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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB29E8 it is the complementary color #34D617. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB29E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB29E8 shade: #D029E3, #E13BF6, #F24DFF, #FF5FFF and #FF71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB29E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB29E8 shade: #CB29E8, #BA17D5, #A905C2, #9800AF and #87009C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB29E8 shade: #CB2AE8, #E82AD2, #E82A9F, #E82A6B and #E82A38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB29E8 shade: #CB2AE8, #982AE8, #652AE8, #322AE8 and #2A2AE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB29E8 shade matches the following richer shades: #CB2AE8 and #D917FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB29E8 shade: #CB2AE8, #BE3DD5, #B150C2, #A463AF and #96769C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB29E8 shade: #632AE8, #962AE8, #C92AE8, #E82AD5 and #E82AA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB29E8 shade: #9612AE, #B716D3, #CB2AE8, #D450EC and #DD75F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB29E8 shade: #CB29E8, #E8312A and #2AE87D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB29E8 shade: #CB29E8, #E8C92A and #2AE8C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB29E8 shade: #CB29E8, #E8312A, #4AE82A and #2AE2E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB29E8 shade: #CB29E8, #E86A2A, #4AE82A and #2AA9E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 82 / 0 / 9

HEX #CB29E8

RGB 203 41 232

HSL 290.89, 0.81%, 0.54%

LAB 51.96, 81.72, -61.87

 

Complementary color

CMYK 76 / 0 / 89 / 16

HEX #34D617

RGB 52 214 23

HSL 110.89, 0.81%, 0.46%

LAB 75.38, -70.9, 70.77

 

CMYK 8 / 82 / 0 / 11

HEX #D029E3

RGB 208 41 227

HSL 293.87, 0.77%, 0.53%

LAB 52.44, 81.76, -58.22

 

CMYK 9 / 76 / 0 / 4

HEX #E13BF6

RGB 225 59 246

HSL 293.26, 0.91%, 0.6%

LAB 57.84, 83.34, -60.09

 

CMYK 5 / 70 / 0 / 0

HEX #F24DFF

RGB 242 77 255

HSL 295.62, 1%, 0.65%

LAB 62.85, 82.58, -56.93

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 13 / 82 / 0 / 9

HEX #CB29E8

RGB 203 41 232

HSL 290.89, 0.81%, 0.54%

LAB 51.96, 81.72, -61.87

 

CMYK 13 / 89 / 0 / 16

HEX #BA17D5

RGB 186 23 213

HSL 291.47, 0.81%, 0.46%

LAB 46.78, 79.25, -59.54

 

CMYK 13 / 97 / 0 / 24

HEX #A905C2

RGB 169 5 194

HSL 292.06, 0.95%, 0.39%

LAB 41.9, 75.62, -56.56

 

CMYK 13 / 100 / 0 / 31

HEX #9800AF

RGB 152 0 175

HSL 292.11, 1%, 0.34%

LAB 37.43, 70.47, -52.72

 

CMYK 13 / 100 / 0 / 39

HEX #87009C

RGB 135 0 156

HSL 291.92, 1%, 0.31%

LAB 33.03, 64.7, -48.53

 

CMYK 13 / 82 / 0 / 9

HEX #CB2AE8

RGB 203 42 232

HSL 290.84, 0.81%, 0.54%

LAB 52.04, 81.49, -61.75

 

CMYK 0 / 82 / 9 / 9

HEX #E82AD2

RGB 232 42 210

HSL 306.95, 0.81%, 0.54%

LAB 55.55, 83.42, -43.38

 

CMYK 0 / 82 / 31 / 9

HEX #E82A9F

RGB 232 42 159

HSL 323.05, 0.81%, 0.54%

LAB 53.29, 77.16, -17.26

 

CMYK 0 / 82 / 54 / 9

HEX #E82A6B

RGB 232 42 107

HSL 339.47, 0.81%, 0.54%

LAB 51.69, 72.51, 11.6

 

CMYK 0 / 82 / 76 / 9

HEX #E82A38

RGB 232 42 56

HSL 355.58, 0.81%, 0.54%

LAB 50.8, 69.83, 40.83

 

CMYK 13 / 82 / 0 / 9

HEX #CB2AE8

RGB 203 42 232

HSL 290.84, 0.81%, 0.54%

LAB 52.04, 81.49, -61.75

 

CMYK 34 / 82 / 0 / 9

HEX #982AE8

RGB 152 42 232

HSL 274.74, 0.81%, 0.54%

LAB 44.46, 73.45, -74.4

 

CMYK 56 / 82 / 0 / 9

HEX #652AE8

RGB 101 42 232

HSL 258.63, 0.81%, 0.54%

LAB 38.29, 67.13, -84.77

 

CMYK 78 / 82 / 0 / 9

HEX #322AE8

RGB 50 42 232

HSL 242.53, 0.81%, 0.54%

LAB 34.31, 63.22, -91.47

 

CMYK 82 / 82 / 0 / 9

HEX #2A2AE8

RGB 42 42 232

HSL 240, 0.81%, 0.54%

LAB 33.93, 62.85, -92.12

 

CMYK 13 / 82 / 0 / 9

HEX #CB2AE8

RGB 203 42 232

HSL 290.84, 0.81%, 0.54%

LAB 52.04, 81.49, -61.75

 

CMYK 14 / 91 / 0 / 2

HEX #D917FB

RGB 217 23 251

HSL 291.05, 0.97%, 0.54%

LAB 54.37, 90.17, -68.52

 

CMYK 13 / 82 / 0 / 9

HEX #CB2AE8

RGB 203 42 232

HSL 290.84, 0.81%, 0.54%

LAB 52.04, 81.49, -61.75

 

CMYK 11 / 71 / 0 / 16

HEX #BE3DD5

RGB 190 61 213

HSL 290.92, 0.64%, 0.54%

LAB 50.79, 70.2, -53.07

 

CMYK 9 / 59 / 0 / 24

HEX #B150C2

RGB 177 80 194

HSL 291.05, 0.48%, 0.54%

LAB 50.66, 55.86, -42.47

 

CMYK 6 / 43 / 0 / 31

HEX #A463AF

RGB 164 99 175

HSL 291.32, 0.32%, 0.54%

LAB 51.74, 38.77, -29.89

 

CMYK 4 / 24 / 0 / 39

HEX #96769C

RGB 150 118 156

HSL 290.53, 0.16%, 0.54%

LAB 53.86, 19.49, -15.7

 

CMYK 57 / 82 / 0 / 9

HEX #632AE8

RGB 99 42 232

HSL 258, 0.81%, 0.54%

LAB 38.08, 66.93, -85.11

 

CMYK 35 / 82 / 0 / 9

HEX #962AE8

RGB 150 42 232

HSL 274.11, 0.81%, 0.54%

LAB 44.18, 73.16, -74.85

 

CMYK 13 / 82 / 0 / 9

HEX #C92AE8

RGB 201 42 232

HSL 290.21, 0.81%, 0.54%

LAB 51.72, 81.15, -62.27

 

CMYK 0 / 82 / 8 / 9

HEX #E82AD5

RGB 232 42 213

HSL 306, 0.81%, 0.54%

LAB 55.7, 83.84, -44.85

 

CMYK 0 / 82 / 30 / 9

HEX #E82AA3

RGB 232 42 163

HSL 321.79, 0.81%, 0.54%

LAB 53.45, 77.59, -19.39

 

CMYK 14 / 90 / 0 / 32

HEX #9612AE

RGB 150 18 174

HSL 290.77, 0.81%, 0.38%

LAB 37.79, 67.66, -51.55

 

CMYK 13 / 90 / 0 / 17

HEX #B716D3

RGB 183 22 211

HSL 291.11, 0.81%, 0.46%

LAB 46.1, 78.6, -59.52

 

CMYK 13 / 82 / 0 / 9

HEX #CB2AE8

RGB 203 42 232

HSL 290.84, 0.81%, 0.54%

LAB 52.04, 81.49, -61.75

 

CMYK 10 / 66 / 0 / 7

HEX #D450EC

RGB 212 80 236

HSL 290.77, 0.8%, 0.62%

LAB 57.84, 71.89, -54.62

 

CMYK 8 / 51 / 0 / 6

HEX #DD75F0

RGB 221 117 240

HSL 290.73, 0.8%, 0.7%

LAB 65.27, 58.41, -45

 

CMYK 13 / 82 / 0 / 9

HEX #CB29E8

RGB 203 41 232

HSL 290.89, 0.81%, 0.54%

LAB 51.96, 81.72, -61.87

 

CMYK 0 / 79 / 82 / 9

HEX #E8312A

RGB 232 49 42

HSL 2.21, 0.81%, 0.54%

LAB 51.29, 67.64, 48.85

 

CMYK 82 / 0 / 46 / 9

HEX #2AE87D

RGB 42 232 125

HSL 146.21, 0.81%, 0.54%

LAB 81.67, -67.75, 39.48

 

CMYK 13 / 82 / 0 / 9

HEX #CB29E8

RGB 203 41 232

HSL 290.89, 0.81%, 0.54%

LAB 51.96, 81.72, -61.87

 

CMYK 0 / 13 / 82 / 9

HEX #E8C92A

RGB 232 201 42

HSL 50.21, 0.81%, 0.54%

LAB 81.34, -3.99, 75.48

 

CMYK 82 / 0 / 13 / 9

HEX #2AE8C9

RGB 42 232 201

HSL 170.21, 0.81%, 0.54%

LAB 83.14, -51.52, 2.37

 

CMYK 13 / 82 / 0 / 9

HEX #CB29E8

RGB 203 41 232

HSL 290.89, 0.81%, 0.54%

LAB 51.96, 81.72, -61.87

 

CMYK 0 / 79 / 82 / 9

HEX #E8312A

RGB 232 49 42

HSL 2.21, 0.81%, 0.54%

LAB 51.29, 67.64, 48.85

 

CMYK 68 / 0 / 82 / 9

HEX #4AE82A

RGB 74 232 42

HSL 109.89, 0.81%, 0.54%

LAB 81.48, -71.96, 72.3

 

CMYK 82 / 3 / 0 / 9

HEX #2AE2E8

RGB 42 226 232

HSL 181.89, 0.81%, 0.54%

LAB 82.22, -40.38, -15.39

 

CMYK 13 / 82 / 0 / 9

HEX #CB29E8

RGB 203 41 232

HSL 290.89, 0.81%, 0.54%

LAB 51.96, 81.72, -61.87

 

CMYK 0 / 54 / 82 / 9

HEX #E86A2A

RGB 232 106 42

HSL 20.21, 0.81%, 0.54%

LAB 59.55, 45.41, 56.44

 

CMYK 68 / 0 / 82 / 9

HEX #4AE82A

RGB 74 232 42

HSL 109.89, 0.81%, 0.54%

LAB 81.48, -71.96, 72.3

 

CMYK 82 / 27 / 0 / 9

HEX #2AA9E8

RGB 42 169 232

HSL 199.89, 0.81%, 0.54%

LAB 65.51, -12.01, -41.04

 

Description

Color code: HEX #CB29E8 | qconv.com Color code: HEX #CB29E8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 41 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 41 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 82 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 82% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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