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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB55CD it is the complementary color #34AA32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB55CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB55CD shade: #D055C8, #E167DB, #F279EE, #FF8BFF and #FF9DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB55CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB55CD shade: #CB55CD, #BA43BA, #A931A7, #981F94 and #870D81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB55CD shade: #CB55CD, #CD55AF, #CD558E, #CD556E and #CD5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB55CD shade: #CB55CD, #AB55CD, #8A55CD, #6A55CD and #5555CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB55CD shade matches the following richer shades: #CB55CD, #DC43DF and #ED31F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB55CD shade: #CB55CD, #BA66BB, #A978AA, #988A98 and #879C86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB55CD shade: #8B55CD, #AB55CD, #CB55CD, #CD55AF and #CD558F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB55CD shade: #9F2EA1, #BF38C1, #CB55CD, #D575D6 and #DE94E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB55CD shade: #CB55CD, #CD6B55 and #55CD9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB55CD shade: #CB55CD, #CDCB55 and #55CDCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB55CD shade: #CB55CD, #CD6B55, #57CD55 and #55B7CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB55CD shade: #CB55CD, #CD8F55, #57CD55 and #5593CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 59 / 0 / 20

HEX #CB55CD

RGB 203 85 205

HSL 299, 0.55%, 0.57%

LAB 55.69, 62.22, -40.61

 

Complementary color

CMYK 69 / 0 / 71 / 33

HEX #34AA32

RGB 52 170 50

HSL 119, 0.55%, 0.43%

LAB 61.4, -55.46, 50.07

 

CMYK 0 / 59 / 4 / 18

HEX #D055C8

RGB 208 85 200

HSL 303.9, 0.57%, 0.57%

LAB 56.16, 62.66, -36.95

 

CMYK 0 / 54 / 3 / 12

HEX #E167DB

RGB 225 103 219

HSL 302.95, 0.67%, 0.64%

LAB 62.36, 62.32, -37.84

 

CMYK 0 / 50 / 2 / 5

HEX #F279EE

RGB 242 121 238

HSL 301.98, 0.82%, 0.71%

LAB 68.55, 61.8, -38.56

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFF

RGB 255 139 255

HSL 300, 1%, 0.77%

LAB 74.15, 59.74, -39

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 1 / 59 / 0 / 20

HEX #CB55CD

RGB 203 85 205

HSL 299, 0.55%, 0.57%

LAB 55.69, 62.22, -40.61

 

CMYK 0 / 64 / 0 / 27

HEX #BA43BA

RGB 186 67 186

HSL 300, 0.47%, 0.5%

LAB 49.49, 62.31, -39.6

 

CMYK 0 / 71 / 1 / 34

HEX #A931A7

RGB 169 49 167

HSL 301, 0.55%, 0.43%

LAB 43.39, 61.93, -38.24

 

CMYK 0 / 80 / 3 / 40

HEX #981F94

RGB 152 31 148

HSL 301.98, 0.66%, 0.36%

LAB 37.47, 60.77, -36.37

 

CMYK 0 / 90 / 4 / 47

HEX #870D81

RGB 135 13 129

HSL 302.95, 0.82%, 0.29%

LAB 31.86, 58.38, -33.73

 

CMYK 1 / 59 / 0 / 20

HEX #CB55CD

RGB 203 85 205

HSL 299, 0.55%, 0.57%

LAB 55.69, 62.22, -40.61

 

CMYK 0 / 59 / 15 / 20

HEX #CD55AF

RGB 205 85 175

HSL 315, 0.55%, 0.57%

LAB 54.63, 57.88, -24.97

 

CMYK 0 / 59 / 31 / 20

HEX #CD558E

RGB 205 85 142

HSL 331.5, 0.55%, 0.57%

LAB 53.42, 53.3, -7.46

 

CMYK 0 / 59 / 46 / 20

HEX #CD556E

RGB 205 85 110

HSL 347.5, 0.55%, 0.57%

LAB 52.51, 49.75, 10.26

 

CMYK 0 / 59 / 59 / 20

HEX #CD5555

RGB 205 85 85

HSL 0, 0.55%, 0.57%

LAB 51.99, 47.63, 24.36

 

CMYK 1 / 59 / 0 / 20

HEX #CB55CD

RGB 203 85 205

HSL 299, 0.55%, 0.57%

LAB 55.69, 62.22, -40.61

 

CMYK 17 / 59 / 0 / 20

HEX #AB55CD

RGB 171 85 205

HSL 283, 0.55%, 0.57%

LAB 51.34, 54.15, -47.77

 

CMYK 33 / 59 / 0 / 20

HEX #8A55CD

RGB 138 85 205

HSL 266.5, 0.55%, 0.57%

LAB 47.38, 46.11, -54.34

 

CMYK 48 / 59 / 0 / 20

HEX #6A55CD

RGB 106 85 205

HSL 250.5, 0.55%, 0.57%

LAB 44.19, 39.01, -59.64

 

CMYK 59 / 59 / 0 / 20

HEX #5555CD

RGB 85 85 205

HSL 240, 0.55%, 0.57%

LAB 42.52, 34.99, -62.43

 

CMYK 1 / 59 / 0 / 20

HEX #CB55CD

RGB 203 85 205

HSL 299, 0.55%, 0.57%

LAB 55.69, 62.22, -40.61

 

CMYK 1 / 70 / 0 / 13

HEX #DC43DF

RGB 220 67 223

HSL 298.85, 0.71%, 0.57%

LAB 56.64, 76.13, -49.15

 

CMYK 2 / 80 / 0 / 5

HEX #ED31F1

RGB 237 49 241

HSL 298.75, 0.87%, 0.57%

LAB 58.56, 87.31, -56.05

 

CMYK 1 / 59 / 0 / 20

HEX #CB55CD

RGB 203 85 205

HSL 299, 0.55%, 0.57%

LAB 55.69, 62.22, -40.61

 

CMYK 1 / 45 / 0 / 27

HEX #BA66BB

RGB 186 102 187

HSL 299.29, 0.38%, 0.57%

LAB 55.61, 46.15, -30.59

 

CMYK 1 / 29 / 0 / 33

HEX #A978AA

RGB 169 120 170

HSL 298.8, 0.23%, 0.57%

LAB 56.85, 27.68, -19.07

 

CMYK 0 / 9 / 0 / 40

HEX #988A98

RGB 152 138 152

HSL 300, 0.06%, 0.57%

LAB 59.08, 7.88, -5.53

 

CMYK 13 / 0 / 14 / 39

HEX #879C86

RGB 135 156 134

HSL 117.27, 0.1%, 0.57%

LAB 62.21, -11.78, 9.06

 

CMYK 32 / 59 / 0 / 20

HEX #8B55CD

RGB 139 85 205

HSL 267, 0.55%, 0.57%

LAB 47.49, 46.35, -54.15

 

CMYK 17 / 59 / 0 / 20

HEX #AB55CD

RGB 171 85 205

HSL 283, 0.55%, 0.57%

LAB 51.34, 54.15, -47.77

 

CMYK 1 / 59 / 0 / 20

HEX #CB55CD

RGB 203 85 205

HSL 299, 0.55%, 0.57%

LAB 55.69, 62.22, -40.61

 

CMYK 0 / 59 / 15 / 20

HEX #CD55AF

RGB 205 85 175

HSL 315, 0.55%, 0.57%

LAB 54.63, 57.88, -24.97

 

CMYK 0 / 59 / 30 / 20

HEX #CD558F

RGB 205 85 143

HSL 331, 0.55%, 0.57%

LAB 53.45, 53.43, -8

 

CMYK 1 / 71 / 0 / 37

HEX #9F2EA1

RGB 159 46 161

HSL 298.96, 0.56%, 0.41%

LAB 41.05, 59.71, -38.47

 

CMYK 1 / 71 / 0 / 24

HEX #BF38C1

RGB 191 56 193

HSL 299.12, 0.55%, 0.49%

LAB 49.2, 68.71, -44.09

 

CMYK 1 / 59 / 0 / 20

HEX #CB55CD

RGB 203 85 205

HSL 299, 0.55%, 0.57%

LAB 55.69, 62.22, -40.61

 

CMYK 0 / 45 / 0 / 16

HEX #D575D6

RGB 213 117 214

HSL 299.38, 0.54%, 0.65%

LAB 63.11, 51.38, -33.98

 

CMYK 1 / 34 / 0 / 12

HEX #DE94E0

RGB 222 148 224

HSL 298.42, 0.55%, 0.73%

LAB 70.93, 39.83, -27.36

 

CMYK 1 / 59 / 0 / 20

HEX #CB55CD

RGB 203 85 205

HSL 299, 0.55%, 0.57%

LAB 55.69, 62.22, -40.61

 

CMYK 0 / 48 / 59 / 20

HEX #CD6B55

RGB 205 107 85

HSL 11, 0.55%, 0.57%

LAB 56.24, 36.73, 29.83

 

CMYK 59 / 0 / 24 / 20

HEX #55CD9B

RGB 85 205 155

HSL 155, 0.55%, 0.57%

LAB 74.8, -45.39, 14.99

 

CMYK 1 / 59 / 0 / 20

HEX #CB55CD

RGB 203 85 205

HSL 299, 0.55%, 0.57%

LAB 55.69, 62.22, -40.61

 

CMYK 0 / 1 / 59 / 20

HEX #CDCB55

RGB 205 203 85

HSL 59, 0.55%, 0.57%

LAB 79.81, -14.33, 57.64

 

CMYK 59 / 0 / 1 / 20

HEX #55CDCB

RGB 85 205 203

HSL 179, 0.55%, 0.57%

LAB 76.01, -33.64, -9.08

 

CMYK 1 / 59 / 0 / 20

HEX #CB55CD

RGB 203 85 205

HSL 299, 0.55%, 0.57%

LAB 55.69, 62.22, -40.61

 

CMYK 0 / 48 / 59 / 20

HEX #CD6B55

RGB 205 107 85

HSL 11, 0.55%, 0.57%

LAB 56.24, 36.73, 29.83

 

CMYK 58 / 0 / 59 / 20

HEX #57CD55

RGB 87 205 85

HSL 119, 0.55%, 0.57%

LAB 73.77, -56.63, 49.02

 

CMYK 59 / 11 / 0 / 20

HEX #55B7CD

RGB 85 183 205

HSL 191, 0.55%, 0.57%

LAB 69.62, -22.29, -19.79

 

CMYK 1 / 59 / 0 / 20

HEX #CB55CD

RGB 203 85 205

HSL 299, 0.55%, 0.57%

LAB 55.69, 62.22, -40.61

 

CMYK 0 / 30 / 59 / 20

HEX #CD8F55

RGB 205 143 85

HSL 29, 0.55%, 0.57%

LAB 64.39, 17.4, 39.9

 

CMYK 58 / 0 / 59 / 20

HEX #57CD55

RGB 87 205 85

HSL 119, 0.55%, 0.57%

LAB 73.77, -56.63, 49.02

 

CMYK 59 / 28 / 0 / 20

HEX #5593CD

RGB 85 147 205

HSL 209, 0.55%, 0.57%

LAB 59.16, -2.78, -35.89

 

Description

Color code: HEX #CB55CD | qconv.com Color code: HEX #CB55CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 85 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 85 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 59 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 59% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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