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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CADDB0 it is the complementary color #35224F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CADDB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CADDB0 shade: #CFDDAB, #E0EFBE, #F1FFD1, #FFFFE4 and #FFFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CADDB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CADDB0 shade: #CADDB0, #B9CB9D, #A8B98A, #97A777 and #869564

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CADDB0 shade: #CADDB0, #D6DDB0, #DDD8B0, #DDCBB0 and #DDBFB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CADDB0 shade: #CADDB0, #BEDDB0, #B2DDB0, #B0DDBA and #B0DDC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CADDB0 shade matches the following richer shades: #CADDB0, #CBE6A7, #CDEF9E and #CEF895

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CADDB0 shade: #CADDB0, #C8D4B9, #C7CBC2, #C6C2CB and #C4B9D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CADDB0 shade: #DDD8B0, #D6DDB0, #CADDB0, #BEDDB0 and #B2DDB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CADDB0 shade: #A3C476, #B7D093, #CADDB0, #DDE9CD and #F1F6EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CADDB0 shade: #CADDB0, #B0DDCC and #DDB0DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CADDB0 shade: #CADDB0, #B0CADD and #DDB0CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CADDB0 shade: #CADDB0, #B0DDCC, #C3B0DD and #DDB0C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CADDB0 shade: #CADDB0, #B0DDD9, #C3B0DD and #DDB0B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 20 / 13

HEX #CADDB0

RGB 202 221 176

HSL 85.33, 0.4%, 0.78%

LAB 85.71, -14.17, 20.01

 

Complementary color

CMYK 33 / 57 / 0 / 69

HEX #35224F

RGB 53 34 79

HSL 265.33, 0.4%, 0.22%

LAB 17.76, 20.05, -24.47

 

CMYK 6 / 0 / 23 / 13

HEX #CFDDAB

RGB 207 221 171

HSL 76.8, 0.42%, 0.77%

LAB 85.97, -13.13, 23.03

 

CMYK 6 / 0 / 21 / 6

HEX #E0EFBE

RGB 224 239 190

HSL 78.37, 0.6%, 0.84%

LAB 92.26, -13.19, 22.09

 

CMYK 5 / 0 / 18 / 0

HEX #F1FFD1

RGB 241 255 209

HSL 78.26, 1%, 0.91%

LAB 97.96, -12.26, 20.47

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 9 / 0 / 20 / 13

HEX #CADDB0

RGB 202 221 176

HSL 85.33, 0.4%, 0.78%

LAB 85.71, -14.17, 20.01

 

CMYK 9 / 0 / 23 / 20

HEX #B9CB9D

RGB 185 203 157

HSL 83.48, 0.31%, 0.71%

LAB 79.31, -14.16, 20.96

 

CMYK 9 / 0 / 25 / 27

HEX #A8B98A

RGB 168 185 138

HSL 81.7, 0.25%, 0.63%

LAB 72.8, -14.13, 21.96

 

CMYK 10 / 0 / 29 / 35

HEX #97A777

RGB 151 167 119

HSL 80, 0.21%, 0.56%

LAB 66.17, -14.1, 23.02

 

CMYK 10 / 0 / 33 / 42

HEX #869564

RGB 134 149 100

HSL 78.37, 0.2%, 0.49%

LAB 59.42, -14.05, 24.15

 

CMYK 9 / 0 / 20 / 13

HEX #CADDB0

RGB 202 221 176

HSL 85.33, 0.4%, 0.78%

LAB 85.71, -14.17, 20.01

 

CMYK 3 / 0 / 20 / 13

HEX #D6DDB0

RGB 214 221 176

HSL 69.33, 0.4%, 0.78%

LAB 86.58, -9.85, 21.35

 

CMYK 0 / 2 / 20 / 13

HEX #DDD8B0

RGB 221 216 176

HSL 53.33, 0.4%, 0.78%

LAB 85.82, -4.74, 20.38

 

CMYK 0 / 8 / 20 / 13

HEX #DDCBB0

RGB 221 203 176

HSL 36, 0.4%, 0.78%

LAB 82.5, 2, 15.75

 

CMYK 0 / 14 / 20 / 13

HEX #DDBFB0

RGB 221 191 176

HSL 20, 0.4%, 0.78%

LAB 79.48, 8.32, 11.49

 

CMYK 9 / 0 / 20 / 13

HEX #CADDB0

RGB 202 221 176

HSL 85.33, 0.4%, 0.78%

LAB 85.71, -14.17, 20.01

 

CMYK 14 / 0 / 20 / 13

HEX #BEDDB0

RGB 190 221 176

HSL 101.33, 0.4%, 0.78%

LAB 84.89, -18.4, 18.75

 

CMYK 19 / 0 / 20 / 13

HEX #B2DDB0

RGB 178 221 176

HSL 117.33, 0.4%, 0.78%

LAB 84.13, -22.51, 17.57

 

CMYK 20 / 0 / 16 / 13

HEX #B0DDBA

RGB 176 221 186

HSL 133.33, 0.4%, 0.78%

LAB 84.22, -21.41, 12.43

 

CMYK 20 / 0 / 10 / 13

HEX #B0DDC6

RGB 176 221 198

HSL 149.33, 0.4%, 0.78%

LAB 84.49, -19.17, 6.49

 

CMYK 9 / 0 / 20 / 13

HEX #CADDB0

RGB 202 221 176

HSL 85.33, 0.4%, 0.78%

LAB 85.71, -14.17, 20.01

 

CMYK 12 / 0 / 27 / 10

HEX #CBE6A7

RGB 203 230 167

HSL 85.71, 0.56%, 0.78%

LAB 88.01, -19.63, 27.84

 

CMYK 14 / 0 / 34 / 6

HEX #CDEF9E

RGB 205 239 158

HSL 85.19, 0.72%, 0.78%

LAB 90.4, -24.51, 35.63

 

CMYK 17 / 0 / 40 / 3

HEX #CEF895

RGB 206 248 149

HSL 85.45, 0.88%, 0.78%

LAB 92.76, -29.54, 43.16

 

CMYK 9 / 0 / 20 / 13

HEX #CADDB0

RGB 202 221 176

HSL 85.33, 0.4%, 0.78%

LAB 85.71, -14.17, 20.01

 

CMYK 6 / 0 / 13 / 17

HEX #C8D4B9

RGB 200 212 185

HSL 86.67, 0.24%, 0.78%

LAB 83.37, -8.87, 11.98

 

CMYK 2 / 0 / 4 / 20

HEX #C7CBC2

RGB 199 203 194

HSL 86.67, 0.08%, 0.78%

LAB 81.15, -3, 4

 

CMYK 2 / 4 / 0 / 20

HEX #C6C2CB

RGB 198 194 203

HSL 266.67, 0.08%, 0.78%

LAB 78.98, 3.06, -4.02

 

CMYK 8 / 13 / 0 / 17

HEX #C4B9D4

RGB 196 185 212

HSL 264.44, 0.24%, 0.78%

LAB 76.79, 8.97, -12.16

 

CMYK 0 / 2 / 20 / 13

HEX #DDD8B0

RGB 221 216 176

HSL 53.33, 0.4%, 0.78%

LAB 85.82, -4.74, 20.38

 

CMYK 3 / 0 / 20 / 13

HEX #D6DDB0

RGB 214 221 176

HSL 69.33, 0.4%, 0.78%

LAB 86.58, -9.85, 21.35

 

CMYK 9 / 0 / 20 / 13

HEX #CADDB0

RGB 202 221 176

HSL 85.33, 0.4%, 0.78%

LAB 85.71, -14.17, 20.01

 

CMYK 14 / 0 / 20 / 13

HEX #BEDDB0

RGB 190 221 176

HSL 101.33, 0.4%, 0.78%

LAB 84.89, -18.4, 18.75

 

CMYK 19 / 0 / 20 / 13

HEX #B2DDB0

RGB 178 221 176

HSL 117.33, 0.4%, 0.78%

LAB 84.13, -22.51, 17.57

 

CMYK 17 / 0 / 40 / 23

HEX #A3C476

RGB 163 196 118

HSL 85.38, 0.4%, 0.62%

LAB 75.19, -24.33, 35.56

 

CMYK 12 / 0 / 29 / 18

HEX #B7D093

RGB 183 208 147

HSL 84.59, 0.39%, 0.7%

LAB 80.34, -18.89, 27.6

 

CMYK 9 / 0 / 20 / 13

HEX #CADDB0

RGB 202 221 176

HSL 85.33, 0.4%, 0.78%

LAB 85.71, -14.17, 20.01

 

CMYK 5 / 0 / 12 / 9

HEX #DDE9CD

RGB 221 233 205

HSL 85.71, 0.39%, 0.86%

LAB 90.81, -8.89, 12.25

 

CMYK 2 / 0 / 5 / 4

HEX #F1F6EA

RGB 241 246 234

HSL 85, 0.4%, 0.94%

LAB 96.23, -3.75, 5.18

 

CMYK 9 / 0 / 20 / 13

HEX #CADDB0

RGB 202 221 176

HSL 85.33, 0.4%, 0.78%

LAB 85.71, -14.17, 20.01

 

CMYK 20 / 0 / 8 / 13

HEX #B0DDCC

RGB 176 221 204

HSL 157.33, 0.4%, 0.78%

LAB 84.64, -17.99, 3.53

 

CMYK 0 / 20 / 0 / 13

HEX #DDB0DC

RGB 221 176 220

HSL 301.33, 0.4%, 0.78%

LAB 77.04, 23.72, -15.91

 

CMYK 9 / 0 / 20 / 13

HEX #CADDB0

RGB 202 221 176

HSL 85.33, 0.4%, 0.78%

LAB 85.71, -14.17, 20.01

 

CMYK 20 / 9 / 0 / 13

HEX #B0CADD

RGB 176 202 221

HSL 205.33, 0.4%, 0.78%

LAB 80.01, -4.68, -12.35

 

CMYK 0 / 20 / 9 / 13

HEX #DDB0CA

RGB 221 176 202

HSL 325.33, 0.4%, 0.78%

LAB 76.49, 20.52, -6.94

 

CMYK 9 / 0 / 20 / 13

HEX #CADDB0

RGB 202 221 176

HSL 85.33, 0.4%, 0.78%

LAB 85.71, -14.17, 20.01

 

CMYK 20 / 0 / 8 / 13

HEX #B0DDCC

RGB 176 221 204

HSL 157.33, 0.4%, 0.78%

LAB 84.64, -17.99, 3.53

 

CMYK 12 / 20 / 0 / 13

HEX #C3B0DD

RGB 195 176 221

HSL 265.33, 0.4%, 0.78%

LAB 74.74, 15.38, -20.14

 

CMYK 0 / 20 / 13 / 13

HEX #DDB0C1

RGB 221 176 193

HSL 337.33, 0.4%, 0.78%

LAB 76.24, 19.01, -2.4

 

CMYK 9 / 0 / 20 / 13

HEX #CADDB0

RGB 202 221 176

HSL 85.33, 0.4%, 0.78%

LAB 85.71, -14.17, 20.01

 

CMYK 20 / 0 / 2 / 13

HEX #B0DDD9

RGB 176 221 217

HSL 174.67, 0.4%, 0.78%

LAB 84.97, -15.35, -2.86

 

CMYK 12 / 20 / 0 / 13

HEX #C3B0DD

RGB 195 176 221

HSL 265.33, 0.4%, 0.78%

LAB 74.74, 15.38, -20.14

 

CMYK 0 / 20 / 19 / 13

HEX #DDB0B4

RGB 221 176 180

HSL 354.67, 0.4%, 0.78%

LAB 75.9, 16.94, 4.19

 

Description

Color code: HEX #CADDB0 | qconv.com Color code: HEX #CADDB0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 221 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 221 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 20 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 20% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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