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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB239B it is the complementary color #34DC64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB239B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB239B shade: #D02396, #E135A9, #F247BC, #FF59CF and #FF6BE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB239B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB239B shade: #CB239B, #BA1188, #A90075, #980062 and #87004F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB239B shade: #CC229C, #CC226E, #CC2240 and #CC2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB239B shade: #CC229C, #CC22CA, #A122CC, #7322CC and #4522CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB239B shade matches the following richer shades: #CC229C and #E00FA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB239B shade: #CC229C, #B93694, #A6498B, #925C83 and #7F707B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB239B shade: #A222CC, #CC22CA, #CC229C, #CC226F and #CC2241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB239B shade: #861666, #A91C81, #CC229C, #DD3BAF and #E35EBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB239B shade: #CB239B, #CC7522 and #22CCB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB239B shade: #CB239B, #9CCC22 and #229CCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB239B shade: #CB239B, #CC7522, #22CC52 and #227ACC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB239B shade: #CB239B, #CCA822, #22CC52 and #2247CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 24 / 20

HEX #CB239B

RGB 203 35 155

HSL 317.14, 0.71%, 0.47%

LAB 47.32, 71.78, -24.5

 

Complementary color

CMYK 76 / 0 / 55 / 14

HEX #34DC64

RGB 52 220 100

HSL 137.14, 0.71%, 0.53%

LAB 77.78, -66.42, 46.67

 

CMYK 0 / 83 / 28 / 18

HEX #D02396

RGB 208 35 150

HSL 320.12, 0.71%, 0.48%

LAB 48.02, 72.3, -20.34

 

CMYK 0 / 76 / 25 / 12

HEX #E135A9

RGB 225 53 169

HSL 319.53, 0.74%, 0.55%

LAB 53.4, 73.93, -23.08

 

CMYK 0 / 71 / 22 / 5

HEX #F247BC

RGB 242 71 188

HSL 318.95, 0.87%, 0.61%

LAB 58.99, 74.81, -25.28

 

CMYK 0 / 65 / 19 / 0

HEX #FF59CF

RGB 255 89 207

HSL 317.35, 1%, 0.67%

LAB 64.09, 74.15, -28.07

 

CMYK 0 / 58 / 11 / 0

HEX #FF6BE2

RGB 255 107 226

HSL 311.76, 1%, 0.71%

LAB 67.48, 69.64, -33.46

 

CMYK 0 / 83 / 24 / 20

HEX #CB239B

RGB 203 35 155

HSL 317.14, 0.71%, 0.47%

LAB 47.32, 71.78, -24.5

 

CMYK 0 / 91 / 27 / 27

HEX #BA1188

RGB 186 17 136

HSL 317.75, 0.83%, 0.4%

LAB 42.18, 69.12, -21.19

 

CMYK 0 / 100 / 31 / 34

HEX #A90075

RGB 169 0 117

HSL 318.46, 1%, 0.33%

LAB 37.33, 65.38, -17.14

 

CMYK 0 / 100 / 36 / 40

HEX #980062

RGB 152 0 98

HSL 321.32, 1%, 0.3%

LAB 33.04, 59.73, -11.9

 

CMYK 0 / 100 / 41 / 47

HEX #87004F

RGB 135 0 79

HSL 324.89, 1%, 0.26%

LAB 28.68, 54, -6.37

 

CMYK 0 / 83 / 24 / 20

HEX #CC229C

RGB 204 34 156

HSL 316.94, 0.71%, 0.47%

LAB 47.47, 72.34, -24.85

 

CMYK 0 / 83 / 46 / 20

HEX #CC226E

RGB 204 34 110

HSL 333.18, 0.71%, 0.47%

LAB 45.78, 67.53, 0.59

 

CMYK 0 / 83 / 69 / 20

HEX #CC2240

RGB 204 34 64

HSL 349.41, 0.71%, 0.47%

LAB 44.73, 64.45, 27.65

 

CMYK 0 / 83 / 83 / 20

HEX #CC2222

RGB 204 34 34

HSL 0, 0.71%, 0.47%

LAB 44.37, 63.36, 44.52

 

CMYK 0 / 83 / 24 / 20

HEX #CC229C

RGB 204 34 156

HSL 316.94, 0.71%, 0.47%

LAB 47.47, 72.34, -24.85

 

CMYK 0 / 83 / 1 / 20

HEX #CC22CA

RGB 204 34 202

HSL 300.71, 0.71%, 0.47%

LAB 49.79, 78.62, -48.22

 

CMYK 21 / 83 / 0 / 20

HEX #A122CC

RGB 161 34 204

HSL 284.82, 0.71%, 0.47%

LAB 42.88, 71.46, -60.85

 

CMYK 44 / 83 / 0 / 20

HEX #7322CC

RGB 115 34 204

HSL 268.59, 0.71%, 0.47%

LAB 36.27, 64.69, -71.93

 

CMYK 66 / 83 / 0 / 20

HEX #4522CC

RGB 69 34 204

HSL 252.35, 0.71%, 0.47%

LAB 31.27, 59.82, -80.34

 

CMYK 0 / 83 / 24 / 20

HEX #CC229C

RGB 204 34 156

HSL 316.94, 0.71%, 0.47%

LAB 47.47, 72.34, -24.85

 

CMYK 0 / 93 / 27 / 12

HEX #E00FA4

RGB 224 15 164

HSL 317.22, 0.87%, 0.47%

LAB 50.53, 80.3, -24.58

 

CMYK 0 / 83 / 24 / 20

HEX #CC229C

RGB 204 34 156

HSL 316.94, 0.71%, 0.47%

LAB 47.47, 72.34, -24.85

 

CMYK 0 / 71 / 20 / 27

HEX #B93694

RGB 185 54 148

HSL 316.95, 0.55%, 0.47%

LAB 45.76, 61.15, -22.97

 

CMYK 0 / 56 / 16 / 35

HEX #A6498B

RGB 166 73 139

HSL 317.42, 0.39%, 0.47%

LAB 45.27, 46.43, -18.55

 

CMYK 0 / 37 / 10 / 43

HEX #925C83

RGB 146 92 131

HSL 316.67, 0.23%, 0.47%

LAB 46.18, 28.26, -12.59

 

CMYK 0 / 12 / 3 / 50

HEX #7F707B

RGB 127 112 123

HSL 316, 0.06%, 0.47%

LAB 48.92, 7.94, -3.93

 

CMYK 21 / 83 / 0 / 20

HEX #A222CC

RGB 162 34 204

HSL 285.18, 0.71%, 0.47%

LAB 43.04, 71.63, -60.59

 

CMYK 0 / 83 / 1 / 20

HEX #CC22CA

RGB 204 34 202

HSL 300.71, 0.71%, 0.47%

LAB 49.79, 78.62, -48.22

 

CMYK 0 / 83 / 24 / 20

HEX #CC229C

RGB 204 34 156

HSL 316.94, 0.71%, 0.47%

LAB 47.47, 72.34, -24.85

 

CMYK 0 / 83 / 46 / 20

HEX #CC226F

RGB 204 34 111

HSL 332.82, 0.71%, 0.47%

LAB 45.81, 67.62, 0.02

 

CMYK 0 / 83 / 68 / 20

HEX #CC2241

RGB 204 34 65

HSL 349.06, 0.71%, 0.47%

LAB 44.75, 64.5, 27.06

 

CMYK 0 / 84 / 24 / 47

HEX #861666

RGB 134 22 102

HSL 317.14, 0.72%, 0.31%

LAB 30.88, 52.31, -18.12

 

CMYK 0 / 83 / 24 / 34

HEX #A91C81

RGB 169 28 129

HSL 317.02, 0.72%, 0.39%

LAB 39.33, 62.54, -21.56

 

CMYK 0 / 83 / 24 / 20

HEX #CC229C

RGB 204 34 156

HSL 316.94, 0.71%, 0.47%

LAB 47.47, 72.34, -24.85

 

CMYK 0 / 73 / 21 / 13

HEX #DD3BAF

RGB 221 59 175

HSL 317.04, 0.7%, 0.55%

LAB 53.59, 71.95, -26.36

 

CMYK 0 / 59 / 17 / 11

HEX #E35EBD

RGB 227 94 189

HSL 317.14, 0.7%, 0.63%

LAB 59.9, 62.17, -24.65

 

CMYK 0 / 83 / 24 / 20

HEX #CB239B

RGB 203 35 155

HSL 317.14, 0.71%, 0.47%

LAB 47.32, 71.78, -24.5

 

CMYK 0 / 43 / 83 / 20

HEX #CC7522

RGB 204 117 34

HSL 29.29, 0.71%, 0.47%

LAB 57.73, 28.41, 56.43

 

CMYK 83 / 0 / 9 / 20

HEX #22CCB9

RGB 34 204 185

HSL 173.29, 0.71%, 0.47%

LAB 74.21, -44.62, -2.13

 

CMYK 0 / 83 / 24 / 20

HEX #CB239B

RGB 203 35 155

HSL 317.14, 0.71%, 0.47%

LAB 47.32, 71.78, -24.5

 

CMYK 24 / 0 / 83 / 20

HEX #9CCC22

RGB 156 204 34

HSL 76.94, 0.71%, 0.47%

LAB 76.3, -37.43, 70.86

 

CMYK 83 / 24 / 0 / 20

HEX #229CCC

RGB 34 156 204

HSL 196.94, 0.71%, 0.47%

LAB 60.32, -15.37, -33.64

 

CMYK 0 / 83 / 24 / 20

HEX #CB239B

RGB 203 35 155

HSL 317.14, 0.71%, 0.47%

LAB 47.32, 71.78, -24.5

 

CMYK 0 / 43 / 83 / 20

HEX #CC7522

RGB 204 117 34

HSL 29.29, 0.71%, 0.47%

LAB 57.73, 28.41, 56.43

 

CMYK 83 / 0 / 60 / 20

HEX #22CC52

RGB 34 204 82

HSL 136.94, 0.71%, 0.47%

LAB 72.32, -65.64, 48.41

 

CMYK 83 / 40 / 0 / 20

HEX #227ACC

RGB 34 122 204

HSL 208.94, 0.71%, 0.47%

LAB 50.24, 4.35, -49.53

 

CMYK 0 / 83 / 24 / 20

HEX #CB239B

RGB 203 35 155

HSL 317.14, 0.71%, 0.47%

LAB 47.32, 71.78, -24.5

 

CMYK 0 / 18 / 83 / 20

HEX #CCA822

RGB 204 168 34

HSL 47.29, 0.71%, 0.47%

LAB 70.15, 0.84, 67.08

 

CMYK 83 / 0 / 60 / 20

HEX #22CC52

RGB 34 204 82

HSL 136.94, 0.71%, 0.47%

LAB 72.32, -65.64, 48.41

 

CMYK 83 / 65 / 0 / 20

HEX #2247CC

RGB 34 71 204

HSL 226.94, 0.71%, 0.47%

LAB 36.38, 37.1, -71.98

 

Description

Color code: HEX #CB239B | qconv.com Color code: HEX #CB239B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 35 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 35 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 24 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 24% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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