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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CADDA0 it is the complementary color #35225F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CADDA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CADDA0 shade: #CFDD9B, #E0EFAE, #F1FFC1, #FFFFD4 and #FFFFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CADDA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CADDA0 shade: #CADDA0, #B9CB8D, #A8B97A, #97A767 and #869554

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CADDA0 shade: #CADDA1, #DADDA1, #DDCFA1, #DDBFA1 and #DDAFA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CADDA0 shade: #CADDA1, #BADDA1, #AADDA1, #A1DDA8 and #A1DDB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CADDA0 shade matches the following richer shades: #CADDA1, #CEE796, #D2F18C and #D6FC82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CADDA0 shade: #CADDA1, #C6D2AB, #C2C8B5, #BEBEC0 and #BAB3CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CADDA0 shade: #DDCFA1, #DBDDA1, #CBDDA1, #BBDDA1 and #ABDDA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CADDA0 shade: #A8C764, #B9D282, #CADDA1, #DBE8BF and #ECF3DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CADDA0 shade: #CADDA0, #A1DDBF and #D7A1DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CADDA0 shade: #CADDA0, #A1CBDD and #DDA1CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CADDA0 shade: #CADDA0, #A1DDBF, #B3A1DD and #DDA1BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CADDA0 shade: #CADDA0, #A1DDD1, #B3A1DD and #DDA1AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 28 / 13

HEX #CADDA0

RGB 202 221 160

HSL 78.69, 0.47%, 0.75%

LAB 85.41, -16.54, 27.91

 

Complementary color

CMYK 44 / 64 / 0 / 63

HEX #35225F

RGB 53 34 95

HSL 258.69, 0.47%, 0.25%

LAB 18.92, 24.94, -33.33

 

CMYK 6 / 0 / 30 / 13

HEX #CFDD9B

RGB 207 221 155

HSL 72.73, 0.49%, 0.74%

LAB 85.68, -15.38, 30.91

 

CMYK 6 / 0 / 27 / 6

HEX #E0EFAE

RGB 224 239 174

HSL 73.85, 0.67%, 0.81%

LAB 91.97, -15.48, 29.86

 

CMYK 5 / 0 / 24 / 0

HEX #F1FFC1

RGB 241 255 193

HSL 73.55, 1%, 0.88%

LAB 97.66, -14.59, 28.17

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE7

RGB 255 255 231

HSL 60, 1%, 0.95%

LAB 99.44, -4.01, 11.47

 

CMYK 9 / 0 / 28 / 13

HEX #CADDA0

RGB 202 221 160

HSL 78.69, 0.47%, 0.75%

LAB 85.41, -16.54, 27.91

 

CMYK 9 / 0 / 31 / 20

HEX #B9CB8D

RGB 185 203 141

HSL 77.42, 0.37%, 0.67%

LAB 79.01, -16.48, 28.97

 

CMYK 9 / 0 / 34 / 27

HEX #A8B97A

RGB 168 185 122

HSL 76.19, 0.31%, 0.6%

LAB 72.51, -16.41, 30.08

 

CMYK 10 / 0 / 38 / 35

HEX #97A767

RGB 151 167 103

HSL 75, 0.27%, 0.53%

LAB 65.9, -16.3, 31.25

 

CMYK 10 / 0 / 44 / 42

HEX #869554

RGB 134 149 84

HSL 73.85, 0.28%, 0.46%

LAB 59.16, -16.15, 32.47

 

CMYK 9 / 0 / 27 / 13

HEX #CADDA1

RGB 202 221 161

HSL 79, 0.47%, 0.75%

LAB 85.42, -16.4, 27.42

 

CMYK 1 / 0 / 27 / 13

HEX #DADDA1

RGB 218 221 161

HSL 63, 0.47%, 0.75%

LAB 86.6, -10.47, 29.2

 

CMYK 0 / 6 / 27 / 13

HEX #DDCFA1

RGB 221 207 161

HSL 46, 0.47%, 0.75%

LAB 83.22, -2.19, 24.66

 

CMYK 0 / 14 / 27 / 13

HEX #DDBFA1

RGB 221 191 161

HSL 30, 0.47%, 0.75%

LAB 79.16, 6.19, 19.08

 

CMYK 0 / 21 / 27 / 13

HEX #DDAFA1

RGB 221 175 161

HSL 14, 0.47%, 0.75%

LAB 75.21, 14.71, 13.56

 

CMYK 9 / 0 / 27 / 13

HEX #CADDA1

RGB 202 221 161

HSL 79, 0.47%, 0.75%

LAB 85.42, -16.4, 27.42

 

CMYK 16 / 0 / 27 / 13

HEX #BADDA1

RGB 186 221 161

HSL 95, 0.47%, 0.75%

LAB 84.34, -22.16, 25.77

 

CMYK 23 / 0 / 27 / 13

HEX #AADDA1

RGB 170 221 161

HSL 111, 0.47%, 0.75%

LAB 83.35, -27.69, 24.26

 

CMYK 27 / 0 / 24 / 13

HEX #A1DDA8

RGB 161 221 168

HSL 127, 0.47%, 0.75%

LAB 82.98, -29.49, 20.01

 

CMYK 27 / 0 / 17 / 13

HEX #A1DDB8

RGB 161 221 184

HSL 143, 0.47%, 0.75%

LAB 83.31, -26.59, 12.07

 

CMYK 9 / 0 / 27 / 13

HEX #CADDA1

RGB 202 221 161

HSL 79, 0.47%, 0.75%

LAB 85.42, -16.4, 27.42

 

CMYK 11 / 0 / 35 / 9

HEX #CEE796

RGB 206 231 150

HSL 78.52, 0.63%, 0.75%

LAB 88.2, -21.32, 36.76

 

CMYK 13 / 0 / 42 / 5

HEX #D2F18C

RGB 210 241 140

HSL 78.42, 0.78%, 0.75%

LAB 91.01, -25.84, 45.37

 

CMYK 15 / 0 / 48 / 1

HEX #D6FC82

RGB 214 252 130

HSL 78.69, 0.95%, 0.75%

LAB 94.11, -30.58, 54

 

CMYK 9 / 0 / 27 / 13

HEX #CADDA1

RGB 202 221 161

HSL 79, 0.47%, 0.75%

LAB 85.42, -16.4, 27.42

 

CMYK 6 / 0 / 19 / 18

HEX #C6D2AB

RGB 198 210 171

HSL 78.46, 0.3%, 0.75%

LAB 82.4, -10.83, 17.99

 

CMYK 3 / 0 / 10 / 22

HEX #C2C8B5

RGB 194 200 181

HSL 78.95, 0.15%, 0.75%

LAB 79.68, -5.46, 8.79

 

CMYK 1 / 1 / 0 / 25

HEX #BEBEC0

RGB 190 190 192

HSL 240, 0.02%, 0.75%

LAB 77.03, 0.38, -1.01

 

CMYK 8 / 11 / 0 / 21

HEX #BAB3CA

RGB 186 179 202

HSL 258.26, 0.18%, 0.75%

LAB 74.15, 6.88, -10.74

 

CMYK 0 / 6 / 27 / 13

HEX #DDCFA1

RGB 221 207 161

HSL 46, 0.47%, 0.75%

LAB 83.22, -2.19, 24.66

 

CMYK 1 / 0 / 27 / 13

HEX #DBDDA1

RGB 219 221 161

HSL 62, 0.47%, 0.75%

LAB 86.68, -10.1, 29.32

 

CMYK 8 / 0 / 27 / 13

HEX #CBDDA1

RGB 203 221 161

HSL 78, 0.47%, 0.75%

LAB 85.5, -16.03, 27.52

 

CMYK 15 / 0 / 27 / 13

HEX #BBDDA1

RGB 187 221 161

HSL 94, 0.47%, 0.75%

LAB 84.41, -21.81, 25.87

 

CMYK 23 / 0 / 27 / 13

HEX #ABDDA1

RGB 171 221 161

HSL 110, 0.47%, 0.75%

LAB 83.41, -27.36, 24.35

 

CMYK 16 / 0 / 50 / 22

HEX #A8C764

RGB 168 199 100

HSL 78.79, 0.47%, 0.59%

LAB 76.13, -25.95, 45.76

 

CMYK 12 / 0 / 38 / 18

HEX #B9D282

RGB 185 210 130

HSL 78.75, 0.47%, 0.67%

LAB 80.75, -21.4, 36.9

 

CMYK 9 / 0 / 27 / 13

HEX #CADDA1

RGB 202 221 161

HSL 79, 0.47%, 0.75%

LAB 85.42, -16.4, 27.42

 

CMYK 6 / 0 / 18 / 9

HEX #DBE8BF

RGB 219 232 191

HSL 79.02, 0.47%, 0.83%

LAB 90.11, -11.32, 18.51

 

CMYK 3 / 0 / 9 / 5

HEX #ECF3DD

RGB 236 243 221

HSL 79.09, 0.48%, 0.91%

LAB 94.8, -6.12, 9.8

 

CMYK 9 / 0 / 28 / 13

HEX #CADDA0

RGB 202 221 160

HSL 78.69, 0.47%, 0.75%

LAB 85.41, -16.54, 27.91

 

CMYK 27 / 0 / 14 / 13

HEX #A1DDBF

RGB 161 221 191

HSL 150, 0.47%, 0.75%

LAB 83.47, -25.23, 8.61

 

CMYK 3 / 27 / 0 / 13

HEX #D7A1DD

RGB 215 161 221

HSL 294, 0.47%, 0.75%

LAB 73, 30.06, -22.63

 

CMYK 9 / 0 / 28 / 13

HEX #CADDA0

RGB 202 221 160

HSL 78.69, 0.47%, 0.75%

LAB 85.41, -16.54, 27.91

 

CMYK 27 / 8 / 0 / 13

HEX #A1CBDD

RGB 161 203 221

HSL 198, 0.47%, 0.75%

LAB 79.33, -9.72, -13.46

 

CMYK 0 / 27 / 8 / 13

HEX #DDA1CB

RGB 221 161 203

HSL 318, 0.47%, 0.75%

LAB 73.01, 28.78, -12.67

 

CMYK 9 / 0 / 28 / 13

HEX #CADDA0

RGB 202 221 160

HSL 78.69, 0.47%, 0.75%

LAB 85.41, -16.54, 27.91

 

CMYK 27 / 0 / 14 / 13

HEX #A1DDBF

RGB 161 221 191

HSL 150, 0.47%, 0.75%

LAB 83.47, -25.23, 8.61

 

CMYK 19 / 27 / 0 / 13

HEX #B3A1DD

RGB 179 161 221

HSL 258, 0.47%, 0.75%

LAB 69.68, 18.62, -28

 

CMYK 0 / 27 / 14 / 13

HEX #DDA1BF

RGB 221 161 191

HSL 330, 0.47%, 0.75%

LAB 72.64, 26.77, -6.61

 

CMYK 9 / 0 / 28 / 13

HEX #CADDA0

RGB 202 221 160

HSL 78.69, 0.47%, 0.75%

LAB 85.41, -16.54, 27.91

 

CMYK 27 / 0 / 5 / 13

HEX #A1DDD1

RGB 161 221 209

HSL 168, 0.47%, 0.75%

LAB 83.91, -21.54, -0.28

 

CMYK 19 / 27 / 0 / 13

HEX #B3A1DD

RGB 179 161 221

HSL 258, 0.47%, 0.75%

LAB 69.68, 18.62, -28

 

CMYK 0 / 27 / 22 / 13

HEX #DDA1AD

RGB 221 161 173

HSL 348, 0.47%, 0.75%

LAB 72.15, 23.97, 2.6

 

Description

Color code: HEX #CADDA0 | qconv.com Color code: HEX #CADDA0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 221 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 221 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 28 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 28% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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