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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAED77 it is the complementary color #351288. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAED77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAED77 shade: #CFED72, #E0FF85, #F1FF98, #FFFFAB and #FFFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAED77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAED77 shade: #CAED77, #B9DB64, #A8C951, #97B73E and #86A52B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAED77 shade: #CAED77, #EAED77, #EDD077, #EDB177 and #ED9177

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAED77 shade: #CAED77, #AAED77, #8AED77, #77ED84 and #77EDA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAED77 shade matches the following richer shades: #CAED77 and #CFF96B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAED77 shade: #CAED77, #C5E183, #C0D490, #BBC89C and #B6BBA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAED77 shade: #EDCF77, #EBED77, #CCED77, #ACED77 and #8DED77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAED77 shade: #AEE32E, #BCE853, #CAED77, #D8F29C and #E6F6C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAED77 shade: #CAED77, #77EDB0 and #DF77ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAED77 shade: #CAED77, #77CCED and #ED77CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAED77 shade: #CAED77, #77EDB0, #9877ED and #ED77B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAED77 shade: #CAED77, #77EDD3, #9877ED and #ED7791

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 50 / 7

HEX #CAED77

RGB 202 237 119

HSL 77.8, 0.77%, 0.7%

LAB 89.14, -29.15, 52.94

 

Complementary color

CMYK 61 / 87 / 0 / 47

HEX #351288

RGB 53 18 136

HSL 257.8, 0.77%, 0.3%

LAB 19.91, 45.71, -58.12

 

CMYK 13 / 0 / 52 / 7

HEX #CFED72

RGB 207 237 114

HSL 74.63, 0.77%, 0.69%

LAB 89.42, -27.73, 55.65

 

CMYK 12 / 0 / 48 / 0

HEX #E0FF85

RGB 224 255 133

HSL 75.25, 1%, 0.76%

LAB 95.61, -27.95, 54.57

 

CMYK 5 / 0 / 40 / 0

HEX #F1FF98

RGB 241 255 152

HSL 68.16, 1%, 0.8%

LAB 97.02, -19.63, 47.6

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 15 / 0 / 50 / 7

HEX #CAED77

RGB 202 237 119

HSL 77.8, 0.77%, 0.7%

LAB 89.14, -29.15, 52.94

 

CMYK 16 / 0 / 54 / 14

HEX #B9DB64

RGB 185 219 100

HSL 77.14, 0.62%, 0.63%

LAB 82.86, -28.94, 54

 

CMYK 16 / 0 / 60 / 21

HEX #A8C951

RGB 168 201 81

HSL 76.5, 0.53%, 0.55%

LAB 76.49, -28.66, 54.95

 

CMYK 17 / 0 / 66 / 28

HEX #97B73E

RGB 151 183 62

HSL 75.87, 0.49%, 0.48%

LAB 70.03, -28.27, 55.69

 

CMYK 19 / 0 / 74 / 35

HEX #86A52B

RGB 134 165 43

HSL 75.25, 0.59%, 0.41%

LAB 63.47, -27.73, 55.99

 

CMYK 15 / 0 / 50 / 7

HEX #CAED77

RGB 202 237 119

HSL 77.8, 0.77%, 0.7%

LAB 89.14, -29.15, 52.94

 

CMYK 1 / 0 / 50 / 7

HEX #EAED77

RGB 234 237 119

HSL 61.53, 0.77%, 0.7%

LAB 91.41, -16.79, 56.19

 

CMYK 0 / 12 / 50 / 7

HEX #EDD077

RGB 237 208 119

HSL 45.25, 0.77%, 0.7%

LAB 84.2, -1.05, 47.59

 

CMYK 0 / 25 / 50 / 7

HEX #EDB177

RGB 237 177 119

HSL 29.49, 0.77%, 0.7%

LAB 76.55, 15.15, 38.07

 

CMYK 0 / 39 / 50 / 7

HEX #ED9177

RGB 237 145 119

HSL 13.22, 0.77%, 0.7%

LAB 69.17, 32.09, 28.53

 

CMYK 15 / 0 / 50 / 7

HEX #CAED77

RGB 202 237 119

HSL 77.8, 0.77%, 0.7%

LAB 89.14, -29.15, 52.94

 

CMYK 28 / 0 / 50 / 7

HEX #AAED77

RGB 170 237 119

HSL 94.07, 0.77%, 0.7%

LAB 87.22, -40.75, 50.16

 

CMYK 42 / 0 / 50 / 7

HEX #8AED77

RGB 138 237 119

HSL 110.34, 0.77%, 0.7%

LAB 85.66, -51.11, 47.91

 

CMYK 50 / 0 / 44 / 7

HEX #77ED84

RGB 119 237 132

HSL 126.61, 0.77%, 0.7%

LAB 85.08, -54.66, 40.77

 

CMYK 50 / 0 / 31 / 7

HEX #77EDA3

RGB 119 237 163

HSL 142.37, 0.77%, 0.7%

LAB 85.57, -49.55, 25.86

 

CMYK 15 / 0 / 50 / 7

HEX #CAED77

RGB 202 237 119

HSL 77.8, 0.77%, 0.7%

LAB 89.14, -29.15, 52.94

 

CMYK 17 / 0 / 57 / 2

HEX #CFF96B

RGB 207 249 107

HSL 77.75, 0.92%, 0.7%

LAB 92.61, -33.9, 62.43

 

CMYK 15 / 0 / 50 / 7

HEX #CAED77

RGB 202 237 119

HSL 77.8, 0.77%, 0.7%

LAB 89.14, -29.15, 52.94

 

CMYK 12 / 0 / 42 / 12

HEX #C5E183

RGB 197 225 131

HSL 77.87, 0.61%, 0.7%

LAB 85.69, -24.06, 42.87

 

CMYK 9 / 0 / 32 / 17

HEX #C0D490

RGB 192 212 144

HSL 77.65, 0.44%, 0.7%

LAB 82, -17.96, 31.48

 

CMYK 7 / 0 / 22 / 22

HEX #BBC89C

RGB 187 200 156

HSL 77.73, 0.29%, 0.7%

LAB 78.62, -12.05, 20.57

 

CMYK 3 / 0 / 10 / 27

HEX #B6BBA9

RGB 182 187 169

HSL 76.67, 0.12%, 0.7%

LAB 75.05, -4.99, 8.51

 

CMYK 0 / 13 / 50 / 7

HEX #EDCF77

RGB 237 207 119

HSL 44.75, 0.77%, 0.7%

LAB 83.95, -0.54, 47.28

 

CMYK 1 / 0 / 50 / 7

HEX #EBED77

RGB 235 237 119

HSL 61.02, 0.77%, 0.7%

LAB 91.49, -16.39, 56.3

 

CMYK 14 / 0 / 50 / 7

HEX #CCED77

RGB 204 237 119

HSL 76.78, 0.77%, 0.7%

LAB 89.27, -28.4, 53.13

 

CMYK 27 / 0 / 50 / 7

HEX #ACED77

RGB 172 237 119

HSL 93.05, 0.77%, 0.7%

LAB 87.32, -40.06, 50.32

 

CMYK 41 / 0 / 50 / 7

HEX #8DED77

RGB 141 237 119

HSL 108.81, 0.77%, 0.7%

LAB 85.79, -50.2, 48.1

 

CMYK 23 / 0 / 80 / 11

HEX #AEE32E

RGB 174 227 46

HSL 77.57, 0.76%, 0.54%

LAB 84.04, -40.29, 75.09

 

CMYK 19 / 0 / 64 / 9

HEX #BCE853

RGB 188 232 83

HSL 77.72, 0.76%, 0.62%

LAB 86.52, -35.17, 65.37

 

CMYK 15 / 0 / 50 / 7

HEX #CAED77

RGB 202 237 119

HSL 77.8, 0.77%, 0.7%

LAB 89.14, -29.15, 52.94

 

CMYK 11 / 0 / 36 / 5

HEX #D8F29C

RGB 216 242 156

HSL 78.14, 0.77%, 0.78%

LAB 91.91, -22.21, 38.74

 

CMYK 7 / 0 / 22 / 4

HEX #E6F6C0

RGB 230 246 192

HSL 77.78, 0.75%, 0.86%

LAB 94.54, -14.23, 24.27

 

CMYK 15 / 0 / 50 / 7

HEX #CAED77

RGB 202 237 119

HSL 77.8, 0.77%, 0.7%

LAB 89.14, -29.15, 52.94

 

CMYK 50 / 0 / 26 / 7

HEX #77EDB0

RGB 119 237 176

HSL 148.98, 0.77%, 0.7%

LAB 85.82, -47.08, 19.5

 

CMYK 6 / 50 / 0 / 7

HEX #DF77ED

RGB 223 119 237

HSL 292.88, 0.77%, 0.7%

LAB 65.75, 57.41, -42.58

 

CMYK 15 / 0 / 50 / 7

HEX #CAED77

RGB 202 237 119

HSL 77.8, 0.77%, 0.7%

LAB 89.14, -29.15, 52.94

 

CMYK 50 / 14 / 0 / 7

HEX #77CCED

RGB 119 204 237

HSL 196.78, 0.77%, 0.7%

LAB 78.01, -16.99, -24.25

 

CMYK 0 / 50 / 14 / 7

HEX #ED77CC

RGB 237 119 204

HSL 316.78, 0.77%, 0.7%

LAB 66.18, 55.81, -23.39

 

CMYK 15 / 0 / 50 / 7

HEX #CAED77

RGB 202 237 119

HSL 77.8, 0.77%, 0.7%

LAB 89.14, -29.15, 52.94

 

CMYK 50 / 0 / 26 / 7

HEX #77EDB0

RGB 119 237 176

HSL 148.98, 0.77%, 0.7%

LAB 85.82, -47.08, 19.5

 

CMYK 36 / 50 / 0 / 7

HEX #9877ED

RGB 152 119 237

HSL 256.78, 0.77%, 0.7%

LAB 58.02, 38.75, -55.3

 

CMYK 0 / 50 / 24 / 7

HEX #ED77B4

RGB 237 119 180

HSL 328.98, 0.77%, 0.7%

LAB 65.35, 52.32, -11.12

 

CMYK 15 / 0 / 50 / 7

HEX #CAED77

RGB 202 237 119

HSL 77.8, 0.77%, 0.7%

LAB 89.14, -29.15, 52.94

 

CMYK 50 / 0 / 11 / 7

HEX #77EDD3

RGB 119 237 211

HSL 166.78, 0.77%, 0.7%

LAB 86.6, -39.56, 2.36

 

CMYK 36 / 50 / 0 / 7

HEX #9877ED

RGB 152 119 237

HSL 256.78, 0.77%, 0.7%

LAB 58.02, 38.75, -55.3

 

CMYK 0 / 50 / 39 / 7

HEX #ED7791

RGB 237 119 145

HSL 346.78, 0.77%, 0.7%

LAB 64.36, 47.99, 7.33

 

Description

Color code: HEX #CAED77 | qconv.com Color code: HEX #CAED77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 237 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 237 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 50 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 50% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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