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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB6C9D it is the complementary color #349362. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB6C9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB6C9D shade: #D06C98, #E17EAB, #F290BE, #FFA2D1 and #FFB4E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB6C9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB6C9D shade: #CB6C9D, #BA5A8A, #A94877, #983664 and #872451

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB6C9D shade: #CB6B9D, #CB6B83 and #CB6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB6C9D shade: #CB6B9D, #CB6BB6, #C66BCB, #AC6BCB and #926BCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB6C9D shade matches the following richer shades: #CB6B9D, #DB5B9D, #EB4B9E and #FB3B9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB6C9D shade: #CB6B9D, #BB7B9C, #AB8B9C, #9B9C9B and #8AAC9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB6C9D shade: #C66BCB, #CB6BB6, #CB6B9D, #CB6B83 and #CB6D6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB6C9D shade: #A93B74, #C04D88, #CB6B9D, #D68AB1 and #E0A8C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB6C9D shade: #CB6C9D, #CBAD6B and #6BC3CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB6C9D shade: #CB6C9D, #9DCB6B and #6B9DCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB6C9D shade: #CB6C9D, #CBAD6B, #6BCB99 and #6B8ACB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB6C9D shade: #CB6C9D, #CBC96B, #6BCB99 and #6B6DCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 23 / 20

HEX #CB6C9D

RGB 203 108 157

HSL 329.05, 0.48%, 0.61%

LAB 57.9, 43.49, -9.57

 

Complementary color

CMYK 65 / 0 / 33 / 42

HEX #349362

RGB 52 147 98

HSL 149.05, 0.48%, 0.39%

LAB 54.53, -39.62, 17.96

 

CMYK 0 / 48 / 27 / 18

HEX #D06C98

RGB 208 108 152

HSL 333.6, 0.52%, 0.62%

LAB 58.42, 44.46, -5.83

 

CMYK 0 / 44 / 24 / 12

HEX #E17EAB

RGB 225 126 171

HSL 332.73, 0.62%, 0.69%

LAB 64.86, 43.64, -6.92

 

CMYK 0 / 40 / 21 / 5

HEX #F290BE

RGB 242 144 190

HSL 331.84, 0.79%, 0.76%

LAB 71.24, 42.83, -7.87

 

CMYK 0 / 36 / 18 / 0

HEX #FFA2D1

RGB 255 162 209

HSL 329.68, 1%, 0.82%

LAB 77.1, 40.71, -9.45

 

CMYK 0 / 29 / 11 / 0

HEX #FFB4E4

RGB 255 180 228

HSL 321.6, 1%, 0.85%

LAB 81.57, 34.32, -13.08

 

CMYK 0 / 47 / 23 / 20

HEX #CB6C9D

RGB 203 108 157

HSL 329.05, 0.48%, 0.61%

LAB 57.9, 43.49, -9.57

 

CMYK 0 / 52 / 26 / 27

HEX #BA5A8A

RGB 186 90 138

HSL 330, 0.41%, 0.54%

LAB 51.37, 44.26, -8.44

 

CMYK 0 / 57 / 30 / 34

HEX #A94877

RGB 169 72 119

HSL 330.93, 0.4%, 0.47%

LAB 44.8, 44.95, -7.07

 

CMYK 0 / 64 / 34 / 40

HEX #983664

RGB 152 54 100

HSL 331.84, 0.48%, 0.4%

LAB 38.26, 45.43, -5.33

 

CMYK 0 / 73 / 40 / 47

HEX #872451

RGB 135 36 81

HSL 332.73, 0.58%, 0.34%

LAB 31.82, 45.45, -3.02

 

CMYK 0 / 47 / 23 / 20

HEX #CB6B9D

RGB 203 107 157

HSL 328.75, 0.48%, 0.61%

LAB 57.7, 44, -9.87

 

CMYK 0 / 47 / 35 / 20

HEX #CB6B83

RGB 203 107 131

HSL 345, 0.48%, 0.61%

LAB 56.93, 40.53, 4.13

 

CMYK 0 / 47 / 47 / 20

HEX #CB6B6B

RGB 203 107 107

HSL 0, 0.48%, 0.61%

LAB 56.36, 37.88, 17.32

 

CMYK 0 / 47 / 23 / 20

HEX #CB6B9D

RGB 203 107 157

HSL 328.75, 0.48%, 0.61%

LAB 57.7, 44, -9.87

 

CMYK 0 / 47 / 10 / 20

HEX #CB6BB6

RGB 203 107 182

HSL 313.13, 0.48%, 0.61%

LAB 58.59, 47.89, -22.94

 

CMYK 2 / 47 / 0 / 20

HEX #C66BCB

RGB 198 107 203

HSL 296.88, 0.48%, 0.61%

LAB 58.82, 50.08, -34.61

 

CMYK 15 / 47 / 0 / 20

HEX #AC6BCB

RGB 172 107 203

HSL 280.63, 0.48%, 0.61%

LAB 55.68, 42.62, -39.75

 

CMYK 28 / 47 / 0 / 20

HEX #926BCB

RGB 146 107 203

HSL 264.38, 0.48%, 0.61%

LAB 52.88, 35.36, -44.36

 

CMYK 0 / 47 / 23 / 20

HEX #CB6B9D

RGB 203 107 157

HSL 328.75, 0.48%, 0.61%

LAB 57.7, 44, -9.87

 

CMYK 0 / 58 / 28 / 14

HEX #DB5B9D

RGB 219 91 157

HSL 329.06, 0.64%, 0.61%

LAB 57.05, 56.79, -10.61

 

CMYK 0 / 68 / 33 / 8

HEX #EB4B9E

RGB 235 75 158

HSL 328.88, 0.8%, 0.61%

LAB 57.23, 68.02, -10.66

 

CMYK 0 / 76 / 37 / 2

HEX #FB3B9E

RGB 251 59 158

HSL 329.06, 0.96%, 0.61%

LAB 58.14, 77.28, -9.03

 

CMYK 0 / 47 / 23 / 20

HEX #CB6B9D

RGB 203 107 157

HSL 328.75, 0.48%, 0.61%

LAB 57.7, 44, -9.87

 

CMYK 0 / 34 / 17 / 27

HEX #BB7B9C

RGB 187 123 156

HSL 329.06, 0.32%, 0.61%

LAB 59.1, 29.77, -7.42

 

CMYK 0 / 19 / 9 / 33

HEX #AB8B9C

RGB 171 139 156

HSL 328.13, 0.16%, 0.61%

LAB 61.24, 15, -4.43

 

CMYK 1 / 0 / 1 / 39

HEX #9B9C9B

RGB 155 156 155

HSL 120, 0.01%, 0.61%

LAB 64.25, -0.55, 0.39

 

CMYK 20 / 0 / 10 / 33

HEX #8AAC9B

RGB 138 172 155

HSL 150, 0.17%, 0.61%

LAB 67.48, -15.11, 4.92

 

CMYK 2 / 47 / 0 / 20

HEX #C66BCB

RGB 198 107 203

HSL 296.88, 0.48%, 0.61%

LAB 58.82, 50.08, -34.61

 

CMYK 0 / 47 / 10 / 20

HEX #CB6BB6

RGB 203 107 182

HSL 313.13, 0.48%, 0.61%

LAB 58.59, 47.89, -22.94

 

CMYK 0 / 47 / 23 / 20

HEX #CB6B9D

RGB 203 107 157

HSL 328.75, 0.48%, 0.61%

LAB 57.7, 44, -9.87

 

CMYK 0 / 47 / 35 / 20

HEX #CB6B83

RGB 203 107 131

HSL 345, 0.48%, 0.61%

LAB 56.93, 40.53, 4.13

 

CMYK 0 / 46 / 47 / 20

HEX #CB6D6B

RGB 203 109 107

HSL 1.25, 0.48%, 0.61%

LAB 56.78, 36.84, 17.89

 

CMYK 0 / 65 / 31 / 34

HEX #A93B74

RGB 169 59 116

HSL 328.91, 0.48%, 0.45%

LAB 42.5, 50.51, -8.68

 

CMYK 0 / 60 / 29 / 25

HEX #C04D88

RGB 192 77 136

HSL 329.22, 0.48%, 0.53%

LAB 49.85, 52.14, -9.43

 

CMYK 0 / 47 / 23 / 20

HEX #CB6B9D

RGB 203 107 157

HSL 328.75, 0.48%, 0.61%

LAB 57.7, 44, -9.87

 

CMYK 0 / 36 / 17 / 16

HEX #D68AB1

RGB 214 138 177

HSL 329.21, 0.48%, 0.69%

LAB 66.25, 34.47, -8.39

 

CMYK 0 / 25 / 12 / 12

HEX #E0A8C5

RGB 224 168 197

HSL 328.93, 0.47%, 0.77%

LAB 74.75, 25.03, -6.75

 

CMYK 0 / 47 / 23 / 20

HEX #CB6C9D

RGB 203 108 157

HSL 329.05, 0.48%, 0.61%

LAB 57.9, 43.49, -9.57

 

CMYK 0 / 15 / 47 / 20

HEX #CBAD6B

RGB 203 173 107

HSL 41.25, 0.48%, 0.61%

LAB 71.99, 2.25, 37.81

 

CMYK 47 / 4 / 0 / 20

HEX #6BC3CB

RGB 107 195 203

HSL 185, 0.48%, 0.61%

LAB 73.85, -24.32, -12.23

 

CMYK 0 / 47 / 23 / 20

HEX #CB6C9D

RGB 203 108 157

HSL 329.05, 0.48%, 0.61%

LAB 57.9, 43.49, -9.57

 

CMYK 23 / 0 / 47 / 20

HEX #9DCB6B

RGB 157 203 107

HSL 88.75, 0.48%, 0.61%

LAB 76.64, -31.26, 42.83

 

CMYK 47 / 23 / 0 / 20

HEX #6B9DCB

RGB 107 157 203

HSL 208.75, 0.48%, 0.61%

LAB 62.97, -4.17, -28.78

 

CMYK 0 / 47 / 23 / 20

HEX #CB6C9D

RGB 203 108 157

HSL 329.05, 0.48%, 0.61%

LAB 57.9, 43.49, -9.57

 

CMYK 0 / 15 / 47 / 20

HEX #CBAD6B

RGB 203 173 107

HSL 41.25, 0.48%, 0.61%

LAB 71.99, 2.25, 37.81

 

CMYK 47 / 0 / 25 / 20

HEX #6BCB99

RGB 107 203 153

HSL 148.75, 0.48%, 0.61%

LAB 74.91, -39.84, 16.33

 

CMYK 47 / 32 / 0 / 20

HEX #6B8ACB

RGB 107 138 203

HSL 220.63, 0.48%, 0.61%

LAB 57.67, 6.75, -37.02

 

CMYK 0 / 47 / 23 / 20

HEX #CB6C9D

RGB 203 108 157

HSL 329.05, 0.48%, 0.61%

LAB 57.9, 43.49, -9.57

 

CMYK 0 / 1 / 47 / 20

HEX #CBC96B

RGB 203 201 107

HSL 58.75, 0.48%, 0.61%

LAB 79.35, -12.34, 46.87

 

CMYK 47 / 0 / 25 / 20

HEX #6BCB99

RGB 107 203 153

HSL 148.75, 0.48%, 0.61%

LAB 74.91, -39.84, 16.33

 

CMYK 47 / 46 / 0 / 20

HEX #6B6DCB

RGB 107 109 203

HSL 238.75, 0.48%, 0.61%

LAB 49.95, 24.18, -49.23

 

Description

Color code: HEX #CB6C9D | qconv.com Color code: HEX #CB6C9D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 108 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 108 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 23 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 23% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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