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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CADB31 it is the complementary color #3524CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CADB31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CADB31 shade: #CFDB2C, #E0ED3F, #F1FF52, #FFFF65 and #FFFF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CADB31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CADB31 shade: #CADB31, #B9C91E, #A8B70B, #97A500 and #869300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CADB31 shade: #CADB33, #DBBE33, #DB9133, #DB6433 and #DB3633

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CADB31 shade: #CADB33, #9DDB33, #6FDB33, #42DB33 and #33DB51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CADB31 shade matches the following richer shades: #CADB33 and #D9EE1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CADB31 shade: #CADB33, #BAC746, #ABB45A, #9BA06D and #8C8D80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CADB31 shade: #DB9233, #DBBF33, #CADB33, #9DDB33 and #70DB33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CADB31 shade: #929F1C, #B2C222, #CADB33, #D3E156 and #DCE779

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CADB31 shade: #CADB31, #33DB65 and #A833DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CADB31 shade: #CADB31, #33CADB and #DB33CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CADB31 shade: #CADB31, #33DB65, #4433DB and #DB33A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CADB31 shade: #CADB31, #33DB97, #4433DB and #DB3376

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 78 / 14

HEX #CADB31

RGB 202 219 49

HSL 66, 0.7%, 0.53%

LAB 83.67, -25.35, 74.64

 

Complementary color

CMYK 74 / 83 / 0 / 19

HEX #3524CE

RGB 53 36 206

HSL 246, 0.7%, 0.47%

LAB 30.58, 58.41, -82.69

 

CMYK 5 / 0 / 80 / 14

HEX #CFDB2C

RGB 207 219 44

HSL 64.11, 0.71%, 0.52%

LAB 84.02, -23.46, 76.45

 

CMYK 5 / 0 / 73 / 7

HEX #E0ED3F

RGB 224 237 63

HSL 64.48, 0.83%, 0.59%

LAB 90.22, -24.39, 77.03

 

CMYK 5 / 0 / 68 / 0

HEX #F1FF52

RGB 241 255 82

HSL 64.86, 1%, 0.66%

LAB 96.34, -25.17, 76.98

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF78

RGB 255 255 120

HSL 60, 1%, 0.74%

LAB 97.69, -17.18, 63.45

 

CMYK 8 / 0 / 78 / 14

HEX #CADB31

RGB 202 219 49

HSL 66, 0.7%, 0.53%

LAB 83.67, -25.35, 74.64

 

CMYK 8 / 0 / 85 / 21

HEX #B9C91E

RGB 185 201 30

HSL 65.61, 0.74%, 0.45%

LAB 77.39, -24.35, 73.47

 

CMYK 8 / 0 / 94 / 28

HEX #A8B70B

RGB 168 183 11

HSL 65.23, 0.89%, 0.38%

LAB 71.02, -23.16, 71

 

CMYK 8 / 0 / 100 / 35

HEX #97A500

RGB 151 165 0

HSL 65.09, 1%, 0.32%

LAB 64.56, -21.74, 66.88

 

CMYK 9 / 0 / 100 / 42

HEX #869300

RGB 134 147 0

HSL 65.31, 1%, 0.29%

LAB 57.98, -20.16, 61.4

 

CMYK 8 / 0 / 77 / 14

HEX #CADB33

RGB 202 219 51

HSL 66.07, 0.7%, 0.53%

LAB 83.68, -25.27, 74.07

 

CMYK 0 / 13 / 77 / 14

HEX #DBBE33

RGB 219 190 51

HSL 49.64, 0.7%, 0.53%

LAB 77.36, -3.61, 68.8

 

CMYK 0 / 34 / 77 / 14

HEX #DB9133

RGB 219 145 51

HSL 33.57, 0.7%, 0.53%

LAB 66.17, 20.29, 58.3

 

CMYK 0 / 54 / 77 / 14

HEX #DB6433

RGB 219 100 51

HSL 17.5, 0.7%, 0.53%

LAB 56.5, 43.72, 48.75

 

CMYK 0 / 75 / 77 / 14

HEX #DB3633

RGB 219 54 51

HSL 1.07, 0.7%, 0.53%

LAB 49.42, 62.67, 41.4

 

CMYK 8 / 0 / 77 / 14

HEX #CADB33

RGB 202 219 51

HSL 66.07, 0.7%, 0.53%

LAB 83.68, -25.27, 74.07

 

CMYK 28 / 0 / 77 / 14

HEX #9DDB33

RGB 157 219 51

HSL 82.14, 0.7%, 0.53%

LAB 80.78, -42.97, 70.33

 

CMYK 49 / 0 / 77 / 14

HEX #6FDB33

RGB 111 219 51

HSL 98.57, 0.7%, 0.53%

LAB 78.63, -58.29, 67.53

 

CMYK 70 / 0 / 77 / 14

HEX #42DB33

RGB 66 219 51

HSL 114.64, 0.7%, 0.53%

LAB 77.32, -68.84, 65.82

 

CMYK 77 / 0 / 63 / 14

HEX #33DB51

RGB 51 219 81

HSL 130.71, 0.7%, 0.53%

LAB 77.26, -68.56, 54.53

 

CMYK 8 / 0 / 77 / 14

HEX #CADB33

RGB 202 219 51

HSL 66.07, 0.7%, 0.53%

LAB 83.68, -25.27, 74.07

 

CMYK 9 / 0 / 87 / 7

HEX #D9EE1F

RGB 217 238 31

HSL 66.09, 0.86%, 0.53%

LAB 89.86, -28.72, 84.46

 

CMYK 8 / 0 / 77 / 14

HEX #CADB33

RGB 202 219 51

HSL 66.07, 0.7%, 0.53%

LAB 83.68, -25.27, 74.07

 

CMYK 7 / 0 / 65 / 22

HEX #BAC746

RGB 186 199 70

HSL 66.05, 0.54%, 0.53%

LAB 77.12, -21.2, 60.63

 

CMYK 5 / 0 / 50 / 29

HEX #ABB45A

RGB 171 180 90

HSL 66, 0.38%, 0.53%

LAB 70.9, -16.31, 44.41

 

CMYK 3 / 0 / 32 / 37

HEX #9BA06D

RGB 155 160 109

HSL 65.88, 0.21%, 0.53%

LAB 64.33, -10.25, 26.05

 

CMYK 1 / 0 / 9 / 45

HEX #8C8D80

RGB 140 141 128

HSL 64.62, 0.05%, 0.53%

LAB 58.21, -2.81, 6.8

 

CMYK 0 / 33 / 77 / 14

HEX #DB9233

RGB 219 146 51

HSL 33.93, 0.7%, 0.53%

LAB 66.41, 19.76, 58.53

 

CMYK 0 / 13 / 77 / 14

HEX #DBBF33

RGB 219 191 51

HSL 50, 0.7%, 0.53%

LAB 77.61, -4.12, 69.04

 

CMYK 8 / 0 / 77 / 14

HEX #CADB33

RGB 202 219 51

HSL 66.07, 0.7%, 0.53%

LAB 83.68, -25.27, 74.07

 

CMYK 28 / 0 / 77 / 14

HEX #9DDB33

RGB 157 219 51

HSL 82.14, 0.7%, 0.53%

LAB 80.78, -42.97, 70.33

 

CMYK 49 / 0 / 77 / 14

HEX #70DB33

RGB 112 219 51

HSL 98.21, 0.7%, 0.53%

LAB 78.66, -58, 67.58

 

CMYK 8 / 0 / 82 / 38

HEX #929F1C

RGB 146 159 28

HSL 65.95, 0.7%, 0.37%

LAB 62.5, -20.32, 60.13

 

CMYK 8 / 0 / 82 / 24

HEX #B2C222

RGB 178 194 34

HSL 66, 0.7%, 0.45%

LAB 74.93, -23.78, 70.27

 

CMYK 8 / 0 / 77 / 14

HEX #CADB33

RGB 202 219 51

HSL 66.07, 0.7%, 0.53%

LAB 83.68, -25.27, 74.07

 

CMYK 6 / 0 / 62 / 12

HEX #D3E156

RGB 211 225 86

HSL 66.04, 0.7%, 0.61%

LAB 86.19, -22.64, 64.28

 

CMYK 5 / 0 / 48 / 9

HEX #DCE779

RGB 220 231 121

HSL 66, 0.7%, 0.69%

LAB 88.8, -19.18, 51.9

 

CMYK 8 / 0 / 78 / 14

HEX #CADB31

RGB 202 219 49

HSL 66, 0.7%, 0.53%

LAB 83.67, -25.35, 74.64

 

CMYK 77 / 0 / 54 / 14

HEX #33DB65

RGB 51 219 101

HSL 137.86, 0.7%, 0.53%

LAB 77.46, -66.08, 45.82

 

CMYK 23 / 77 / 0 / 14

HEX #A833DB

RGB 168 51 219

HSL 281.79, 0.7%, 0.53%

LAB 46.72, 70.53, -63.22

 

CMYK 8 / 0 / 78 / 14

HEX #CADB31

RGB 202 219 49

HSL 66, 0.7%, 0.53%

LAB 83.67, -25.35, 74.64

 

CMYK 77 / 8 / 0 / 14

HEX #33CADB

RGB 51 202 219

HSL 186.07, 0.7%, 0.53%

LAB 74.86, -32.34, -19.53

 

CMYK 0 / 77 / 8 / 14

HEX #DB33CA

RGB 219 51 202

HSL 306.07, 0.7%, 0.53%

LAB 53.7, 77.54, -41.86

 

CMYK 8 / 0 / 78 / 14

HEX #CADB31

RGB 202 219 49

HSL 66, 0.7%, 0.53%

LAB 83.67, -25.35, 74.64

 

CMYK 77 / 0 / 54 / 14

HEX #33DB65

RGB 51 219 101

HSL 137.86, 0.7%, 0.53%

LAB 77.46, -66.08, 45.82

 

CMYK 69 / 77 / 0 / 14

HEX #4433DB

RGB 68 51 219

HSL 246.07, 0.7%, 0.53%

LAB 35.42, 56.45, -82.16

 

CMYK 0 / 77 / 23 / 14

HEX #DB33A8

RGB 219 51 168

HSL 318.21, 0.7%, 0.53%

LAB 52.12, 72.97, -24.56

 

CMYK 8 / 0 / 78 / 14

HEX #CADB31

RGB 202 219 49

HSL 66, 0.7%, 0.53%

LAB 83.67, -25.35, 74.64

 

CMYK 77 / 0 / 31 / 14

HEX #33DB97

RGB 51 219 151

HSL 155.71, 0.7%, 0.53%

LAB 78.23, -57.3, 21.75

 

CMYK 69 / 77 / 0 / 14

HEX #4433DB

RGB 68 51 219

HSL 246.07, 0.7%, 0.53%

LAB 35.42, 56.45, -82.16

 

CMYK 0 / 77 / 46 / 14

HEX #DB3376

RGB 219 51 118

HSL 336.07, 0.7%, 0.53%

LAB 50.38, 67.67, 2.72

 

Description

Color code: HEX #CADB31 | qconv.com Color code: HEX #CADB31 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 219 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 219 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 78 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 78% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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