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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB683D it is the complementary color #3497C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB683D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB683D shade: #D06838, #E17A4B, #F28C5E, #FF9E71 and #FFB084

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB683D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB683D shade: #CB683D, #BA562A, #A94417, #983204 and #872000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB683D shade: #CB683D, #CB423D and #CB3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB683D shade: #CB683D, #CB8E3D, #CBB53D, #BBCB3D and #95CB3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB683D shade matches the following richer shades: #CB683D, #DF6029 and #F35815

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB683D shade: #CB683D, #B77051, #A37865, #908079 and #7C878C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB683D shade: #CB3D5E, #CB423D, #CB683D, #CB8E3D and #CBB33D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB683D shade: #904626, #B0562F, #CB683D, #D4815E and #DC9B7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB683D shade: #CB683D, #84CB3D and #3D4BCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB683D shade: #CB683D, #3DCB68 and #683DCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB683D shade: #CB683D, #84CB3D, #3DA0CB and #843DCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB683D shade: #CB683D, #5ACB3D, #3DA0CB and #AF3DCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 70 / 20

HEX #CB683D

RGB 203 104 61

HSL 18.17, 0.58%, 0.52%

LAB 55, 35.97, 41.4

 

Complementary color

CMYK 73 / 22 / 0 / 24

HEX #3497C2

RGB 52 151 194

HSL 198.17, 0.58%, 0.48%

LAB 58.75, -14.18, -30.43

 

CMYK 0 / 50 / 73 / 18

HEX #D06838

RGB 208 104 56

HSL 18.95, 0.62%, 0.52%

LAB 55.68, 37.69, 44.92

 

CMYK 0 / 46 / 67 / 12

HEX #E17A4B

RGB 225 122 75

HSL 18.8, 0.71%, 0.59%

LAB 62.03, 36.11, 42.93

 

CMYK 0 / 42 / 61 / 5

HEX #F28C5E

RGB 242 140 94

HSL 18.65, 0.85%, 0.66%

LAB 68.34, 34.66, 41.04

 

CMYK 0 / 38 / 56 / 0

HEX #FF9E71

RGB 255 158 113

HSL 19.01, 1%, 0.72%

LAB 74.13, 31.79, 38.57

 

CMYK 0 / 31 / 48 / 0

HEX #FFB084

RGB 255 176 132

HSL 21.46, 1%, 0.76%

LAB 78.45, 24.02, 34.11

 

CMYK 0 / 49 / 70 / 20

HEX #CB683D

RGB 203 104 61

HSL 18.17, 0.58%, 0.52%

LAB 55, 35.97, 41.4

 

CMYK 0 / 54 / 77 / 27

HEX #BA562A

RGB 186 86 42

HSL 18.33, 0.63%, 0.45%

LAB 48.59, 37.61, 43.48

 

CMYK 0 / 60 / 86 / 34

HEX #A94417

RGB 169 68 23

HSL 18.49, 0.76%, 0.38%

LAB 42.2, 39.33, 45.31

 

CMYK 0 / 67 / 97 / 40

HEX #983204

RGB 152 50 4

HSL 18.65, 0.95%, 0.31%

LAB 35.92, 40.97, 46.26

 

CMYK 0 / 76 / 100 / 47

HEX #872000

RGB 135 32 0

HSL 14.22, 1%, 0.26%

LAB 29.87, 42.25, 42.35

 

CMYK 0 / 49 / 70 / 20

HEX #CB683D

RGB 203 104 61

HSL 18.17, 0.58%, 0.52%

LAB 55, 35.97, 41.4

 

CMYK 0 / 67 / 70 / 20

HEX #CB423D

RGB 203 66 61

HSL 2.11, 0.58%, 0.52%

LAB 48.17, 53.77, 33.54

 

CMYK 0 / 70 / 70 / 20

HEX #CB3D3D

RGB 203 61 61

HSL 0, 0.58%, 0.52%

LAB 47.46, 55.73, 32.7

 

CMYK 0 / 49 / 70 / 20

HEX #CB683D

RGB 203 104 61

HSL 18.17, 0.58%, 0.52%

LAB 55, 35.97, 41.4

 

CMYK 0 / 30 / 70 / 20

HEX #CB8E3D

RGB 203 142 61

HSL 34.23, 0.58%, 0.52%

LAB 63.66, 15.53, 50.82

 

CMYK 0 / 11 / 70 / 20

HEX #CBB53D

RGB 203 181 61

HSL 50.7, 0.58%, 0.52%

LAB 73.6, -5.38, 61.06

 

CMYK 8 / 0 / 70 / 20

HEX #BBCB3D

RGB 187 203 61

HSL 66.76, 0.58%, 0.52%

LAB 78.24, -23.27, 65.24

 

CMYK 27 / 0 / 70 / 20

HEX #95CB3D

RGB 149 203 61

HSL 82.82, 0.58%, 0.52%

LAB 75.72, -38.37, 61.9

 

CMYK 0 / 49 / 70 / 20

HEX #CB683D

RGB 203 104 61

HSL 18.17, 0.58%, 0.52%

LAB 55, 35.97, 41.4

 

CMYK 0 / 57 / 82 / 13

HEX #DF6029

RGB 223 96 41

HSL 18.13, 0.74%, 0.52%

LAB 56.3, 46.79, 53.39

 

CMYK 0 / 64 / 91 / 5

HEX #F35815

RGB 243 88 21

HSL 18.11, 0.9%, 0.52%

LAB 58.12, 57.03, 63.57

 

CMYK 0 / 49 / 70 / 20

HEX #CB683D

RGB 203 104 61

HSL 18.17, 0.58%, 0.52%

LAB 55, 35.97, 41.4

 

CMYK 0 / 39 / 56 / 28

HEX #B77051

RGB 183 112 81

HSL 18.24, 0.41%, 0.52%

LAB 54.29, 24.92, 28.99

 

CMYK 0 / 26 / 38 / 36

HEX #A37865

RGB 163 120 101

HSL 18.39, 0.25%, 0.52%

LAB 54.2, 14.21, 17.01

 

CMYK 0 / 11 / 16 / 44

HEX #908079

RGB 144 128 121

HSL 18.26, 0.09%, 0.52%

LAB 54.81, 4.87, 6.02

 

CMYK 11 / 4 / 0 / 45

HEX #7C878C

RGB 124 135 140

HSL 198.75, 0.07%, 0.52%

LAB 55.59, -2.94, -4.06

 

CMYK 0 / 70 / 54 / 20

HEX #CB3D5E

RGB 203 61 94

HSL 346.06, 0.58%, 0.52%

LAB 48.06, 57.82, 13.64

 

CMYK 0 / 67 / 70 / 20

HEX #CB423D

RGB 203 66 61

HSL 2.11, 0.58%, 0.52%

LAB 48.17, 53.77, 33.54

 

CMYK 0 / 49 / 70 / 20

HEX #CB683D

RGB 203 104 61

HSL 18.17, 0.58%, 0.52%

LAB 55, 35.97, 41.4

 

CMYK 0 / 30 / 70 / 20

HEX #CB8E3D

RGB 203 142 61

HSL 34.23, 0.58%, 0.52%

LAB 63.66, 15.53, 50.82

 

CMYK 0 / 12 / 70 / 20

HEX #CBB33D

RGB 203 179 61

HSL 49.86, 0.58%, 0.52%

LAB 73.07, -4.33, 60.53

 

CMYK 0 / 51 / 74 / 44

HEX #904626

RGB 144 70 38

HSL 18.11, 0.58%, 0.36%

LAB 38.64, 28.81, 33.06

 

CMYK 0 / 51 / 73 / 31

HEX #B0562F

RGB 176 86 47

HSL 18.14, 0.58%, 0.44%

LAB 47.09, 33.85, 38.88

 

CMYK 0 / 49 / 70 / 20

HEX #CB683D

RGB 203 104 61

HSL 18.17, 0.58%, 0.52%

LAB 55, 35.97, 41.4

 

CMYK 0 / 39 / 56 / 17

HEX #D4815E

RGB 212 129 94

HSL 17.8, 0.58%, 0.6%

LAB 62.09, 28.57, 32.44

 

CMYK 0 / 30 / 43 / 14

HEX #DC9B7E

RGB 220 155 126

HSL 18.51, 0.57%, 0.68%

LAB 69.59, 20.8, 24.9

 

CMYK 0 / 49 / 70 / 20

HEX #CB683D

RGB 203 104 61

HSL 18.17, 0.58%, 0.52%

LAB 55, 35.97, 41.4

 

CMYK 35 / 0 / 70 / 20

HEX #84CB3D

RGB 132 203 61

HSL 90, 0.58%, 0.52%

LAB 74.8, -44.57, 60.66

 

CMYK 70 / 63 / 0 / 20

HEX #3D4BCB

RGB 61 75 203

HSL 234.08, 0.58%, 0.52%

LAB 38.44, 36.87, -67.98

 

CMYK 0 / 49 / 70 / 20

HEX #CB683D

RGB 203 104 61

HSL 18.17, 0.58%, 0.52%

LAB 55, 35.97, 41.4

 

CMYK 70 / 0 / 49 / 20

HEX #3DCB68

RGB 61 203 104

HSL 138.17, 0.58%, 0.52%

LAB 72.7, -58.66, 38.54

 

CMYK 49 / 70 / 0 / 20

HEX #683DCB

RGB 104 61 203

HSL 258.17, 0.58%, 0.52%

LAB 38.89, 51.39, -67.11

 

CMYK 0 / 49 / 70 / 20

HEX #CB683D

RGB 203 104 61

HSL 18.17, 0.58%, 0.52%

LAB 55, 35.97, 41.4

 

CMYK 35 / 0 / 70 / 20

HEX #84CB3D

RGB 132 203 61

HSL 90, 0.58%, 0.52%

LAB 74.8, -44.57, 60.66

 

CMYK 70 / 21 / 0 / 20

HEX #3DA0CB

RGB 61 160 203

HSL 198.17, 0.58%, 0.52%

LAB 62.04, -14.84, -30.37

 

CMYK 35 / 70 / 0 / 20

HEX #843DCB

RGB 132 61 203

HSL 270, 0.58%, 0.52%

LAB 42.08, 56.46, -61.76

 

CMYK 0 / 49 / 70 / 20

HEX #CB683D

RGB 203 104 61

HSL 18.17, 0.58%, 0.52%

LAB 55, 35.97, 41.4

 

CMYK 56 / 0 / 70 / 20

HEX #5ACB3D

RGB 90 203 61

HSL 107.75, 0.58%, 0.52%

LAB 73.04, -57.49, 58.29

 

CMYK 70 / 21 / 0 / 20

HEX #3DA0CB

RGB 61 160 203

HSL 198.17, 0.58%, 0.52%

LAB 62.04, -14.84, -30.37

 

CMYK 14 / 70 / 0 / 20

HEX #AF3DCB

RGB 175 61 203

HSL 288.17, 0.58%, 0.52%

LAB 47.96, 65.22, -51.99

 

Description

Color code: HEX #CB683D | qconv.com Color code: HEX #CB683D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 104 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 104 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 70 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 70% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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