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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAE58B it is the complementary color #351A74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAE58B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAE58B shade: #CFE586, #E0F799, #F1FFAC, #FFFFBF and #FFFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAE58B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAE58B shade: #CAE58B, #B9D378, #A8C165, #97AF52 and #869D3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAE58B shade: #C9E48A, #E1E48A, #E4CF8A, #E4B68A and #E49E8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAE58B shade: #C9E48A, #B1E48A, #99E48A, #8AE494 and #8AE4AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAE58B shade matches the following richer shades: #C9E48A, #CEF07F and #D2FB73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAE58B shade: #C9E48A, #C4D996, #C0CDA1, #BBC1AD and #B7B6B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAE58B shade: #E4CF8A, #E1E48A, #C9E48A, #B1E48A and #99E48A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAE58B shade: #AAD547, #BADC68, #C9E48A, #D9ECAC and #E8F3CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAE58B shade: #CAE58B, #8AE4B7 and #DB8AE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAE58B shade: #CAE58B, #8AC9E4 and #E48AC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAE58B shade: #CAE58B, #8AE4B7, #A58AE4 and #E48AB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAE58B shade: #CAE58B, #8AE4D2, #A58AE4 and #E48A9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 39 / 10

HEX #CAE58B

RGB 202 229 139

HSL 78, 0.63%, 0.72%

LAB 87.22, -23.18, 40.94

 

Complementary color

CMYK 54 / 78 / 0 / 55

HEX #351A74

RGB 53 26 116

HSL 258, 0.63%, 0.28%

LAB 19.04, 36.18, -46.84

 

CMYK 10 / 0 / 41 / 10

HEX #CFE586

RGB 207 229 134

HSL 73.89, 0.65%, 0.71%

LAB 87.5, -21.88, 43.82

 

CMYK 9 / 0 / 38 / 3

HEX #E0F799

RGB 224 247 153

HSL 74.68, 0.85%, 0.78%

LAB 93.74, -22.02, 42.7

 

CMYK 5 / 0 / 33 / 0

HEX #F1FFAC

RGB 241 255 172

HSL 70.12, 1%, 0.84%

LAB 97.31, -17.33, 38.2

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 12 / 0 / 39 / 10

HEX #CAE58B

RGB 202 229 139

HSL 78, 0.63%, 0.72%

LAB 87.22, -23.18, 40.94

 

CMYK 12 / 0 / 43 / 17

HEX #B9D378

RGB 185 211 120

HSL 77.14, 0.51%, 0.65%

LAB 80.88, -23.07, 42.08

 

CMYK 13 / 0 / 48 / 24

HEX #A8C165

RGB 168 193 101

HSL 76.3, 0.43%, 0.58%

LAB 74.45, -22.92, 43.25

 

CMYK 14 / 0 / 53 / 31

HEX #97AF52

RGB 151 175 82

HSL 75.48, 0.37%, 0.5%

LAB 67.91, -22.7, 44.38

 

CMYK 15 / 0 / 60 / 38

HEX #869D3F

RGB 134 157 63

HSL 74.68, 0.43%, 0.43%

LAB 61.26, -22.39, 45.43

 

CMYK 12 / 0 / 39 / 11

HEX #C9E48A

RGB 201 228 138

HSL 78, 0.63%, 0.72%

LAB 86.87, -23.19, 40.97

 

CMYK 1 / 0 / 39 / 11

HEX #E1E48A

RGB 225 228 138

HSL 62, 0.63%, 0.72%

LAB 88.6, -14.05, 43.53

 

CMYK 0 / 9 / 39 / 11

HEX #E4CF8A

RGB 228 207 138

HSL 46, 0.63%, 0.72%

LAB 83.42, -2.26, 36.94

 

CMYK 0 / 20 / 39 / 11

HEX #E4B68A

RGB 228 182 138

HSL 29.33, 0.63%, 0.72%

LAB 77.15, 10.83, 28.71

 

CMYK 0 / 31 / 39 / 11

HEX #E49E8A

RGB 228 158 138

HSL 13.33, 0.63%, 0.72%

LAB 71.41, 23.64, 20.95

 

CMYK 12 / 0 / 39 / 11

HEX #C9E48A

RGB 201 228 138

HSL 78, 0.63%, 0.72%

LAB 86.87, -23.19, 40.97

 

CMYK 22 / 0 / 39 / 11

HEX #B1E48A

RGB 177 228 138

HSL 94, 0.63%, 0.72%

LAB 85.34, -31.93, 38.7

 

CMYK 33 / 0 / 39 / 11

HEX #99E48A

RGB 153 228 138

HSL 110, 0.63%, 0.72%

LAB 84.01, -40.05, 36.73

 

CMYK 39 / 0 / 35 / 11

HEX #8AE494

RGB 138 228 148

HSL 126.67, 0.63%, 0.72%

LAB 83.46, -43.17, 30.81

 

CMYK 39 / 0 / 25 / 11

HEX #8AE4AC

RGB 138 228 172

HSL 142.67, 0.63%, 0.72%

LAB 83.9, -38.97, 19.02

 

CMYK 12 / 0 / 39 / 11

HEX #C9E48A

RGB 201 228 138

HSL 78, 0.63%, 0.72%

LAB 86.87, -23.19, 40.97

 

CMYK 14 / 0 / 47 / 6

HEX #CEF07F

RGB 206 240 127

HSL 78.05, 0.79%, 0.72%

LAB 90.31, -28.26, 50.67

 

CMYK 16 / 0 / 54 / 2

HEX #D2FB73

RGB 210 251 115

HSL 78.09, 0.94%, 0.72%

LAB 93.42, -33.01, 59.92

 

CMYK 12 / 0 / 39 / 11

HEX #C9E48A

RGB 201 228 138

HSL 78, 0.63%, 0.72%

LAB 86.87, -23.19, 40.97

 

CMYK 10 / 0 / 31 / 15

HEX #C4D996

RGB 196 217 150

HSL 78.81, 0.47%, 0.72%

LAB 83.74, -18.15, 30.75

 

CMYK 6 / 0 / 21 / 20

HEX #C0CDA1

RGB 192 205 161

HSL 77.73, 0.31%, 0.72%

LAB 80.43, -12, 20.47

 

CMYK 3 / 0 / 10 / 24

HEX #BBC1AD

RGB 187 193 173

HSL 78, 0.14%, 0.72%

LAB 77.11, -5.67, 9.35

 

CMYK 1 / 1 / 0 / 28

HEX #B7B6B8

RGB 183 182 184

HSL 270, 0.01%, 0.72%

LAB 74.18, 0.73, -0.9

 

CMYK 0 / 9 / 39 / 11

HEX #E4CF8A

RGB 228 207 138

HSL 46, 0.63%, 0.72%

LAB 83.42, -2.26, 36.94

 

CMYK 1 / 0 / 39 / 11

HEX #E1E48A

RGB 225 228 138

HSL 62, 0.63%, 0.72%

LAB 88.6, -14.05, 43.53

 

CMYK 12 / 0 / 39 / 11

HEX #C9E48A

RGB 201 228 138

HSL 78, 0.63%, 0.72%

LAB 86.87, -23.19, 40.97

 

CMYK 22 / 0 / 39 / 11

HEX #B1E48A

RGB 177 228 138

HSL 94, 0.63%, 0.72%

LAB 85.34, -31.93, 38.7

 

CMYK 33 / 0 / 39 / 11

HEX #99E48A

RGB 153 228 138

HSL 110, 0.63%, 0.72%

LAB 84.01, -40.05, 36.73

 

CMYK 20 / 0 / 67 / 16

HEX #AAD547

RGB 170 213 71

HSL 78.17, 0.63%, 0.56%

LAB 79.95, -34.22, 62.84

 

CMYK 15 / 0 / 53 / 14

HEX #BADC68

RGB 186 220 104

HSL 77.59, 0.62%, 0.64%

LAB 83.24, -28.66, 52.63

 

CMYK 12 / 0 / 39 / 11

HEX #C9E48A

RGB 201 228 138

HSL 78, 0.63%, 0.72%

LAB 86.87, -23.19, 40.97

 

CMYK 8 / 0 / 27 / 7

HEX #D9ECAC

RGB 217 236 172

HSL 77.81, 0.63%, 0.8%

LAB 90.65, -16.82, 29.02

 

CMYK 5 / 0 / 16 / 5

HEX #E8F3CD

RGB 232 243 205

HSL 77.37, 0.61%, 0.88%

LAB 94.17, -10.07, 17.11

 

CMYK 12 / 0 / 39 / 10

HEX #CAE58B

RGB 202 229 139

HSL 78, 0.63%, 0.72%

LAB 87.22, -23.18, 40.94

 

CMYK 39 / 0 / 20 / 11

HEX #8AE4B7

RGB 138 228 183

HSL 150, 0.63%, 0.72%

LAB 84.13, -36.83, 13.59

 

CMYK 4 / 39 / 0 / 11

HEX #DB8AE4

RGB 219 138 228

HSL 294, 0.63%, 0.72%

LAB 68.63, 44.94, -33.14

 

CMYK 12 / 0 / 39 / 10

HEX #CAE58B

RGB 202 229 139

HSL 78, 0.63%, 0.72%

LAB 87.22, -23.18, 40.94

 

CMYK 39 / 12 / 0 / 11

HEX #8AC9E4

RGB 138 201 228

HSL 198, 0.63%, 0.72%

LAB 77.74, -13.3, -19.74

 

CMYK 0 / 39 / 12 / 11

HEX #E48AC9

RGB 228 138 201

HSL 318, 0.63%, 0.72%

LAB 68.67, 43, -18.03

 

CMYK 12 / 0 / 39 / 10

HEX #CAE58B

RGB 202 229 139

HSL 78, 0.63%, 0.72%

LAB 87.22, -23.18, 40.94

 

CMYK 39 / 0 / 20 / 11

HEX #8AE4B7

RGB 138 228 183

HSL 150, 0.63%, 0.72%

LAB 84.13, -36.83, 13.59

 

CMYK 28 / 39 / 0 / 11

HEX #A58AE4

RGB 165 138 228

HSL 258, 0.63%, 0.72%

LAB 63.16, 29.1, -42.09

 

CMYK 0 / 39 / 20 / 11

HEX #E48AB7

RGB 228 138 183

HSL 330, 0.63%, 0.72%

LAB 68.09, 40.19, -8.84

 

CMYK 12 / 0 / 39 / 10

HEX #CAE58B

RGB 202 229 139

HSL 78, 0.63%, 0.72%

LAB 87.22, -23.18, 40.94

 

CMYK 39 / 0 / 8 / 11

HEX #8AE4D2

RGB 138 228 210

HSL 168, 0.63%, 0.72%

LAB 84.76, -31.08, 0.3

 

CMYK 28 / 39 / 0 / 11

HEX #A58AE4

RGB 165 138 228

HSL 258, 0.63%, 0.72%

LAB 63.16, 29.1, -42.09

 

CMYK 0 / 39 / 32 / 11

HEX #E48A9C

RGB 228 138 156

HSL 348, 0.63%, 0.72%

LAB 67.33, 36.44, 5.22

 

Description

Color code: HEX #CAE58B | qconv.com Color code: HEX #CAE58B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 229 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 229 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 39 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 39% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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