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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CADF5D it is the complementary color #3520A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CADF5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CADF5D shade: #CFDF58, #E0F16B, #F1FF7E, #FFFF91 and #FFFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CADF5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CADF5D shade: #CADF5D, #B9CD4A, #A8BB37, #97A924 and #869711

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CADF5D shade: #CADF5D, #DFD05D, #DFAD5D, #DF8A5D and #DF675D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CADF5D shade: #CADF5D, #A7DF5D, #84DF5D, #61DF5D and #5DDF7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CADF5D shade matches the following richer shades: #CADF5D, #D4EE4D and #DFFE3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CADF5D shade: #CADF5D, #BFCF6C, #B4BF7C, #AAAF8C and #9FA09B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CADF5D shade: #DFAD5D, #DFCF5D, #CBDF5D, #A8DF5D and #86DF5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CADF5D shade: #A9C326, #BED83A, #CADF5D, #D5E57F and #E0ECA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CADF5D shade: #CADF5D, #5DDF8A and #BE5DDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CADF5D shade: #CADF5D, #5DCBDF and #DF5DCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CADF5D shade: #CADF5D, #5DDF8A, #705DDF and #DF5DB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CADF5D shade: #CADF5D, #5DDFB1, #705DDF and #DF5D8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 58 / 13

HEX #CADF5D

RGB 202 223 93

HSL 69.69, 0.67%, 0.62%

LAB 85.06, -24.78, 59.91

 

Complementary color

CMYK 67 / 80 / 0 / 36

HEX #3520A2

RGB 53 32 162

HSL 249.69, 0.67%, 0.38%

LAB 24.95, 47.15, -65.86

 

CMYK 7 / 0 / 61 / 13

HEX #CFDF58

RGB 207 223 88

HSL 67.11, 0.68%, 0.61%

LAB 85.38, -23.15, 62.48

 

CMYK 7 / 0 / 56 / 5

HEX #E0F16B

RGB 224 241 107

HSL 67.61, 0.83%, 0.68%

LAB 91.6, -23.63, 61.61

 

CMYK 5 / 0 / 51 / 0

HEX #F1FF7E

RGB 241 255 126

HSL 66.51, 1%, 0.75%

LAB 96.71, -22.14, 59.38

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 9 / 0 / 58 / 13

HEX #CADF5D

RGB 202 223 93

HSL 69.69, 0.67%, 0.62%

LAB 85.06, -24.78, 59.91

 

CMYK 10 / 0 / 64 / 20

HEX #B9CD4A

RGB 185 205 74

HSL 69.16, 0.57%, 0.55%

LAB 78.74, -24.28, 60.69

 

CMYK 10 / 0 / 71 / 27

HEX #A8BB37

RGB 168 187 55

HSL 68.64, 0.55%, 0.47%

LAB 72.32, -23.66, 61.12

 

CMYK 11 / 0 / 79 / 34

HEX #97A924

RGB 151 169 36

HSL 68.12, 0.65%, 0.4%

LAB 65.81, -22.87, 60.92

 

CMYK 11 / 0 / 89 / 41

HEX #869711

RGB 134 151 17

HSL 67.61, 0.8%, 0.33%

LAB 59.2, -21.86, 59.58

 

CMYK 9 / 0 / 58 / 13

HEX #CADF5D

RGB 202 223 93

HSL 69.69, 0.67%, 0.62%

LAB 85.06, -24.78, 59.91

 

CMYK 0 / 7 / 58 / 13

HEX #DFD05D

RGB 223 208 93

HSL 53.08, 0.67%, 0.62%

LAB 82.69, -8.85, 57.73

 

CMYK 0 / 22 / 58 / 13

HEX #DFAD5D

RGB 223 173 93

HSL 36.92, 0.67%, 0.62%

LAB 73.78, 9.38, 47.51

 

CMYK 0 / 38 / 58 / 13

HEX #DF8A5D

RGB 223 138 93

HSL 20.77, 0.67%, 0.62%

LAB 65.48, 28.1, 37.51

 

CMYK 0 / 54 / 58 / 13

HEX #DF675D

RGB 223 103 93

HSL 4.62, 0.67%, 0.62%

LAB 58.21, 46.07, 28.35

 

CMYK 9 / 0 / 58 / 13

HEX #CADF5D

RGB 202 223 93

HSL 69.69, 0.67%, 0.62%

LAB 85.06, -24.78, 59.91

 

CMYK 25 / 0 / 58 / 13

HEX #A7DF5D

RGB 167 223 93

HSL 85.85, 0.67%, 0.62%

LAB 82.8, -38.18, 56.75

 

CMYK 41 / 0 / 58 / 13

HEX #84DF5D

RGB 132 223 93

HSL 102, 0.67%, 0.62%

LAB 81, -50.15, 54.23

 

CMYK 57 / 0 / 58 / 13

HEX #61DF5D

RGB 97 223 93

HSL 118.15, 0.67%, 0.62%

LAB 79.67, -59.93, 52.36

 

CMYK 58 / 0 / 44 / 13

HEX #5DDF7C

RGB 93 223 124

HSL 134.31, 0.67%, 0.62%

LAB 79.93, -56.69, 37.96

 

CMYK 9 / 0 / 58 / 13

HEX #CADF5D

RGB 202 223 93

HSL 69.69, 0.67%, 0.62%

LAB 85.06, -24.78, 59.91

 

CMYK 11 / 0 / 68 / 7

HEX #D4EE4D

RGB 212 238 77

HSL 69.69, 0.83%, 0.62%

LAB 89.71, -28.97, 71.46

 

CMYK 12 / 0 / 76 / 0

HEX #DFFE3D

RGB 223 254 61

HSL 69.64, 0.99%, 0.62%

LAB 94.7, -32.79, 81.76

 

CMYK 9 / 0 / 58 / 13

HEX #CADF5D

RGB 202 223 93

HSL 69.69, 0.67%, 0.62%

LAB 85.06, -24.78, 59.91

 

CMYK 8 / 0 / 48 / 19

HEX #BFCF6C

RGB 191 207 108

HSL 69.7, 0.51%, 0.62%

LAB 80.06, -20.05, 47.03

 

CMYK 6 / 0 / 35 / 25

HEX #B4BF7C

RGB 180 191 124

HSL 69.85, 0.34%, 0.62%

LAB 75.09, -14.55, 32.58

 

CMYK 3 / 0 / 20 / 31

HEX #AAAF8C

RGB 170 175 140

HSL 68.57, 0.18%, 0.62%

LAB 70.25, -7.85, 17.39

 

CMYK 1 / 0 / 3 / 37

HEX #9FA09B

RGB 159 160 155

HSL 72, 0.03%, 0.62%

LAB 65.65, -1.3, 2.47

 

CMYK 0 / 22 / 58 / 13

HEX #DFAD5D

RGB 223 173 93

HSL 36.92, 0.67%, 0.62%

LAB 73.78, 9.38, 47.51

 

CMYK 0 / 7 / 58 / 13

HEX #DFCF5D

RGB 223 207 93

HSL 52.62, 0.67%, 0.62%

LAB 82.43, -8.34, 57.43

 

CMYK 9 / 0 / 58 / 13

HEX #CBDF5D

RGB 203 223 93

HSL 69.23, 0.67%, 0.62%

LAB 85.13, -24.38, 60.01

 

CMYK 25 / 0 / 58 / 13

HEX #A8DF5D

RGB 168 223 93

HSL 85.38, 0.67%, 0.62%

LAB 82.86, -37.82, 56.83

 

CMYK 40 / 0 / 58 / 13

HEX #86DF5D

RGB 134 223 93

HSL 101.08, 0.67%, 0.62%

LAB 81.09, -49.52, 54.35

 

CMYK 13 / 0 / 81 / 24

HEX #A9C326

RGB 169 195 38

HSL 69.94, 0.67%, 0.46%

LAB 74.58, -27.89, 68.68

 

CMYK 12 / 0 / 73 / 15

HEX #BED83A

RGB 190 216 58

HSL 69.87, 0.67%, 0.54%

LAB 82.04, -28.43, 70.04

 

CMYK 9 / 0 / 58 / 13

HEX #CADF5D

RGB 202 223 93

HSL 69.69, 0.67%, 0.62%

LAB 85.06, -24.78, 59.91

 

CMYK 7 / 0 / 45 / 10

HEX #D5E57F

RGB 213 229 127

HSL 69.41, 0.66%, 0.7%

LAB 87.83, -20.33, 47.74

 

CMYK 5 / 0 / 31 / 7

HEX #E0ECA2

RGB 224 236 162

HSL 69.73, 0.66%, 0.78%

LAB 90.98, -15.58, 34.62

 

CMYK 9 / 0 / 58 / 13

HEX #CADF5D

RGB 202 223 93

HSL 69.69, 0.67%, 0.62%

LAB 85.06, -24.78, 59.91

 

CMYK 58 / 0 / 38 / 13

HEX #5DDF8A

RGB 93 223 138

HSL 140.77, 0.67%, 0.62%

LAB 80.14, -54.37, 31.2

 

CMYK 15 / 58 / 0 / 13

HEX #BE5DDF

RGB 190 93 223

HSL 284.77, 0.67%, 0.62%

LAB 56.19, 58.68, -50.13

 

CMYK 9 / 0 / 58 / 13

HEX #CADF5D

RGB 202 223 93

HSL 69.69, 0.67%, 0.62%

LAB 85.06, -24.78, 59.91

 

CMYK 58 / 9 / 0 / 13

HEX #5DCBDF

RGB 93 203 223

HSL 189.23, 0.67%, 0.62%

LAB 76.29, -25.67, -19.42

 

CMYK 0 / 58 / 9 / 13

HEX #DF5DCB

RGB 223 93 203

HSL 309.23, 0.67%, 0.62%

LAB 59.73, 63.62, -32.93

 

CMYK 9 / 0 / 58 / 13

HEX #CADF5D

RGB 202 223 93

HSL 69.69, 0.67%, 0.62%

LAB 85.06, -24.78, 59.91

 

CMYK 58 / 0 / 38 / 13

HEX #5DDF8A

RGB 93 223 138

HSL 140.77, 0.67%, 0.62%

LAB 80.14, -54.37, 31.2

 

CMYK 50 / 58 / 0 / 13

HEX #705DDF

RGB 112 93 223

HSL 248.77, 0.67%, 0.62%

LAB 47.75, 40.86, -64.13

 

CMYK 0 / 58 / 21 / 13

HEX #DF5DB1

RGB 223 93 177

HSL 321.23, 0.67%, 0.62%

LAB 58.69, 59.76, -19.67

 

CMYK 9 / 0 / 58 / 13

HEX #CADF5D

RGB 202 223 93

HSL 69.69, 0.67%, 0.62%

LAB 85.06, -24.78, 59.91

 

CMYK 58 / 0 / 21 / 13

HEX #5DDFB1

RGB 93 223 177

HSL 158.77, 0.67%, 0.62%

LAB 80.89, -46.61, 11.94

 

CMYK 50 / 58 / 0 / 13

HEX #705DDF

RGB 112 93 223

HSL 248.77, 0.67%, 0.62%

LAB 47.75, 40.86, -64.13

 

CMYK 0 / 58 / 38 / 13

HEX #DF5D8A

RGB 223 93 138

HSL 339.23, 0.67%, 0.62%

LAB 57.42, 54.88, 1.11

 

Description

Color code: HEX #CADF5D | qconv.com Color code: HEX #CADF5D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 223 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 223 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 58 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 58% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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