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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAD99E it is the complementary color #352661. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAD99E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAD99E shade: #CFD999, #E0EBAC, #F1FDBF, #FFFFD2 and #FFFFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAD99E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAD99E shade: #CAD99E, #B9C78B, #A8B578, #97A365 and #869152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAD99E shade: #CBD99F, #D9D89F, #D9C99F, #D9B99F and #D9A99F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAD99E shade: #CBD99F, #BBD99F, #ABD99F, #9FD9A3 and #9FD9B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAD99E shade matches the following richer shades: #CBD99F, #D0E494, #D5EF8A and #DAFA7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAD99E shade: #CBD99F, #C5CFAA, #C0C4B4, #BBB9BF and #B5AECA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAD99E shade: #D9C99F, #D9D89F, #CBD99F, #BBD99F and #ACD99F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAD99E shade: #AAC264, #BACE81, #CBD99F, #DBE5BD and #EBF0DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAD99E shade: #CAD99E, #9FD9B9 and #D19FD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAD99E shade: #CAD99E, #9FCBD9 and #D99FCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAD99E shade: #CAD99E, #9FD9B9, #AE9FD9 and #D99FBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAD99E shade: #CAD99E, #9FD9CB, #AE9FD9 and #D99FAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 27 / 15

HEX #CAD99E

RGB 202 217 158

HSL 75.25, 0.44%, 0.74%

LAB 84.3, -14.83, 27.45

 

Complementary color

CMYK 45 / 61 / 0 / 62

HEX #352661

RGB 53 38 97

HSL 255.25, 0.44%, 0.26%

LAB 20.07, 22.95, -32.79

 

CMYK 5 / 0 / 29 / 15

HEX #CFD999

RGB 207 217 153

HSL 69.38, 0.46%, 0.73%

LAB 84.58, -13.64, 30.47

 

CMYK 5 / 0 / 27 / 8

HEX #E0EBAC

RGB 224 235 172

HSL 70.48, 0.61%, 0.8%

LAB 90.89, -13.77, 29.43

 

CMYK 5 / 0 / 25 / 1

HEX #F1FDBF

RGB 241 253 191

HSL 71.61, 0.94%, 0.87%

LAB 97.11, -13.88, 28.43

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE5

RGB 255 255 229

HSL 60, 1%, 0.95%

LAB 99.39, -4.32, 12.43

 

CMYK 7 / 0 / 27 / 15

HEX #CAD99E

RGB 202 217 158

HSL 75.25, 0.44%, 0.74%

LAB 84.3, -14.83, 27.45

 

CMYK 7 / 0 / 30 / 22

HEX #B9C78B

RGB 185 199 139

HSL 74, 0.35%, 0.66%

LAB 77.89, -14.74, 28.51

 

CMYK 7 / 0 / 34 / 29

HEX #A8B578

RGB 168 181 120

HSL 72.79, 0.29%, 0.59%

LAB 71.37, -14.62, 29.63

 

CMYK 7 / 0 / 38 / 36

HEX #97A365

RGB 151 163 101

HSL 71.61, 0.25%, 0.52%

LAB 64.73, -14.48, 30.81

 

CMYK 8 / 0 / 43 / 43

HEX #869152

RGB 134 145 82

HSL 70.48, 0.28%, 0.45%

LAB 57.97, -14.28, 32.03

 

CMYK 6 / 0 / 27 / 15

HEX #CBD99F

RGB 203 217 159

HSL 74.48, 0.43%, 0.74%

LAB 84.39, -14.32, 27.07

 

CMYK 0 / 0 / 27 / 15

HEX #D9D89F

RGB 217 216 159

HSL 58.97, 0.43%, 0.74%

LAB 85.18, -8.58, 28.31

 

CMYK 0 / 7 / 27 / 15

HEX #D9C99F

RGB 217 201 159

HSL 43.45, 0.43%, 0.74%

LAB 81.31, -0.86, 23.05

 

CMYK 0 / 15 / 27 / 15

HEX #D9B99F

RGB 217 185 159

HSL 26.9, 0.43%, 0.74%

LAB 77.25, 7.57, 17.45

 

CMYK 0 / 22 / 27 / 15

HEX #D9A99F

RGB 217 169 159

HSL 10.34, 0.43%, 0.74%

LAB 73.31, 16.15, 11.91

 

CMYK 6 / 0 / 27 / 15

HEX #CBD99F

RGB 203 217 159

HSL 74.48, 0.43%, 0.74%

LAB 84.39, -14.32, 27.07

 

CMYK 14 / 0 / 27 / 15

HEX #BBD99F

RGB 187 217 159

HSL 91.03, 0.43%, 0.74%

LAB 83.28, -20.14, 25.37

 

CMYK 21 / 0 / 27 / 15

HEX #ABD99F

RGB 171 217 159

HSL 107.59, 0.43%, 0.74%

LAB 82.26, -25.75, 23.82

 

CMYK 27 / 0 / 25 / 15

HEX #9FD9A3

RGB 159 217 163

HSL 124.14, 0.43%, 0.74%

LAB 81.64, -29.1, 20.76

 

CMYK 27 / 0 / 18 / 15

HEX #9FD9B2

RGB 159 217 178

HSL 139.66, 0.43%, 0.74%

LAB 81.95, -26.41, 13.3

 

CMYK 6 / 0 / 27 / 15

HEX #CBD99F

RGB 203 217 159

HSL 74.48, 0.43%, 0.74%

LAB 84.39, -14.32, 27.07

 

CMYK 9 / 0 / 35 / 11

HEX #D0E494

RGB 208 228 148

HSL 75, 0.6%, 0.74%

LAB 87.5, -19.36, 36.89

 

CMYK 11 / 0 / 42 / 6

HEX #D5EF8A

RGB 213 239 138

HSL 75.45, 0.76%, 0.74%

LAB 90.65, -23.99, 45.93

 

CMYK 13 / 0 / 49 / 2

HEX #DAFA7F

RGB 218 250 127

HSL 75.61, 0.92%, 0.74%

LAB 93.8, -28.45, 55.08

 

CMYK 6 / 0 / 27 / 15

HEX #CBD99F

RGB 203 217 159

HSL 74.48, 0.43%, 0.74%

LAB 84.39, -14.32, 27.07

 

CMYK 5 / 0 / 18 / 19

HEX #C5CFAA

RGB 197 207 170

HSL 76.22, 0.28%, 0.74%

LAB 81.51, -9.81, 17.27

 

CMYK 2 / 0 / 8 / 23

HEX #C0C4B4

RGB 192 196 180

HSL 75, 0.12%, 0.74%

LAB 78.45, -4.25, 7.55

 

CMYK 2 / 3 / 0 / 25

HEX #BBB9BF

RGB 187 185 191

HSL 260, 0.04%, 0.74%

LAB 75.47, 1.83, -2.79

 

CMYK 10 / 14 / 0 / 21

HEX #B5AECA

RGB 181 174 202

HSL 255, 0.21%, 0.74%

LAB 72.47, 7.94, -13.31

 

CMYK 0 / 7 / 27 / 15

HEX #D9C99F

RGB 217 201 159

HSL 43.45, 0.43%, 0.74%

LAB 81.31, -0.86, 23.05

 

CMYK 0 / 0 / 27 / 15

HEX #D9D89F

RGB 217 216 159

HSL 58.97, 0.43%, 0.74%

LAB 85.18, -8.58, 28.31

 

CMYK 6 / 0 / 27 / 15

HEX #CBD99F

RGB 203 217 159

HSL 74.48, 0.43%, 0.74%

LAB 84.39, -14.32, 27.07

 

CMYK 14 / 0 / 27 / 15

HEX #BBD99F

RGB 187 217 159

HSL 91.03, 0.43%, 0.74%

LAB 83.28, -20.14, 25.37

 

CMYK 21 / 0 / 27 / 15

HEX #ACD99F

RGB 172 217 159

HSL 106.55, 0.43%, 0.74%

LAB 82.32, -25.41, 23.91

 

CMYK 12 / 0 / 48 / 24

HEX #AAC264

RGB 170 194 100

HSL 75.32, 0.44%, 0.58%

LAB 74.86, -22.73, 44.26

 

CMYK 10 / 0 / 37 / 19

HEX #BACE81

RGB 186 206 129

HSL 75.58, 0.44%, 0.66%

LAB 79.71, -19.17, 36.08

 

CMYK 6 / 0 / 27 / 15

HEX #CBD99F

RGB 203 217 159

HSL 74.48, 0.43%, 0.74%

LAB 84.39, -14.32, 27.07

 

CMYK 4 / 0 / 17 / 10

HEX #DBE5BD

RGB 219 229 189

HSL 75, 0.43%, 0.82%

LAB 89.29, -10.12, 18.41

 

CMYK 2 / 0 / 9 / 6

HEX #EBF0DA

RGB 235 240 218

HSL 73.64, 0.42%, 0.9%

LAB 93.9, -5.45, 10.05

 

CMYK 7 / 0 / 27 / 15

HEX #CAD99E

RGB 202 217 158

HSL 75.25, 0.44%, 0.74%

LAB 84.3, -14.83, 27.45

 

CMYK 27 / 0 / 15 / 15

HEX #9FD9B9

RGB 159 217 185

HSL 146.9, 0.43%, 0.74%

LAB 82.11, -25.08, 9.82

 

CMYK 4 / 27 / 0 / 15

HEX #D19FD9

RGB 209 159 217

HSL 291.72, 0.43%, 0.74%

LAB 71.8, 28.43, -22.31

 

CMYK 7 / 0 / 27 / 15

HEX #CAD99E

RGB 202 217 158

HSL 75.25, 0.44%, 0.74%

LAB 84.3, -14.83, 27.45

 

CMYK 27 / 6 / 0 / 15

HEX #9FCBD9

RGB 159 203 217

HSL 194.48, 0.43%, 0.74%

LAB 79.09, -11.23, -11.68

 

CMYK 0 / 27 / 6 / 15

HEX #D99FCB

RGB 217 159 203

HSL 314.48, 0.43%, 0.74%

LAB 72.13, 28.5, -14.02

 

CMYK 7 / 0 / 27 / 15

HEX #CAD99E

RGB 202 217 158

HSL 75.25, 0.44%, 0.74%

LAB 84.3, -14.83, 27.45

 

CMYK 27 / 0 / 15 / 15

HEX #9FD9B9

RGB 159 217 185

HSL 146.9, 0.43%, 0.74%

LAB 82.11, -25.08, 9.82

 

CMYK 20 / 27 / 0 / 15

HEX #AE9FD9

RGB 174 159 217

HSL 255.52, 0.43%, 0.74%

LAB 68.61, 17.28, -27.47

 

CMYK 0 / 27 / 12 / 15

HEX #D99FBF

RGB 217 159 191

HSL 326.9, 0.43%, 0.74%

LAB 71.76, 26.45, -7.96

 

CMYK 7 / 0 / 27 / 15

HEX #CAD99E

RGB 202 217 158

HSL 75.25, 0.44%, 0.74%

LAB 84.3, -14.83, 27.45

 

CMYK 27 / 0 / 6 / 15

HEX #9FD9CB

RGB 159 217 203

HSL 165.52, 0.43%, 0.74%

LAB 82.54, -21.43, 0.9

 

CMYK 20 / 27 / 0 / 15

HEX #AE9FD9

RGB 174 159 217

HSL 255.52, 0.43%, 0.74%

LAB 68.61, 17.28, -27.47

 

CMYK 0 / 27 / 20 / 15

HEX #D99FAE

RGB 217 159 174

HSL 344.48, 0.43%, 0.74%

LAB 71.29, 23.74, 0.74

 

Description

Color code: HEX #CAD99E | qconv.com Color code: HEX #CAD99E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 217 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 217 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 27 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 27% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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