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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB2967 it is the complementary color #34D698. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB2967. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB2967 shade: #D02962, #E13B75, #F24D88, #FF5F9B and #FF71AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB2967. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB2967 shade: #CB2967, #BA1754, #A90541, #98002E and #87001B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB2967 shade: #CB2967, #CB293B and #CB2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB2967 shade: #CB2967, #CB2993, #CB29BE, #AC29CB and #8029CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB2967 shade matches the following richer shades: #CB2967, #DE1562 and #F2025E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB2967 shade: #CB2967, #B73D6C, #A35170, #8F6575 and #7B787A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB2967 shade: #CB29BD, #CB2992, #CB2967, #CB293C and #CB4129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB2967 shade: #861B44, #A82256, #CB2967, #D8457D and #DF6795

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB2967 shade: #CB2967, #CBAD29 and #29A8CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB2967 shade: #CB2967, #67CB29 and #2967CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB2967 shade: #CB2967, #CBAD29, #29CB8D and #2947CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB2967 shade: #CB2967, #B8CB29, #29CB8D and #3C29CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 49 / 20

HEX #CB2967

RGB 203 41 103

HSL 337.04, 0.66%, 0.48%

LAB 45.99, 64.98, 5.2

 

Complementary color

CMYK 76 / 0 / 29 / 16

HEX #34D698

RGB 52 214 152

HSL 157.04, 0.66%, 0.52%

LAB 76.73, -55.06, 19.17

 

CMYK 0 / 80 / 53 / 18

HEX #D02962

RGB 208 41 98

HSL 339.52, 0.67%, 0.49%

LAB 46.81, 65.9, 9.59

 

CMYK 0 / 74 / 48 / 12

HEX #E13B75

RGB 225 59 117

HSL 339.04, 0.73%, 0.56%

LAB 52.31, 66.75, 6.24

 

CMYK 0 / 68 / 44 / 5

HEX #F24D88

RGB 242 77 136

HSL 338.55, 0.86%, 0.63%

LAB 58, 66.98, 3.51

 

CMYK 0 / 63 / 39 / 0

HEX #FF5F9B

RGB 255 95 155

HSL 337.5, 1%, 0.69%

LAB 63.19, 65.64, 0.25

 

CMYK 0 / 56 / 32 / 0

HEX #FF71AE

RGB 255 113 174

HSL 334.23, 1%, 0.72%

LAB 66.62, 60.01, -5.57

 

CMYK 0 / 80 / 49 / 20

HEX #CB2967

RGB 203 41 103

HSL 337.04, 0.66%, 0.48%

LAB 45.99, 64.98, 5.2

 

CMYK 0 / 88 / 55 / 27

HEX #BA1754

RGB 186 23 84

HSL 337.55, 0.78%, 0.41%

LAB 40.72, 63.23, 9.16

 

CMYK 0 / 97 / 62 / 34

HEX #A90541

RGB 169 5 65

HSL 338.05, 0.94%, 0.34%

LAB 35.84, 60.3, 14.09

 

CMYK 0 / 100 / 70 / 40

HEX #98002E

RGB 152 0 46

HSL 341.84, 1%, 0.3%

LAB 31.52, 55.7, 20.18

 

CMYK 0 / 100 / 80 / 47

HEX #87001B

RGB 135 0 27

HSL 348, 1%, 0.26%

LAB 27.38, 50.54, 26.75

 

CMYK 0 / 80 / 49 / 20

HEX #CB2967

RGB 203 41 103

HSL 337.04, 0.66%, 0.48%

LAB 45.99, 64.98, 5.2

 

CMYK 0 / 80 / 71 / 20

HEX #CB293B

RGB 203 41 59

HSL 353.33, 0.66%, 0.48%

LAB 45.08, 62.18, 31.05

 

CMYK 0 / 80 / 80 / 20

HEX #CB2929

RGB 203 41 41

HSL 0, 0.66%, 0.48%

LAB 44.86, 61.5, 41.19

 

CMYK 0 / 80 / 49 / 20

HEX #CB2967

RGB 203 41 103

HSL 337.04, 0.66%, 0.48%

LAB 45.99, 64.98, 5.2

 

CMYK 0 / 80 / 28 / 20

HEX #CB2993

RGB 203 41 147

HSL 320.74, 0.66%, 0.48%

LAB 47.48, 69.39, -19.45

 

CMYK 0 / 80 / 6 / 20

HEX #CB29BE

RGB 203 41 190

HSL 304.81, 0.66%, 0.48%

LAB 49.5, 75.1, -41.75

 

CMYK 15 / 80 / 0 / 20

HEX #AC29CB

RGB 172 41 203

HSL 288.52, 0.66%, 0.48%

LAB 45.18, 71.3, -56.49

 

CMYK 37 / 80 / 0 / 20

HEX #8029CB

RGB 128 41 203

HSL 272.22, 0.66%, 0.48%

LAB 38.7, 63.94, -67.29

 

CMYK 0 / 80 / 49 / 20

HEX #CB2967

RGB 203 41 103

HSL 337.04, 0.66%, 0.48%

LAB 45.99, 64.98, 5.2

 

CMYK 0 / 91 / 56 / 13

HEX #DE1562

RGB 222 21 98

HSL 337.01, 0.83%, 0.48%

LAB 48.19, 73.29, 11.92

 

CMYK 0 / 99 / 61 / 5

HEX #F2025E

RGB 242 2 94

HSL 337, 0.98%, 0.48%

LAB 51.53, 79.39, 19.59

 

CMYK 0 / 80 / 49 / 20

HEX #CB2967

RGB 203 41 103

HSL 337.04, 0.66%, 0.48%

LAB 45.99, 64.98, 5.2

 

CMYK 0 / 67 / 41 / 28

HEX #B73D6C

RGB 183 61 108

HSL 336.89, 0.5%, 0.48%

LAB 44.92, 53, 0.11

 

CMYK 0 / 50 / 31 / 36

HEX #A35170

RGB 163 81 112

HSL 337.32, 0.34%, 0.48%

LAB 45.42, 37.41, -1.99

 

CMYK 0 / 29 / 18 / 44

HEX #8F6575

RGB 143 101 117

HSL 337.14, 0.17%, 0.48%

LAB 47.54, 19.48, -2.2

 

CMYK 0 / 2 / 1 / 52

HEX #7B787A

RGB 123 120 122

HSL 320, 0.01%, 0.48%

LAB 50.74, 1.54, -0.7

 

CMYK 0 / 80 / 7 / 20

HEX #CB29BD

RGB 203 41 189

HSL 305.19, 0.66%, 0.48%

LAB 49.44, 74.95, -41.25

 

CMYK 0 / 80 / 28 / 20

HEX #CB2992

RGB 203 41 146

HSL 321.11, 0.66%, 0.48%

LAB 47.44, 69.27, -18.91

 

CMYK 0 / 80 / 49 / 20

HEX #CB2967

RGB 203 41 103

HSL 337.04, 0.66%, 0.48%

LAB 45.99, 64.98, 5.2

 

CMYK 0 / 80 / 70 / 20

HEX #CB293C

RGB 203 41 60

HSL 352.96, 0.66%, 0.48%

LAB 45.09, 62.23, 30.46

 

CMYK 0 / 68 / 80 / 20

HEX #CB4129

RGB 203 65 41

HSL 8.89, 0.66%, 0.48%

LAB 47.8, 53.36, 44.13

 

CMYK 0 / 80 / 49 / 47

HEX #861B44

RGB 134 27 68

HSL 337.01, 0.66%, 0.32%

LAB 30.08, 46.98, 2.99

 

CMYK 0 / 80 / 49 / 34

HEX #A82256

RGB 168 34 86

HSL 336.72, 0.66%, 0.4%

LAB 38.09, 56.08, 3.66

 

CMYK 0 / 80 / 49 / 20

HEX #CB2967

RGB 203 41 103

HSL 337.04, 0.66%, 0.48%

LAB 45.99, 64.98, 5.2

 

CMYK 0 / 68 / 42 / 15

HEX #D8457D

RGB 216 69 125

HSL 337.14, 0.65%, 0.56%

LAB 52.21, 61.42, 1.1

 

CMYK 0 / 54 / 33 / 13

HEX #DF6795

RGB 223 103 149

HSL 337, 0.65%, 0.64%

LAB 59.49, 51.51, -2.28

 

CMYK 0 / 80 / 49 / 20

HEX #CB2967

RGB 203 41 103

HSL 337.04, 0.66%, 0.48%

LAB 45.99, 64.98, 5.2

 

CMYK 0 / 15 / 80 / 20

HEX #CBAD29

RGB 203 173 41

HSL 48.89, 0.66%, 0.48%

LAB 71.38, -2.03, 66.06

 

CMYK 80 / 17 / 0 / 20

HEX #29A8CB

RGB 41 168 203

HSL 192.96, 0.66%, 0.48%

LAB 63.99, -21.47, -27.39

 

CMYK 0 / 80 / 49 / 20

HEX #CB2967

RGB 203 41 103

HSL 337.04, 0.66%, 0.48%

LAB 45.99, 64.98, 5.2

 

CMYK 49 / 0 / 80 / 20

HEX #67CB29

RGB 103 203 41

HSL 97.04, 0.66%, 0.48%

LAB 73.39, -55.19, 65.45

 

CMYK 80 / 49 / 0 / 20

HEX #2967CB

RGB 41 103 203

HSL 217.04, 0.66%, 0.48%

LAB 44.92, 16.59, -57.49

 

CMYK 0 / 80 / 49 / 20

HEX #CB2967

RGB 203 41 103

HSL 337.04, 0.66%, 0.48%

LAB 45.99, 64.98, 5.2

 

CMYK 0 / 15 / 80 / 20

HEX #CBAD29

RGB 203 173 41

HSL 48.89, 0.66%, 0.48%

LAB 71.38, -2.03, 66.06

 

CMYK 80 / 0 / 31 / 20

HEX #29CB8D

RGB 41 203 141

HSL 157.04, 0.66%, 0.48%

LAB 72.96, -54.46, 19.75

 

CMYK 80 / 65 / 0 / 20

HEX #2947CB

RGB 41 71 203

HSL 228.89, 0.66%, 0.48%

LAB 36.54, 37.28, -71.13

 

CMYK 0 / 80 / 49 / 20

HEX #CB2967

RGB 203 41 103

HSL 337.04, 0.66%, 0.48%

LAB 45.99, 64.98, 5.2

 

CMYK 9 / 0 / 80 / 20

HEX #B8CB29

RGB 184 203 41

HSL 67.04, 0.66%, 0.48%

LAB 77.91, -25.4, 71.23

 

CMYK 80 / 0 / 31 / 20

HEX #29CB8D

RGB 41 203 141

HSL 157.04, 0.66%, 0.48%

LAB 72.96, -54.46, 19.75

 

CMYK 70 / 80 / 0 / 20

HEX #3C29CB

RGB 60 41 203

HSL 247.04, 0.66%, 0.48%

LAB 31.48, 55.8, -79.43

 

Description

Color code: HEX #CB2967 | qconv.com Color code: HEX #CB2967 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 41 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 41 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 49 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 49% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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