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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB45CE it is the complementary color #34BA31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB45CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB45CE shade: #D045C9, #E157DC, #F269EF, #FF7BFF and #FF8DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB45CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB45CE shade: #CB45CE, #BA33BB, #A921A8, #980F95 and #870082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB45CE shade: #CA45CD, #CD45AC, #CD4587, #CD4562 and #CD4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB45CE shade: #CA45CD, #A645CD, #8145CD, #5C45CD and #4545CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB45CE shade matches the following richer shades: #CA45CD, #DC32E0 and #EF1FF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB45CE shade: #CA45CD, #B858BA, #A66BA7, #947E94 and #829181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB45CE shade: #8045CD, #A445CD, #C945CD, #CD45AD and #CD4589

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB45CE shade: #952898, #B631B8, #CA45CD, #D366D6 and #DD86DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB45CE shade: #CB45CE, #CD5C45 and #45CD92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB45CE shade: #CB45CE, #CDC945 and #45CDC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB45CE shade: #CB45CE, #CD5C45, #4ACD45 and #45B7CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB45CE shade: #CB45CE, #CD8545, #4ACD45 and #458ECD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 67 / 0 / 19

HEX #CB45CE

RGB 203 69 206

HSL 298.69, 0.58%, 0.54%

LAB 53.39, 68.9, -44.8

 

Complementary color

CMYK 72 / 0 / 74 / 27

HEX #34BA31

RGB 52 186 49

HSL 118.69, 0.58%, 0.46%

LAB 66.57, -60.87, 55.77

 

CMYK 0 / 67 / 3 / 18

HEX #D045C9

RGB 208 69 201

HSL 303.02, 0.6%, 0.54%

LAB 53.9, 69.23, -41.08

 

CMYK 0 / 61 / 2 / 12

HEX #E157DC

RGB 225 87 220

HSL 302.17, 0.7%, 0.61%

LAB 59.88, 69.37, -42.29

 

CMYK 0 / 57 / 1 / 5

HEX #F269EF

RGB 242 105 239

HSL 301.31, 0.84%, 0.68%

LAB 65.91, 69.18, -43.24

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 1 / 67 / 0 / 19

HEX #CB45CE

RGB 203 69 206

HSL 298.69, 0.58%, 0.54%

LAB 53.39, 68.9, -44.8

 

CMYK 1 / 73 / 0 / 27

HEX #BA33BB

RGB 186 51 187

HSL 299.56, 0.57%, 0.47%

LAB 47.49, 68.3, -43.36

 

CMYK 0 / 80 / 1 / 34

HEX #A921A8

RGB 169 33 168

HSL 300.44, 0.67%, 0.4%

LAB 41.77, 66.92, -41.42

 

CMYK 0 / 90 / 2 / 40

HEX #980F95

RGB 152 15 149

HSL 301.31, 0.82%, 0.33%

LAB 36.34, 64.39, -38.77

 

CMYK 0 / 100 / 4 / 47

HEX #870082

RGB 135 0 130

HSL 302.22, 1%, 0.26%

LAB 31.26, 60.48, -35.31

 

CMYK 1 / 66 / 0 / 20

HEX #CA45CD

RGB 202 69 205

HSL 298.68, 0.58%, 0.54%

LAB 53.19, 68.5, -44.56

 

CMYK 0 / 66 / 16 / 20

HEX #CD45AC

RGB 205 69 172

HSL 314.56, 0.58%, 0.54%

LAB 52.08, 64.09, -27.16

 

CMYK 0 / 66 / 34 / 20

HEX #CD4587

RGB 205 69 135

HSL 330.88, 0.58%, 0.54%

LAB 50.67, 59.3, -7.38

 

CMYK 0 / 66 / 52 / 20

HEX #CD4562

RGB 205 69 98

HSL 347.21, 0.58%, 0.54%

LAB 49.64, 55.64, 13.45

 

CMYK 0 / 66 / 66 / 20

HEX #CD4545

RGB 205 69 69

HSL 0, 0.58%, 0.54%

LAB 49.09, 53.64, 30.07

 

CMYK 1 / 66 / 0 / 20

HEX #CA45CD

RGB 202 69 205

HSL 298.68, 0.58%, 0.54%

LAB 53.19, 68.5, -44.56

 

CMYK 19 / 66 / 0 / 20

HEX #A645CD

RGB 166 69 205

HSL 282.79, 0.58%, 0.54%

LAB 47.97, 60.38, -53.19

 

CMYK 37 / 66 / 0 / 20

HEX #8145CD

RGB 129 69 205

HSL 266.47, 0.58%, 0.54%

LAB 43.26, 52.5, -61.03

 

CMYK 55 / 66 / 0 / 20

HEX #5C45CD

RGB 92 69 205

HSL 250.15, 0.58%, 0.54%

LAB 39.48, 45.65, -67.35

 

CMYK 66 / 66 / 0 / 20

HEX #4545CD

RGB 69 69 205

HSL 240, 0.58%, 0.54%

LAB 37.72, 42.24, -70.3

 

CMYK 1 / 66 / 0 / 20

HEX #CA45CD

RGB 202 69 205

HSL 298.68, 0.58%, 0.54%

LAB 53.19, 68.5, -44.56

 

CMYK 2 / 78 / 0 / 12

HEX #DC32E0

RGB 220 50 224

HSL 298.62, 0.74%, 0.54%

LAB 54.95, 81.31, -52.41

 

CMYK 2 / 87 / 0 / 5

HEX #EF1FF3

RGB 239 31 243

HSL 298.87, 0.9%, 0.54%

LAB 57.85, 91.32, -58.28

 

CMYK 1 / 66 / 0 / 20

HEX #CA45CD

RGB 202 69 205

HSL 298.68, 0.58%, 0.54%

LAB 53.19, 68.5, -44.56

 

CMYK 1 / 53 / 0 / 27

HEX #B858BA

RGB 184 88 186

HSL 298.78, 0.42%, 0.54%

LAB 52.64, 52.42, -34.68

 

CMYK 1 / 36 / 0 / 35

HEX #A66BA7

RGB 166 107 167

HSL 299, 0.25%, 0.54%

LAB 53.4, 33.4, -22.65

 

CMYK 0 / 15 / 0 / 42

HEX #947E94

RGB 148 126 148

HSL 300, 0.09%, 0.54%

LAB 55.44, 12.52, -8.7

 

CMYK 10 / 0 / 11 / 43

HEX #829181

RGB 130 145 129

HSL 116.25, 0.07%, 0.54%

LAB 58.59, -8.59, 6.66

 

CMYK 38 / 66 / 0 / 20

HEX #8045CD

RGB 128 69 205

HSL 266.03, 0.58%, 0.54%

LAB 43.14, 52.3, -61.22

 

CMYK 20 / 66 / 0 / 20

HEX #A445CD

RGB 164 69 205

HSL 281.91, 0.58%, 0.54%

LAB 47.7, 59.94, -53.65

 

CMYK 2 / 66 / 0 / 20

HEX #C945CD

RGB 201 69 205

HSL 298.24, 0.58%, 0.54%

LAB 53.04, 68.27, -44.81

 

CMYK 0 / 66 / 16 / 20

HEX #CD45AD

RGB 205 69 173

HSL 314.12, 0.58%, 0.54%

LAB 52.12, 64.23, -27.68

 

CMYK 0 / 66 / 33 / 20

HEX #CD4589

RGB 205 69 137

HSL 330, 0.58%, 0.54%

LAB 50.74, 59.53, -8.48

 

CMYK 2 / 74 / 0 / 40

HEX #952898

RGB 149 40 152

HSL 298.39, 0.58%, 0.38%

LAB 38.15, 58.01, -37.75

 

CMYK 1 / 73 / 0 / 28

HEX #B631B8

RGB 182 49 184

HSL 299.11, 0.58%, 0.46%

LAB 46.45, 67.59, -43.3

 

CMYK 1 / 66 / 0 / 20

HEX #CA45CD

RGB 202 69 205

HSL 298.68, 0.58%, 0.54%

LAB 53.19, 68.5, -44.56

 

CMYK 1 / 52 / 0 / 16

HEX #D366D6

RGB 211 102 214

HSL 298.39, 0.58%, 0.62%

LAB 60.07, 58.15, -38.74

 

CMYK 1 / 40 / 0 / 13

HEX #DD86DF

RGB 221 134 223

HSL 298.65, 0.58%, 0.7%

LAB 67.84, 46.69, -31.59

 

CMYK 1 / 67 / 0 / 19

HEX #CB45CE

RGB 203 69 206

HSL 298.69, 0.58%, 0.54%

LAB 53.39, 68.9, -44.8

 

CMYK 0 / 55 / 66 / 20

HEX #CD5C45

RGB 205 92 69

HSL 10.15, 0.58%, 0.54%

LAB 53.02, 43.23, 34.85

 

CMYK 66 / 0 / 29 / 20

HEX #45CD92

RGB 69 205 146

HSL 153.97, 0.58%, 0.54%

LAB 74.19, -50.33, 18.87

 

CMYK 1 / 67 / 0 / 19

HEX #CB45CE

RGB 203 69 206

HSL 298.69, 0.58%, 0.54%

LAB 53.39, 68.9, -44.8

 

CMYK 0 / 2 / 66 / 20

HEX #CDC945

RGB 205 201 69

HSL 58.24, 0.58%, 0.54%

LAB 79.15, -14.34, 63.59

 

CMYK 66 / 0 / 2 / 20

HEX #45CDC9

RGB 69 205 201

HSL 178.24, 0.58%, 0.54%

LAB 75.54, -36.78, -8.75

 

CMYK 1 / 67 / 0 / 19

HEX #CB45CE

RGB 203 69 206

HSL 298.69, 0.58%, 0.54%

LAB 53.39, 68.9, -44.8

 

CMYK 0 / 55 / 66 / 20

HEX #CD5C45

RGB 205 92 69

HSL 10.15, 0.58%, 0.54%

LAB 53.02, 43.23, 34.85

 

CMYK 64 / 0 / 66 / 20

HEX #4ACD45

RGB 74 205 69

HSL 117.79, 0.58%, 0.54%

LAB 73.25, -61.26, 55.23

 

CMYK 66 / 11 / 0 / 20

HEX #45B7CD

RGB 69 183 205

HSL 189.71, 0.58%, 0.54%

LAB 69.14, -25.02, -20.55

 

CMYK 1 / 67 / 0 / 19

HEX #CB45CE

RGB 203 69 206

HSL 298.69, 0.58%, 0.54%

LAB 53.39, 68.9, -44.8

 

CMYK 0 / 35 / 66 / 20

HEX #CD8545

RGB 205 133 69

HSL 28.24, 0.58%, 0.54%

LAB 61.81, 21.75, 45.05

 

CMYK 64 / 0 / 66 / 20

HEX #4ACD45

RGB 74 205 69

HSL 117.79, 0.58%, 0.54%

LAB 73.25, -61.26, 55.23

 

CMYK 66 / 31 / 0 / 20

HEX #458ECD

RGB 69 142 205

HSL 207.79, 0.58%, 0.54%

LAB 57.09, -2.82, -39.18

 

Description

Color code: HEX #CB45CE | qconv.com Color code: HEX #CB45CE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 69 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 69 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 67 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 67% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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