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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB1FDB it is the complementary color #34E024. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB1FDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB1FDB shade: #D01FD6, #E131E9, #F243FC, #FF55FF and #FF67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB1FDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB1FDB shade: #CB1FDB, #BA0DC8, #A900B5, #9800A2 and #87008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB1FDB shade: #CA1FDA, #DA1FB8, #DA1F85, #DA1F52 and #DA1F20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB1FDB shade: #CA1FDA, #981FDA, #651FDA, #331FDA and #1F1FDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB1FDB shade matches the following richer shades: #CA1FDA and #DB0BEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB1FDB shade: #CA1FDA, #B933C6, #A947B2, #985B9E and #877089

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB1FDB shade: #631FDA, #951FDA, #C71FDA, #DA1FBB and #DA1F89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB1FDB shade: #871492, #A91AB6, #CA1FDA, #D53FE3 and #DD63E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB1FDB shade: #CB1FDB, #DA311F and #1FDA7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB1FDB shade: #CB1FDB, #DAC71F and #1FDAC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB1FDB shade: #CB1FDB, #DA311F, #31DA1F and #1FC7DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB1FDB shade: #CB1FDB, #DA6A1F, #31DA1F and #1F8FDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 86 / 0 / 14

HEX #CB1FDB

RGB 203 31 219

HSL 294.89, 0.75%, 0.49%

LAB 50.44, 81.65, -56.94

 

Complementary color

CMYK 77 / 0 / 84 / 12

HEX #34E024

RGB 52 224 36

HSL 114.89, 0.75%, 0.51%

LAB 78.56, -73.36, 70.95

 

CMYK 3 / 86 / 0 / 16

HEX #D01FD6

RGB 208 31 214

HSL 298.03, 0.75%, 0.48%

LAB 50.97, 81.72, -53.19

 

CMYK 3 / 79 / 0 / 9

HEX #E131E9

RGB 225 49 233

HSL 297.39, 0.81%, 0.55%

LAB 56.18, 83.89, -55.48

 

CMYK 4 / 73 / 0 / 1

HEX #F243FC

RGB 242 67 252

HSL 296.76, 0.97%, 0.63%

LAB 61.58, 85.24, -57.28

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 7 / 86 / 0 / 14

HEX #CB1FDB

RGB 203 31 219

HSL 294.89, 0.75%, 0.49%

LAB 50.44, 81.65, -56.94

 

CMYK 7 / 94 / 0 / 22

HEX #BA0DC8

RGB 186 13 200

HSL 295.51, 0.88%, 0.42%

LAB 45.49, 78.45, -54.12

 

CMYK 7 / 100 / 0 / 29

HEX #A900B5

RGB 169 0 181

HSL 296.02, 1%, 0.35%

LAB 40.85, 74.04, -50.61

 

CMYK 6 / 100 / 0 / 36

HEX #9800A2

RGB 152 0 162

HSL 296.3, 1%, 0.32%

LAB 36.53, 68.34, -46.37

 

CMYK 6 / 100 / 0 / 44

HEX #87008F

RGB 135 0 143

HSL 296.64, 1%, 0.28%

LAB 32.11, 62.53, -42.04

 

CMYK 7 / 86 / 0 / 15

HEX #CA1FDA

RGB 202 31 218

HSL 294.87, 0.75%, 0.49%

LAB 50.21, 81.32, -56.74

 

CMYK 0 / 86 / 16 / 15

HEX #DA1FB8

RGB 218 31 184

HSL 310.91, 0.75%, 0.49%

LAB 51.09, 79.34, -35.56

 

CMYK 0 / 86 / 39 / 15

HEX #DA1F85

RGB 218 31 133

HSL 327.27, 0.75%, 0.49%

LAB 48.98, 73.58, -8.46

 

CMYK 0 / 86 / 62 / 15

HEX #DA1F52

RGB 218 31 82

HSL 343.64, 0.75%, 0.49%

LAB 47.62, 69.69, 20.87

 

CMYK 0 / 86 / 85 / 15

HEX #DA1F20

RGB 218 31 32

HSL 359.68, 0.75%, 0.49%

LAB 46.96, 67.77, 48.9

 

CMYK 7 / 86 / 0 / 15

HEX #CA1FDA

RGB 202 31 218

HSL 294.87, 0.75%, 0.49%

LAB 50.21, 81.32, -56.74

 

CMYK 30 / 86 / 0 / 15

HEX #981FDA

RGB 152 31 218

HSL 278.82, 0.75%, 0.49%

LAB 42.33, 73.52, -69.88

 

CMYK 54 / 86 / 0 / 15

HEX #651FDA

RGB 101 31 218

HSL 262.46, 0.75%, 0.49%

LAB 35.61, 67.36, -81.17

 

CMYK 77 / 86 / 0 / 15

HEX #331FDA

RGB 51 31 218

HSL 246.42, 0.75%, 0.49%

LAB 31.22, 63.69, -88.58

 

CMYK 86 / 86 / 0 / 15

HEX #1F1FDA

RGB 31 31 218

HSL 240, 0.75%, 0.49%

LAB 30.24, 62.92, -90.25

 

CMYK 7 / 86 / 0 / 15

HEX #CA1FDA

RGB 202 31 218

HSL 294.87, 0.75%, 0.49%

LAB 50.21, 81.32, -56.74

 

CMYK 8 / 95 / 0 / 7

HEX #DB0BEE

RGB 219 11 238

HSL 294.98, 0.91%, 0.49%

LAB 53.46, 89.61, -62.7

 

CMYK 7 / 86 / 0 / 15

HEX #CA1FDA

RGB 202 31 218

HSL 294.87, 0.75%, 0.49%

LAB 50.21, 81.32, -56.74

 

CMYK 7 / 74 / 0 / 22

HEX #B933C6

RGB 185 51 198

HSL 294.69, 0.59%, 0.49%

LAB 47.96, 69.92, -49.02

 

CMYK 5 / 60 / 0 / 30

HEX #A947B2

RGB 169 71 178

HSL 294.95, 0.43%, 0.49%

LAB 47.18, 54.94, -38.75

 

CMYK 4 / 42 / 0 / 38

HEX #985B9E

RGB 152 91 158

HSL 294.63, 0.27%, 0.49%

LAB 47.79, 36.01, -26.18

 

CMYK 1 / 18 / 0 / 46

HEX #877089

RGB 135 112 137

HSL 295.2, 0.1%, 0.49%

LAB 50.15, 13.75, -10.31

 

CMYK 55 / 86 / 0 / 15

HEX #631FDA

RGB 99 31 218

HSL 261.82, 0.75%, 0.49%

LAB 35.39, 67.16, -81.55

 

CMYK 32 / 86 / 0 / 15

HEX #951FDA

RGB 149 31 218

HSL 277.86, 0.75%, 0.49%

LAB 41.89, 73.1, -70.62

 

CMYK 9 / 86 / 0 / 15

HEX #C71FDA

RGB 199 31 218

HSL 293.9, 0.75%, 0.49%

LAB 49.72, 80.82, -57.57

 

CMYK 0 / 86 / 14 / 15

HEX #DA1FBB

RGB 218 31 187

HSL 309.95, 0.75%, 0.49%

LAB 51.24, 79.73, -37.08

 

CMYK 0 / 86 / 37 / 15

HEX #DA1F89

RGB 218 31 137

HSL 325.99, 0.75%, 0.49%

LAB 49.12, 73.96, -10.67

 

CMYK 8 / 86 / 0 / 43

HEX #871492

RGB 135 20 146

HSL 294.76, 0.76%, 0.33%

LAB 33.41, 59.8, -41.81

 

CMYK 7 / 86 / 0 / 29

HEX #A91AB6

RGB 169 26 182

HSL 295, 0.75%, 0.41%

LAB 42.08, 70.76, -49.23

 

CMYK 7 / 86 / 0 / 15

HEX #CA1FDA

RGB 202 31 218

HSL 294.87, 0.75%, 0.49%

LAB 50.21, 81.32, -56.74

 

CMYK 6 / 72 / 0 / 11

HEX #D53FE3

RGB 213 63 227

HSL 294.88, 0.75%, 0.57%

LAB 55.33, 76.64, -53.57

 

CMYK 5 / 57 / 0 / 9

HEX #DD63E8

RGB 221 99 232

HSL 295.04, 0.74%, 0.65%

LAB 61.76, 65.33, -46.09

 

CMYK 7 / 86 / 0 / 14

HEX #CB1FDB

RGB 203 31 219

HSL 294.89, 0.75%, 0.49%

LAB 50.44, 81.65, -56.94

 

CMYK 0 / 78 / 86 / 15

HEX #DA311F

RGB 218 49 31

HSL 5.78, 0.75%, 0.49%

LAB 48.51, 63.34, 50.68

 

CMYK 86 / 0 / 43 / 15

HEX #1FDA7C

RGB 31 218 124

HSL 149.84, 0.75%, 0.49%

LAB 77.21, -64.12, 34.23

 

CMYK 7 / 86 / 0 / 14

HEX #CB1FDB

RGB 203 31 219

HSL 294.89, 0.75%, 0.49%

LAB 50.44, 81.65, -56.94

 

CMYK 0 / 9 / 86 / 15

HEX #DAC71F

RGB 218 199 31

HSL 53.9, 0.75%, 0.49%

LAB 79.53, -9.26, 76.11

 

CMYK 86 / 0 / 9 / 15

HEX #1FDAC7

RGB 31 218 199

HSL 173.9, 0.75%, 0.49%

LAB 78.79, -46.98, -2.94

 

CMYK 7 / 86 / 0 / 14

HEX #CB1FDB

RGB 203 31 219

HSL 294.89, 0.75%, 0.49%

LAB 50.44, 81.65, -56.94

 

CMYK 0 / 78 / 86 / 15

HEX #DA311F

RGB 218 49 31

HSL 5.78, 0.75%, 0.49%

LAB 48.51, 63.34, 50.68

 

CMYK 78 / 0 / 86 / 15

HEX #31DA1F

RGB 49 218 31

HSL 114.22, 0.75%, 0.49%

LAB 76.62, -72.21, 70.3

 

CMYK 86 / 9 / 0 / 15

HEX #1FC7DA

RGB 31 199 218

HSL 186.1, 0.75%, 0.49%

LAB 73.68, -32.84, -20.81

 

CMYK 7 / 86 / 0 / 14

HEX #CB1FDB

RGB 203 31 219

HSL 294.89, 0.75%, 0.49%

LAB 50.44, 81.65, -56.94

 

CMYK 0 / 51 / 86 / 15

HEX #DA6A1F

RGB 218 106 31

HSL 24.06, 0.75%, 0.49%

LAB 57.38, 39.74, 58.02

 

CMYK 78 / 0 / 86 / 15

HEX #31DA1F

RGB 49 218 31

HSL 114.22, 0.75%, 0.49%

LAB 76.62, -72.21, 70.3

 

CMYK 86 / 34 / 0 / 15

HEX #1F8FDA

RGB 31 143 218

HSL 204.06, 0.75%, 0.49%

LAB 57.07, -3.2, -46.58

 

Description

Color code: HEX #CB1FDB | qconv.com Color code: HEX #CB1FDB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 31 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 31 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 86 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 86% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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