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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB9596 it is the complementary color #346A69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB9596. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB9596 shade: #D09591, #E1A7A4, #F2B9B7, #FFCBCA and #FFDDDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB9596. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB9596 shade: #CB9596, #BA8383, #A97170, #985F5D and #874D4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB9596 shade: #CA9596 and #CA9595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB9596 shade: #CA9596, #CA95A4, #CA95B3, #CA95C1 and #C595CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB9596 shade matches the following richer shades: #CA9596, #D78889, #E47B7D, #F16E71 and #FD6164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB9596 shade: #CA9596, #BEA1A2, #B1AEAE, #A4BBBB and #97C8C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB9596 shade: #CA95B3, #CA95A5, #CA9596, #CAA195 and #CAAF95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB9596 shade: #AF5D5F, #BD797A, #CA9596, #D8B0B1 and #E6CCCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB9596 shade: #CB9596, #C1CA95 and #95ACCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB9596 shade: #CB9596, #96CA95 and #9596CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB9596 shade: #CB9596, #C1CA95, #95CAC9 and #9E95CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB9596 shade: #CB9596, #B1CA95, #95CAC9 and #AE95CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 26 / 20

HEX #CB9596

RGB 203 149 150

HSL 358.89, 0.34%, 0.69%

LAB 66.82, 20.45, 7.47

 

Complementary color

CMYK 51 / 0 / 1 / 58

HEX #346A69

RGB 52 106 105

HSL 178.89, 0.34%, 0.31%

LAB 41.31, -18.11, -4.97

 

CMYK 0 / 28 / 30 / 18

HEX #D09591

RGB 208 149 145

HSL 3.81, 0.4%, 0.69%

LAB 67.24, 21.66, 10.94

 

CMYK 0 / 26 / 27 / 12

HEX #E1A7A4

RGB 225 167 164

HSL 2.95, 0.5%, 0.76%

LAB 73.76, 20.93, 9.92

 

CMYK 0 / 24 / 24 / 5

HEX #F2B9B7

RGB 242 185 183

HSL 2.03, 0.69%, 0.83%

LAB 80.18, 20.27, 8.99

 

CMYK 0 / 20 / 21 / 0

HEX #FFCBCA

RGB 255 203 202

HSL 1.13, 1%, 0.9%

LAB 86.12, 18.24, 7.51

 

CMYK 0 / 13 / 13 / 0

HEX #FFDDDD

RGB 255 221 221

HSL 0, 1%, 0.93%

LAB 90.87, 11.74, 4.33

 

CMYK 0 / 27 / 26 / 20

HEX #CB9596

RGB 203 149 150

HSL 358.89, 0.34%, 0.69%

LAB 66.82, 20.45, 7.47

 

CMYK 0 / 30 / 30 / 27

HEX #BA8383

RGB 186 131 131

HSL 0, 0.28%, 0.62%

LAB 60.17, 21.19, 8.49

 

CMYK 0 / 33 / 34 / 34

HEX #A97170

RGB 169 113 112

HSL 1.05, 0.25%, 0.55%

LAB 53.4, 22.04, 9.62

 

CMYK 0 / 38 / 39 / 40

HEX #985F5D

RGB 152 95 93

HSL 2.03, 0.24%, 0.48%

LAB 46.51, 22.99, 10.9

 

CMYK 0 / 43 / 45 / 47

HEX #874D4A

RGB 135 77 74

HSL 2.95, 0.29%, 0.41%

LAB 39.5, 24.08, 12.41

 

CMYK 0 / 26 / 26 / 21

HEX #CA9596

RGB 202 149 150

HSL 358.87, 0.33%, 0.69%

LAB 66.71, 20.07, 7.31

 

CMYK 0 / 26 / 26 / 21

HEX #CA9595

RGB 202 149 149

HSL 0, 0.33%, 0.69%

LAB 66.69, 19.92, 7.83

 

CMYK 0 / 26 / 26 / 21

HEX #CA9596

RGB 202 149 150

HSL 358.87, 0.33%, 0.69%

LAB 66.71, 20.07, 7.31

 

CMYK 0 / 26 / 19 / 21

HEX #CA95A4

RGB 202 149 164

HSL 343.02, 0.33%, 0.69%

LAB 67.08, 22.17, -0.02

 

CMYK 0 / 26 / 11 / 21

HEX #CA95B3

RGB 202 149 179

HSL 326.04, 0.33%, 0.69%

LAB 67.51, 24.61, -7.78

 

CMYK 0 / 26 / 4 / 21

HEX #CA95C1

RGB 202 149 193

HSL 310.19, 0.33%, 0.69%

LAB 67.95, 27.07, -14.94

 

CMYK 2 / 26 / 0 / 21

HEX #C595CA

RGB 197 149 202

HSL 294.34, 0.33%, 0.69%

LAB 67.75, 27.08, -20.3

 

CMYK 0 / 26 / 26 / 21

HEX #CA9596

RGB 202 149 150

HSL 358.87, 0.33%, 0.69%

LAB 66.71, 20.07, 7.31

 

CMYK 0 / 37 / 36 / 16

HEX #D78889

RGB 215 136 137

HSL 359.24, 0.5%, 0.69%

LAB 64.85, 30.34, 12.18

 

CMYK 0 / 46 / 45 / 11

HEX #E47B7D

RGB 228 123 125

HSL 358.86, 0.66%, 0.69%

LAB 63.46, 40.68, 17.28

 

CMYK 0 / 54 / 53 / 5

HEX #F16E71

RGB 241 110 113

HSL 358.63, 0.82%, 0.69%

LAB 62.55, 50.65, 23.17

 

CMYK 0 / 62 / 60 / 1

HEX #FD6164

RGB 253 97 100

HSL 358.85, 0.98%, 0.69%

LAB 61.96, 59.6, 30.13

 

CMYK 0 / 26 / 26 / 21

HEX #CA9596

RGB 202 149 150

HSL 358.87, 0.33%, 0.69%

LAB 66.71, 20.07, 7.31

 

CMYK 0 / 15 / 15 / 25

HEX #BEA1A2

RGB 190 161 162

HSL 357.93, 0.18%, 0.69%

LAB 68.78, 10.81, 3.44

 

CMYK 0 / 2 / 2 / 31

HEX #B1AEAE

RGB 177 174 174

HSL 0, 0.02%, 0.69%

LAB 71.33, 1.07, 0.37

 

CMYK 12 / 0 / 0 / 27

HEX #A4BBBB

RGB 164 187 187

HSL 180, 0.14%, 0.69%

LAB 74.2, -7.82, -2.66

 

CMYK 25 / 0 / 0 / 22

HEX #97C8C7

RGB 151 200 199

HSL 178.78, 0.31%, 0.69%

LAB 77.29, -16.12, -4.72

 

CMYK 0 / 26 / 11 / 21

HEX #CA95B3

RGB 202 149 179

HSL 326.04, 0.33%, 0.69%

LAB 67.51, 24.61, -7.78

 

CMYK 0 / 26 / 18 / 21

HEX #CA95A5

RGB 202 149 165

HSL 341.89, 0.33%, 0.69%

LAB 67.1, 22.32, -0.54

 

CMYK 0 / 26 / 26 / 21

HEX #CA9596

RGB 202 149 150

HSL 358.87, 0.33%, 0.69%

LAB 66.71, 20.07, 7.31

 

CMYK 0 / 20 / 26 / 21

HEX #CAA195

RGB 202 161 149

HSL 13.58, 0.33%, 0.69%

LAB 69.62, 13.36, 12

 

CMYK 0 / 13 / 26 / 21

HEX #CAAF95

RGB 202 175 149

HSL 29.43, 0.33%, 0.69%

LAB 73.15, 5.77, 16.94

 

CMYK 0 / 47 / 46 / 31

HEX #AF5D5F

RGB 175 93 95

HSL 358.54, 0.34%, 0.53%

LAB 49.21, 33.43, 13.93

 

CMYK 0 / 36 / 35 / 26

HEX #BD797A

RGB 189 121 122

HSL 359.12, 0.34%, 0.61%

LAB 57.94, 26.7, 10.55

 

CMYK 0 / 26 / 26 / 21

HEX #CA9596

RGB 202 149 150

HSL 358.87, 0.33%, 0.69%

LAB 66.71, 20.07, 7.31

 

CMYK 0 / 19 / 18 / 15

HEX #D8B0B1

RGB 216 176 177

HSL 358.5, 0.34%, 0.77%

LAB 75.34, 14.65, 4.97

 

CMYK 0 / 11 / 11 / 10

HEX #E6CCCC

RGB 230 204 204

HSL 0, 0.34%, 0.85%

LAB 84.16, 9.09, 3.32

 

CMYK 0 / 27 / 26 / 20

HEX #CB9596

RGB 203 149 150

HSL 358.89, 0.34%, 0.69%

LAB 66.82, 20.45, 7.47

 

CMYK 4 / 0 / 26 / 21

HEX #C1CA95

RGB 193 202 149

HSL 70.19, 0.33%, 0.69%

LAB 79.47, -11.86, 25.5

 

CMYK 26 / 15 / 0 / 21

HEX #95ACCA

RGB 149 172 202

HSL 213.96, 0.33%, 0.69%

LAB 69.58, -1.17, -17.89

 

CMYK 0 / 27 / 26 / 20

HEX #CB9596

RGB 203 149 150

HSL 358.89, 0.34%, 0.69%

LAB 66.82, 20.45, 7.47

 

CMYK 26 / 0 / 26 / 21

HEX #96CA95

RGB 150 202 149

HSL 118.87, 0.33%, 0.69%

LAB 76.62, -27.27, 21.14

 

CMYK 26 / 26 / 0 / 21

HEX #9596CA

RGB 149 150 202

HSL 238.87, 0.33%, 0.69%

LAB 63.73, 11.15, -26.83

 

CMYK 0 / 27 / 26 / 20

HEX #CB9596

RGB 203 149 150

HSL 358.89, 0.34%, 0.69%

LAB 66.82, 20.45, 7.47

 

CMYK 4 / 0 / 26 / 21

HEX #C1CA95

RGB 193 202 149

HSL 70.19, 0.33%, 0.69%

LAB 79.47, -11.86, 25.5

 

CMYK 26 / 0 / 0 / 21

HEX #95CAC9

RGB 149 202 201

HSL 178.87, 0.33%, 0.69%

LAB 77.78, -17.29, -5.08

 

CMYK 22 / 26 / 0 / 21

HEX #9E95CA

RGB 158 149 202

HSL 250.19, 0.33%, 0.69%

LAB 64.18, 14.49, -26.07

 

CMYK 0 / 27 / 26 / 20

HEX #CB9596

RGB 203 149 150

HSL 358.89, 0.34%, 0.69%

LAB 66.82, 20.45, 7.47

 

CMYK 12 / 0 / 26 / 21

HEX #B1CA95

RGB 177 202 149

HSL 88.3, 0.33%, 0.69%

LAB 78.32, -17.79, 23.74

 

CMYK 26 / 0 / 0 / 21

HEX #95CAC9

RGB 149 202 201

HSL 178.87, 0.33%, 0.69%

LAB 77.78, -17.29, -5.08

 

CMYK 14 / 26 / 0 / 21

HEX #AE95CA

RGB 174 149 202

HSL 268.3, 0.33%, 0.69%

LAB 65.56, 19.56, -23.84

 

Description

Color code: HEX #CB9596 | qconv.com Color code: HEX #CB9596 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 149 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 149 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 26 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 26% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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