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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB6D48 it is the complementary color #3492B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB6D48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB6D48 shade: #D06D43, #E17F56, #F29169, #FFA37C and #FFB58F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB6D48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB6D48 shade: #CB6D48, #BA5B35, #A94922, #98370F and #872500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB6D48 shade: #CB6D48, #CB4948 and #CB4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB6D48 shade: #CB6D48, #CB9048, #CBB348, #BFCB48 and #9BCB48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB6D48 shade matches the following richer shades: #CB6D48, #DE6435 and #F15C22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB6D48 shade: #CB6D48, #B8755A, #A57D6D, #928580 and #7F8E93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB6D48 shade: #CB486B, #CB4848, #CB6B48, #CB8E48 and #CBB148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB6D48 shade: #96482A, #B65833, #CB6D48, #D48668 and #DDA088

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB6D48 shade: #CB6D48, #8ECB48 and #4859CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB6D48 shade: #CB6D48, #48CB6B and #6B48CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB6D48 shade: #CB6D48, #8ECB48, #48A8CB and #8548CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB6D48 shade: #CB6D48, #66CB48, #48A8CB and #AC48CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 65 / 20

HEX #CB6D48

RGB 203 109 72

HSL 16.95, 0.56%, 0.54%

LAB 56.19, 34, 36.91

 

Complementary color

CMYK 72 / 20 / 0 / 28

HEX #3492B7

RGB 52 146 183

HSL 196.95, 0.56%, 0.46%

LAB 56.79, -15.15, -27.25

 

CMYK 0 / 48 / 68 / 18

HEX #D06D43

RGB 208 109 67

HSL 17.87, 0.6%, 0.54%

LAB 56.83, 35.68, 40.52

 

CMYK 0 / 44 / 62 / 12

HEX #E17F56

RGB 225 127 86

HSL 17.7, 0.7%, 0.61%

LAB 63.23, 34.2, 38.55

 

CMYK 0 / 40 / 57 / 5

HEX #F29169

RGB 242 145 105

HSL 17.52, 0.84%, 0.68%

LAB 69.57, 32.86, 36.74

 

CMYK 0 / 36 / 51 / 0

HEX #FFA37C

RGB 255 163 124

HSL 17.86, 1%, 0.74%

LAB 75.4, 30.09, 34.37

 

CMYK 0 / 29 / 44 / 0

HEX #FFB58F

RGB 255 181 143

HSL 20.36, 1%, 0.78%

LAB 79.78, 22.47, 30.06

 

CMYK 0 / 46 / 65 / 20

HEX #CB6D48

RGB 203 109 72

HSL 16.95, 0.56%, 0.54%

LAB 56.19, 34, 36.91

 

CMYK 0 / 51 / 72 / 27

HEX #BA5B35

RGB 186 91 53

HSL 17.14, 0.56%, 0.47%

LAB 49.71, 35.55, 39.01

 

CMYK 0 / 57 / 80 / 34

HEX #A94922

RGB 169 73 34

HSL 17.33, 0.67%, 0.4%

LAB 43.23, 37.2, 41.19

 

CMYK 0 / 64 / 90 / 40

HEX #98370F

RGB 152 55 15

HSL 17.52, 0.82%, 0.33%

LAB 36.82, 38.88, 42.96

 

CMYK 0 / 73 / 100 / 47

HEX #872500

RGB 135 37 0

HSL 16.44, 1%, 0.26%

LAB 30.58, 40.31, 42.88

 

CMYK 0 / 46 / 65 / 20

HEX #CB6D48

RGB 203 109 72

HSL 16.95, 0.56%, 0.54%

LAB 56.19, 34, 36.91

 

CMYK 0 / 64 / 65 / 20

HEX #CB4948

RGB 203 73 72

HSL 0.46, 0.56%, 0.54%

LAB 49.41, 51.47, 28.64

 

CMYK 0 / 65 / 65 / 20

HEX #CB4848

RGB 203 72 72

HSL 0, 0.56%, 0.54%

LAB 49.25, 51.89, 28.44

 

CMYK 0 / 46 / 65 / 20

HEX #CB6D48

RGB 203 109 72

HSL 16.95, 0.56%, 0.54%

LAB 56.19, 34, 36.91

 

CMYK 0 / 29 / 65 / 20

HEX #CB9048

RGB 203 144 72

HSL 32.98, 0.56%, 0.54%

LAB 64.25, 15.09, 46.25

 

CMYK 0 / 12 / 65 / 20

HEX #CBB348

RGB 203 179 72

HSL 49.01, 0.56%, 0.54%

LAB 73.16, -3.71, 56.04

 

CMYK 6 / 0 / 65 / 20

HEX #BFCB48

RGB 191 203 72

HSL 65.5, 0.56%, 0.54%

LAB 78.61, -20.98, 61.5

 

CMYK 24 / 0 / 65 / 20

HEX #9BCB48

RGB 155 203 72

HSL 81.98, 0.56%, 0.54%

LAB 76.16, -35.33, 58.17

 

CMYK 0 / 46 / 65 / 20

HEX #CB6D48

RGB 203 109 72

HSL 16.95, 0.56%, 0.54%

LAB 56.19, 34, 36.91

 

CMYK 0 / 55 / 76 / 13

HEX #DE6435

RGB 222 100 53

HSL 16.69, 0.72%, 0.54%

LAB 56.98, 44.92, 48.42

 

CMYK 0 / 62 / 86 / 5

HEX #F15C22

RGB 241 92 34

HSL 16.81, 0.88%, 0.54%

LAB 58.48, 54.87, 59.3

 

CMYK 0 / 46 / 65 / 20

HEX #CB6D48

RGB 203 109 72

HSL 16.95, 0.56%, 0.54%

LAB 56.19, 34, 36.91

 

CMYK 0 / 36 / 51 / 28

HEX #B8755A

RGB 184 117 90

HSL 17.23, 0.4%, 0.54%

LAB 55.74, 23.38, 25.8

 

CMYK 0 / 24 / 34 / 35

HEX #A57D6D

RGB 165 125 109

HSL 17.14, 0.24%, 0.54%

LAB 55.86, 13.22, 14.73

 

CMYK 0 / 9 / 12 / 43

HEX #928580

RGB 146 133 128

HSL 16.67, 0.08%, 0.54%

LAB 56.53, 4, 4.46

 

CMYK 14 / 3 / 0 / 42

HEX #7F8E93

RGB 127 142 147

HSL 195, 0.08%, 0.54%

LAB 58, -4.31, -4.5

 

CMYK 0 / 65 / 47 / 20

HEX #CB486B

RGB 203 72 107

HSL 343.97, 0.56%, 0.54%

LAB 49.97, 54.56, 8.42

 

CMYK 0 / 65 / 65 / 20

HEX #CB4848

RGB 203 72 72

HSL 0, 0.56%, 0.54%

LAB 49.25, 51.89, 28.44

 

CMYK 0 / 47 / 65 / 20

HEX #CB6B48

RGB 203 107 72

HSL 16.03, 0.56%, 0.54%

LAB 55.77, 35.05, 36.4

 

CMYK 0 / 30 / 65 / 20

HEX #CB8E48

RGB 203 142 72

HSL 32.06, 0.56%, 0.54%

LAB 63.76, 16.18, 45.7

 

CMYK 0 / 13 / 65 / 20

HEX #CBB148

RGB 203 177 72

HSL 48.09, 0.56%, 0.54%

LAB 72.63, -2.66, 55.48

 

CMYK 0 / 52 / 72 / 41

HEX #96482A

RGB 150 72 42

HSL 16.67, 0.56%, 0.38%

LAB 40.06, 30.44, 32.69

 

CMYK 0 / 52 / 72 / 29

HEX #B65833

RGB 182 88 51

HSL 16.95, 0.56%, 0.46%

LAB 48.47, 35.41, 38.53

 

CMYK 0 / 46 / 65 / 20

HEX #CB6D48

RGB 203 109 72

HSL 16.95, 0.56%, 0.54%

LAB 56.19, 34, 36.91

 

CMYK 0 / 37 / 51 / 17

HEX #D48668

RGB 212 134 104

HSL 16.67, 0.56%, 0.62%

LAB 63.38, 26.75, 28.6

 

CMYK 0 / 28 / 38 / 13

HEX #DDA088

RGB 221 160 136

HSL 16.94, 0.56%, 0.7%

LAB 71.07, 19.61, 21.46

 

CMYK 0 / 46 / 65 / 20

HEX #CB6D48

RGB 203 109 72

HSL 16.95, 0.56%, 0.54%

LAB 56.19, 34, 36.91

 

CMYK 30 / 0 / 65 / 20

HEX #8ECB48

RGB 142 203 72

HSL 87.94, 0.56%, 0.54%

LAB 75.41, -40.18, 57.14

 

CMYK 65 / 56 / 0 / 20

HEX #4859CB

RGB 72 89 203

HSL 232.21, 0.56%, 0.54%

LAB 42.51, 29.64, -61.32

 

CMYK 0 / 46 / 65 / 20

HEX #CB6D48

RGB 203 109 72

HSL 16.95, 0.56%, 0.54%

LAB 56.19, 34, 36.91

 

CMYK 65 / 0 / 47 / 20

HEX #48CB6B

RGB 72 203 107

HSL 136.03, 0.56%, 0.54%

LAB 72.99, -56.19, 37.48

 

CMYK 47 / 65 / 0 / 20

HEX #6B48CB

RGB 107 72 203

HSL 256.03, 0.56%, 0.54%

LAB 41.33, 46.06, -63.11

 

CMYK 0 / 46 / 65 / 20

HEX #CB6D48

RGB 203 109 72

HSL 16.95, 0.56%, 0.54%

LAB 56.19, 34, 36.91

 

CMYK 30 / 0 / 65 / 20

HEX #8ECB48

RGB 142 203 72

HSL 87.94, 0.56%, 0.54%

LAB 75.41, -40.18, 57.14

 

CMYK 65 / 17 / 0 / 20

HEX #48A8CB

RGB 72 168 203

HSL 196.03, 0.56%, 0.54%

LAB 64.72, -17.41, -26.2

 

CMYK 34 / 65 / 0 / 20

HEX #8548CB

RGB 133 72 203

HSL 267.94, 0.56%, 0.54%

LAB 44.14, 51.32, -58.43

 

CMYK 0 / 46 / 65 / 20

HEX #CB6D48

RGB 203 109 72

HSL 16.95, 0.56%, 0.54%

LAB 56.19, 34, 36.91

 

CMYK 50 / 0 / 65 / 20

HEX #66CB48

RGB 102 203 72

HSL 106.26, 0.56%, 0.54%

LAB 73.55, -53.27, 54.58

 

CMYK 65 / 17 / 0 / 20

HEX #48A8CB

RGB 72 168 203

HSL 196.03, 0.56%, 0.54%

LAB 64.72, -17.41, -26.2

 

CMYK 15 / 65 / 0 / 20

HEX #AC48CB

RGB 172 72 203

HSL 285.8, 0.56%, 0.54%

LAB 49.15, 60.02, -50.11

 

Description

Color code: HEX #CB6D48 | qconv.com Color code: HEX #CB6D48 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 109 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 109 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 65 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 65% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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