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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAF38B it is the complementary color #350C74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAF38B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAF38B shade: #CFF386, #E0FF99, #F1FFAC, #FFFFBF and #FFFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAF38B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAF38B shade: #CAF38B, #B9E178, #A8CF65, #97BD52 and #86AB3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAF38B shade: #CAF28B, #E6F28B, #F2E38B, #F2C88B and #F2AC8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAF38B shade: #CAF28B, #AEF28B, #92F28B, #8BF2A0 and #8BF2BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAF38B shade matches the following richer shades: #CAF28B and #CCFD81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAF38B shade: #CAF28B, #C7E895, #C5DEA0, #C3D3AA and #C1C9B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAF38B shade: #F2E38B, #E6F28B, #CBF28B, #AFF28B and #94F28B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAF38B shade: #A7EB40, #B9EE66, #CAF28B, #DBF6B0 and #ECFAD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAF38B shade: #CAF38B, #8BF2C7 and #F18BF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAF38B shade: #CAF38B, #8BCBF2 and #F28BCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAF38B shade: #CAF38B, #8BF2C7, #B38BF2 and #F28BB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAF38B shade: #CAF38B, #8BF2E6, #B38BF2 and #F28B97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 43 / 5

HEX #CAF38B

RGB 202 243 139

HSL 83.65, 0.81%, 0.75%

LAB 91.02, -29.83, 45.75

 

Complementary color

CMYK 54 / 90 / 0 / 55

HEX #350C74

RGB 53 12 116

HSL 263.65, 0.81%, 0.25%

LAB 16.9, 42.4, -50.37

 

CMYK 15 / 0 / 45 / 5

HEX #CFF386

RGB 207 243 134

HSL 79.82, 0.82%, 0.74%

LAB 91.27, -28.56, 48.54

 

CMYK 12 / 0 / 40 / 0

HEX #E0FF99

RGB 224 255 153

HSL 78.24, 1%, 0.8%

LAB 95.86, -25.83, 45.4

 

CMYK 5 / 0 / 33 / 0

HEX #F1FFAC

RGB 241 255 172

HSL 70.12, 1%, 0.84%

LAB 97.31, -17.33, 38.2

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 17 / 0 / 43 / 5

HEX #CAF38B

RGB 202 243 139

HSL 83.65, 0.81%, 0.75%

LAB 91.02, -29.83, 45.75

 

CMYK 18 / 0 / 47 / 12

HEX #B9E178

RGB 185 225 120

HSL 82.86, 0.64%, 0.68%

LAB 84.75, -29.78, 46.88

 

CMYK 19 / 0 / 51 / 19

HEX #A8CF65

RGB 168 207 101

HSL 82.08, 0.52%, 0.6%

LAB 78.4, -29.68, 48.01

 

CMYK 20 / 0 / 57 / 26

HEX #97BD52

RGB 151 189 82

HSL 81.31, 0.45%, 0.53%

LAB 71.95, -29.51, 49.08

 

CMYK 22 / 0 / 63 / 33

HEX #86AB3F

RGB 134 171 63

HSL 80.56, 0.46%, 0.46%

LAB 65.4, -29.26, 49.99

 

CMYK 17 / 0 / 43 / 5

HEX #CAF28B

RGB 202 242 139

HSL 83.3, 0.8%, 0.75%

LAB 90.75, -29.37, 45.41

 

CMYK 5 / 0 / 43 / 5

HEX #E6F28B

RGB 230 242 139

HSL 66.99, 0.8%, 0.75%

LAB 92.66, -18.89, 48.22

 

CMYK 0 / 6 / 43 / 5

HEX #F2E38B

RGB 242 227 139

HSL 51.26, 0.8%, 0.75%

LAB 89.71, -6.82, 44.72

 

CMYK 0 / 17 / 43 / 5

HEX #F2C88B

RGB 242 200 139

HSL 35.53, 0.8%, 0.75%

LAB 82.94, 7.01, 36.06

 

CMYK 0 / 29 / 43 / 5

HEX #F2AC8B

RGB 242 172 139

HSL 19.22, 0.8%, 0.75%

LAB 76.22, 21.74, 27.19

 

CMYK 17 / 0 / 43 / 5

HEX #CAF28B

RGB 202 242 139

HSL 83.3, 0.8%, 0.75%

LAB 90.75, -29.37, 45.41

 

CMYK 28 / 0 / 43 / 5

HEX #AEF28B

RGB 174 242 139

HSL 99.61, 0.8%, 0.75%

LAB 89.1, -39.22, 42.98

 

CMYK 40 / 0 / 43 / 5

HEX #92F28B

RGB 146 242 139

HSL 115.92, 0.8%, 0.75%

LAB 87.72, -48.15, 40.94

 

CMYK 43 / 0 / 34 / 5

HEX #8BF2A0

RGB 139 242 160

HSL 132.23, 0.8%, 0.75%

LAB 87.74, -46.94, 30.45

 

CMYK 43 / 0 / 22 / 5

HEX #8BF2BC

RGB 139 242 188

HSL 148.54, 0.8%, 0.75%

LAB 88.27, -41.87, 16.83

 

CMYK 17 / 0 / 43 / 5

HEX #CAF28B

RGB 202 242 139

HSL 83.3, 0.8%, 0.75%

LAB 90.75, -29.37, 45.41

 

CMYK 19 / 0 / 49 / 1

HEX #CCFD81

RGB 204 253 129

HSL 83.71, 0.97%, 0.75%

LAB 93.74, -34.8, 53.87

 

CMYK 17 / 0 / 43 / 5

HEX #CAF28B

RGB 202 242 139

HSL 83.3, 0.8%, 0.75%

LAB 90.75, -29.37, 45.41

 

CMYK 14 / 0 / 36 / 9

HEX #C7E895

RGB 199 232 149

HSL 83.86, 0.64%, 0.75%

LAB 87.98, -24.5, 36.89

 

CMYK 11 / 0 / 28 / 13

HEX #C5DEA0

RGB 197 222 160

HSL 84.19, 0.48%, 0.75%

LAB 85.33, -18.86, 27.74

 

CMYK 8 / 0 / 19 / 17

HEX #C3D3AA

RGB 195 211 170

HSL 83.41, 0.32%, 0.75%

LAB 82.43, -12.57, 18.53

 

CMYK 4 / 0 / 10 / 21

HEX #C1C9B4

RGB 193 201 180

HSL 82.86, 0.16%, 0.75%

LAB 79.84, -6.51, 9.55

 

CMYK 0 / 6 / 43 / 5

HEX #F2E38B

RGB 242 227 139

HSL 51.26, 0.8%, 0.75%

LAB 89.71, -6.82, 44.72

 

CMYK 5 / 0 / 43 / 5

HEX #E6F28B

RGB 230 242 139

HSL 66.99, 0.8%, 0.75%

LAB 92.66, -18.89, 48.22

 

CMYK 16 / 0 / 43 / 5

HEX #CBF28B

RGB 203 242 139

HSL 82.72, 0.8%, 0.75%

LAB 90.81, -29, 45.5

 

CMYK 28 / 0 / 43 / 5

HEX #AFF28B

RGB 175 242 139

HSL 99.03, 0.8%, 0.75%

LAB 89.15, -38.88, 43.06

 

CMYK 39 / 0 / 43 / 5

HEX #94F28B

RGB 148 242 139

HSL 114.76, 0.8%, 0.75%

LAB 87.81, -47.55, 41.07

 

CMYK 29 / 0 / 73 / 8

HEX #A7EB40

RGB 167 235 64

HSL 83.86, 0.81%, 0.59%

LAB 86.01, -45.51, 71.4

 

CMYK 22 / 0 / 57 / 7

HEX #B9EE66

RGB 185 238 102

HSL 83.38, 0.8%, 0.67%

LAB 88.17, -37.52, 59.2

 

CMYK 17 / 0 / 43 / 5

HEX #CAF28B

RGB 202 242 139

HSL 83.3, 0.8%, 0.75%

LAB 90.75, -29.37, 45.41

 

CMYK 11 / 0 / 28 / 4

HEX #DBF6B0

RGB 219 246 176

HSL 83.14, 0.8%, 0.83%

LAB 93.5, -20.42, 30.85

 

CMYK 6 / 0 / 14 / 2

HEX #ECFAD6

RGB 236 250 214

HSL 83.33, 0.78%, 0.91%

LAB 96.43, -10.75, 15.72

 

CMYK 17 / 0 / 43 / 5

HEX #CAF38B

RGB 202 243 139

HSL 83.65, 0.81%, 0.75%

LAB 91.02, -29.83, 45.75

 

CMYK 43 / 0 / 18 / 5

HEX #8BF2C7

RGB 139 242 199

HSL 154.95, 0.8%, 0.75%

LAB 88.5, -39.66, 11.46

 

CMYK 0 / 43 / 0 / 5

HEX #F18BF2

RGB 241 139 242

HSL 299.42, 0.8%, 0.75%

LAB 71.94, 53.47, -35.49

 

CMYK 17 / 0 / 43 / 5

HEX #CAF38B

RGB 202 243 139

HSL 83.65, 0.81%, 0.75%

LAB 91.02, -29.83, 45.75

 

CMYK 43 / 16 / 0 / 5

HEX #8BCBF2

RGB 139 203 242

HSL 202.72, 0.8%, 0.75%

LAB 78.82, -10.44, -25.61

 

CMYK 0 / 43 / 16 / 5

HEX #F28BCB

RGB 242 139 203

HSL 322.72, 0.8%, 0.75%

LAB 70.63, 47.32, -16.01

 

CMYK 17 / 0 / 43 / 5

HEX #CAF38B

RGB 202 243 139

HSL 83.65, 0.81%, 0.75%

LAB 91.02, -29.83, 45.75

 

CMYK 43 / 0 / 18 / 5

HEX #8BF2C7

RGB 139 242 199

HSL 154.95, 0.8%, 0.75%

LAB 88.5, -39.66, 11.46

 

CMYK 26 / 43 / 0 / 5

HEX #B38BF2

RGB 179 139 242

HSL 263.3, 0.8%, 0.75%

LAB 65.33, 35.81, -46.32

 

CMYK 0 / 43 / 25 / 5

HEX #F28BB6

RGB 242 139 182

HSL 334.95, 0.8%, 0.75%

LAB 69.98, 44.27, -5.29

 

CMYK 17 / 0 / 43 / 5

HEX #CAF38B

RGB 202 243 139

HSL 83.65, 0.81%, 0.75%

LAB 91.02, -29.83, 45.75

 

CMYK 43 / 0 / 5 / 5

HEX #8BF2E6

RGB 139 242 230

HSL 173.01, 0.8%, 0.75%

LAB 89.26, -32.82, -3.61

 

CMYK 26 / 43 / 0 / 5

HEX #B38BF2

RGB 179 139 242

HSL 263.3, 0.8%, 0.75%

LAB 65.33, 35.81, -46.32

 

CMYK 0 / 43 / 38 / 5

HEX #F28B97

RGB 242 139 151

HSL 353.01, 0.8%, 0.75%

LAB 69.17, 40.36, 10.88

 

Description

Color code: HEX #CAF38B | qconv.com Color code: HEX #CAF38B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 243 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 243 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 43 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 43% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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