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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB33A9 it is the complementary color #34CC56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB33A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB33A9 shade: #D033A4, #E145B7, #F257CA, #FF69DD and #FF7BF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB33A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB33A9 shade: #CB33A9, #BA2196, #A90F83, #980070 and #87005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB33A9 shade: #CC33A9, #CC3380, #CC3357 and #CC3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB33A9 shade: #CC33A9, #C433CC, #9B33CC, #7233CC and #4933CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB33A9 shade matches the following richer shades: #CC33A9, #E01EB5 and #F509C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB33A9 shade: #CC33A9, #B7479E, #A25C92, #8E7087 and #79857C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB33A9 shade: #9B33CC, #C433CC, #CC33AA, #CC3382 and #CC3359

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB33A9 shade: #892272, #AA2A8E, #CC33A9, #D454B7 and #DC75C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB33A9 shade: #CB33A9, #CC7233 and #33CCAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB33A9 shade: #CB33A9, #AACC33 and #33AACC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB33A9 shade: #CB33A9, #CC7233, #33CC54 and #338CCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB33A9 shade: #CB33A9, #CCA033, #33CC54 and #335ECC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 17 / 20

HEX #CB33A9

RGB 203 51 169

HSL 313.42, 0.6%, 0.5%

LAB 49.41, 69.39, -29.57

 

Complementary color

CMYK 75 / 0 / 58 / 20

HEX #34CC56

RGB 52 204 86

HSL 133.42, 0.6%, 0.5%

LAB 72.62, -62.96, 47.01

 

CMYK 0 / 75 / 21 / 18

HEX #D033A4

RGB 208 51 164

HSL 316.82, 0.63%, 0.51%

LAB 50.05, 69.89, -25.56

 

CMYK 0 / 69 / 19 / 12

HEX #E145B7

RGB 225 69 183

HSL 316.15, 0.72%, 0.58%

LAB 55.77, 70.66, -27.6

 

CMYK 0 / 64 / 17 / 5

HEX #F257CA

RGB 242 87 202

HSL 315.48, 0.86%, 0.65%

LAB 61.62, 70.91, -29.22

 

CMYK 0 / 59 / 13 / 0

HEX #FF69DD

RGB 255 105 221

HSL 313.6, 1%, 0.71%

LAB 66.96, 69.74, -31.48

 

CMYK 0 / 52 / 6 / 0

HEX #FF7BF0

RGB 255 123 240

HSL 306.82, 1%, 0.74%

LAB 70.68, 64.76, -36.23

 

CMYK 0 / 75 / 17 / 20

HEX #CB33A9

RGB 203 51 169

HSL 313.42, 0.6%, 0.5%

LAB 49.41, 69.39, -29.57

 

CMYK 0 / 82 / 19 / 27

HEX #BA2196

RGB 186 33 150

HSL 314.12, 0.7%, 0.43%

LAB 43.84, 67.88, -27.14

 

CMYK 0 / 91 / 22 / 34

HEX #A90F83

RGB 169 15 131

HSL 314.81, 0.84%, 0.36%

LAB 38.58, 65.24, -23.96

 

CMYK 0 / 100 / 26 / 40

HEX #980070

RGB 152 0 112

HSL 315.79, 1%, 0.3%

LAB 33.66, 61.3, -19.94

 

CMYK 0 / 100 / 31 / 47

HEX #87005D

RGB 135 0 93

HSL 318.67, 1%, 0.26%

LAB 29.26, 55.5, -14.74

 

CMYK 0 / 75 / 17 / 20

HEX #CC33A9

RGB 204 51 169

HSL 313.73, 0.6%, 0.5%

LAB 49.58, 69.62, -29.3

 

CMYK 0 / 75 / 37 / 20

HEX #CC3380

RGB 204 51 128

HSL 329.8, 0.6%, 0.5%

LAB 47.96, 64.67, -7.22

 

CMYK 0 / 75 / 57 / 20

HEX #CC3357

RGB 204 51 87

HSL 345.88, 0.6%, 0.5%

LAB 46.83, 61.09, 16.27

 

CMYK 0 / 75 / 75 / 20

HEX #CC3333

RGB 204 51 51

HSL 0, 0.6%, 0.5%

LAB 46.24, 59.13, 37.11

 

CMYK 0 / 75 / 17 / 20

HEX #CC33A9

RGB 204 51 169

HSL 313.73, 0.6%, 0.5%

LAB 49.58, 69.62, -29.3

 

CMYK 4 / 75 / 0 / 20

HEX #C433CC

RGB 196 51 204

HSL 296.86, 0.6%, 0.5%

LAB 50.05, 73.15, -49.03

 

CMYK 24 / 75 / 0 / 20

HEX #9B33CC

RGB 155 51 204

HSL 280.78, 0.6%, 0.5%

LAB 43.79, 65.17, -59.43

 

CMYK 44 / 75 / 0 / 20

HEX #7233CC

RGB 114 51 204

HSL 264.71, 0.6%, 0.5%

LAB 38.38, 58.06, -68.47

 

CMYK 64 / 75 / 0 / 20

HEX #4933CC

RGB 73 51 204

HSL 248.63, 0.6%, 0.5%

LAB 34.28, 52.45, -75.36

 

CMYK 0 / 75 / 17 / 20

HEX #CC33A9

RGB 204 51 169

HSL 313.73, 0.6%, 0.5%

LAB 49.58, 69.62, -29.3

 

CMYK 0 / 87 / 19 / 12

HEX #E01EB5

RGB 224 30 181

HSL 313.3, 0.76%, 0.5%

LAB 51.96, 80.32, -32.36

 

CMYK 0 / 96 / 22 / 4

HEX #F509C0

RGB 245 9 192

HSL 313.47, 0.93%, 0.5%

LAB 55.5, 87.97, -32.96

 

CMYK 0 / 75 / 17 / 20

HEX #CC33A9

RGB 204 51 169

HSL 313.73, 0.6%, 0.5%

LAB 49.58, 69.62, -29.3

 

CMYK 0 / 61 / 14 / 28

HEX #B7479E

RGB 183 71 158

HSL 313.39, 0.44%, 0.5%

LAB 48.31, 55.29, -25.02

 

CMYK 0 / 43 / 10 / 36

HEX #A25C92

RGB 162 92 146

HSL 313.71, 0.28%, 0.5%

LAB 48.77, 36.46, -17.43

 

CMYK 0 / 21 / 5 / 44

HEX #8E7087

RGB 142 112 135

HSL 314, 0.12%, 0.5%

LAB 50.79, 15.92, -8.09

 

CMYK 9 / 0 / 7 / 48

HEX #79857C

RGB 121 133 124

HSL 135, 0.05%, 0.5%

LAB 54.34, -6.23, 3.34

 

CMYK 24 / 75 / 0 / 20

HEX #9B33CC

RGB 155 51 204

HSL 280.78, 0.6%, 0.5%

LAB 43.79, 65.17, -59.43

 

CMYK 4 / 75 / 0 / 20

HEX #C433CC

RGB 196 51 204

HSL 296.86, 0.6%, 0.5%

LAB 50.05, 73.15, -49.03

 

CMYK 0 / 75 / 17 / 20

HEX #CC33AA

RGB 204 51 170

HSL 313.33, 0.6%, 0.5%

LAB 49.63, 69.76, -29.81

 

CMYK 0 / 75 / 36 / 20

HEX #CC3382

RGB 204 51 130

HSL 329.02, 0.6%, 0.5%

LAB 48.03, 64.88, -8.33

 

CMYK 0 / 75 / 56 / 20

HEX #CC3359

RGB 204 51 89

HSL 345.1, 0.6%, 0.5%

LAB 46.88, 61.23, 15.11

 

CMYK 0 / 75 / 17 / 46

HEX #892272

RGB 137 34 114

HSL 313.4, 0.6%, 0.34%

LAB 33.3, 51.08, -21.98

 

CMYK 0 / 75 / 16 / 33

HEX #AA2A8E

RGB 170 42 142

HSL 313.13, 0.6%, 0.42%

LAB 41.46, 60.65, -26.21

 

CMYK 0 / 75 / 17 / 20

HEX #CC33A9

RGB 204 51 169

HSL 313.73, 0.6%, 0.5%

LAB 49.58, 69.62, -29.3

 

CMYK 0 / 60 / 14 / 17

HEX #D454B7

RGB 212 84 183

HSL 313.59, 0.6%, 0.58%

LAB 55.84, 61.46, -27.64

 

CMYK 0 / 47 / 10 / 14

HEX #DC75C5

RGB 220 117 197

HSL 313.4, 0.6%, 0.66%

LAB 63.32, 50.55, -24.03

 

CMYK 0 / 75 / 17 / 20

HEX #CB33A9

RGB 203 51 169

HSL 313.42, 0.6%, 0.5%

LAB 49.41, 69.39, -29.57

 

CMYK 0 / 44 / 75 / 20

HEX #CC7233

RGB 204 114 51

HSL 24.71, 0.6%, 0.5%

LAB 57.18, 30.63, 48.75

 

CMYK 75 / 0 / 14 / 20

HEX #33CCAF

RGB 51 204 175

HSL 168.63, 0.6%, 0.5%

LAB 74.18, -45.66, 3.26

 

CMYK 0 / 75 / 17 / 20

HEX #CB33A9

RGB 203 51 169

HSL 313.42, 0.6%, 0.5%

LAB 49.41, 69.39, -29.57

 

CMYK 17 / 0 / 75 / 20

HEX #AACC33

RGB 170 204 51

HSL 73.33, 0.6%, 0.5%

LAB 77.26, -31.19, 67.31

 

CMYK 75 / 17 / 0 / 20

HEX #33AACC

RGB 51 170 204

HSL 193.33, 0.6%, 0.5%

LAB 64.81, -21.12, -26.66

 

CMYK 0 / 75 / 17 / 20

HEX #CB33A9

RGB 203 51 169

HSL 313.42, 0.6%, 0.5%

LAB 49.41, 69.39, -29.57

 

CMYK 0 / 44 / 75 / 20

HEX #CC7233

RGB 204 114 51

HSL 24.71, 0.6%, 0.5%

LAB 57.18, 30.63, 48.75

 

CMYK 75 / 0 / 59 / 20

HEX #33CC54

RGB 51 204 84

HSL 132.94, 0.6%, 0.5%

LAB 72.58, -63.35, 47.88

 

CMYK 75 / 31 / 0 / 20

HEX #338CCC

RGB 51 140 204

HSL 205.1, 0.6%, 0.5%

LAB 55.91, -4.62, -40.52

 

CMYK 0 / 75 / 17 / 20

HEX #CB33A9

RGB 203 51 169

HSL 313.42, 0.6%, 0.5%

LAB 49.41, 69.39, -29.57

 

CMYK 0 / 22 / 75 / 20

HEX #CCA033

RGB 204 160 51

HSL 42.75, 0.6%, 0.5%

LAB 68.18, 5.72, 59.65

 

CMYK 75 / 0 / 59 / 20

HEX #33CC54

RGB 51 204 84

HSL 132.94, 0.6%, 0.5%

LAB 72.58, -63.35, 47.88

 

CMYK 75 / 54 / 0 / 20

HEX #335ECC

RGB 51 94 204

HSL 223.14, 0.6%, 0.5%

LAB 42.87, 23.87, -61.37

 

Description

Color code: HEX #CB33A9 | qconv.com Color code: HEX #CB33A9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 51 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 51 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 17 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 17% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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