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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB5523 it is the complementary color #34AADC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB5523. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB5523 shade: #D0551E, #E16731, #F27944, #FF8B57 and #FF9D6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB5523. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB5523 shade: #CB5523, #BA4310, #A93100, #981F00 and #870D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB5523 shade: #CC5522, #CC2722 and #CC2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB5523 shade: #CC5522, #CC8322, #CCB122, #BACC22 and #8CCC22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB5523 shade matches the following richer shades: #CC5522 and #E04D0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB5523 shade: #CC5522, #B95D36, #A66549, #926C5C and #7F7470

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB5523 shade: #CC224D, #CC2522, #CC5222, #CC8022 and #CCAD22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB5523 shade: #863816, #A9461C, #CC5522, #DD6B3B and #E3865E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB5523 shade: #CB5523, #7ACC22 and #2236CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB5523 shade: #CB5523, #22CC52 and #5222CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB5523 shade: #CB5523, #7ACC22, #229CCC and #7522CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB5523 shade: #CB5523, #47CC22, #229CCC and #A822CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 83 / 20

HEX #CB5523

RGB 203 85 35

HSL 17.86, 0.71%, 0.47%

LAB 51.05, 44.38, 50.06

 

Complementary color

CMYK 76 / 23 / 0 / 14

HEX #34AADC

RGB 52 170 220

HSL 197.86, 0.71%, 0.53%

LAB 65.47, -15.7, -34.48

 

CMYK 0 / 59 / 86 / 18

HEX #D0551E

RGB 208 85 30

HSL 18.54, 0.75%, 0.47%

LAB 51.84, 46.11, 53.16

 

CMYK 0 / 54 / 78 / 12

HEX #E16731

RGB 225 103 49

HSL 18.41, 0.75%, 0.54%

LAB 57.97, 44.45, 51.47

 

CMYK 0 / 50 / 72 / 5

HEX #F27944

RGB 242 121 68

HSL 18.28, 0.87%, 0.61%

LAB 64.14, 42.83, 49.5

 

CMYK 0 / 45 / 66 / 0

HEX #FF8B57

RGB 255 139 87

HSL 18.57, 1%, 0.67%

LAB 69.76, 39.78, 46.76

 

CMYK 0 / 38 / 58 / 0

HEX #FF9D6A

RGB 255 157 106

HSL 20.54, 1%, 0.71%

LAB 73.81, 31.78, 41.83

 

CMYK 0 / 58 / 83 / 20

HEX #CB5523

RGB 203 85 35

HSL 17.86, 0.71%, 0.47%

LAB 51.05, 44.38, 50.06

 

CMYK 0 / 64 / 91 / 27

HEX #BA4310

RGB 186 67 16

HSL 18, 0.84%, 0.4%

LAB 44.93, 45.99, 51.34

 

CMYK 0 / 71 / 100 / 34

HEX #A93100

RGB 169 49 0

HSL 17.4, 1%, 0.33%

LAB 38.95, 47.37, 51.1

 

CMYK 0 / 80 / 100 / 40

HEX #981F00

RGB 152 31 0

HSL 12.24, 1%, 0.3%

LAB 33.25, 48.18, 46.33

 

CMYK 0 / 90 / 100 / 47

HEX #870D00

RGB 135 13 0

HSL 5.78, 1%, 0.26%

LAB 27.95, 47.67, 40.81

 

CMYK 0 / 58 / 83 / 20

HEX #CC5522

RGB 204 85 34

HSL 18, 0.71%, 0.47%

LAB 51.21, 44.73, 50.7

 

CMYK 0 / 81 / 83 / 20

HEX #CC2722

RGB 204 39 34

HSL 1.76, 0.71%, 0.47%

LAB 44.81, 62.13, 44.92

 

CMYK 0 / 83 / 83 / 20

HEX #CC2222

RGB 204 34 34

HSL 0, 0.71%, 0.47%

LAB 44.37, 63.36, 44.52

 

CMYK 0 / 58 / 83 / 20

HEX #CC5522

RGB 204 85 34

HSL 18, 0.71%, 0.47%

LAB 51.21, 44.73, 50.7

 

CMYK 0 / 36 / 83 / 20

HEX #CC8322

RGB 204 131 34

HSL 34.24, 0.71%, 0.47%

LAB 60.94, 20.85, 59.22

 

CMYK 0 / 13 / 83 / 20

HEX #CCB122

RGB 204 177 34

HSL 50.47, 0.71%, 0.47%

LAB 72.49, -3.91, 69.06

 

CMYK 9 / 0 / 83 / 20

HEX #BACC22

RGB 186 204 34

HSL 66.35, 0.71%, 0.47%

LAB 78.31, -25.27, 73.39

 

CMYK 31 / 0 / 83 / 20

HEX #8CCC22

RGB 140 204 34

HSL 82.59, 0.71%, 0.47%

LAB 75.37, -43.51, 69.7

 

CMYK 0 / 58 / 83 / 20

HEX #CC5522

RGB 204 85 34

HSL 18, 0.71%, 0.47%

LAB 51.21, 44.73, 50.7

 

CMYK 0 / 66 / 93 / 12

HEX #E04D0F

RGB 224 77 15

HSL 17.8, 0.87%, 0.47%

LAB 53.16, 55.03, 60.36

 

CMYK 0 / 58 / 83 / 20

HEX #CC5522

RGB 204 85 34

HSL 18, 0.71%, 0.47%

LAB 51.21, 44.73, 50.7

 

CMYK 0 / 50 / 71 / 27

HEX #B95D36

RGB 185 93 54

HSL 17.86, 0.55%, 0.47%

LAB 49.99, 34.15, 38.75

 

CMYK 0 / 39 / 56 / 35

HEX #A66549

RGB 166 101 73

HSL 18.06, 0.39%, 0.47%

LAB 49.37, 23.28, 26.83

 

CMYK 0 / 26 / 37 / 43

HEX #926C5C

RGB 146 108 92

HSL 17.78, 0.23%, 0.47%

LAB 49.02, 12.86, 14.86

 

CMYK 0 / 9 / 12 / 50

HEX #7F7470

RGB 127 116 112

HSL 16, 0.06%, 0.47%

LAB 49.7, 3.51, 3.74

 

CMYK 0 / 83 / 62 / 20

HEX #CC224D

RGB 204 34 77

HSL 344.82, 0.71%, 0.47%

LAB 44.97, 65.14, 19.94

 

CMYK 0 / 82 / 83 / 20

HEX #CC2522

RGB 204 37 34

HSL 1.06, 0.71%, 0.47%

LAB 44.63, 62.64, 44.76

 

CMYK 0 / 60 / 83 / 20

HEX #CC5222

RGB 204 82 34

HSL 16.94, 0.71%, 0.47%

LAB 50.67, 46.13, 50.22

 

CMYK 0 / 37 / 83 / 20

HEX #CC8022

RGB 204 128 34

HSL 33.18, 0.71%, 0.47%

LAB 60.24, 22.48, 58.61

 

CMYK 0 / 15 / 83 / 20

HEX #CCAD22

RGB 204 173 34

HSL 49.06, 0.71%, 0.47%

LAB 71.45, -1.81, 68.18

 

CMYK 0 / 58 / 84 / 47

HEX #863816

RGB 134 56 22

HSL 18.21, 0.72%, 0.31%

LAB 33.89, 31.48, 36.08

 

CMYK 0 / 59 / 83 / 34

HEX #A9461C

RGB 169 70 28

HSL 17.87, 0.72%, 0.39%

LAB 42.61, 38.49, 43.46

 

CMYK 0 / 58 / 83 / 20

HEX #CC5522

RGB 204 85 34

HSL 18, 0.71%, 0.47%

LAB 51.21, 44.73, 50.7

 

CMYK 0 / 52 / 73 / 13

HEX #DD6B3B

RGB 221 107 59

HSL 17.78, 0.7%, 0.55%

LAB 58.23, 41.36, 46.71

 

CMYK 0 / 41 / 59 / 11

HEX #E3865E

RGB 227 134 94

HSL 18.05, 0.7%, 0.63%

LAB 65.11, 31.89, 36.64

 

CMYK 0 / 58 / 83 / 20

HEX #CB5523

RGB 203 85 35

HSL 17.86, 0.71%, 0.47%

LAB 51.05, 44.38, 50.06

 

CMYK 40 / 0 / 83 / 20

HEX #7ACC22

RGB 122 204 34

HSL 88.94, 0.71%, 0.47%

LAB 74.47, -49.87, 68.56

 

CMYK 83 / 74 / 0 / 20

HEX #2236CC

RGB 34 54 204

HSL 232.94, 0.71%, 0.47%

LAB 32.56, 47.48, -78.27

 

CMYK 0 / 58 / 83 / 20

HEX #CB5523

RGB 203 85 35

HSL 17.86, 0.71%, 0.47%

LAB 51.05, 44.38, 50.06

 

CMYK 83 / 0 / 60 / 20

HEX #22CC52

RGB 34 204 82

HSL 136.94, 0.71%, 0.47%

LAB 72.32, -65.64, 48.41

 

CMYK 60 / 83 / 0 / 20

HEX #5222CC

RGB 82 34 204

HSL 256.94, 0.71%, 0.47%

LAB 32.47, 60.96, -78.31

 

CMYK 0 / 58 / 83 / 20

HEX #CB5523

RGB 203 85 35

HSL 17.86, 0.71%, 0.47%

LAB 51.05, 44.38, 50.06

 

CMYK 40 / 0 / 83 / 20

HEX #7ACC22

RGB 122 204 34

HSL 88.94, 0.71%, 0.47%

LAB 74.47, -49.87, 68.56

 

CMYK 83 / 24 / 0 / 20

HEX #229CCC

RGB 34 156 204

HSL 196.94, 0.71%, 0.47%

LAB 60.32, -15.37, -33.64

 

CMYK 43 / 83 / 0 / 20

HEX #7522CC

RGB 117 34 204

HSL 269.29, 0.71%, 0.47%

LAB 36.53, 64.95, -71.49

 

CMYK 0 / 58 / 83 / 20

HEX #CB5523

RGB 203 85 35

HSL 17.86, 0.71%, 0.47%

LAB 51.05, 44.38, 50.06

 

CMYK 65 / 0 / 83 / 20

HEX #47CC22

RGB 71 204 34

HSL 106.94, 0.71%, 0.47%

LAB 72.65, -64.01, 66.25

 

CMYK 83 / 24 / 0 / 20

HEX #229CCC

RGB 34 156 204

HSL 196.94, 0.71%, 0.47%

LAB 60.32, -15.37, -33.64

 

CMYK 18 / 83 / 0 / 20

HEX #A822CC

RGB 168 34 204

HSL 287.29, 0.71%, 0.47%

LAB 43.99, 72.62, -59.02

 

Description

Color code: HEX #CB5523 | qconv.com Color code: HEX #CB5523 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 85 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 85 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 83 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 83% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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