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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB52C3 it is the complementary color #34AD3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB52C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB52C3 shade: #D052BE, #E164D1, #F276E4, #FF88F7 and #FF9AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB52C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB52C3 shade: #CB52C3, #BA40B0, #A92E9D, #981C8A and #870A77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB52C3 shade: #CB52C3, #CB52A2, #CB5282, #CB5261 and #CB5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB52C3 shade: #CB52C3, #B252CB, #9252CB, #7152CB and #5252CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB52C3 shade matches the following richer shades: #CB52C3, #DD40D3 and #EF2DE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB52C3 shade: #CB52C3, #B964B3, #A776A3, #948894 and #829A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB52C3 shade: #9052CB, #B152CB, #CB52C5, #CB52A5 and #CB5284

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB52C3 shade: #9C2E95, #BC38B3, #CB52C3, #D471CE and #DE91D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB52C3 shade: #CB52C3, #CB7052 and #52CBA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB52C3 shade: #CB52C3, #C5CB52 and #52C5CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB52C3 shade: #CB52C3, #CB7052, #52CB58 and #52ADCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB52C3 shade: #CB52C3, #CB9452, #52CB58 and #5288CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 4 / 20

HEX #CB52C3

RGB 203 82 195

HSL 303.97, 0.54%, 0.56%

LAB 54.73, 61.83, -36.39

 

Complementary color

CMYK 70 / 0 / 65 / 32

HEX #34AD3C

RGB 52 173 60

HSL 123.97, 0.54%, 0.44%

LAB 62.46, -55.51, 47.06

 

CMYK 0 / 61 / 9 / 18

HEX #D052BE

RGB 208 82 190

HSL 308.57, 0.57%, 0.57%

LAB 55.24, 62.32, -32.66

 

CMYK 0 / 56 / 7 / 12

HEX #E164D1

RGB 225 100 209

HSL 307.68, 0.68%, 0.64%

LAB 61.42, 62.02, -33.69

 

CMYK 0 / 51 / 6 / 5

HEX #F276E4

RGB 242 118 228

HSL 306.77, 0.83%, 0.71%

LAB 67.6, 61.54, -34.52

 

CMYK 0 / 47 / 3 / 0

HEX #FF88F7

RGB 255 136 247

HSL 304.03, 1%, 0.77%

LAB 73.27, 59.81, -36.02

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 60 / 4 / 20

HEX #CB52C3

RGB 203 82 195

HSL 303.97, 0.54%, 0.56%

LAB 54.73, 61.83, -36.39

 

CMYK 0 / 66 / 5 / 27

HEX #BA40B0

RGB 186 64 176

HSL 304.92, 0.49%, 0.49%

LAB 48.56, 61.85, -35.22

 

CMYK 0 / 73 / 7 / 34

HEX #A92E9D

RGB 169 46 157

HSL 305.85, 0.57%, 0.42%

LAB 42.5, 61.35, -33.68

 

CMYK 0 / 82 / 9 / 40

HEX #981C8A

RGB 152 28 138

HSL 306.77, 0.69%, 0.35%

LAB 36.63, 60.01, -31.56

 

CMYK 0 / 93 / 12 / 47

HEX #870A77

RGB 135 10 119

HSL 307.68, 0.86%, 0.28%

LAB 31.11, 57.35, -28.61

 

CMYK 0 / 60 / 4 / 20

HEX #CB52C3

RGB 203 82 195

HSL 303.97, 0.54%, 0.56%

LAB 54.73, 61.83, -36.39

 

CMYK 0 / 60 / 20 / 20

HEX #CB52A2

RGB 203 82 162

HSL 320.33, 0.54%, 0.56%

LAB 53.32, 56.73, -19.42

 

CMYK 0 / 60 / 36 / 20

HEX #CB5282

RGB 203 82 130

HSL 336.2, 0.54%, 0.56%

LAB 52.22, 52.59, -2.13

 

CMYK 0 / 60 / 52 / 20

HEX #CB5261

RGB 203 82 97

HSL 352.56, 0.54%, 0.56%

LAB 51.38, 49.28, 16.38

 

CMYK 0 / 60 / 60 / 20

HEX #CB5252

RGB 203 82 82

HSL 0, 0.54%, 0.56%

LAB 51.08, 48.11, 24.89

 

CMYK 0 / 60 / 4 / 20

HEX #CB52C3

RGB 203 82 195

HSL 303.97, 0.54%, 0.56%

LAB 54.73, 61.83, -36.39

 

CMYK 12 / 60 / 0 / 20

HEX #B252CB

RGB 178 82 203

HSL 287.6, 0.54%, 0.56%

LAB 51.62, 56.92, -46.12

 

CMYK 28 / 60 / 0 / 20

HEX #9252CB

RGB 146 82 203

HSL 271.74, 0.54%, 0.56%

LAB 47.57, 49.11, -52.83

 

CMYK 44 / 60 / 0 / 20

HEX #7152CB

RGB 113 82 203

HSL 255.37, 0.54%, 0.56%

LAB 44.03, 41.63, -58.71

 

CMYK 60 / 60 / 0 / 20

HEX #5252CB

RGB 82 82 203

HSL 240, 0.54%, 0.56%

LAB 41.44, 35.65, -63.03

 

CMYK 0 / 60 / 4 / 20

HEX #CB52C3

RGB 203 82 195

HSL 303.97, 0.54%, 0.56%

LAB 54.73, 61.83, -36.39

 

CMYK 0 / 71 / 5 / 13

HEX #DD40D3

RGB 221 64 211

HSL 303.82, 0.7%, 0.56%

LAB 55.83, 75.45, -43.62

 

CMYK 0 / 81 / 5 / 6

HEX #EF2DE2

RGB 239 45 226

HSL 304.02, 0.86%, 0.56%

LAB 57.77, 86.36, -48.86

 

CMYK 0 / 60 / 4 / 20

HEX #CB52C3

RGB 203 82 195

HSL 303.97, 0.54%, 0.56%

LAB 54.73, 61.83, -36.39

 

CMYK 0 / 46 / 3 / 27

HEX #B964B3

RGB 185 100 179

HSL 304.24, 0.38%, 0.56%

LAB 54.74, 45.42, -27.33

 

CMYK 0 / 29 / 2 / 35

HEX #A776A3

RGB 167 118 163

HSL 304.9, 0.22%, 0.56%

LAB 55.9, 26.78, -16.49

 

CMYK 0 / 8 / 0 / 42

HEX #948894

RGB 148 136 148

HSL 300, 0.05%, 0.56%

LAB 58.08, 6.78, -4.77

 

CMYK 16 / 0 / 14 / 40

HEX #829A84

RGB 130 154 132

HSL 125, 0.11%, 0.56%

LAB 61.24, -12.89, 8.75

 

CMYK 29 / 60 / 0 / 20

HEX #9052CB

RGB 144 82 203

HSL 270.74, 0.54%, 0.56%

LAB 47.33, 48.64, -53.22

 

CMYK 13 / 60 / 0 / 20

HEX #B152CB

RGB 177 82 203

HSL 287.11, 0.54%, 0.56%

LAB 51.49, 56.67, -46.34

 

CMYK 0 / 60 / 3 / 20

HEX #CB52C5

RGB 203 82 197

HSL 302.98, 0.54%, 0.56%

LAB 54.83, 62.16, -37.39

 

CMYK 0 / 60 / 19 / 20

HEX #CB52A5

RGB 203 82 165

HSL 318.84, 0.54%, 0.56%

LAB 53.44, 57.16, -21

 

CMYK 0 / 60 / 35 / 20

HEX #CB5284

RGB 203 82 132

HSL 335.21, 0.54%, 0.56%

LAB 52.28, 52.82, -3.23

 

CMYK 0 / 71 / 4 / 39

HEX #9C2E95

RGB 156 46 149

HSL 303.82, 0.54%, 0.4%

LAB 39.9, 56.99, -33.08

 

CMYK 0 / 70 / 5 / 26

HEX #BC38B3

RGB 188 56 179

HSL 304.09, 0.54%, 0.48%

LAB 47.97, 65.77, -37.89

 

CMYK 0 / 60 / 4 / 20

HEX #CB52C3

RGB 203 82 195

HSL 303.97, 0.54%, 0.56%

LAB 54.73, 61.83, -36.39

 

CMYK 0 / 47 / 3 / 17

HEX #D471CE

RGB 212 113 206

HSL 303.64, 0.54%, 0.64%

LAB 61.88, 51.67, -31.41

 

CMYK 0 / 35 / 2 / 13

HEX #DE91D9

RGB 222 145 217

HSL 303.9, 0.54%, 0.72%

LAB 70.03, 40.14, -24.89

 

CMYK 0 / 60 / 4 / 20

HEX #CB52C3

RGB 203 82 195

HSL 303.97, 0.54%, 0.56%

LAB 54.73, 61.83, -36.39

 

CMYK 0 / 45 / 60 / 20

HEX #CB7052

RGB 203 112 82

HSL 14.88, 0.54%, 0.56%

LAB 56.97, 33.1, 32.37

 

CMYK 60 / 0 / 21 / 20

HEX #52CBA0

RGB 82 203 160

HSL 158.68, 0.54%, 0.56%

LAB 74.22, -44.03, 11.48

 

CMYK 0 / 60 / 4 / 20

HEX #CB52C3

RGB 203 82 195

HSL 303.97, 0.54%, 0.56%

LAB 54.73, 61.83, -36.39

 

CMYK 3 / 0 / 60 / 20

HEX #C5CB52

RGB 197 203 82

HSL 62.98, 0.54%, 0.56%

LAB 79.15, -17.84, 58.04

 

CMYK 60 / 3 / 0 / 20

HEX #52C5CB

RGB 82 197 203

HSL 182.98, 0.54%, 0.56%

LAB 73.57, -30.36, -12.74

 

CMYK 0 / 60 / 4 / 20

HEX #CB52C3

RGB 203 82 195

HSL 303.97, 0.54%, 0.56%

LAB 54.73, 61.83, -36.39

 

CMYK 0 / 45 / 60 / 20

HEX #CB7052

RGB 203 112 82

HSL 14.88, 0.54%, 0.56%

LAB 56.97, 33.1, 32.37

 

CMYK 60 / 0 / 57 / 20

HEX #52CB58

RGB 82 203 88

HSL 122.98, 0.54%, 0.56%

LAB 73.03, -56.71, 46.75

 

CMYK 60 / 15 / 0 / 20

HEX #52ADCB

RGB 82 173 203

HSL 194.88, 0.54%, 0.56%

LAB 66.51, -18.28, -23.42

 

CMYK 0 / 60 / 4 / 20

HEX #CB52C3

RGB 203 82 195

HSL 303.97, 0.54%, 0.56%

LAB 54.73, 61.83, -36.39

 

CMYK 0 / 27 / 60 / 20

HEX #CB9452

RGB 203 148 82

HSL 32.73, 0.54%, 0.56%

LAB 65.35, 13.6, 42.53

 

CMYK 60 / 0 / 57 / 20

HEX #52CB58

RGB 82 203 88

HSL 122.98, 0.54%, 0.56%

LAB 73.03, -56.71, 46.75

 

CMYK 60 / 33 / 0 / 20

HEX #5288CB

RGB 82 136 203

HSL 213.22, 0.54%, 0.56%

LAB 55.8, 2.38, -40.05

 

Description

Color code: HEX #CB52C3 | qconv.com Color code: HEX #CB52C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 82 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 82 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 4 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 4% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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