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Color name
HEX #CB2AD5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB2AD5 it is the complementary color #34D52A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB2AD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB2AD5 shade: #D02AD0, #E13CE3, #F24EF6, #FF60FF and #FF72FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB2AD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB2AD5 shade: #CB2AD5, #BA18C2, #A906AF, #98009C and #870089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB2AD5 shade: #CA2AD4, #D42AB0, #D42A82, #D42A54 and #D42A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB2AD5 shade: #CA2AD4, #9C2AD4, #6E2AD4, #402AD4 and #2A2AD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB2AD5 shade matches the following richer shades: #CA2AD4, #DD15E9 and #EF00FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB2AD5 shade: #CA2AD4, #B83EC0, #A653AB, #946797 and #827C82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB2AD5 shade: #6E2AD4, #9B2AD4, #C92AD4, #D42AB2 and #D42A85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB2AD5 shade: #891C90, #AA23B2, #CA2AD4, #D34CDB and #DB6EE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB2AD5 shade: #CB2AD5, #D4402A and #2AD485

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB2AD5 shade: #CB2AD5, #D4C92A and #2AD4C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB2AD5 shade: #CB2AD5, #D4402A, #35D42A and #2ABED4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB2AD5 shade: #CB2AD5, #D4742A, #35D42A and #2A8AD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 80 / 0 / 16

HEX #CB2AD5

RGB 203 42 213

HSL 296.49, 0.67%, 0.5%

LAB 50.87, 78.38, -52.83

 

Complementary color

CMYK 76 / 0 / 80 / 16

HEX #34D52A

RGB 52 213 42

HSL 116.49, 0.67%, 0.5%

LAB 75.13, -69.78, 66.29

 

CMYK 0 / 80 / 0 / 18

HEX #D02AD0

RGB 208 42 208

HSL 300, 0.66%, 0.49%

LAB 51.4, 78.53, -49.06

 

CMYK 1 / 74 / 0 / 11

HEX #E13CE3

RGB 225 60 227

HSL 299.28, 0.75%, 0.56%

LAB 56.87, 80, -51

 

CMYK 2 / 68 / 0 / 4

HEX #F24EF6

RGB 242 78 246

HSL 298.57, 0.9%, 0.64%

LAB 62.49, 80.79, -52.52

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 5 / 80 / 0 / 16

HEX #CB2AD5

RGB 203 42 213

HSL 296.49, 0.67%, 0.5%

LAB 50.87, 78.38, -52.83

 

CMYK 4 / 88 / 0 / 24

HEX #BA18C2

RGB 186 24 194

HSL 297.18, 0.78%, 0.43%

LAB 45.62, 76.03, -50.43

 

CMYK 3 / 97 / 0 / 31

HEX #A906AF

RGB 169 6 175

HSL 297.87, 0.93%, 0.35%

LAB 40.67, 72.48, -47.34

 

CMYK 3 / 100 / 0 / 39

HEX #98009C

RGB 152 0 156

HSL 298.46, 1%, 0.31%

LAB 36.13, 67.4, -43.38

 

CMYK 1 / 100 / 0 / 46

HEX #870089

RGB 135 0 137

HSL 299.12, 1%, 0.27%

LAB 31.71, 61.57, -38.97

 

CMYK 5 / 80 / 0 / 17

HEX #CA2AD4

RGB 202 42 212

HSL 296.47, 0.67%, 0.5%

LAB 50.65, 78.04, -52.62

 

CMYK 0 / 80 / 17 / 17

HEX #D42AB0

RGB 212 42 176

HSL 312.71, 0.67%, 0.5%

LAB 50.44, 74.78, -31.97

 

CMYK 0 / 80 / 39 / 17

HEX #D42A82

RGB 212 42 130

HSL 328.94, 0.67%, 0.5%

LAB 48.59, 69.45, -7.34

 

CMYK 0 / 80 / 60 / 17

HEX #D42A54

RGB 212 42 84

HSL 345.18, 0.67%, 0.5%

LAB 47.36, 65.75, 19.08

 

CMYK 0 / 80 / 80 / 17

HEX #D42A2A

RGB 212 42 42

HSL 0, 0.67%, 0.5%

LAB 46.74, 63.84, 43.11

 

CMYK 5 / 80 / 0 / 17

HEX #CA2AD4

RGB 202 42 212

HSL 296.47, 0.67%, 0.5%

LAB 50.65, 78.04, -52.62

 

CMYK 26 / 80 / 0 / 17

HEX #9C2AD4

RGB 156 42 212

HSL 280.24, 0.67%, 0.5%

LAB 43.47, 69.97, -64.55

 

CMYK 48 / 80 / 0 / 17

HEX #6E2AD4

RGB 110 42 212

HSL 264, 0.67%, 0.5%

LAB 37.34, 63.15, -74.82

 

CMYK 70 / 80 / 0 / 17

HEX #402AD4

RGB 64 42 212

HSL 247.76, 0.67%, 0.5%

LAB 32.92, 58.3, -82.27

 

CMYK 80 / 80 / 0 / 17

HEX #2A2AD4

RGB 42 42 212

HSL 240, 0.67%, 0.5%

LAB 31.58, 56.85, -84.53

 

CMYK 5 / 80 / 0 / 17

HEX #CA2AD4

RGB 202 42 212

HSL 296.47, 0.67%, 0.5%

LAB 50.65, 78.04, -52.62

 

CMYK 5 / 91 / 0 / 9

HEX #DD15E9

RGB 221 21 233

HSL 296.6, 0.83%, 0.5%

LAB 53.81, 88.22, -59.31

 

CMYK 6 / 100 / 0 / 0

HEX #EF00FE

RGB 239 0 254

HSL 296.46, 1%, 0.5%

LAB 57.57, 95.7, -64.85

 

CMYK 5 / 80 / 0 / 17

HEX #CA2AD4

RGB 202 42 212

HSL 296.47, 0.67%, 0.5%

LAB 50.65, 78.04, -52.62

 

CMYK 4 / 68 / 0 / 25

HEX #B83EC0

RGB 184 62 192

HSL 296.31, 0.51%, 0.5%

LAB 48.81, 64.83, -44.19

 

CMYK 3 / 51 / 0 / 33

HEX #A653AB

RGB 166 83 171

HSL 296.59, 0.35%, 0.5%

LAB 48.55, 47.03, -32.51

 

CMYK 2 / 32 / 0 / 41

HEX #946797

RGB 148 103 151

HSL 296.25, 0.19%, 0.5%

LAB 49.77, 26.47, -19.02

 

CMYK 0 / 5 / 0 / 49

HEX #827C82

RGB 130 124 130

HSL 300, 0.02%, 0.5%

LAB 52.7, 3.45, -2.45

 

CMYK 48 / 80 / 0 / 17

HEX #6E2AD4

RGB 110 42 212

HSL 264, 0.67%, 0.5%

LAB 37.34, 63.15, -74.82

 

CMYK 27 / 80 / 0 / 17

HEX #9B2AD4

RGB 155 42 212

HSL 279.88, 0.67%, 0.5%

LAB 43.33, 69.8, -64.8

 

CMYK 5 / 80 / 0 / 17

HEX #C92AD4

RGB 201 42 212

HSL 296.12, 0.67%, 0.5%

LAB 50.48, 77.85, -52.89

 

CMYK 0 / 80 / 16 / 17

HEX #D42AB2

RGB 212 42 178

HSL 312, 0.67%, 0.5%

LAB 50.53, 75.04, -33

 

CMYK 0 / 80 / 37 / 17

HEX #D42A85

RGB 212 42 133

HSL 327.88, 0.67%, 0.5%

LAB 48.69, 69.75, -9

 

CMYK 5 / 81 / 0 / 44

HEX #891C90

RGB 137 28 144

HSL 296.38, 0.67%, 0.34%

LAB 34.32, 57.83, -39.1

 

CMYK 4 / 80 / 0 / 30

HEX #AA23B2

RGB 170 35 178

HSL 296.64, 0.67%, 0.42%

LAB 42.71, 68.23, -45.85

 

CMYK 5 / 80 / 0 / 17

HEX #CA2AD4

RGB 202 42 212

HSL 296.47, 0.67%, 0.5%

LAB 50.65, 78.04, -52.62

 

CMYK 4 / 65 / 0 / 14

HEX #D34CDB

RGB 211 76 219

HSL 296.64, 0.67%, 0.58%

LAB 56.22, 70.25, -47.64

 

CMYK 3 / 51 / 0 / 11

HEX #DB6EE2

RGB 219 110 226

HSL 296.38, 0.67%, 0.66%

LAB 63.1, 58.66, -40.66

 

CMYK 5 / 80 / 0 / 16

HEX #CB2AD5

RGB 203 42 213

HSL 296.49, 0.67%, 0.5%

LAB 50.87, 78.38, -52.83

 

CMYK 0 / 70 / 80 / 17

HEX #D4402A

RGB 212 64 42

HSL 7.76, 0.67%, 0.5%

LAB 49.29, 56.73, 45.63

 

CMYK 80 / 0 / 37 / 17

HEX #2AD485

RGB 42 212 133

HSL 152.12, 0.67%, 0.5%

LAB 75.62, -59.35, 27.56

 

CMYK 5 / 80 / 0 / 16

HEX #CB2AD5

RGB 203 42 213

HSL 296.49, 0.67%, 0.5%

LAB 50.87, 78.38, -52.83

 

CMYK 0 / 5 / 80 / 17

HEX #D4C92A

RGB 212 201 42

HSL 56.12, 0.67%, 0.5%

LAB 79.58, -12.55, 73.27

 

CMYK 80 / 0 / 5 / 17

HEX #2AD4C9

RGB 42 212 201

HSL 176.12, 0.67%, 0.5%

LAB 77.16, -43.02, -6.4

 

CMYK 5 / 80 / 0 / 16

HEX #CB2AD5

RGB 203 42 213

HSL 296.49, 0.67%, 0.5%

LAB 50.87, 78.38, -52.83

 

CMYK 0 / 70 / 80 / 17

HEX #D4402A

RGB 212 64 42

HSL 7.76, 0.67%, 0.5%

LAB 49.29, 56.73, 45.63

 

CMYK 75 / 0 / 80 / 17

HEX #35D42A

RGB 53 212 42

HSL 116.12, 0.67%, 0.5%

LAB 74.83, -69.33, 66.02

 

CMYK 80 / 10 / 0 / 17

HEX #2ABED4

RGB 42 190 212

HSL 187.76, 0.67%, 0.5%

LAB 70.92, -29.56, -21.73

 

CMYK 5 / 80 / 0 / 16

HEX #CB2AD5

RGB 203 42 213

HSL 296.49, 0.67%, 0.5%

LAB 50.87, 78.38, -52.83

 

CMYK 0 / 45 / 80 / 17

HEX #D4742A

RGB 212 116 42

HSL 26.12, 0.67%, 0.5%

LAB 58.65, 32.51, 54.54

 

CMYK 75 / 0 / 80 / 17

HEX #35D42A

RGB 53 212 42

HSL 116.12, 0.67%, 0.5%

LAB 74.83, -69.33, 66.02

 

CMYK 80 / 35 / 0 / 17

HEX #2A8AD4

RGB 42 138 212

HSL 206.12, 0.67%, 0.5%

LAB 55.51, -1.56, -45.68

 

Description

Color code: HEX #CB2AD5 | qconv.com Color code: HEX #CB2AD5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 42 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 42 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 80 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 80% 0% 16% C M Y K

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Provide designers and agencies with accurate color values.

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