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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB7A93 it is the complementary color #34856C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB7A93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB7A93 shade: #D07A8E, #E18CA1, #F29EB4, #FFB0C7 and #FFC2DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB7A93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB7A93 shade: #CB7A93, #BA6880, #A9566D, #98445A and #873247

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB7A93 shade: #CB7A93, #CB7A7D and #CB7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB7A93 shade: #CB7A93, #CB7AA9, #CB7ABF, #C27ACB and #AC7ACB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB7A93 shade matches the following richer shades: #CB7A93, #DA6B8E, #E95D88 and #F84E82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB7A93 shade: #CB7A93, #BC8999, #AD989F, #9FA7A4 and #90B6AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB7A93 shade: #CB7ABF, #CB7AA9, #CB7A94, #CB7A7E and #CB8C7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB7A93 shade: #AF4465, #C05D7B, #CB7A93, #D798AB and #E2B6C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB7A93 shade: #CB7A93, #CBC27A and #7AB4CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB7A93 shade: #CB7A93, #94CB7A and #7A94CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB7A93 shade: #CB7A93, #CBC27A, #7ACBB2 and #7A84CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB7A93 shade: #CB7A93, #BCCB7A, #7ACBB2 and #897ACB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 28 / 20

HEX #CB7A93

RGB 203 122 147

HSL 341.48, 0.44%, 0.64%

LAB 60.54, 34.71, 0.1

 

Complementary color

CMYK 61 / 0 / 19 / 48

HEX #34856C

RGB 52 133 108

HSL 161.48, 0.44%, 0.36%

LAB 50.2, -31.01, 6.2

 

CMYK 0 / 41 / 32 / 18

HEX #D07A8E

RGB 208 122 142

HSL 346.05, 0.48%, 0.65%

LAB 61.03, 35.85, 3.76

 

CMYK 0 / 38 / 28 / 12

HEX #E18CA1

RGB 225 140 161

HSL 345.18, 0.59%, 0.72%

LAB 67.53, 34.96, 2.64

 

CMYK 0 / 35 / 26 / 5

HEX #F29EB4

RGB 242 158 180

HSL 344.29, 0.76%, 0.78%

LAB 73.95, 34.14, 1.64

 

CMYK 0 / 31 / 22 / 0

HEX #FFB0C7

RGB 255 176 199

HSL 342.53, 1%, 0.85%

LAB 79.86, 31.96, 0.05

 

CMYK 0 / 24 / 15 / 0

HEX #FFC2DA

RGB 255 194 218

HSL 336.39, 1%, 0.88%

LAB 84.44, 25.37, -3.47

 

CMYK 0 / 40 / 28 / 20

HEX #CB7A93

RGB 203 122 147

HSL 341.48, 0.44%, 0.64%

LAB 60.54, 34.71, 0.1

 

CMYK 0 / 44 / 31 / 27

HEX #BA6880

RGB 186 104 128

HSL 342.44, 0.37%, 0.57%

LAB 53.92, 35.6, 1.24

 

CMYK 0 / 49 / 36 / 34

HEX #A9566D

RGB 169 86 109

HSL 343.37, 0.33%, 0.5%

LAB 47.23, 36.54, 2.58

 

CMYK 0 / 55 / 41 / 40

HEX #98445A

RGB 152 68 90

HSL 344.29, 0.38%, 0.43%

LAB 40.49, 37.46, 4.21

 

CMYK 0 / 63 / 47 / 47

HEX #873247

RGB 135 50 71

HSL 345.18, 0.46%, 0.36%

LAB 33.75, 38.27, 6.28

 

CMYK 0 / 40 / 28 / 20

HEX #CB7A93

RGB 203 122 147

HSL 341.48, 0.44%, 0.64%

LAB 60.54, 34.71, 0.1

 

CMYK 0 / 40 / 38 / 20

HEX #CB7A7D

RGB 203 122 125

HSL 357.78, 0.44%, 0.64%

LAB 59.98, 31.89, 11.94

 

CMYK 0 / 40 / 40 / 20

HEX #CB7A7A

RGB 203 122 122

HSL 0, 0.44%, 0.64%

LAB 59.91, 31.54, 13.57

 

CMYK 0 / 40 / 28 / 20

HEX #CB7A93

RGB 203 122 147

HSL 341.48, 0.44%, 0.64%

LAB 60.54, 34.71, 0.1

 

CMYK 0 / 40 / 17 / 20

HEX #CB7AA9

RGB 203 122 169

HSL 325.19, 0.44%, 0.64%

LAB 61.2, 37.98, -11.53

 

CMYK 0 / 40 / 6 / 20

HEX #CB7ABF

RGB 203 122 191

HSL 308.89, 0.44%, 0.64%

LAB 61.98, 41.65, -22.87

 

CMYK 4 / 40 / 0 / 20

HEX #C27ACB

RGB 194 122 203

HSL 293.33, 0.44%, 0.64%

LAB 61.39, 41.06, -30.64

 

CMYK 15 / 40 / 0 / 20

HEX #AC7ACB

RGB 172 122 203

HSL 277.04, 0.44%, 0.64%

LAB 58.98, 34.36, -34.59

 

CMYK 0 / 40 / 28 / 20

HEX #CB7A93

RGB 203 122 147

HSL 341.48, 0.44%, 0.64%

LAB 60.54, 34.71, 0.1

 

CMYK 0 / 51 / 35 / 15

HEX #DA6B8E

RGB 218 107 142

HSL 341.08, 0.6%, 0.64%

LAB 59.32, 47.07, 1.45

 

CMYK 0 / 60 / 42 / 9

HEX #E95D88

RGB 233 93 136

HSL 341.57, 0.76%, 0.64%

LAB 58.91, 57.84, 4.63

 

CMYK 0 / 69 / 48 / 3

HEX #F84E82

RGB 248 78 130

HSL 341.65, 0.92%, 0.64%

LAB 58.99, 67.8, 8.58

 

CMYK 0 / 40 / 28 / 20

HEX #CB7A93

RGB 203 122 147

HSL 341.48, 0.44%, 0.64%

LAB 60.54, 34.71, 0.1

 

CMYK 0 / 27 / 19 / 26

HEX #BC8999

RGB 188 137 153

HSL 341.18, 0.28%, 0.64%

LAB 62.41, 21.89, -0.81

 

CMYK 0 / 12 / 8 / 32

HEX #AD989F

RGB 173 152 159

HSL 340, 0.11%, 0.64%

LAB 64.84, 8.98, -0.82

 

CMYK 5 / 0 / 2 / 35

HEX #9FA7A4

RGB 159 167 164

HSL 157.5, 0.04%, 0.64%

LAB 67.79, -3.41, 0.56

 

CMYK 21 / 0 / 7 / 29

HEX #90B6AA

RGB 144 182 170

HSL 161.05, 0.21%, 0.64%

LAB 71.07, -15.27, 1.89

 

CMYK 0 / 40 / 6 / 20

HEX #CB7ABF

RGB 203 122 191

HSL 308.89, 0.44%, 0.64%

LAB 61.98, 41.65, -22.87

 

CMYK 0 / 40 / 17 / 20

HEX #CB7AA9

RGB 203 122 169

HSL 325.19, 0.44%, 0.64%

LAB 61.2, 37.98, -11.53

 

CMYK 0 / 40 / 27 / 20

HEX #CB7A94

RGB 203 122 148

HSL 340.74, 0.44%, 0.64%

LAB 60.56, 34.85, -0.44

 

CMYK 0 / 40 / 38 / 20

HEX #CB7A7E

RGB 203 122 126

HSL 357.04, 0.44%, 0.64%

LAB 60, 32.01, 11.4

 

CMYK 0 / 31 / 40 / 20

HEX #CB8C7A

RGB 203 140 122

HSL 13.33, 0.44%, 0.64%

LAB 64.05, 21.76, 19.28

 

CMYK 0 / 61 / 42 / 31

HEX #AF4465

RGB 175 68 101

HSL 341.5, 0.44%, 0.48%

LAB 44.5, 46.66, 3.64

 

CMYK 0 / 52 / 36 / 25

HEX #C05D7B

RGB 192 93 123

HSL 341.82, 0.44%, 0.56%

LAB 52.36, 42.83, 2.04

 

CMYK 0 / 40 / 28 / 20

HEX #CB7A93

RGB 203 122 147

HSL 341.48, 0.44%, 0.64%

LAB 60.54, 34.71, 0.1

 

CMYK 0 / 29 / 20 / 16

HEX #D798AB

RGB 215 152 171

HSL 341.9, 0.44%, 0.72%

LAB 69.36, 26.35, -0.43

 

CMYK 0 / 19 / 14 / 11

HEX #E2B6C3

RGB 226 182 195

HSL 342.27, 0.43%, 0.8%

LAB 78.21, 17.89, -0.55

 

CMYK 0 / 40 / 28 / 20

HEX #CB7A93

RGB 203 122 147

HSL 341.48, 0.44%, 0.64%

LAB 60.54, 34.71, 0.1

 

CMYK 0 / 4 / 40 / 20

HEX #CBC27A

RGB 203 194 122

HSL 53.33, 0.44%, 0.64%

LAB 77.69, -7.23, 37.32

 

CMYK 40 / 11 / 0 / 20

HEX #7AB4CB

RGB 122 180 203

HSL 197.04, 0.44%, 0.64%

LAB 70.24, -12.91, -17.6

 

CMYK 0 / 40 / 28 / 20

HEX #CB7A93

RGB 203 122 147

HSL 341.48, 0.44%, 0.64%

LAB 60.54, 34.71, 0.1

 

CMYK 27 / 0 / 40 / 20

HEX #94CB7A

RGB 148 203 122

HSL 100.74, 0.44%, 0.64%

LAB 76.32, -32.59, 34.8

 

CMYK 40 / 27 / 0 / 20

HEX #7A94CB

RGB 122 148 203

HSL 220.74, 0.44%, 0.64%

LAB 61.33, 4.8, -31.24

 

CMYK 0 / 40 / 28 / 20

HEX #CB7A93

RGB 203 122 147

HSL 341.48, 0.44%, 0.64%

LAB 60.54, 34.71, 0.1

 

CMYK 0 / 4 / 40 / 20

HEX #CBC27A

RGB 203 194 122

HSL 53.33, 0.44%, 0.64%

LAB 77.69, -7.23, 37.32

 

CMYK 40 / 0 / 12 / 20

HEX #7ACBB2

RGB 122 203 178

HSL 161.48, 0.44%, 0.64%

LAB 76.11, -30.57, 4.7

 

CMYK 40 / 35 / 0 / 20

HEX #7A84CB

RGB 122 132 203

HSL 232.59, 0.44%, 0.64%

LAB 57.03, 14.14, -37.96

 

CMYK 0 / 40 / 28 / 20

HEX #CB7A93

RGB 203 122 147

HSL 341.48, 0.44%, 0.64%

LAB 60.54, 34.71, 0.1

 

CMYK 7 / 0 / 40 / 20

HEX #BCCB7A

RGB 188 203 122

HSL 71.11, 0.44%, 0.64%

LAB 78.93, -17.74, 38.67

 

CMYK 40 / 0 / 12 / 20

HEX #7ACBB2

RGB 122 203 178

HSL 161.48, 0.44%, 0.64%

LAB 76.11, -30.57, 4.7

 

CMYK 33 / 40 / 0 / 20

HEX #897ACB

RGB 137 122 203

HSL 251.11, 0.44%, 0.64%

LAB 55.63, 24.15, -40.07

 

Description

Color code: HEX #CB7A93 | qconv.com Color code: HEX #CB7A93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 122 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 122 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 28 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 28% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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