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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB3CB2 it is the complementary color #34C34D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB3CB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB3CB2 shade: #D03CAD, #E14EC0, #F260D3, #FF72E6 and #FF84F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB3CB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB3CB2 shade: #CB3CB2, #BA2A9F, #A9188C, #980679 and #870066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB3CB2 shade: #CB3DB2, #CB3D8C, #CB3D66, #CB3D3F and #CB3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB3CB2 shade: #CB3DB2, #BE3DCB, #973DCB, #713DCB and #4B3DCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB3CB2 shade matches the following richer shades: #CB3DB2, #DF29BF and #F315CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB3CB2 shade: #CB3DB2, #B751A5, #A36599, #90798C and #7C8C7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB3CB2 shade: #973DCB, #BD3DCB, #CB3DB3, #CB3D8E and #CB3D68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB3CB2 shade: #90267D, #B02F9A, #CB3DB2, #D45EBF and #DC7ECC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB3CB2 shade: #CB3CB2, #CB713D and #3DCBAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB3CB2 shade: #CB3CB2, #B3CB3D and #3DB3CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB3CB2 shade: #CB3CB2, #CB713D, #3DCB55 and #3D97CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB3CB2 shade: #CB3CB2, #CB9C3D, #3DCB55 and #3D6CCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 12 / 20

HEX #CB3CB2

RGB 203 60 178

HSL 310.49, 0.58%, 0.52%

LAB 50.85, 67.75, -32.61

 

Complementary color

CMYK 73 / 0 / 61 / 24

HEX #34C34D

RGB 52 195 77

HSL 130.49, 0.58%, 0.48%

LAB 69.68, -61.06, 47.69

 

CMYK 0 / 71 / 17 / 18

HEX #D03CAD

RGB 208 60 173

HSL 314.19, 0.61%, 0.53%

LAB 51.45, 68.24, -28.69

 

CMYK 0 / 65 / 15 / 12

HEX #E14EC0

RGB 225 78 192

HSL 313.47, 0.71%, 0.59%

LAB 57.33, 68.62, -30.36

 

CMYK 0 / 60 / 13 / 5

HEX #F260D3

RGB 242 96 211

HSL 312.74, 0.85%, 0.66%

LAB 63.3, 68.59, -31.7

 

CMYK 0 / 55 / 10 / 0

HEX #FF72E6

RGB 255 114 230

HSL 310.64, 1%, 0.72%

LAB 68.76, 67.23, -33.7

 

CMYK 0 / 48 / 2 / 0

HEX #FF84F9

RGB 255 132 249

HSL 302.93, 1%, 0.76%

LAB 72.63, 62.06, -38.12

 

CMYK 0 / 70 / 12 / 20

HEX #CB3CB2

RGB 203 60 178

HSL 310.49, 0.58%, 0.52%

LAB 50.85, 67.75, -32.61

 

CMYK 0 / 77 / 15 / 27

HEX #BA2A9F

RGB 186 42 159

HSL 311.25, 0.63%, 0.45%

LAB 45.08, 66.77, -30.61

 

CMYK 0 / 86 / 17 / 34

HEX #A9188C

RGB 169 24 140

HSL 312, 0.75%, 0.38%

LAB 39.55, 64.85, -27.99

 

CMYK 0 / 96 / 20 / 40

HEX #980679

RGB 152 6 121

HSL 312.74, 0.92%, 0.31%

LAB 34.37, 61.63, -24.53

 

CMYK 0 / 100 / 24 / 47

HEX #870066

RGB 135 0 102

HSL 314.67, 1%, 0.26%

LAB 29.69, 56.59, -19.95

 

CMYK 0 / 70 / 12 / 20

HEX #CB3DB2

RGB 203 61 178

HSL 310.56, 0.58%, 0.52%

LAB 50.98, 67.4, -32.41

 

CMYK 0 / 70 / 31 / 20

HEX #CB3D8C

RGB 203 61 140

HSL 326.62, 0.58%, 0.52%

LAB 49.41, 62.36, -12.31

 

CMYK 0 / 70 / 50 / 20

HEX #CB3D66

RGB 203 61 102

HSL 342.68, 0.58%, 0.52%

LAB 48.25, 58.48, 9.03

 

CMYK 0 / 70 / 69 / 20

HEX #CB3D3F

RGB 203 61 63

HSL 359.15, 0.58%, 0.52%

LAB 47.49, 55.83, 31.56

 

CMYK 0 / 70 / 70 / 20

HEX #CB3D3D

RGB 203 61 61

HSL 0, 0.58%, 0.52%

LAB 47.46, 55.73, 32.7

 

CMYK 0 / 70 / 12 / 20

HEX #CB3DB2

RGB 203 61 178

HSL 310.56, 0.58%, 0.52%

LAB 50.98, 67.4, -32.41

 

CMYK 6 / 70 / 0 / 20

HEX #BE3DCB

RGB 190 61 203

HSL 294.51, 0.58%, 0.52%

LAB 50.21, 68.44, -48.26

 

CMYK 26 / 70 / 0 / 20

HEX #973DCB

RGB 151 61 203

HSL 278.03, 0.58%, 0.52%

LAB 44.56, 60.23, -57.64

 

CMYK 44 / 70 / 0 / 20

HEX #713DCB

RGB 113 61 203

HSL 261.97, 0.58%, 0.52%

LAB 39.85, 52.95, -65.5

 

CMYK 63 / 70 / 0 / 20

HEX #4B3DCB

RGB 75 61 203

HSL 245.92, 0.58%, 0.52%

LAB 36.26, 47.02, -71.51

 

CMYK 0 / 70 / 12 / 20

HEX #CB3DB2

RGB 203 61 178

HSL 310.56, 0.58%, 0.52%

LAB 50.98, 67.4, -32.41

 

CMYK 0 / 82 / 14 / 13

HEX #DF29BF

RGB 223 41 191

HSL 310.55, 0.74%, 0.52%

LAB 52.99, 79.28, -36.59

 

CMYK 0 / 91 / 16 / 5

HEX #F315CC

RGB 243 21 204

HSL 310.54, 0.9%, 0.52%

LAB 56.04, 88.02, -39.04

 

CMYK 0 / 70 / 12 / 20

HEX #CB3DB2

RGB 203 61 178

HSL 310.56, 0.58%, 0.52%

LAB 50.98, 67.4, -32.41

 

CMYK 0 / 56 / 10 / 28

HEX #B751A5

RGB 183 81 165

HSL 310.59, 0.41%, 0.52%

LAB 50.3, 51.85, -26.08

 

CMYK 0 / 38 / 6 / 36

HEX #A36599

RGB 163 101 153

HSL 309.68, 0.25%, 0.52%

LAB 51.14, 33.1, -17.94

 

CMYK 0 / 16 / 3 / 44

HEX #90798C

RGB 144 121 140

HSL 310.43, 0.09%, 0.52%

LAB 53.49, 12.38, -6.98

 

CMYK 11 / 0 / 9 / 45

HEX #7C8C7F

RGB 124 140 127

HSL 131.25, 0.07%, 0.52%

LAB 56.66, -8.43, 4.99

 

CMYK 26 / 70 / 0 / 20

HEX #973DCB

RGB 151 61 203

HSL 278.03, 0.58%, 0.52%

LAB 44.56, 60.23, -57.64

 

CMYK 7 / 70 / 0 / 20

HEX #BD3DCB

RGB 189 61 203

HSL 294.08, 0.58%, 0.52%

LAB 50.06, 68.22, -48.51

 

CMYK 0 / 70 / 12 / 20

HEX #CB3DB3

RGB 203 61 179

HSL 310.14, 0.58%, 0.52%

LAB 51.02, 67.55, -32.93

 

CMYK 0 / 70 / 30 / 20

HEX #CB3D8E

RGB 203 61 142

HSL 325.77, 0.58%, 0.52%

LAB 49.48, 62.6, -13.4

 

CMYK 0 / 70 / 49 / 20

HEX #CB3D68

RGB 203 61 104

HSL 341.83, 0.58%, 0.52%

LAB 48.3, 58.65, 7.88

 

CMYK 0 / 74 / 13 / 44

HEX #90267D

RGB 144 38 125

HSL 310.75, 0.58%, 0.36%

LAB 35.59, 53.11, -25.24

 

CMYK 0 / 73 / 13 / 31

HEX #B02F9A

RGB 176 47 154

HSL 310.23, 0.58%, 0.44%

LAB 43.65, 62.2, -29.98

 

CMYK 0 / 70 / 12 / 20

HEX #CB3DB2

RGB 203 61 178

HSL 310.56, 0.58%, 0.52%

LAB 50.98, 67.4, -32.41

 

CMYK 0 / 56 / 10 / 17

HEX #D45EBF

RGB 212 94 191

HSL 310.68, 0.58%, 0.6%

LAB 57.81, 58.27, -29.19

 

CMYK 0 / 43 / 7 / 14

HEX #DC7ECC

RGB 220 126 204

HSL 310.21, 0.57%, 0.68%

LAB 65.36, 47.16, -24.84

 

CMYK 0 / 70 / 12 / 20

HEX #CB3CB2

RGB 203 60 178

HSL 310.49, 0.58%, 0.52%

LAB 50.85, 67.75, -32.61

 

CMYK 0 / 44 / 70 / 20

HEX #CB713D

RGB 203 113 61

HSL 21.97, 0.58%, 0.52%

LAB 56.92, 31.24, 43.54

 

CMYK 70 / 0 / 16 / 20

HEX #3DCBAA

RGB 61 203 170

HSL 166.06, 0.58%, 0.52%

LAB 73.94, -45.21, 5.63

 

CMYK 0 / 70 / 12 / 20

HEX #CB3CB2

RGB 203 60 178

HSL 310.49, 0.58%, 0.52%

LAB 50.85, 67.75, -32.61

 

CMYK 12 / 0 / 70 / 20

HEX #B3CB3D

RGB 179 203 61

HSL 70.14, 0.58%, 0.52%

LAB 77.66, -26.56, 64.47

 

CMYK 70 / 12 / 0 / 20

HEX #3DB3CB

RGB 61 179 203

HSL 190.14, 0.58%, 0.52%

LAB 67.68, -24.78, -21.69

 

CMYK 0 / 70 / 12 / 20

HEX #CB3CB2

RGB 203 60 178

HSL 310.49, 0.58%, 0.52%

LAB 50.85, 67.75, -32.61

 

CMYK 0 / 44 / 70 / 20

HEX #CB713D

RGB 203 113 61

HSL 21.97, 0.58%, 0.52%

LAB 56.92, 31.24, 43.54

 

CMYK 70 / 0 / 58 / 20

HEX #3DCB55

RGB 61 203 85

HSL 130.14, 0.58%, 0.52%

LAB 72.47, -61.31, 47.34

 

CMYK 70 / 26 / 0 / 20

HEX #3D97CB

RGB 61 151 203

HSL 201.97, 0.58%, 0.52%

LAB 59.38, -9.88, -34.5

 

CMYK 0 / 70 / 12 / 20

HEX #CB3CB2

RGB 203 60 178

HSL 310.49, 0.58%, 0.52%

LAB 50.85, 67.75, -32.61

 

CMYK 0 / 23 / 70 / 20

HEX #CB9C3D

RGB 203 156 61

HSL 40.14, 0.58%, 0.52%

LAB 67.13, 7.92, 54.47

 

CMYK 70 / 0 / 58 / 20

HEX #3DCB55

RGB 61 203 85

HSL 130.14, 0.58%, 0.52%

LAB 72.47, -61.31, 47.34

 

CMYK 70 / 47 / 0 / 20

HEX #3D6CCB

RGB 61 108 203

HSL 220.14, 0.58%, 0.52%

LAB 47.01, 15.88, -54.08

 

Description

Color code: HEX #CB3CB2 | qconv.com Color code: HEX #CB3CB2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 60 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 60 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 12 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 12% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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