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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB3F29 it is the complementary color #34C0D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB3F29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB3F29 shade: #D03F24, #E15137, #F2634A, #FF755D and #FF8770

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB3F29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB3F29 shade: #CB3F29, #BA2D16, #A91B03, #980900 and #870000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB3F29 shade: #CB3F29 and #CB2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB3F29 shade: #CB3F29, #CB6B29, #CB9629, #CBC229 and #A8CB29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB3F29 shade matches the following richer shades: #CB3F29, #DE3115 and #F22202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB3F29 shade: #CB3F29, #B74D3D, #A35C51, #8F6A65 and #7B7978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB3F29 shade: #CB296A, #CB293F, #CB3F29, #CB6A29 and #CB9529

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB3F29 shade: #862A1B, #A83422, #CB3F29, #D85945 and #DF7767

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB3F29 shade: #CB3F29, #95CB29 and #2954CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB3F29 shade: #CB3F29, #29CB3F and #3F29CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB3F29 shade: #CB3F29, #95CB29, #29B5CB and #5F29CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB3F29 shade: #CB3F29, #64CB29, #29B5CB and #8F29CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 80 / 20

HEX #CB3F29

RGB 203 63 41

HSL 8.15, 0.66%, 0.48%

LAB 47.51, 54.15, 43.84

 

Complementary color

CMYK 76 / 10 / 0 / 16

HEX #34C0D6

RGB 52 192 214

HSL 188.15, 0.66%, 0.52%

LAB 71.75, -28.93, -21.54

 

CMYK 0 / 70 / 83 / 18

HEX #D03F24

RGB 208 63 36

HSL 9.42, 0.7%, 0.48%

LAB 48.38, 55.64, 47.48

 

CMYK 0 / 64 / 76 / 12

HEX #E15137

RGB 225 81 55

HSL 9.18, 0.74%, 0.55%

LAB 54.21, 54.69, 44.66

 

CMYK 0 / 59 / 69 / 5

HEX #F2634A

RGB 242 99 74

HSL 8.93, 0.87%, 0.62%

LAB 60.15, 53.54, 41.95

 

CMYK 0 / 54 / 64 / 0

HEX #FF755D

RGB 255 117 93

HSL 8.89, 1%, 0.68%

LAB 65.57, 50.88, 38.61

 

CMYK 0 / 47 / 56 / 0

HEX #FF8770

RGB 255 135 112

HSL 9.65, 1%, 0.72%

LAB 69.3, 43.44, 32.96

 

CMYK 0 / 69 / 80 / 20

HEX #CB3F29

RGB 203 63 41

HSL 8.15, 0.66%, 0.48%

LAB 47.51, 54.15, 43.84

 

CMYK 0 / 76 / 88 / 27

HEX #BA2D16

RGB 186 45 22

HSL 8.41, 0.79%, 0.41%

LAB 41.8, 54.7, 46.69

 

CMYK 0 / 84 / 98 / 34

HEX #A91B03

RGB 169 27 3

HSL 8.67, 0.97%, 0.34%

LAB 36.41, 54.51, 48.73

 

CMYK 0 / 94 / 100 / 40

HEX #980900

RGB 152 9 0

HSL 3.55, 1%, 0.3%

LAB 31.51, 53.13, 45.2

 

CMYK 0 / 100 / 100 / 47

HEX #870000

RGB 135 0 0

HSL 0, 1%, 0.26%

LAB 27.16, 49.94, 40.14

HEX #870000

CMYK 0 / 69 / 80 / 20

HEX #CB3F29

RGB 203 63 41

HSL 8.15, 0.66%, 0.48%

LAB 47.51, 54.15, 43.84

 

CMYK 0 / 80 / 80 / 20

HEX #CB2929

RGB 203 41 41

HSL 0, 0.66%, 0.48%

LAB 44.86, 61.5, 41.19

 

CMYK 0 / 69 / 80 / 20

HEX #CB3F29

RGB 203 63 41

HSL 8.15, 0.66%, 0.48%

LAB 47.51, 54.15, 43.84

 

CMYK 0 / 47 / 80 / 20

HEX #CB6B29

RGB 203 107 41

HSL 24.44, 0.66%, 0.48%

LAB 55.45, 33.52, 51.51

 

CMYK 0 / 26 / 80 / 20

HEX #CB9629

RGB 203 150 41

HSL 40.37, 0.66%, 0.48%

LAB 65.49, 10.29, 60.78

 

CMYK 0 / 4 / 80 / 20

HEX #CBC229

RGB 203 194 41

HSL 56.67, 0.66%, 0.48%

LAB 76.94, -12.9, 70.95

 

CMYK 17 / 0 / 80 / 20

HEX #A8CB29

RGB 168 203 41

HSL 72.96, 0.66%, 0.48%

LAB 76.8, -31.96, 69.82

 

CMYK 0 / 69 / 80 / 20

HEX #CB3F29

RGB 203 63 41

HSL 8.15, 0.66%, 0.48%

LAB 47.51, 54.15, 43.84

 

CMYK 0 / 78 / 91 / 13

HEX #DE3115

RGB 222 49 21

HSL 8.36, 0.83%, 0.48%

LAB 49.23, 64.34, 55.7

 

CMYK 0 / 86 / 99 / 5

HEX #F22202

RGB 242 34 2

HSL 8, 0.98%, 0.48%

LAB 51.87, 73.22, 64.58

 

CMYK 0 / 69 / 80 / 20

HEX #CB3F29

RGB 203 63 41

HSL 8.15, 0.66%, 0.48%

LAB 47.51, 54.15, 43.84

 

CMYK 0 / 58 / 67 / 28

HEX #B74D3D

RGB 183 77 61

HSL 7.87, 0.5%, 0.48%

LAB 46.59, 41.89, 30.84

 

CMYK 0 / 44 / 50 / 36

HEX #A35C51

RGB 163 92 81

HSL 8.05, 0.34%, 0.48%

LAB 47.02, 27.81, 19.02

 

CMYK 0 / 26 / 29 / 44

HEX #8F6A65

RGB 143 106 101

HSL 7.14, 0.17%, 0.48%

LAB 48.37, 14.03, 8.57

 

CMYK 0 / 2 / 2 / 52

HEX #7B7978

RGB 123 121 120

HSL 20, 0.01%, 0.48%

LAB 50.97, 0.56, 0.81

 

CMYK 0 / 80 / 48 / 20

HEX #CB296A

RGB 203 41 106

HSL 335.93, 0.66%, 0.48%

LAB 46.07, 65.23, 3.46

 

CMYK 0 / 80 / 69 / 20

HEX #CB293F

RGB 203 41 63

HSL 351.85, 0.66%, 0.48%

LAB 45.14, 62.37, 28.71

 

CMYK 0 / 69 / 80 / 20

HEX #CB3F29

RGB 203 63 41

HSL 8.15, 0.66%, 0.48%

LAB 47.51, 54.15, 43.84

 

CMYK 0 / 48 / 80 / 20

HEX #CB6A29

RGB 203 106 41

HSL 24.07, 0.66%, 0.48%

LAB 55.24, 34.05, 51.31

 

CMYK 0 / 27 / 80 / 20

HEX #CB9529

RGB 203 149 41

HSL 40, 0.66%, 0.48%

LAB 65.24, 10.84, 60.55

 

CMYK 0 / 69 / 80 / 47

HEX #862A1B

RGB 134 42 27

HSL 8.41, 0.66%, 0.32%

LAB 31.36, 38.49, 30.91

 

CMYK 0 / 69 / 80 / 34

HEX #A83422

RGB 168 52 34

HSL 8.06, 0.66%, 0.4%

LAB 39.41, 46.52, 37.31

 

CMYK 0 / 69 / 80 / 20

HEX #CB3F29

RGB 203 63 41

HSL 8.15, 0.66%, 0.48%

LAB 47.51, 54.15, 43.84

 

CMYK 0 / 59 / 68 / 15

HEX #D85945

RGB 216 89 69

HSL 8.16, 0.65%, 0.56%

LAB 54.21, 48.67, 36.69

 

CMYK 0 / 47 / 54 / 13

HEX #DF7767

RGB 223 119 103

HSL 8, 0.65%, 0.64%

LAB 61.53, 38.85, 27.02

 

CMYK 0 / 69 / 80 / 20

HEX #CB3F29

RGB 203 63 41

HSL 8.15, 0.66%, 0.48%

LAB 47.51, 54.15, 43.84

 

CMYK 27 / 0 / 80 / 20

HEX #95CB29

RGB 149 203 41

HSL 80, 0.66%, 0.48%

LAB 75.61, -39.43, 68.31

 

CMYK 80 / 59 / 0 / 20

HEX #2954CB

RGB 41 84 203

HSL 224.07, 0.66%, 0.48%

LAB 39.79, 28.92, -65.81

 

CMYK 0 / 69 / 80 / 20

HEX #CB3F29

RGB 203 63 41

HSL 8.15, 0.66%, 0.48%

LAB 47.51, 54.15, 43.84

 

CMYK 80 / 0 / 69 / 20

HEX #29CB3F

RGB 41 203 63

HSL 128.15, 0.66%, 0.48%

LAB 71.92, -66.64, 56

 

CMYK 69 / 80 / 0 / 20

HEX #3F29CB

RGB 63 41 203

HSL 248.15, 0.66%, 0.48%

LAB 31.7, 56.05, -79.06

 

CMYK 0 / 69 / 80 / 20

HEX #CB3F29

RGB 203 63 41

HSL 8.15, 0.66%, 0.48%

LAB 47.51, 54.15, 43.84

 

CMYK 27 / 0 / 80 / 20

HEX #95CB29

RGB 149 203 41

HSL 80, 0.66%, 0.48%

LAB 75.61, -39.43, 68.31

 

CMYK 80 / 11 / 0 / 20

HEX #29B5CB

RGB 41 181 203

HSL 188.15, 0.66%, 0.48%

LAB 67.9, -28.07, -21.4

 

CMYK 53 / 80 / 0 / 20

HEX #5F29CB

RGB 95 41 203

HSL 260, 0.66%, 0.48%

LAB 34.66, 59.37, -74.07

 

CMYK 0 / 69 / 80 / 20

HEX #CB3F29

RGB 203 63 41

HSL 8.15, 0.66%, 0.48%

LAB 47.51, 54.15, 43.84

 

CMYK 51 / 0 / 80 / 20

HEX #64CB29

RGB 100 203 41

HSL 98.15, 0.66%, 0.48%

LAB 73.27, -56.07, 65.3

 

CMYK 80 / 11 / 0 / 20

HEX #29B5CB

RGB 41 181 203

HSL 188.15, 0.66%, 0.48%

LAB 67.9, -28.07, -21.4

 

CMYK 30 / 80 / 0 / 20

HEX #8F29CB

RGB 143 41 203

HSL 277.78, 0.66%, 0.48%

LAB 40.8, 66.32, -63.79

 

Description

Color code: HEX #CB3F29 | qconv.com Color code: HEX #CB3F29 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 63 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 63 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 80 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 80% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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