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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CADF9A it is the complementary color #352065. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CADF9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CADF9A shade: #CFDF95, #E0F1A8, #F1FFBB, #FFFFCE and #FFFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CADF9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CADF9A shade: #CADF9A, #B9CD87, #A8BB74, #97A961 and #86974E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CADF9A shade: #CADF9A, #DCDF9A, #DFCE9A, #DFBC9A and #DFA99A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CADF9A shade: #CADF9A, #B7DF9A, #A5DF9A, #9ADFA2 and #9ADFB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CADF9A shade matches the following richer shades: #CADF9A, #CEE98F and #D2F484

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CADF9A shade: #CADF9A, #C5D4A4, #C1C9AF, #BDBEBA and #B9B4C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CADF9A shade: #DFCF9A, #DCDF9A, #CADF9A, #B8DF9A and #A5DF9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CADF9A shade: #A9CB5B, #B9D57A, #CADF9A, #DAE9B9 and #EBF2D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CADF9A shade: #CADF9A, #9ADFBC and #D89ADF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CADF9A shade: #CADF9A, #9ACADF and #DF9ACA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CADF9A shade: #CADF9A, #9ADFBC, #AE9ADF and #DF9ABC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CADF9A shade: #CADF9A, #9ADFD1, #AE9ADF and #DF9AA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 31 / 13

HEX #CADF9A

RGB 202 223 154

HSL 78.26, 0.52%, 0.74%

LAB 85.84, -18.36, 31.57

 

Complementary color

CMYK 48 / 68 / 0 / 60

HEX #352065

RGB 53 32 101

HSL 258.26, 0.52%, 0.26%

LAB 18.93, 28.08, -37.27

 

CMYK 7 / 0 / 33 / 13

HEX #CFDF95

RGB 207 223 149

HSL 72.97, 0.54%, 0.73%

LAB 86.11, -17.15, 34.55

 

CMYK 7 / 0 / 30 / 5

HEX #E0F1A8

RGB 224 241 168

HSL 73.97, 0.72%, 0.8%

LAB 92.39, -17.26, 33.47

 

CMYK 5 / 0 / 27 / 0

HEX #F1FFBB

RGB 241 255 187

HSL 72.35, 1%, 0.87%

LAB 97.55, -15.41, 31.04

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 9 / 0 / 31 / 13

HEX #CADF9A

RGB 202 223 154

HSL 78.26, 0.52%, 0.74%

LAB 85.84, -18.36, 31.57

 

CMYK 10 / 0 / 34 / 20

HEX #B9CD87

RGB 185 205 135

HSL 77.14, 0.41%, 0.67%

LAB 79.46, -18.29, 32.67

 

CMYK 10 / 0 / 38 / 27

HEX #A8BB74

RGB 168 187 116

HSL 76.06, 0.34%, 0.59%

LAB 72.98, -18.2, 33.81

 

CMYK 11 / 0 / 43 / 34

HEX #97A961

RGB 151 169 97

HSL 75, 0.3%, 0.52%

LAB 66.38, -18.07, 35

 

CMYK 11 / 0 / 48 / 41

HEX #86974E

RGB 134 151 78

HSL 73.97, 0.32%, 0.45%

LAB 59.66, -17.88, 36.22

 

CMYK 9 / 0 / 31 / 13

HEX #CADF9A

RGB 202 223 154

HSL 78.26, 0.52%, 0.74%

LAB 85.84, -18.36, 31.57

 

CMYK 1 / 0 / 31 / 13

HEX #DCDF9A

RGB 220 223 154

HSL 62.61, 0.52%, 0.74%

LAB 87.16, -11.62, 33.56

 

CMYK 0 / 8 / 31 / 13

HEX #DFCE9A

RGB 223 206 154

HSL 45.22, 0.52%, 0.74%

LAB 83, -1.81, 28.05

 

CMYK 0 / 16 / 31 / 13

HEX #DFBC9A

RGB 223 188 154

HSL 29.57, 0.52%, 0.74%

LAB 78.45, 7.62, 21.88

 

CMYK 0 / 24 / 31 / 13

HEX #DFA99A

RGB 223 169 154

HSL 13.04, 0.52%, 0.74%

LAB 73.8, 17.76, 15.43

 

CMYK 9 / 0 / 31 / 13

HEX #CADF9A

RGB 202 223 154

HSL 78.26, 0.52%, 0.74%

LAB 85.84, -18.36, 31.57

 

CMYK 18 / 0 / 31 / 13

HEX #B7DF9A

RGB 183 223 154

HSL 94.78, 0.52%, 0.74%

LAB 84.57, -25.23, 29.66

 

CMYK 26 / 0 / 31 / 13

HEX #A5DF9A

RGB 165 223 154

HSL 110.43, 0.52%, 0.74%

LAB 83.5, -31.43, 28.03

 

CMYK 31 / 0 / 27 / 13

HEX #9ADFA2

RGB 154 223 162

HSL 126.96, 0.52%, 0.74%

LAB 83.05, -33.7, 23.18

 

CMYK 31 / 0 / 19 / 13

HEX #9ADFB4

RGB 154 223 180

HSL 142.61, 0.52%, 0.74%

LAB 83.41, -30.46, 14.27

 

CMYK 9 / 0 / 31 / 13

HEX #CADF9A

RGB 202 223 154

HSL 78.26, 0.52%, 0.74%

LAB 85.84, -18.36, 31.57

 

CMYK 12 / 0 / 39 / 9

HEX #CEE98F

RGB 206 233 143

HSL 78, 0.67%, 0.74%

LAB 88.63, -23.15, 40.82

 

CMYK 14 / 0 / 46 / 4

HEX #D2F484

RGB 210 244 132

HSL 78.21, 0.84%, 0.74%

LAB 91.72, -28.13, 50.08

 

CMYK 9 / 0 / 31 / 13

HEX #CADF9A

RGB 202 223 154

HSL 78.26, 0.52%, 0.74%

LAB 85.84, -18.36, 31.57

 

CMYK 7 / 0 / 23 / 17

HEX #C5D4A4

RGB 197 212 164

HSL 78.75, 0.36%, 0.74%

LAB 82.72, -13.28, 22.11

 

CMYK 4 / 0 / 13 / 21

HEX #C1C9AF

RGB 193 201 175

HSL 78.46, 0.19%, 0.74%

LAB 79.73, -7.35, 12.06

 

CMYK 1 / 0 / 2 / 25

HEX #BDBEBA

RGB 189 190 186

HSL 75, 0.03%, 0.74%

LAB 76.79, -1.08, 1.88

 

CMYK 6 / 9 / 0 / 23

HEX #B9B4C5

RGB 185 180 197

HSL 257.65, 0.13%, 0.74%

LAB 74.18, 5, -7.98

 

CMYK 0 / 7 / 31 / 13

HEX #DFCF9A

RGB 223 207 154

HSL 46.09, 0.52%, 0.74%

LAB 83.26, -2.33, 28.4

 

CMYK 1 / 0 / 31 / 13

HEX #DCDF9A

RGB 220 223 154

HSL 62.61, 0.52%, 0.74%

LAB 87.16, -11.62, 33.56

 

CMYK 9 / 0 / 31 / 13

HEX #CADF9A

RGB 202 223 154

HSL 78.26, 0.52%, 0.74%

LAB 85.84, -18.36, 31.57

 

CMYK 17 / 0 / 31 / 13

HEX #B8DF9A

RGB 184 223 154

HSL 93.91, 0.52%, 0.74%

LAB 84.64, -24.88, 29.75

 

CMYK 26 / 0 / 31 / 13

HEX #A5DF9A

RGB 165 223 154

HSL 110.43, 0.52%, 0.74%

LAB 83.5, -31.43, 28.03

 

CMYK 17 / 0 / 55 / 20

HEX #A9CB5B

RGB 169 203 91

HSL 78.21, 0.52%, 0.58%

LAB 77.22, -28.36, 51.31

 

CMYK 13 / 0 / 43 / 16

HEX #B9D57A

RGB 185 213 122

HSL 78.46, 0.52%, 0.66%

LAB 81.46, -23.82, 41.82

 

CMYK 9 / 0 / 31 / 13

HEX #CADF9A

RGB 202 223 154

HSL 78.26, 0.52%, 0.74%

LAB 85.84, -18.36, 31.57

 

CMYK 6 / 0 / 21 / 9

HEX #DAE9B9

RGB 218 233 185

HSL 78.75, 0.52%, 0.82%

LAB 90.18, -13.09, 21.71

 

CMYK 3 / 0 / 11 / 5

HEX #EBF2D8

RGB 235 242 216

HSL 76.15, 0.5%, 0.9%

LAB 94.37, -6.78, 11.75

 

CMYK 9 / 0 / 31 / 13

HEX #CADF9A

RGB 202 223 154

HSL 78.26, 0.52%, 0.74%

LAB 85.84, -18.36, 31.57

 

CMYK 31 / 0 / 16 / 13

HEX #9ADFBC

RGB 154 223 188

HSL 149.57, 0.52%, 0.74%

LAB 83.59, -28.91, 10.31

 

CMYK 3 / 31 / 0 / 13

HEX #D89ADF

RGB 216 154 223

HSL 293.91, 0.52%, 0.74%

LAB 71.58, 34.54, -25.88

 

CMYK 9 / 0 / 31 / 13

HEX #CADF9A

RGB 202 223 154

HSL 78.26, 0.52%, 0.74%

LAB 85.84, -18.36, 31.57

 

CMYK 31 / 9 / 0 / 13

HEX #9ACADF

RGB 154 202 223

HSL 198.26, 0.52%, 0.74%

LAB 78.72, -10.74, -15.5

 

CMYK 0 / 31 / 9 / 13

HEX #DF9ACA

RGB 223 154 202

HSL 318.26, 0.52%, 0.74%

LAB 71.6, 33.05, -14.22

 

CMYK 9 / 0 / 31 / 13

HEX #CADF9A

RGB 202 223 154

HSL 78.26, 0.52%, 0.74%

LAB 85.84, -18.36, 31.57

 

CMYK 31 / 0 / 16 / 13

HEX #9ADFBC

RGB 154 223 188

HSL 149.57, 0.52%, 0.74%

LAB 83.59, -28.91, 10.31

 

CMYK 22 / 31 / 0 / 13

HEX #AE9ADF

RGB 174 154 223

HSL 257.39, 0.52%, 0.74%

LAB 67.6, 21.47, -32.33

 

CMYK 0 / 31 / 16 / 13

HEX #DF9ABC

RGB 223 154 188

HSL 330.43, 0.52%, 0.74%

LAB 71.17, 30.75, -7.11

 

CMYK 9 / 0 / 31 / 13

HEX #CADF9A

RGB 202 223 154

HSL 78.26, 0.52%, 0.74%

LAB 85.84, -18.36, 31.57

 

CMYK 31 / 0 / 6 / 13

HEX #9ADFD1

RGB 154 223 209

HSL 167.83, 0.52%, 0.74%

LAB 84.1, -24.55, -0.06

 

CMYK 22 / 31 / 0 / 13

HEX #AE9ADF

RGB 174 154 223

HSL 257.39, 0.52%, 0.74%

LAB 67.6, 21.47, -32.33

 

CMYK 0 / 31 / 25 / 13

HEX #DF9AA8

RGB 223 154 168

HSL 347.83, 0.52%, 0.74%

LAB 70.61, 27.74, 3.17

 

Description

Color code: HEX #CADF9A | qconv.com Color code: HEX #CADF9A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 223 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 223 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 31 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 31% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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