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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB12A4 it is the complementary color #34ED5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB12A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB12A4 shade: #D0129F, #E124B2, #F236C5, #FF48D8 and #FF5AEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB12A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB12A4 shade: #CB12A4, #BA0091, #A9007E, #98006B and #870058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB12A4 shade: #C911A2, #C91171, #C9113F and #C91111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB12A4 shade: #C911A2, #BE11C9, #8D11C9, #5B11C9 and #2911C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB12A4 shade matches the following richer shades: #C911A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB12A4 shade: #C911A2, #B82398, #A6358E, #944684 and #825879

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB12A4 shade: #8C11C9, #BD11C9, #C911A4, #C91173 and #C91142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB12A4 shade: #7D0A65, #A30E84, #C911A2, #EB19BE and #EE3FC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB12A4 shade: #CB12A4, #C95B11 and #11C9A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB12A4 shade: #CB12A4, #A4C911 and #11A4C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB12A4 shade: #CB12A4, #C95B11, #11C936 and #1180C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB12A4 shade: #CB12A4, #C99211, #11C936 and #1148C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 19 / 20

HEX #CB12A4

RGB 203 18 164

HSL 312.65, 0.84%, 0.43%

LAB 46.72, 75.82, -30.8

 

Complementary color

CMYK 78 / 0 / 62 / 7

HEX #34ED5B

RGB 52 237 91

HSL 132.65, 0.84%, 0.57%

LAB 82.94, -72.98, 56.7

 

CMYK 0 / 91 / 24 / 18

HEX #D0129F

RGB 208 18 159

HSL 315.47, 0.84%, 0.44%

LAB 47.42, 76.21, -26.66

 

CMYK 0 / 84 / 21 / 12

HEX #E124B2

RGB 225 36 178

HSL 314.92, 0.76%, 0.51%

LAB 52.38, 79.07, -29.94

 

CMYK 0 / 78 / 19 / 5

HEX #F236C5

RGB 242 54 197

HSL 314.36, 0.88%, 0.58%

LAB 57.6, 80.95, -32.59

 

CMYK 0 / 72 / 15 / 0

HEX #FF48D8

RGB 255 72 216

HSL 312.79, 1%, 0.64%

LAB 62.38, 81.19, -35.79

 

CMYK 0 / 65 / 8 / 0

HEX #FF5AEB

RGB 255 90 235

HSL 307.27, 1%, 0.68%

LAB 65.41, 77.74, -41.68

 

CMYK 0 / 91 / 19 / 20

HEX #CB12A4

RGB 203 18 164

HSL 312.65, 0.84%, 0.43%

LAB 46.72, 75.82, -30.8

 

CMYK 0 / 100 / 22 / 27

HEX #BA0091

RGB 186 0 145

HSL 313.23, 1%, 0.36%

LAB 41.97, 72, -27.02

 

CMYK 0 / 100 / 25 / 34

HEX #A9007E

RGB 169 0 126

HSL 315.27, 1%, 0.33%

LAB 37.74, 66.4, -22.16

 

CMYK 0 / 100 / 30 / 40

HEX #98006B

RGB 152 0 107

HSL 317.76, 1%, 0.3%

LAB 33.43, 60.72, -17.1

 

CMYK 0 / 100 / 35 / 47

HEX #870058

RGB 135 0 88

HSL 320.89, 1%, 0.26%

LAB 29.04, 54.94, -11.79

 

CMYK 0 / 92 / 19 / 21

HEX #C911A2

RGB 201 17 162

HSL 312.72, 0.84%, 0.43%

LAB 46.21, 75.3, -30.44

 

CMYK 0 / 92 / 44 / 21

HEX #C91171

RGB 201 17 113

HSL 328.7, 0.84%, 0.43%

LAB 44.25, 70.08, -3.59

 

CMYK 0 / 92 / 69 / 21

HEX #C9113F

RGB 201 17 63

HSL 345, 0.84%, 0.43%

LAB 43.03, 66.71, 26.01

 

CMYK 0 / 92 / 92 / 21

HEX #C91111

RGB 201 17 17

HSL 0, 0.84%, 0.43%

LAB 42.55, 65.36, 50.7

 

CMYK 0 / 92 / 19 / 21

HEX #C911A2

RGB 201 17 162

HSL 312.72, 0.84%, 0.43%

LAB 46.21, 75.3, -30.44

 

CMYK 5 / 92 / 0 / 21

HEX #BE11C9

RGB 190 17 201

HSL 296.41, 0.84%, 0.43%

LAB 46.4, 78.8, -53.21

 

CMYK 30 / 92 / 0 / 21

HEX #8D11C9

RGB 141 17 201

HSL 280.43, 0.84%, 0.43%

LAB 38.34, 71.49, -66.64

 

CMYK 55 / 92 / 0 / 21

HEX #5B11C9

RGB 91 17 201

HSL 264.13, 0.84%, 0.43%

LAB 31.44, 66.04, -78.23

 

CMYK 80 / 92 / 0 / 21

HEX #2911C9

RGB 41 17 201

HSL 247.83, 0.84%, 0.43%

LAB 26.99, 63.13, -85.77

 

CMYK 0 / 92 / 19 / 21

HEX #C911A2

RGB 201 17 162

HSL 312.72, 0.84%, 0.43%

LAB 46.21, 75.3, -30.44

 

CMYK 0 / 92 / 19 / 21

HEX #C911A2

RGB 201 17 162

HSL 312.72, 0.84%, 0.43%

LAB 46.21, 75.3, -30.44

 

CMYK 0 / 81 / 17 / 28

HEX #B82398

RGB 184 35 152

HSL 312.89, 0.68%, 0.43%

LAB 43.74, 67.22, -28.53

 

CMYK 0 / 68 / 14 / 35

HEX #A6358E

RGB 166 53 142

HSL 312.74, 0.52%, 0.43%

LAB 42.16, 55.74, -25.17

 

CMYK 0 / 53 / 11 / 42

HEX #944684

RGB 148 70 132

HSL 312.31, 0.36%, 0.43%

LAB 41.75, 41.18, -19.94

 

CMYK 0 / 32 / 7 / 49

HEX #825879

RGB 130 88 121

HSL 312.86, 0.19%, 0.43%

LAB 42.92, 22.94, -11.66

 

CMYK 30 / 92 / 0 / 21

HEX #8C11C9

RGB 140 17 201

HSL 280.11, 0.84%, 0.43%

LAB 38.19, 71.36, -66.9

 

CMYK 6 / 92 / 0 / 21

HEX #BD11C9

RGB 189 17 201

HSL 296.09, 0.84%, 0.43%

LAB 46.23, 78.63, -53.49

 

CMYK 0 / 92 / 18 / 21

HEX #C911A4

RGB 201 17 164

HSL 312.07, 0.84%, 0.43%

LAB 46.31, 75.55, -31.48

 

CMYK 0 / 92 / 43 / 21

HEX #C91173

RGB 201 17 115

HSL 328.04, 0.84%, 0.43%

LAB 44.31, 70.26, -4.73

 

CMYK 0 / 92 / 67 / 21

HEX #C91142

RGB 201 17 66

HSL 344.02, 0.84%, 0.43%

LAB 43.08, 66.86, 24.21

 

CMYK 0 / 92 / 19 / 51

HEX #7D0A65

RGB 125 10 101

HSL 312.52, 0.85%, 0.26%

LAB 28.16, 52.69, -21.84

 

CMYK 0 / 91 / 19 / 36

HEX #A30E84

RGB 163 14 132

HSL 312.48, 0.84%, 0.35%

LAB 37.42, 64.26, -26.47

 

CMYK 0 / 92 / 19 / 21

HEX #C911A2

RGB 201 17 162

HSL 312.72, 0.84%, 0.43%

LAB 46.21, 75.3, -30.44

 

CMYK 0 / 89 / 19 / 8

HEX #EB19BE

RGB 235 25 190

HSL 312.86, 0.84%, 0.51%

LAB 54.11, 84.32, -34.1

 

CMYK 0 / 74 / 16 / 7

HEX #EE3FC9

RGB 238 63 201

HSL 312.69, 0.84%, 0.59%

LAB 57.99, 78.09, -34.33

 

CMYK 0 / 91 / 19 / 20

HEX #CB12A4

RGB 203 18 164

HSL 312.65, 0.84%, 0.43%

LAB 46.72, 75.82, -30.8

 

CMYK 0 / 55 / 92 / 21

HEX #C95B11

RGB 201 91 17

HSL 24.13, 0.84%, 0.43%

LAB 51.77, 40.3, 57.07

 

CMYK 92 / 0 / 18 / 21

HEX #11C9A4

RGB 17 201 164

HSL 167.93, 0.84%, 0.43%

LAB 72.61, -49.97, 6.89

 

CMYK 0 / 91 / 19 / 20

HEX #CB12A4

RGB 203 18 164

HSL 312.65, 0.84%, 0.43%

LAB 46.72, 75.82, -30.8

 

CMYK 18 / 0 / 92 / 21

HEX #A4C911

RGB 164 201 17

HSL 72.07, 0.84%, 0.43%

LAB 75.89, -33.31, 73.93

 

CMYK 92 / 18 / 0 / 21

HEX #11A4C9

RGB 17 164 201

HSL 192.07, 0.84%, 0.43%

LAB 62.41, -21.74, -28.73

 

CMYK 0 / 91 / 19 / 20

HEX #CB12A4

RGB 203 18 164

HSL 312.65, 0.84%, 0.43%

LAB 46.72, 75.82, -30.8

 

CMYK 0 / 55 / 92 / 21

HEX #C95B11

RGB 201 91 17

HSL 24.13, 0.84%, 0.43%

LAB 51.77, 40.3, 57.07

 

CMYK 92 / 0 / 73 / 21

HEX #11C936

RGB 17 201 54

HSL 132.07, 0.84%, 0.43%

LAB 70.98, -68.93, 58.31

 

CMYK 92 / 36 / 0 / 21

HEX #1180C9

RGB 17 128 201

HSL 203.8, 0.84%, 0.43%

LAB 51.58, -1.57, -45.7

 

CMYK 0 / 91 / 19 / 20

HEX #CB12A4

RGB 203 18 164

HSL 312.65, 0.84%, 0.43%

LAB 46.72, 75.82, -30.8

 

CMYK 0 / 27 / 92 / 21

HEX #C99211

RGB 201 146 17

HSL 42.07, 0.84%, 0.43%

LAB 64.17, 10.98, 66.2

 

CMYK 92 / 0 / 73 / 21

HEX #11C936

RGB 17 201 54

HSL 132.07, 0.84%, 0.43%

LAB 70.98, -68.93, 58.31

 

CMYK 92 / 64 / 0 / 21

HEX #1148C9

RGB 17 72 201

HSL 222.07, 0.84%, 0.43%

LAB 35.93, 34.39, -70.99

 

Description

Color code: HEX #CB12A4 | qconv.com Color code: HEX #CB12A4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 18 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 18 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 19 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 19% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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