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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAD381 it is the complementary color #352C7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAD381. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAD381 shade: #CFD37C, #E0E58F, #F1F7A2, #FFFFB5 and #FFFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAD381. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAD381 shade: #CAD381, #B9C16E, #A8AF5B, #979D48 and #868B35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAD381 shade: #CAD382, #D3C682, #D3B082, #D39A82 and #D38482

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAD381 shade: #CAD382, #B4D382, #9ED382, #89D382 and #82D391

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAD381 shade matches the following richer shades: #CAD382, #D4E074, #DFEE67 and #EAFC59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAD381 shade: #CAD382, #BFC590, #B5B89D, #AAAAAB and #9F9CB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAD381 shade: #D3B082, #D3C582, #CBD382, #B5D382 and #A0D382

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAD381 shade: #B0BD45, #BDC863, #CAD382, #D7DDA0 and #E4E8BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAD381 shade: #CAD381, #82D39A and #BB82D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAD381 shade: #CAD381, #82CBD3 and #D382CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAD381 shade: #CAD381, #82D39A, #8A82D3 and #D382BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAD381 shade: #CAD381, #82D3B2, #8A82D3 and #D382A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 39 / 17

HEX #CAD381

RGB 202 211 129

HSL 66.59, 0.48%, 0.67%

LAB 82.23, -15.5, 39.56

 

Complementary color

CMYK 58 / 65 / 0 / 51

HEX #352C7E

RGB 53 44 126

HSL 246.59, 0.48%, 0.33%

LAB 23.88, 28.65, -45.3

 

CMYK 2 / 0 / 41 / 17

HEX #CFD37C

RGB 207 211 124

HSL 62.76, 0.5%, 0.66%

LAB 82.54, -14.09, 42.53

 

CMYK 2 / 0 / 38 / 10

HEX #E0E58F

RGB 224 229 143

HSL 63.49, 0.62%, 0.73%

LAB 88.86, -14.39, 41.37

 

CMYK 2 / 0 / 34 / 3

HEX #F1F7A2

RGB 241 247 162

HSL 64.24, 0.84%, 0.8%

LAB 95.09, -14.63, 40.25

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 4 / 0 / 39 / 17

HEX #CAD381

RGB 202 211 129

HSL 66.59, 0.48%, 0.67%

LAB 82.23, -15.5, 39.56

 

CMYK 4 / 0 / 43 / 24

HEX #B9C16E

RGB 185 193 110

HSL 65.78, 0.4%, 0.59%

LAB 75.81, -15.22, 40.73

 

CMYK 4 / 0 / 48 / 31

HEX #A8AF5B

RGB 168 175 91

HSL 65, 0.34%, 0.52%

LAB 69.28, -14.88, 41.92

 

CMYK 4 / 0 / 54 / 38

HEX #979D48

RGB 151 157 72

HSL 64.24, 0.37%, 0.45%

LAB 62.64, -14.45, 43.08

 

CMYK 4 / 0 / 62 / 45

HEX #868B35

RGB 134 139 53

HSL 63.49, 0.45%, 0.38%

LAB 55.88, -13.88, 44.11

 

CMYK 4 / 0 / 38 / 17

HEX #CAD382

RGB 202 211 130

HSL 66.67, 0.48%, 0.67%

LAB 82.25, -15.38, 39.07

 

CMYK 0 / 6 / 38 / 17

HEX #D3C682

RGB 211 198 130

HSL 50.37, 0.48%, 0.67%

LAB 79.53, -5.23, 35.72

 

CMYK 0 / 17 / 38 / 17

HEX #D3B082

RGB 211 176 130

HSL 34.07, 0.48%, 0.67%

LAB 73.88, 6.35, 28.31

 

CMYK 0 / 27 / 38 / 17

HEX #D39A82

RGB 211 154 130

HSL 17.78, 0.48%, 0.67%

LAB 68.44, 18.22, 20.99

 

CMYK 0 / 37 / 38 / 17

HEX #D38482

RGB 211 132 130

HSL 1.48, 0.48%, 0.67%

LAB 63.31, 30.14, 13.91

 

CMYK 4 / 0 / 38 / 17

HEX #CAD382

RGB 202 211 130

HSL 66.67, 0.48%, 0.67%

LAB 82.25, -15.38, 39.07

 

CMYK 15 / 0 / 38 / 17

HEX #B4D382

RGB 180 211 130

HSL 82.96, 0.48%, 0.67%

LAB 80.69, -23.77, 36.75

 

CMYK 25 / 0 / 38 / 17

HEX #9ED382

RGB 158 211 130

HSL 99.26, 0.48%, 0.67%

LAB 79.31, -31.73, 34.71

 

CMYK 35 / 0 / 38 / 17

HEX #89D382

RGB 137 211 130

HSL 114.81, 0.48%, 0.67%

LAB 78.18, -38.77, 33.02

 

CMYK 38 / 0 / 31 / 17

HEX #82D391

RGB 130 211 145

HSL 131.11, 0.48%, 0.67%

LAB 78.1, -38.51, 25.09

 

CMYK 4 / 0 / 38 / 17

HEX #CAD382

RGB 202 211 130

HSL 66.67, 0.48%, 0.67%

LAB 82.25, -15.38, 39.07

 

CMYK 5 / 0 / 48 / 12

HEX #D4E074

RGB 212 224 116

HSL 66.67, 0.64%, 0.67%

LAB 86.29, -19.36, 51.09

 

CMYK 6 / 0 / 57 / 7

HEX #DFEE67

RGB 223 238 103

HSL 66.67, 0.8%, 0.67%

LAB 90.7, -22.9, 62.3

 

CMYK 7 / 0 / 65 / 1

HEX #EAFC59

RGB 234 252 89

HSL 66.63, 0.96%, 0.67%

LAB 95.09, -26.14, 72.97

 

CMYK 4 / 0 / 38 / 17

HEX #CAD382

RGB 202 211 130

HSL 66.67, 0.48%, 0.67%

LAB 82.25, -15.38, 39.07

 

CMYK 3 / 0 / 27 / 23

HEX #BFC590

RGB 191 197 144

HSL 66.79, 0.31%, 0.67%

LAB 77.89, -10.75, 25.96

 

CMYK 2 / 0 / 15 / 28

HEX #B5B89D

RGB 181 184 157

HSL 66.67, 0.16%, 0.67%

LAB 73.89, -5.78, 13.38

 

CMYK 1 / 1 / 0 / 33

HEX #AAAAAB

RGB 170 170 171

HSL 240, 0.01%, 0.67%

LAB 69.64, 0.19, -0.52

 

CMYK 14 / 15 / 0 / 28

HEX #9F9CB8

RGB 159 156 184

HSL 246.43, 0.16%, 0.67%

LAB 65.44, 6.78, -14.08

 

CMYK 0 / 17 / 38 / 17

HEX #D3B082

RGB 211 176 130

HSL 34.07, 0.48%, 0.67%

LAB 73.88, 6.35, 28.31

 

CMYK 0 / 7 / 38 / 17

HEX #D3C582

RGB 211 197 130

HSL 49.63, 0.48%, 0.67%

LAB 79.27, -4.71, 35.38

 

CMYK 4 / 0 / 38 / 17

HEX #CBD382

RGB 203 211 130

HSL 65.93, 0.48%, 0.67%

LAB 82.32, -14.99, 39.19

 

CMYK 14 / 0 / 38 / 17

HEX #B5D382

RGB 181 211 130

HSL 82.22, 0.48%, 0.67%

LAB 80.75, -23.39, 36.85

 

CMYK 24 / 0 / 38 / 17

HEX #A0D382

RGB 160 211 130

HSL 97.78, 0.48%, 0.67%

LAB 79.43, -31.03, 34.88

 

CMYK 7 / 0 / 63 / 26

HEX #B0BD45

RGB 176 189 69

HSL 66.5, 0.48%, 0.51%

LAB 73.58, -20.46, 57.09

 

CMYK 5 / 0 / 51 / 22

HEX #BDC863

RGB 189 200 99

HSL 66.53, 0.48%, 0.59%

LAB 77.89, -18.23, 48.71

 

CMYK 4 / 0 / 38 / 17

HEX #CAD382

RGB 202 211 130

HSL 66.67, 0.48%, 0.67%

LAB 82.25, -15.38, 39.07

 

CMYK 3 / 0 / 28 / 13

HEX #D7DDA0

RGB 215 221 160

HSL 65.9, 0.47%, 0.75%

LAB 86.35, -11.73, 29.35

 

CMYK 2 / 0 / 18 / 9

HEX #E4E8BF

RGB 228 232 191

HSL 65.85, 0.47%, 0.83%

LAB 90.77, -8.11, 19.53

 

CMYK 4 / 0 / 39 / 17

HEX #CAD381

RGB 202 211 129

HSL 66.59, 0.48%, 0.67%

LAB 82.23, -15.5, 39.56

 

CMYK 38 / 0 / 27 / 17

HEX #82D39A

RGB 130 211 154

HSL 137.78, 0.48%, 0.67%

LAB 78.27, -36.91, 20.6

 

CMYK 11 / 38 / 0 / 17

HEX #BB82D3

RGB 187 130 211

HSL 282.22, 0.48%, 0.67%

LAB 62.7, 36.18, -33.17

 

CMYK 4 / 0 / 39 / 17

HEX #CAD381

RGB 202 211 129

HSL 66.59, 0.48%, 0.67%

LAB 82.23, -15.5, 39.56

 

CMYK 38 / 4 / 0 / 17

HEX #82CBD3

RGB 130 203 211

HSL 185.93, 0.48%, 0.67%

LAB 77.38, -20.68, -11.18

 

CMYK 0 / 38 / 4 / 17

HEX #D382CB

RGB 211 130 203

HSL 305.93, 0.48%, 0.67%

LAB 65.06, 42.09, -24.82

 

CMYK 4 / 0 / 39 / 17

HEX #CAD381

RGB 202 211 129

HSL 66.59, 0.48%, 0.67%

LAB 82.23, -15.5, 39.56

 

CMYK 38 / 0 / 27 / 17

HEX #82D39A

RGB 130 211 154

HSL 137.78, 0.48%, 0.67%

LAB 78.27, -36.91, 20.6

 

CMYK 35 / 38 / 0 / 17

HEX #8A82D3

RGB 138 130 211

HSL 245.93, 0.48%, 0.67%

LAB 58.11, 21.85, -40.69

 

CMYK 0 / 38 / 11 / 17

HEX #D382BB

RGB 211 130 187

HSL 317.78, 0.48%, 0.67%

LAB 64.49, 39.33, -16.71

 

CMYK 4 / 0 / 39 / 17

HEX #CAD381

RGB 202 211 129

HSL 66.59, 0.48%, 0.67%

LAB 82.23, -15.5, 39.56

 

CMYK 38 / 0 / 16 / 17

HEX #82D3B2

RGB 130 211 178

HSL 155.56, 0.48%, 0.67%

LAB 78.78, -32.18, 8.59

 

CMYK 35 / 38 / 0 / 17

HEX #8A82D3

RGB 138 130 211

HSL 245.93, 0.48%, 0.67%

LAB 58.11, 21.85, -40.69

 

CMYK 0 / 38 / 23 / 17

HEX #D382A2

RGB 211 130 162

HSL 336.3, 0.48%, 0.67%

LAB 63.69, 35.42, -3.73

 

Description

Color code: HEX #CAD381 | qconv.com Color code: HEX #CAD381 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 211 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 211 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 39 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 39% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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