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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB3890 it is the complementary color #34C76F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB3890. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB3890 shade: #D0388B, #E14A9E, #F25CB1, #FF6EC4 and #FF80D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB3890. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB3890 shade: #CB3890, #BA267D, #A9146A, #980257 and #870044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB3890 shade: #CB3890, #CB3868, #CB3841 and #CB3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB3890 shade: #CB3890, #CB38B8, #B738CB, #8F38CB and #6738CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB3890 shade matches the following richer shades: #CB3890, #DF2494 and #F40F98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB3890 shade: #CB3890, #B74C8C, #A36088, #8F7484 and #7A8980

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB3890 shade: #B838CB, #CB38B8, #CB3890, #CB3869 and #CB3842

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB3890 shade: #8D2463, #AD2C7A, #CB3890, #D459A2 and #DC79B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB3890 shade: #CB3890, #CB9038 and #38CBCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB3890 shade: #CB3890, #90CB38 and #3890CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB3890 shade: #CB3890, #CB9038, #38CB73 and #3873CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB3890 shade: #CB3890, #CBBD38, #38CB73 and #3847CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 29 / 20

HEX #CB3890

RGB 203 56 144

HSL 324.08, 0.59%, 0.51%

LAB 48.93, 64.58, -15.43

 

Complementary color

CMYK 74 / 0 / 44 / 22

HEX #34C76F

RGB 52 199 111

HSL 144.08, 0.59%, 0.49%

LAB 71.37, -57.47, 33.3

 

CMYK 0 / 73 / 33 / 18

HEX #D0388B

RGB 208 56 139

HSL 327.24, 0.62%, 0.52%

LAB 49.62, 65.3, -11.31

 

CMYK 0 / 67 / 30 / 12

HEX #E14A9E

RGB 225 74 158

HSL 326.62, 0.72%, 0.59%

LAB 55.46, 65.67, -13.5

 

CMYK 0 / 62 / 27 / 5

HEX #F25CB1

RGB 242 92 177

HSL 326, 0.85%, 0.65%

LAB 61.4, 65.6, -15.28

 

CMYK 0 / 57 / 23 / 0

HEX #FF6EC4

RGB 255 110 196

HSL 324.41, 1%, 0.72%

LAB 66.82, 64.11, -17.69

 

CMYK 0 / 50 / 16 / 0

HEX #FF80D7

RGB 255 128 215

HSL 318.9, 1%, 0.75%

LAB 70.6, 58.55, -22.56

 

CMYK 0 / 72 / 29 / 20

HEX #CB3890

RGB 203 56 144

HSL 324.08, 0.59%, 0.51%

LAB 48.93, 64.58, -15.43

 

CMYK 0 / 80 / 33 / 27

HEX #BA267D

RGB 186 38 125

HSL 324.73, 0.66%, 0.44%

LAB 43.22, 63.57, -12.84

 

CMYK 0 / 88 / 37 / 34

HEX #A9146A

RGB 169 20 106

HSL 325.37, 0.79%, 0.37%

LAB 37.8, 61.55, -9.49

 

CMYK 0 / 99 / 43 / 40

HEX #980257

RGB 152 2 87

HSL 326, 0.97%, 0.3%

LAB 32.72, 58.35, -5.25

 

CMYK 0 / 100 / 50 / 47

HEX #870044

RGB 135 0 68

HSL 329.78, 1%, 0.26%

LAB 28.3, 52.99, 0.43

 

CMYK 0 / 72 / 29 / 20

HEX #CB3890

RGB 203 56 144

HSL 324.08, 0.59%, 0.51%

LAB 48.93, 64.58, -15.43

 

CMYK 0 / 72 / 49 / 20

HEX #CB3868

RGB 203 56 104

HSL 340.41, 0.59%, 0.51%

LAB 47.66, 60.45, 6.96

 

CMYK 0 / 72 / 68 / 20

HEX #CB3841

RGB 203 56 65

HSL 356.33, 0.59%, 0.51%

LAB 46.85, 57.76, 29.61

 

CMYK 0 / 72 / 72 / 20

HEX #CB3838

RGB 203 56 56

HSL 0, 0.59%, 0.51%

LAB 46.72, 57.33, 34.74

 

CMYK 0 / 72 / 29 / 20

HEX #CB3890

RGB 203 56 144

HSL 324.08, 0.59%, 0.51%

LAB 48.93, 64.58, -15.43

 

CMYK 0 / 72 / 9 / 20

HEX #CB38B8

RGB 203 56 184

HSL 307.76, 0.59%, 0.51%

LAB 50.67, 69.96, -36.4

 

CMYK 10 / 72 / 0 / 20

HEX #B738CB

RGB 183 56 203

HSL 291.84, 0.59%, 0.51%

LAB 48.52, 68.72, -51.02

 

CMYK 30 / 72 / 0 / 20

HEX #8F38CB

RGB 143 56 203

HSL 275.51, 0.59%, 0.51%

LAB 42.73, 60.76, -60.64

 

CMYK 49 / 72 / 0 / 20

HEX #6738CB

RGB 103 56 203

HSL 259.18, 0.59%, 0.51%

LAB 37.88, 53.73, -68.75

 

CMYK 0 / 72 / 29 / 20

HEX #CB3890

RGB 203 56 144

HSL 324.08, 0.59%, 0.51%

LAB 48.93, 64.58, -15.43

 

CMYK 0 / 84 / 34 / 13

HEX #DF2494

RGB 223 36 148

HSL 324.06, 0.75%, 0.51%

LAB 50.79, 75.24, -14.67

 

CMYK 0 / 94 / 38 / 4

HEX #F40F98

RGB 244 15 152

HSL 324.1, 0.91%, 0.51%

LAB 53.86, 83.16, -12.04

 

CMYK 0 / 72 / 29 / 20

HEX #CB3890

RGB 203 56 144

HSL 324.08, 0.59%, 0.51%

LAB 48.93, 64.58, -15.43

 

CMYK 0 / 58 / 23 / 28

HEX #B74C8C

RGB 183 76 140

HSL 324.11, 0.43%, 0.51%

LAB 48.42, 50.37, -14.11

 

CMYK 0 / 41 / 17 / 36

HEX #A36088

RGB 163 96 136

HSL 324.18, 0.27%, 0.51%

LAB 49.41, 32.9, -10.51

 

CMYK 0 / 19 / 8 / 44

HEX #8F7484

RGB 143 116 132

HSL 324.44, 0.11%, 0.51%

LAB 51.83, 13.39, -4.77

 

CMYK 11 / 0 / 7 / 46

HEX #7A8980

RGB 122 137 128

HSL 144, 0.06%, 0.51%

LAB 55.67, -7.3, 2.97

 

CMYK 9 / 72 / 0 / 20

HEX #B838CB

RGB 184 56 203

HSL 292.24, 0.59%, 0.51%

LAB 48.67, 68.93, -50.77

 

CMYK 0 / 72 / 9 / 20

HEX #CB38B8

RGB 203 56 184

HSL 307.76, 0.59%, 0.51%

LAB 50.67, 69.96, -36.4

 

CMYK 0 / 72 / 29 / 20

HEX #CB3890

RGB 203 56 144

HSL 324.08, 0.59%, 0.51%

LAB 48.93, 64.58, -15.43

 

CMYK 0 / 72 / 48 / 20

HEX #CB3869

RGB 203 56 105

HSL 340, 0.59%, 0.51%

LAB 47.68, 60.54, 6.38

 

CMYK 0 / 72 / 67 / 20

HEX #CB3842

RGB 203 56 66

HSL 355.92, 0.59%, 0.51%

LAB 46.87, 57.81, 29.03

 

CMYK 0 / 74 / 30 / 45

HEX #8D2463

RGB 141 36 99

HSL 324, 0.59%, 0.35%

LAB 33.62, 49.36, -11.87

 

CMYK 0 / 75 / 29 / 32

HEX #AD2C7A

RGB 173 44 122

HSL 323.72, 0.59%, 0.43%

LAB 41.36, 58.1, -14.04

 

CMYK 0 / 72 / 29 / 20

HEX #CB3890

RGB 203 56 144

HSL 324.08, 0.59%, 0.51%

LAB 48.93, 64.58, -15.43

 

CMYK 0 / 58 / 24 / 17

HEX #D459A2

RGB 212 89 162

HSL 324.39, 0.59%, 0.59%

LAB 55.84, 56.25, -15.46

 

CMYK 0 / 45 / 18 / 14

HEX #DC79B5

RGB 220 121 181

HSL 323.64, 0.59%, 0.67%

LAB 63.53, 46.01, -14.65

 

CMYK 0 / 72 / 29 / 20

HEX #CB3890

RGB 203 56 144

HSL 324.08, 0.59%, 0.51%

LAB 48.93, 64.58, -15.43

 

CMYK 0 / 29 / 72 / 20

HEX #CB9038

RGB 203 144 56

HSL 35.92, 0.59%, 0.51%

LAB 64.1, 14.18, 53.53

 

CMYK 72 / 0 / 0 / 20

HEX #38CBCB

RGB 56 203 203

HSL 180, 0.59%, 0.51%

LAB 74.74, -37, -11.05

 

CMYK 0 / 72 / 29 / 20

HEX #CB3890

RGB 203 56 144

HSL 324.08, 0.59%, 0.51%

LAB 48.93, 64.58, -15.43

 

CMYK 29 / 0 / 72 / 20

HEX #90CB38

RGB 144 203 56

HSL 84.08, 0.59%, 0.51%

LAB 75.41, -40.55, 63.29

 

CMYK 72 / 29 / 0 / 20

HEX #3890CB

RGB 56 144 203

HSL 204.08, 0.59%, 0.51%

LAB 57.17, -6.63, -37.96

 

CMYK 0 / 72 / 29 / 20

HEX #CB3890

RGB 203 56 144

HSL 324.08, 0.59%, 0.51%

LAB 48.93, 64.58, -15.43

 

CMYK 0 / 29 / 72 / 20

HEX #CB9038

RGB 203 144 56

HSL 35.92, 0.59%, 0.51%

LAB 64.1, 14.18, 53.53

 

CMYK 72 / 0 / 43 / 20

HEX #38CB73

RGB 56 203 115

HSL 144.08, 0.59%, 0.51%

LAB 72.75, -57.65, 33.07

 

CMYK 72 / 43 / 0 / 20

HEX #3873CB

RGB 56 115 203

HSL 215.92, 0.59%, 0.51%

LAB 48.78, 10.77, -51.26

 

CMYK 0 / 72 / 29 / 20

HEX #CB3890

RGB 203 56 144

HSL 324.08, 0.59%, 0.51%

LAB 48.93, 64.58, -15.43

 

CMYK 0 / 7 / 72 / 20

HEX #CBBD38

RGB 203 189 56

HSL 54.29, 0.59%, 0.51%

LAB 75.69, -9.76, 64.99

 

CMYK 72 / 0 / 43 / 20

HEX #38CB73

RGB 56 203 115

HSL 144.08, 0.59%, 0.51%

LAB 72.75, -57.65, 33.07

 

CMYK 72 / 65 / 0 / 20

HEX #3847CB

RGB 56 71 203

HSL 233.88, 0.59%, 0.51%

LAB 37.22, 38.76, -69.98

 

Description

Color code: HEX #CB3890 | qconv.com Color code: HEX #CB3890 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 56 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 56 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 29 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 29% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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