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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAC1CC it is the complementary color #353E33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAC1CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAC1CC shade: #CFC1C7, #E0D3DA, #F1E5ED and #FFF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAC1CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAC1CC shade: #CAC1CC, #B9AFB9, #A89DA6, #978B93 and #867980

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAC1CC shade: #CAC1CC, #CCC1CB, #CCC1C8, #CCC1C5 and #CCC1C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAC1CC shade: #CAC1CC, #C7C1CC, #C4C1CC, #C1C1CC and #C1C1CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAC1CC shade matches the following richer shades: #CAC1CC, #D0B8D5, #D6AFDE, #DBA6E7 and #E19CF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAC1CC shade: #CAC1CC, #C4CAC3, #BED3BA, #B9DCB1 and #B3E5A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAC1CC shade: #C4C1CC, #C7C1CC, #CAC1CC, #CCC1CB and #CCC1C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAC1CC shade: #A393A7, #B7AAB9, #CAC1CC, #DDD7DF and #F1EEF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAC1CC shade: #CAC1CC, #CCC1C1 and #C1CCC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAC1CC shade: #CAC1CC, #CCCAC1 and #C1CCCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAC1CC shade: #CAC1CC, #CCC1C1, #C3CCC1 and #C1CCCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAC1CC shade: #CAC1CC, #CCC4C1, #C3CCC1 and #C1C8CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 5 / 0 / 20

HEX #CAC1CC

RGB 202 193 204

HSL 289.09, 0.1%, 0.78%

LAB 79.07, 5.15, -4.39

 

Complementary color

CMYK 15 / 0 / 18 / 76

HEX #353E33

RGB 53 62 51

HSL 109.09, 0.1%, 0.22%

LAB 25.08, -6.27, 5.53

 

CMYK 0 / 7 / 4 / 19

HEX #CFC1C7

RGB 207 193 199

HSL 334.29, 0.13%, 0.78%

LAB 79.34, 5.97, -1.25

 

CMYK 0 / 6 / 3 / 12

HEX #E0D3DA

RGB 224 211 218

HSL 327.69, 0.17%, 0.85%

LAB 85.75, 5.7, -1.85

 

CMYK 0 / 5 / 2 / 5

HEX #F1E5ED

RGB 241 229 237

HSL 320, 0.3%, 0.92%

LAB 92.07, 5.46, -2.43

 

CMYK 0 / 3 / 0 / 0

HEX #FFF7FF

RGB 255 247 255

HSL 300, 1%, 0.98%

LAB 98.03, 4.06, -2.89

 

CMYK 1 / 5 / 0 / 20

HEX #CAC1CC

RGB 202 193 204

HSL 289.09, 0.1%, 0.78%

LAB 79.07, 5.15, -4.39

 

CMYK 0 / 5 / 0 / 27

HEX #B9AFB9

RGB 185 175 185

HSL 300, 0.07%, 0.71%

LAB 72.55, 5.4, -3.82

 

CMYK 0 / 7 / 1 / 34

HEX #A89DA6

RGB 168 157 166

HSL 310.91, 0.06%, 0.64%

LAB 65.9, 5.68, -3.24

 

CMYK 0 / 8 / 3 / 41

HEX #978B93

RGB 151 139 147

HSL 320, 0.05%, 0.57%

LAB 59.11, 5.97, -2.64

 

CMYK 0 / 10 / 4 / 47

HEX #867980

RGB 134 121 128

HSL 327.69, 0.05%, 0.5%

LAB 52.18, 6.31, -2.01

 

CMYK 1 / 5 / 0 / 20

HEX #CAC1CC

RGB 202 193 204

HSL 289.09, 0.1%, 0.78%

LAB 79.07, 5.15, -4.39

 

CMYK 0 / 5 / 0 / 20

HEX #CCC1CB

RGB 204 193 203

HSL 305.45, 0.1%, 0.78%

LAB 79.21, 5.65, -3.63

 

CMYK 0 / 5 / 2 / 20

HEX #CCC1C8

RGB 204 193 200

HSL 321.82, 0.1%, 0.78%

LAB 79.13, 5.1, -2.13

 

CMYK 0 / 5 / 3 / 20

HEX #CCC1C5

RGB 204 193 197

HSL 338.18, 0.1%, 0.78%

LAB 79.05, 4.56, -0.63

 

CMYK 0 / 5 / 5 / 20

HEX #CCC1C2

RGB 204 193 194

HSL 354.55, 0.1%, 0.78%

LAB 78.97, 4.03, 0.87

 

CMYK 1 / 5 / 0 / 20

HEX #CAC1CC

RGB 202 193 204

HSL 289.09, 0.1%, 0.78%

LAB 79.07, 5.15, -4.39

 

CMYK 2 / 5 / 0 / 20

HEX #C7C1CC

RGB 199 193 204

HSL 272.73, 0.1%, 0.78%

LAB 78.83, 4.12, -4.77

 

CMYK 4 / 5 / 0 / 20

HEX #C4C1CC

RGB 196 193 204

HSL 256.36, 0.1%, 0.78%

LAB 78.6, 3.1, -5.14

 

CMYK 5 / 5 / 0 / 20

HEX #C1C1CC

RGB 193 193 204

HSL 240, 0.1%, 0.78%

LAB 78.37, 2.08, -5.51

 

CMYK 5 / 5 / 0 / 20

HEX #C1C1CC

RGB 193 193 204

HSL 240, 0.1%, 0.78%

LAB 78.37, 2.08, -5.51

 

CMYK 1 / 5 / 0 / 20

HEX #CAC1CC

RGB 202 193 204

HSL 289.09, 0.1%, 0.78%

LAB 79.07, 5.15, -4.39

 

CMYK 2 / 14 / 0 / 16

HEX #D0B8D5

RGB 208 184 213

HSL 289.66, 0.26%, 0.78%

LAB 77.58, 13.72, -11.42

 

CMYK 4 / 21 / 0 / 13

HEX #D6AFDE

RGB 214 175 222

HSL 289.79, 0.42%, 0.78%

LAB 76.21, 22.32, -18.3

 

CMYK 5 / 28 / 0 / 9

HEX #DBA6E7

RGB 219 166 231

HSL 288.92, 0.58%, 0.78%

LAB 74.89, 30.56, -25.16

 

CMYK 6 / 35 / 0 / 6

HEX #E19CF0

RGB 225 156 240

HSL 289.29, 0.74%, 0.78%

LAB 73.59, 39.54, -31.99

 

CMYK 1 / 5 / 0 / 20

HEX #CAC1CC

RGB 202 193 204

HSL 289.09, 0.1%, 0.78%

LAB 79.07, 5.15, -4.39

 

CMYK 3 / 0 / 3 / 21

HEX #C4CAC3

RGB 196 202 195

HSL 111.43, 0.06%, 0.78%

LAB 80.69, -3.34, 2.76

 

CMYK 10 / 0 / 12 / 17

HEX #BED3BA

RGB 190 211 186

HSL 110.4, 0.22%, 0.78%

LAB 82.42, -11.68, 10

 

CMYK 16 / 0 / 20 / 14

HEX #B9DCB1

RGB 185 220 177

HSL 108.84, 0.38%, 0.78%

LAB 84.32, -19.47, 17.38

 

CMYK 22 / 0 / 27 / 10

HEX #B3E5A8

RGB 179 229 168

HSL 109.18, 0.54%, 0.78%

LAB 86.23, -27.36, 24.65

 

CMYK 4 / 5 / 0 / 20

HEX #C4C1CC

RGB 196 193 204

HSL 256.36, 0.1%, 0.78%

LAB 78.6, 3.1, -5.14

 

CMYK 2 / 5 / 0 / 20

HEX #C7C1CC

RGB 199 193 204

HSL 272.73, 0.1%, 0.78%

LAB 78.83, 4.12, -4.77

 

CMYK 1 / 5 / 0 / 20

HEX #CAC1CC

RGB 202 193 204

HSL 289.09, 0.1%, 0.78%

LAB 79.07, 5.15, -4.39

 

CMYK 0 / 5 / 0 / 20

HEX #CCC1CB

RGB 204 193 203

HSL 305.45, 0.1%, 0.78%

LAB 79.21, 5.65, -3.63

 

CMYK 0 / 5 / 2 / 20

HEX #CCC1C8

RGB 204 193 200

HSL 321.82, 0.1%, 0.78%

LAB 79.13, 5.1, -2.13

 

CMYK 2 / 12 / 0 / 35

HEX #A393A7

RGB 163 147 167

HSL 288, 0.1%, 0.62%

LAB 62.88, 9.68, -8.32

 

CMYK 1 / 8 / 0 / 27

HEX #B7AAB9

RGB 183 170 185

HSL 292, 0.1%, 0.7%

LAB 71.09, 7.43, -5.99

 

CMYK 1 / 5 / 0 / 20

HEX #CAC1CC

RGB 202 193 204

HSL 289.09, 0.1%, 0.78%

LAB 79.07, 5.15, -4.39

 

CMYK 1 / 4 / 0 / 13

HEX #DDD7DF

RGB 221 215 223

HSL 285, 0.11%, 0.86%

LAB 86.65, 3.49, -3.21

 

CMYK 0 / 1 / 0 / 5

HEX #F1EEF1

RGB 241 238 241

HSL 300, 0.1%, 0.94%

LAB 94.4, 1.54, -1.1

 

CMYK 1 / 5 / 0 / 20

HEX #CAC1CC

RGB 202 193 204

HSL 289.09, 0.1%, 0.78%

LAB 79.07, 5.15, -4.39

 

CMYK 0 / 5 / 5 / 20

HEX #CCC1C1

RGB 204 193 193

HSL 0, 0.1%, 0.78%

LAB 78.94, 3.85, 1.37

 

CMYK 5 / 0 / 3 / 20

HEX #C1CCC5

RGB 193 204 197

HSL 141.82, 0.1%, 0.78%

LAB 81.05, -5.05, 2.18

 

CMYK 1 / 5 / 0 / 20

HEX #CAC1CC

RGB 202 193 204

HSL 289.09, 0.1%, 0.78%

LAB 79.07, 5.15, -4.39

 

CMYK 0 / 1 / 5 / 20

HEX #CCCAC1

RGB 204 202 193

HSL 49.09, 0.1%, 0.78%

LAB 81.25, -0.9, 4.72

 

CMYK 5 / 0 / 1 / 20

HEX #C1CCCA

RGB 193 204 202

HSL 169.09, 0.1%, 0.78%

LAB 81.17, -4.11, -0.31

 

CMYK 1 / 5 / 0 / 20

HEX #CAC1CC

RGB 202 193 204

HSL 289.09, 0.1%, 0.78%

LAB 79.07, 5.15, -4.39

 

CMYK 0 / 5 / 5 / 20

HEX #CCC1C1

RGB 204 193 193

HSL 0, 0.1%, 0.78%

LAB 78.94, 3.85, 1.37

 

CMYK 4 / 0 / 5 / 20

HEX #C3CCC1

RGB 195 204 193

HSL 109.09, 0.1%, 0.78%

LAB 81.09, -5.09, 4.4

 

CMYK 5 / 0 / 0 / 20

HEX #C1CCCC

RGB 193 204 204

HSL 180, 0.1%, 0.78%

LAB 81.23, -3.73, -1.3

 

CMYK 1 / 5 / 0 / 20

HEX #CAC1CC

RGB 202 193 204

HSL 289.09, 0.1%, 0.78%

LAB 79.07, 5.15, -4.39

 

CMYK 0 / 4 / 5 / 20

HEX #CCC4C1

RGB 204 196 193

HSL 16.36, 0.1%, 0.78%

LAB 79.71, 2.26, 2.49

 

CMYK 4 / 0 / 5 / 20

HEX #C3CCC1

RGB 195 204 193

HSL 109.09, 0.1%, 0.78%

LAB 81.09, -5.09, 4.4

 

CMYK 5 / 2 / 0 / 20

HEX #C1C8CC

RGB 193 200 204

HSL 201.82, 0.1%, 0.78%

LAB 80.18, -1.63, -2.84

 

Description

Color code: HEX #CAC1CC | qconv.com Color code: HEX #CAC1CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 193 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 193 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 5 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 5% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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