71, 0.45%, 0.85%

LAB 82.78, 3.71, -14.99

 

CMYK 14 / 15 / 0 / 8

HEX #CAC7EA

RGB 202 199 234

HSL 245.14, 0.45%, 0.85%

LAB 81.48, 7.87, -16.91

 

CMYK 9 / 15 / 0 / 8

HEX #D4C7EA

RGB 212 199 234

HSL 262.29, 0.45%, 0.85%

LAB 82.26, 11.08, -15.66

 

CMYK 6 / 15 / 0 / 8

HEX #DDC7EA

RGB 221 199 234

HSL 277.71, 0.45%, 0.85%

LAB 83, 14.01, -14.48

 

CMYK 31 / 35 / 0 / 17

HEX #938AD4

RGB 147 138 212

HSL 247.3, 0.46%, 0.69%

LAB 60.9, 19.98, -36.82

 

CMYK 22 / 24 / 0 / 13

HEX #AFA9DF

RGB 175 169 223

HSL 246.67, 0.46%, 0.77%

LAB 71.43, 13.38, -26.43

 

CMYK 13 / 15 / 0 / 8

HEX #CBC7EA

RGB 203 199 234

HSL 246.86, 0.45%, 0.85%

LAB 81.56, 8.18, -16.79

 

CMYK 6 / 7 / 0 / 4

HEX #E7E5F5

RGB 231 229 245

HSL 247.5, 0.44%, 0.93%

LAB 91.51, 3.6, -7.52

 

CMYK 14 / 15 / 0 / 8

HEX #CAC6EA

RGB 202 198 234

HSL 246.67, 0.46%, 0.85%

LAB 81.23, 8.4, -17.29

 

CMYK 0 / 15 / 5 / 8

HEX #EAC7DF

RGB 234 199 223

HSL 318.86, 0.45%, 0.85%

LAB 83.79, 16.34, -7.31

 

CMYK 11 / 0 / 15 / 8

HEX #D1EAC7

RGB 209 234 199

HSL 102.86, 0.45%, 0.85%

LAB 90.1, -14.52, 14.25

 

CMYK 14 / 15 / 0 / 8

HEX #CAC6EA

RGB 202 198 234

HSL 246.67, 0.46%, 0.85%

LAB 81.23, 8.4, -17.29

 

CMYK 0 / 14 / 15 / 8

HEX #EACAC7

RGB 234 202 199

HSL 5.14, 0.45%, 0.85%

LAB 83.89, 10.76, 5.65

 

CMYK 15 / 0 / 14 / 8

HEX #C7EACA

RGB 199 234 202

HSL 125.14, 0.45%, 0.85%

LAB 89.51, -17.37, 11.76

 

CMYK 14 / 15 / 0 / 8

HEX #CAC6EA

RGB 202 198 234

HSL 246.67, 0.46%, 0.85%

LAB 81.23, 8.4, -17.29

 

CMYK 0 / 15 / 5 / 8

HEX #EAC7DF

RGB 234 199 223

HSL 318.86, 0.45%, 0.85%

LAB 83.79, 16.34, -7.31

 

CMYK 2 / 0 / 15 / 8

HEX #E6EAC7

RGB 230 234 199

HSL 66.86, 0.45%, 0.85%

LAB 91.59, -7.19, 16.57

 

CMYK 15 / 0 / 11 / 8

HEX #C7EAD1

RGB 199 234 209

HSL 137.14, 0.45%, 0.85%

LAB 89.67, -16.12, 8.34

 

CMYK 14 / 15 / 0 / 8

HEX #CAC6EA

RGB 202 198 234

HSL 246.67, 0.46%, 0.85%

LAB 81.23, 8.4, -17.29

 

CMYK 0 / 15 / 9 / 8

HEX #EAC7D5

RGB 234 199 213

HSL 336, 0.45%, 0.85%

LAB 83.52, 14.62, -2.37

 

CMYK 2 / 0 / 15 / 8

HEX #E6EAC7

RGB 230 234 199

HSL 66.86, 0.45%, 0.85%

LAB 91.59, -7.19, 16.57

 

CMYK 15 / 0 / 6 / 8

HEX #C7EADC

RGB 199 234 220

HSL 156, 0.45%, 0.85%

LAB 89.93, -14.07, 2.97

 

Description

Color code: HEX #CAC6EA | qconv.com Color code: HEX #CAC6EA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 198 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 198 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 15 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 15% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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