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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB766A it is the complementary color #348995. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB766A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB766A shade: #D07665, #E18878, #F29A8B, #FFAC9E and #FFBEB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB766A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB766A shade: #CB766A, #BA6457, #A95244, #984031 and #872E1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB766A shade: #CB776B and #CB6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB766A shade: #CB776B, #CB916B, #CBAB6B, #CBC46B and #B7CB6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB766A shade matches the following richer shades: #CB776B, #DB6B5B, #EB5F4B and #FB533B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB766A shade: #CB776B, #BB837B, #AB8F8B, #9B9B9C and #8AA8AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB766A shade: #CB6B93, #CB6B7A, #CB766B, #CB906B and #CBA96B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB766A shade: #A9483B, #C05B4D, #CB776B, #D6938A and #E0AFA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB766A shade: #CB766A, #ADCB6B and #6B86CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB766A shade: #CB766A, #6BCB76 and #766BCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB766A shade: #CB766A, #ADCB6B, #6BC0CB and #8A6BCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB766A shade: #CB766A, #90CB6B, #6BC0CB and #A66BCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 48 / 20

HEX #CB766A

RGB 203 118 106

HSL 7.42, 0.48%, 0.61%

LAB 58.69, 31.98, 21.06

 

Complementary color

CMYK 65 / 8 / 0 / 42

HEX #348995

RGB 52 137 149

HSL 187.42, 0.48%, 0.39%

LAB 52.72, -21.36, -13.95

 

CMYK 0 / 43 / 51 / 18

HEX #D07665

RGB 208 118 101

HSL 9.53, 0.53%, 0.61%

LAB 59.26, 33.45, 24.77

 

CMYK 0 / 40 / 47 / 12

HEX #E18878

RGB 225 136 120

HSL 9.14, 0.64%, 0.68%

LAB 65.73, 32.3, 23.12

 

CMYK 0 / 36 / 43 / 5

HEX #F29A8B

RGB 242 154 139

HSL 8.74, 0.8%, 0.75%

LAB 72.13, 31.24, 21.65

 

CMYK 0 / 33 / 38 / 0

HEX #FFAC9E

RGB 255 172 158

HSL 8.66, 1%, 0.81%

LAB 78.01, 28.79, 19.64

 

CMYK 0 / 25 / 31 / 0

HEX #FFBEB1

RGB 255 190 177

HSL 10, 1%, 0.85%

LAB 82.52, 21.64, 15.71

 

CMYK 0 / 42 / 48 / 20

HEX #CB766A

RGB 203 118 106

HSL 7.42, 0.48%, 0.61%

LAB 58.69, 31.98, 21.06

 

CMYK 0 / 46 / 53 / 27

HEX #BA6457

RGB 186 100 87

HSL 7.88, 0.42%, 0.54%

LAB 52.11, 33.18, 22.82

 

CMYK 0 / 51 / 60 / 34

HEX #A95244

RGB 169 82 68

HSL 8.32, 0.43%, 0.46%

LAB 45.48, 34.48, 24.88

 

CMYK 0 / 58 / 68 / 40

HEX #984031

RGB 152 64 49

HSL 8.74, 0.51%, 0.39%

LAB 38.84, 35.85, 27.31

 

CMYK 0 / 66 / 78 / 47

HEX #872E1E

RGB 135 46 30

HSL 9.14, 0.64%, 0.32%

LAB 32.25, 37.16, 30.19

 

CMYK 0 / 41 / 47 / 20

HEX #CB776B

RGB 203 119 107

HSL 7.5, 0.48%, 0.61%

LAB 58.93, 31.54, 20.81

 

CMYK 0 / 47 / 47 / 20

HEX #CB6B6B

RGB 203 107 107

HSL 0, 0.48%, 0.61%

LAB 56.36, 37.88, 17.32

 

CMYK 0 / 41 / 47 / 20

HEX #CB776B

RGB 203 119 107

HSL 7.5, 0.48%, 0.61%

LAB 58.93, 31.54, 20.81

 

CMYK 0 / 29 / 47 / 20

HEX #CB916B

RGB 203 145 107

HSL 23.75, 0.48%, 0.61%

LAB 64.97, 17.41, 28.82

 

CMYK 0 / 16 / 47 / 20

HEX #CBAB6B

RGB 203 171 107

HSL 40, 0.48%, 0.61%

LAB 71.48, 3.32, 37.17

 

CMYK 0 / 3 / 47 / 20

HEX #CBC46B

RGB 203 196 107

HSL 55.63, 0.48%, 0.61%

LAB 78.02, -9.79, 45.26

 

CMYK 10 / 0 / 47 / 20

HEX #B7CB6B

RGB 183 203 107

HSL 72.5, 0.48%, 0.61%

LAB 78.37, -21.33, 45.33

 

CMYK 0 / 41 / 47 / 20

HEX #CB776B

RGB 203 119 107

HSL 7.5, 0.48%, 0.61%

LAB 58.93, 31.54, 20.81

 

CMYK 0 / 51 / 58 / 14

HEX #DB6B5B

RGB 219 107 91

HSL 7.5, 0.64%, 0.61%

LAB 58.35, 42.49, 29.55

 

CMYK 0 / 60 / 68 / 8

HEX #EB5F4B

RGB 235 95 75

HSL 7.5, 0.8%, 0.61%

LAB 58.37, 52.94, 39.04

 

CMYK 0 / 67 / 76 / 2

HEX #FB533B

RGB 251 83 59

HSL 7.5, 0.96%, 0.61%

LAB 58.98, 62.6, 48.97

 

CMYK 0 / 41 / 47 / 20

HEX #CB776B

RGB 203 119 107

HSL 7.5, 0.48%, 0.61%

LAB 58.93, 31.54, 20.81

 

CMYK 0 / 30 / 34 / 27

HEX #BB837B

RGB 187 131 123

HSL 7.5, 0.32%, 0.61%

LAB 60.09, 20.51, 12.97

 

CMYK 0 / 16 / 19 / 33

HEX #AB8F8B

RGB 171 143 139

HSL 7.5, 0.16%, 0.61%

LAB 61.8, 9.86, 6.05

 

CMYK 1 / 1 / 0 / 39

HEX #9B9B9C

RGB 155 155 156

HSL 240, 0.01%, 0.61%

LAB 64.01, 0.2, -0.53

 

CMYK 20 / 2 / 0 / 33

HEX #8AA8AC

RGB 138 168 172

HSL 187.06, 0.17%, 0.61%

LAB 66.81, -9.38, -5.49

 

CMYK 0 / 47 / 28 / 20

HEX #CB6B93

RGB 203 107 147

HSL 335, 0.48%, 0.61%

LAB 57.38, 42.59, -4.53

 

CMYK 0 / 47 / 40 / 20

HEX #CB6B7A

RGB 203 107 122

HSL 350.63, 0.48%, 0.61%

LAB 56.7, 39.47, 9.06

 

CMYK 0 / 42 / 47 / 20

HEX #CB766B

RGB 203 118 107

HSL 6.88, 0.48%, 0.61%

LAB 58.71, 32.08, 20.51

 

CMYK 0 / 29 / 47 / 20

HEX #CB906B

RGB 203 144 107

HSL 23.13, 0.48%, 0.61%

LAB 64.73, 17.96, 28.51

 

CMYK 0 / 17 / 47 / 20

HEX #CBA96B

RGB 203 169 107

HSL 38.75, 0.48%, 0.61%

LAB 70.96, 4.39, 36.52

 

CMYK 0 / 57 / 65 / 34

HEX #A9483B

RGB 169 72 59

HSL 7.09, 0.48%, 0.45%

LAB 43.34, 38.97, 27.51

 

CMYK 0 / 53 / 60 / 25

HEX #C05B4D

RGB 192 91 77

HSL 7.3, 0.48%, 0.53%

LAB 50.95, 39.37, 27.29

 

CMYK 0 / 41 / 47 / 20

HEX #CB776B

RGB 203 119 107

HSL 7.5, 0.48%, 0.61%

LAB 58.93, 31.54, 20.81

 

CMYK 0 / 31 / 36 / 16

HEX #D6938A

RGB 214 147 138

HSL 7.11, 0.48%, 0.69%

LAB 67.28, 24.15, 15

HEX #D6938A

CMYK 0 / 22 / 25 / 12

HEX #E0AFA8

RGB 224 175 168

HSL 7.5, 0.47%, 0.77%

LAB 75.66, 16.82, 10.43

HEX #E0AFA8

CMYK 0 / 42 / 48 / 20

HEX #CB766A

RGB 203 118 106

HSL 7.42, 0.48%, 0.61%

LAB 58.69, 31.98, 21.06

 

CMYK 15 / 0 / 47 / 20

HEX #ADCB6B

RGB 173 203 107

HSL 78.75, 0.48%, 0.61%

LAB 77.67, -25.22, 44.32

 

CMYK 47 / 34 / 0 / 20

HEX #6B86CB

RGB 107 134 203

HSL 223.13, 0.48%, 0.61%

LAB 56.57, 9.11, -38.74

 

CMYK 0 / 42 / 48 / 20

HEX #CB766A

RGB 203 118 106

HSL 7.42, 0.48%, 0.61%

LAB 58.69, 31.98, 21.06

 

CMYK 47 / 0 / 42 / 20

HEX #6BCB76

RGB 107 203 118

HSL 126.88, 0.48%, 0.61%

LAB 74.28, -46.13, 33.81

 

CMYK 42 / 47 / 0 / 20

HEX #766BCB

RGB 118 107 203

HSL 246.88, 0.48%, 0.61%

LAB 50.31, 28.04, -48.6

 

CMYK 0 / 42 / 48 / 20

HEX #CB766A

RGB 203 118 106

HSL 7.42, 0.48%, 0.61%

LAB 58.69, 31.98, 21.06

 

CMYK 15 / 0 / 47 / 20

HEX #ADCB6B

RGB 173 203 107

HSL 78.75, 0.48%, 0.61%

LAB 77.67, -25.22, 44.32

 

CMYK 47 / 5 / 0 / 20

HEX #6BC0CB

RGB 107 192 203

HSL 186.88, 0.48%, 0.61%

LAB 72.98, -22.81, -13.53

 

CMYK 32 / 47 / 0 / 20

HEX #8A6BCB

RGB 138 107 203

HSL 259.38, 0.48%, 0.61%

LAB 52.1, 33.2, -45.65

 

CMYK 0 / 42 / 48 / 20

HEX #CB766A

RGB 203 118 106

HSL 7.42, 0.48%, 0.61%

LAB 58.69, 31.98, 21.06

 

CMYK 29 / 0 / 47 / 20

HEX #90CB6B

RGB 144 203 107

HSL 96.88, 0.48%, 0.61%

LAB 75.89, -35.94, 41.72

 

CMYK 47 / 5 / 0 / 20

HEX #6BC0CB

RGB 107 192 203

HSL 186.88, 0.48%, 0.61%

LAB 72.98, -22.81, -13.53

 

CMYK 18 / 47 / 0 / 20

HEX #A66BCB

RGB 166 107 203

HSL 276.88, 0.48%, 0.61%

LAB 55, 40.92, -40.86

 

Description

Color code: HEX #CB766A | qconv.com Color code: HEX #CB766A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 118 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 118 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 48 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 48% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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