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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB32E4 it is the complementary color #34CD1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB32E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB32E4 shade: #D032DF, #E144F2, #F256FF, #FF68FF and #FF7AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB32E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB32E4 shade: #CB32E4, #BA20D1, #A90EBE, #9800AB and #870098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB32E4 shade: #CB33E4, #E433CD, #E4339E, #E4336E and #E4333E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB32E4 shade: #CB33E4, #9C33E4, #6C33E4, #3C33E4 and #3333E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB32E4 shade matches the following richer shades: #CB33E4 and #D921F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB32E4 shade: #CB33E4, #BE46D2, #B159BF, #A36BAC and #967E9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB32E4 shade: #6B33E4, #9A33E4, #CA33E4, #E433CF and #E433A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB32E4 shade: #9916AF, #B91BD3, #CB33E4, #D458E9 and #DE7CEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB32E4 shade: #CB32E4, #E43C33 and #33E483

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB32E4 shade: #CB32E4, #E4CA33 and #33E4CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB32E4 shade: #CB32E4, #E43C33, #4EE433 and #33DBE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB32E4 shade: #CB32E4, #E47133, #4EE433 and #33A6E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 78 / 0 / 11

HEX #CB32E4

RGB 203 50 228

HSL 291.57, 0.77%, 0.55%

LAB 52.49, 78.79, -58.77

 

Complementary color

CMYK 75 / 0 / 87 / 20

HEX #34CD1B

RGB 52 205 27

HSL 111.57, 0.77%, 0.45%

LAB 72.54, -68.07, 67.57

 

CMYK 7 / 78 / 0 / 13

HEX #D032DF

RGB 208 50 223

HSL 294.8, 0.73%, 0.54%

LAB 52.97, 78.88, -55.12

 

CMYK 7 / 72 / 0 / 5

HEX #E144F2

RGB 225 68 242

HSL 294.14, 0.87%, 0.61%

LAB 58.56, 79.94, -56.71

 

CMYK 5 / 66 / 0 / 0

HEX #F256FF

RGB 242 86 255

HSL 295.38, 1%, 0.67%

LAB 63.96, 79.43, -55.16

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 11 / 78 / 0 / 11

HEX #CB32E4

RGB 203 50 228

HSL 291.57, 0.77%, 0.55%

LAB 52.49, 78.79, -58.77

 

CMYK 11 / 85 / 0 / 18

HEX #BA20D1

RGB 186 32 209

HSL 292.2, 0.73%, 0.47%

LAB 47.07, 76.96, -56.78

 

CMYK 11 / 93 / 0 / 25

HEX #A90EBE

RGB 169 14 190

HSL 292.84, 0.86%, 0.4%

LAB 41.95, 74.02, -54.14

 

CMYK 11 / 100 / 0 / 33

HEX #9800AB

RGB 152 0 171

HSL 293.33, 1%, 0.34%

LAB 37.14, 69.81, -50.79

 

CMYK 11 / 100 / 0 / 40

HEX #870098

RGB 135 0 152

HSL 293.29, 1%, 0.3%

LAB 32.74, 64.02, -46.56

 

CMYK 11 / 78 / 0 / 11

HEX #CB33E4

RGB 203 51 228

HSL 291.53, 0.77%, 0.55%

LAB 52.58, 78.51, -58.61

 

CMYK 0 / 78 / 10 / 11

HEX #E433CD

RGB 228 51 205

HSL 307.8, 0.77%, 0.55%

LAB 55.35, 79.83, -40.88

 

CMYK 0 / 78 / 31 / 11

HEX #E4339E

RGB 228 51 158

HSL 323.73, 0.77%, 0.55%

LAB 53.31, 73.91, -16.71

 

CMYK 0 / 78 / 52 / 11

HEX #E4336E

RGB 228 51 110

HSL 340, 0.77%, 0.55%

LAB 51.82, 69.4, 9.85

 

CMYK 0 / 78 / 73 / 11

HEX #E4333E

RGB 228 51 62

HSL 356.27, 0.77%, 0.55%

LAB 50.93, 66.61, 37.35

 

CMYK 11 / 78 / 0 / 11

HEX #CB33E4

RGB 203 51 228

HSL 291.53, 0.77%, 0.55%

LAB 52.58, 78.51, -58.61

 

CMYK 32 / 78 / 0 / 11

HEX #9C33E4

RGB 156 51 228

HSL 275.59, 0.77%, 0.55%

LAB 45.68, 70.33, -70.1

 

CMYK 53 / 78 / 0 / 11

HEX #6C33E4

RGB 108 51 228

HSL 259.32, 0.77%, 0.55%

LAB 39.84, 63.34, -79.9

 

CMYK 74 / 78 / 0 / 11

HEX #3C33E4

RGB 60 51 228

HSL 243.05, 0.77%, 0.55%

LAB 35.85, 58.51, -86.62

 

CMYK 78 / 78 / 0 / 11

HEX #3333E4

RGB 51 51 228

HSL 240, 0.77%, 0.55%

LAB 35.35, 57.9, -87.47

 

CMYK 11 / 78 / 0 / 11

HEX #CB33E4

RGB 203 51 228

HSL 291.53, 0.77%, 0.55%

LAB 52.58, 78.51, -58.61

 

CMYK 12 / 87 / 0 / 3

HEX #D921F7

RGB 217 33 247

HSL 291.59, 0.93%, 0.55%

LAB 54.61, 88.06, -65.9

 

CMYK 11 / 78 / 0 / 11

HEX #CB33E4

RGB 203 51 228

HSL 291.53, 0.77%, 0.55%

LAB 52.58, 78.51, -58.61

 

CMYK 10 / 67 / 0 / 18

HEX #BE46D2

RGB 190 70 210

HSL 291.43, 0.61%, 0.55%

LAB 51.82, 66.27, -49.72

 

CMYK 7 / 53 / 0 / 25

HEX #B159BF

RGB 177 89 191

HSL 291.76, 0.44%, 0.55%

LAB 52.12, 50.94, -38.44

 

CMYK 5 / 38 / 0 / 33

HEX #A36BAC

RGB 163 107 172

HSL 291.69, 0.28%, 0.55%

LAB 53.26, 33.42, -25.8

 

CMYK 3 / 18 / 0 / 40

HEX #967E9A

RGB 150 126 154

HSL 291.43, 0.12%, 0.55%

LAB 55.83, 14.45, -11.57

 

CMYK 53 / 78 / 0 / 11

HEX #6B33E4

RGB 107 51 228

HSL 258.98, 0.77%, 0.55%

LAB 39.74, 63.21, -80.07

 

CMYK 32 / 78 / 0 / 11

HEX #9A33E4

RGB 154 51 228

HSL 274.92, 0.77%, 0.55%

LAB 45.41, 70, -70.56

 

CMYK 11 / 78 / 0 / 11

HEX #CA33E4

RGB 202 51 228

HSL 291.19, 0.77%, 0.55%

LAB 52.43, 78.33, -58.87

 

CMYK 0 / 78 / 9 / 11

HEX #E433CF

RGB 228 51 207

HSL 307.12, 0.77%, 0.55%

LAB 55.45, 80.11, -41.87

 

CMYK 0 / 78 / 30 / 11

HEX #E433A0

RGB 228 51 160

HSL 323.05, 0.77%, 0.55%

LAB 53.38, 74.13, -17.77

 

CMYK 13 / 87 / 0 / 31

HEX #9916AF

RGB 153 22 175

HSL 291.37, 0.78%, 0.39%

LAB 38.62, 67.6, -50.78

 

CMYK 12 / 87 / 0 / 17

HEX #B91BD3

RGB 185 27 211

HSL 291.52, 0.77%, 0.47%

LAB 46.71, 78.09, -58.52

 

CMYK 11 / 78 / 0 / 11

HEX #CB33E4

RGB 203 51 228

HSL 291.53, 0.77%, 0.55%

LAB 52.58, 78.51, -58.61

 

CMYK 9 / 62 / 0 / 9

HEX #D458E9

RGB 212 88 233

HSL 291.31, 0.77%, 0.63%

LAB 58.84, 68.1, -51.34

 

CMYK 7 / 48 / 0 / 7

HEX #DE7CEE

RGB 222 124 238

HSL 291.58, 0.77%, 0.71%

LAB 66.61, 54.86, -41.78

 

CMYK 11 / 78 / 0 / 11

HEX #CB32E4

RGB 203 50 228

HSL 291.57, 0.77%, 0.55%

LAB 52.49, 78.79, -58.77

 

CMYK 0 / 74 / 78 / 11

HEX #E43C33

RGB 228 60 51

HSL 3.05, 0.77%, 0.55%

LAB 51.8, 63.43, 44.41

 

CMYK 78 / 0 / 43 / 11

HEX #33E483

RGB 51 228 131

HSL 147.12, 0.77%, 0.55%

LAB 80.64, -64.42, 35.22

 

CMYK 11 / 78 / 0 / 11

HEX #CB32E4

RGB 203 50 228

HSL 291.57, 0.77%, 0.55%

LAB 52.49, 78.79, -58.77

 

CMYK 0 / 11 / 78 / 11

HEX #E4CA33

RGB 228 202 51

HSL 51.19, 0.77%, 0.55%

LAB 81.28, -5.92, 72.68

 

CMYK 78 / 0 / 11 / 11

HEX #33E4CA

RGB 51 228 202

HSL 171.19, 0.77%, 0.55%

LAB 82.08, -48.81, 0.32

 

CMYK 11 / 78 / 0 / 11

HEX #CB32E4

RGB 203 50 228

HSL 291.57, 0.77%, 0.55%

LAB 52.49, 78.79, -58.77

 

CMYK 0 / 74 / 78 / 11

HEX #E43C33

RGB 228 60 51

HSL 3.05, 0.77%, 0.55%

LAB 51.8, 63.43, 44.41

 

CMYK 66 / 0 / 78 / 11

HEX #4EE433

RGB 78 228 51

HSL 110.85, 0.77%, 0.55%

LAB 80.37, -69.45, 68.85

 

CMYK 78 / 4 / 0 / 11

HEX #33DBE4

RGB 51 219 228

HSL 183.05, 0.77%, 0.55%

LAB 80.16, -37.62, -16.35

 

CMYK 11 / 78 / 0 / 11

HEX #CB32E4

RGB 203 50 228

HSL 291.57, 0.77%, 0.55%

LAB 52.49, 78.79, -58.77

 

CMYK 0 / 50 / 78 / 11

HEX #E47133

RGB 228 113 51

HSL 21.02, 0.77%, 0.55%

LAB 60.38, 40.73, 53.07

 

CMYK 66 / 0 / 78 / 11

HEX #4EE433

RGB 78 228 51

HSL 110.85, 0.77%, 0.55%

LAB 80.37, -69.45, 68.85

 

CMYK 78 / 27 / 0 / 11

HEX #33A6E4

RGB 51 166 228

HSL 201.02, 0.77%, 0.55%

LAB 64.63, -10.9, -40.21

 

Description

Color code: HEX #CB32E4 | qconv.com Color code: HEX #CB32E4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 50 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 50 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 78 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 78% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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