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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB9DFC it is the complementary color #346203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB9DFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB9DFC shade: #D09DF7, #E1AFFF, #F2C1FF, #FFD3FF and #FFE5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB9DFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB9DFC shade: #CB9DFC, #BA8BE9, #A979D6, #9867C3 and #8755B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB9DFC shade: #CA9CFB, #E49CFB, #FB9CF9, #FB9CDF and #FB9CC5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB9DFC shade: #CA9CFB, #B09CFB and #9C9CFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB9DFC shade matches the following richer shades: #CA9CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB9DFC shade: #CA9CFB, #CAA4F3, #CBACEB, #CBB4E3 and #CBBDDA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB9DFC shade: #9CA0FB, #B09CFB, #CA9CFB, #E39CFB and #FB9CFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB9DFC shade: #9F4CF9, #B574FA, #CA9CFB, #DFC4FD and #F4ECFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB9DFC shade: #CB9DFC, #FB9CBA and #9CFBA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB9DFC shade: #CB9DFC, #FBCA9C and #9CFBCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB9DFC shade: #CB9DFC, #FB9CBA, #CDFB9C and #9CFBDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB9DFC shade: #CB9DFC, #FB9C9D, #CDFB9C and #9CFBFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 38 / 0 / 1

HEX #CB9DFC

RGB 203 157 252

HSL 269.05, 0.94%, 0.8%

LAB 72.12, 34.94, -40.97

 

Complementary color

CMYK 47 / 0 / 97 / 62

HEX #346203

RGB 52 98 3

HSL 89.05, 0.94%, 0.2%

LAB 36.88, -31.07, 42.09

 

CMYK 16 / 36 / 0 / 3

HEX #D09DF7

RGB 208 157 247

HSL 274, 0.85%, 0.79%

LAB 72.39, 35.31, -37.8

 

CMYK 12 / 31 / 0 / 0

HEX #E1AFFF

RGB 225 175 255

HSL 277.5, 1%, 0.84%

LAB 78.4, 32.35, -32.69

 

CMYK 5 / 24 / 0 / 0

HEX #F2C1FF

RGB 242 193 255

HSL 287.42, 1%, 0.88%

LAB 84.09, 28.01, -23.84

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 0 / 10 / 0 / 0

HEX #FFE5FF

RGB 255 229 255

HSL 300, 1%, 0.95%

LAB 93.68, 13.31, -9.32

 

CMYK 19 / 38 / 0 / 1

HEX #CB9DFC

RGB 203 157 252

HSL 269.05, 0.94%, 0.8%

LAB 72.12, 34.94, -40.97

 

CMYK 20 / 40 / 0 / 9

HEX #BA8BE9

RGB 186 139 233

HSL 270, 0.68%, 0.73%

LAB 65.58, 35.7, -40.91

 

CMYK 21 / 43 / 0 / 16

HEX #A979D6

RGB 169 121 214

HSL 270.97, 0.53%, 0.66%

LAB 58.94, 36.5, -40.87

 

CMYK 22 / 47 / 0 / 24

HEX #9867C3

RGB 152 103 195

HSL 271.96, 0.43%, 0.58%

LAB 52.19, 37.36, -40.83

 

CMYK 23 / 52 / 0 / 31

HEX #8755B0

RGB 135 85 176

HSL 272.97, 0.37%, 0.51%

LAB 45.33, 38.26, -40.78

 

CMYK 20 / 38 / 0 / 2

HEX #CA9CFB

RGB 202 156 251

HSL 269.05, 0.92%, 0.8%

LAB 71.76, 34.98, -41

 

CMYK 9 / 38 / 0 / 2

HEX #E49CFB

RGB 228 156 251

HSL 285.47, 0.92%, 0.8%

LAB 74.34, 42.59, -36.78

 

CMYK 0 / 38 / 1 / 2

HEX #FB9CF9

RGB 251 156 249

HSL 301.26, 0.92%, 0.8%

LAB 76.76, 49.07, -31.77

 

CMYK 0 / 38 / 11 / 2

HEX #FB9CDF

RGB 251 156 223

HSL 317.68, 0.92%, 0.8%

LAB 75.83, 44.67, -19.05

 

CMYK 0 / 38 / 22 / 2

HEX #FB9CC5

RGB 251 156 197

HSL 334.11, 0.92%, 0.8%

LAB 75.02, 40.7, -6.02

 

CMYK 20 / 38 / 0 / 2

HEX #CA9CFB

RGB 202 156 251

HSL 269.05, 0.92%, 0.8%

LAB 71.76, 34.98, -41

 

CMYK 30 / 38 / 0 / 2

HEX #B09CFB

RGB 176 156 251

HSL 252.63, 0.92%, 0.8%

LAB 69.45, 27.65, -44.78

 

CMYK 38 / 38 / 0 / 2

HEX #9C9CFB

RGB 156 156 251

HSL 240, 0.92%, 0.8%

LAB 67.88, 22.32, -47.36

 

CMYK 20 / 38 / 0 / 2

HEX #CA9CFB

RGB 202 156 251

HSL 269.05, 0.92%, 0.8%

LAB 71.76, 34.98, -41

 

CMYK 20 / 38 / 0 / 2

HEX #CA9CFB

RGB 202 156 251

HSL 269.05, 0.92%, 0.8%

LAB 71.76, 34.98, -41

 

CMYK 17 / 33 / 0 / 5

HEX #CAA4F3

RGB 202 164 243

HSL 268.86, 0.77%, 0.8%

LAB 73.27, 28.84, -34.3

 

CMYK 14 / 27 / 0 / 8

HEX #CBACEB

RGB 203 172 235

HSL 269.52, 0.61%, 0.8%

LAB 74.95, 23.05, -27.37

 

CMYK 11 / 21 / 0 / 11

HEX #CBB4E3

RGB 203 180 227

HSL 269.36, 0.46%, 0.8%

LAB 76.61, 17.01, -20.5

 

CMYK 7 / 13 / 0 / 15

HEX #CBBDDA

RGB 203 189 218

HSL 268.97, 0.28%, 0.8%

LAB 78.55, 10.32, -12.71

 

CMYK 38 / 36 / 0 / 2

HEX #9CA0FB

RGB 156 160 251

HSL 237.47, 0.92%, 0.8%

LAB 68.88, 20.04, -45.79

 

CMYK 30 / 38 / 0 / 2

HEX #B09CFB

RGB 176 156 251

HSL 252.63, 0.92%, 0.8%

LAB 69.45, 27.65, -44.78

 

CMYK 20 / 38 / 0 / 2

HEX #CA9CFB

RGB 202 156 251

HSL 269.05, 0.92%, 0.8%

LAB 71.76, 34.98, -41

 

CMYK 10 / 38 / 0 / 2

HEX #E39CFB

RGB 227 156 251

HSL 284.84, 0.92%, 0.8%

LAB 74.24, 42.29, -36.95

 

CMYK 0 / 38 / 0 / 2

HEX #FB9CFA

RGB 251 156 250

HSL 300.63, 0.92%, 0.8%

LAB 76.79, 49.25, -32.25

 

CMYK 36 / 69 / 0 / 2

HEX #9F4CF9

RGB 159 76 249

HSL 268.79, 0.94%, 0.64%

LAB 51.13, 65.53, -73.05

 

CMYK 28 / 54 / 0 / 2

HEX #B574FA

RGB 181 116 250

HSL 269.1, 0.93%, 0.72%

LAB 60.97, 50.74, -57.62

 

CMYK 20 / 38 / 0 / 2

HEX #CA9CFB

RGB 202 156 251

HSL 269.05, 0.92%, 0.8%

LAB 71.76, 34.98, -41

 

CMYK 12 / 23 / 0 / 1

HEX #DFC4FD

RGB 223 196 253

HSL 268.42, 0.93%, 0.88%

LAB 83.05, 20.03, -24.51

 

CMYK 4 / 7 / 0 / 0

HEX #F4ECFE

RGB 244 236 254

HSL 266.67, 0.9%, 0.96%

LAB 94.47, 5.9, -7.71

 

CMYK 19 / 38 / 0 / 1

HEX #CB9DFC

RGB 203 157 252

HSL 269.05, 0.94%, 0.8%

LAB 72.12, 34.94, -40.97

 

CMYK 0 / 38 / 26 / 2

HEX #FB9CBA

RGB 251 156 186

HSL 341.05, 0.92%, 0.8%

LAB 74.72, 39.16, -0.42

 

CMYK 38 / 0 / 35 / 2

HEX #9CFBA4

RGB 156 251 164

HSL 125.05, 0.92%, 0.8%

LAB 91.12, -45.29, 33.08

 

CMYK 19 / 38 / 0 / 1

HEX #CB9DFC

RGB 203 157 252

HSL 269.05, 0.94%, 0.8%

LAB 72.12, 34.94, -40.97

 

CMYK 0 / 20 / 38 / 2

HEX #FBCA9C

RGB 251 202 156

HSL 29.05, 0.92%, 0.8%

LAB 84.56, 11.32, 29.55

 

CMYK 38 / 0 / 20 / 2

HEX #9CFBCA

RGB 156 251 202

HSL 149.05, 0.92%, 0.8%

LAB 91.83, -38.59, 14.73

 

CMYK 19 / 38 / 0 / 1

HEX #CB9DFC

RGB 203 157 252

HSL 269.05, 0.94%, 0.8%

LAB 72.12, 34.94, -40.97

 

CMYK 0 / 38 / 26 / 2

HEX #FB9CBA

RGB 251 156 186

HSL 341.05, 0.92%, 0.8%

LAB 74.72, 39.16, -0.42

 

CMYK 18 / 0 / 38 / 2

HEX #CDFB9C

RGB 205 251 156

HSL 89.05, 0.92%, 0.8%

LAB 93.61, -30.43, 40.81

 

CMYK 38 / 0 / 12 / 2

HEX #9CFBDD

RGB 156 251 221

HSL 161.05, 0.92%, 0.8%

LAB 92.26, -34.73, 5.53

 

CMYK 19 / 38 / 0 / 1

HEX #CB9DFC

RGB 203 157 252

HSL 269.05, 0.94%, 0.8%

LAB 72.12, 34.94, -40.97

 

CMYK 0 / 38 / 37 / 2

HEX #FB9C9D

RGB 251 156 157

HSL 359.37, 0.92%, 0.8%

LAB 74.01, 35.53, 14.54

 

CMYK 18 / 0 / 38 / 2

HEX #CDFB9C

RGB 205 251 156

HSL 89.05, 0.92%, 0.8%

LAB 93.61, -30.43, 40.81

 

CMYK 38 / 0 / 0 / 2

HEX #9CFBFA

RGB 156 251 250

HSL 179.37, 0.92%, 0.8%

LAB 93, -28.26, -8.41

 

Description

Color code: HEX #CB9DFC | qconv.com Color code: HEX #CB9DFC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 157 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 157 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 38 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 38% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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