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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBAF66 it is the complementary color #345099. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBAF66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBAF66 shade: #D0AF61, #E1C174, #F2D387, #FFE59A and #FFF7AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBAF66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBAF66 shade: #CBAF66, #BA9D53, #A98B40, #98792D and #87671A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBAF66 shade: #CAAF67, #CA9467, #CA7967 and #CA6767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBAF66 shade: #CAAF67, #CACA67, #B0CA67, #95CA67 and #7ACA67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBAF66 shade matches the following richer shades: #CAAF67, #DBB656, #EBBD46 and #FCC535

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBAF66 shade: #CAAF67, #BAA777, #A9A088, #999998 and #8891A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBAF66 shade: #CA7967, #CA9467, #CAAE67, #CAC967 and #B1CA67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBAF66 shade: #A68838, #C09F48, #CAAF67, #D5BF85 and #E0CFA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBAF66 shade: #CBAF66, #6FCA67 and #8667CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBAF66 shade: #CBAF66, #67CAAE and #AE67CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBAF66 shade: #CBAF66, #6FCA67, #6783CA and #C267CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBAF66 shade: #CBAF66, #67CA7C, #6783CA and #CA67B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 50 / 20

HEX #CBAF66

RGB 203 175 102

HSL 43.37, 0.49%, 0.6%

LAB 72.44, 0.71, 40.93

 

Complementary color

CMYK 66 / 48 / 0 / 40

HEX #345099

RGB 52 80 153

HSL 223.37, 0.49%, 0.4%

LAB 35.53, 14.19, -43.15

 

CMYK 0 / 16 / 53 / 18

HEX #D0AF61

RGB 208 175 97

HSL 42.16, 0.54%, 0.6%

LAB 72.85, 2.35, 44.05

 

CMYK 0 / 14 / 48 / 12

HEX #E1C174

RGB 225 193 116

HSL 42.39, 0.64%, 0.67%

LAB 79.28, 1.58, 42.77

 

CMYK 0 / 13 / 44 / 5

HEX #F2D387

RGB 242 211 135

HSL 42.62, 0.8%, 0.74%

LAB 85.61, 0.91, 41.52

 

CMYK 0 / 10 / 40 / 0

HEX #FFE59A

RGB 255 229 154

HSL 44.55, 1%, 0.8%

LAB 91.52, -1.22, 39.81

 

CMYK 0 / 3 / 32 / 0

HEX #FFF7AD

RGB 255 247 173

HSL 54.15, 1%, 0.84%

LAB 96.33, -8.1, 36.6

 

CMYK 0 / 14 / 50 / 20

HEX #CBAF66

RGB 203 175 102

HSL 43.37, 0.49%, 0.6%

LAB 72.44, 0.71, 40.93

 

CMYK 0 / 16 / 55 / 27

HEX #BA9D53

RGB 186 157 83

HSL 43.11, 0.43%, 0.53%

LAB 65.89, 1.52, 42.23

 

CMYK 0 / 18 / 62 / 34

HEX #A98B40

RGB 169 139 64

HSL 42.86, 0.45%, 0.46%

LAB 59.22, 2.48, 43.5

 

CMYK 0 / 20 / 70 / 40

HEX #98792D

RGB 152 121 45

HSL 42.62, 0.54%, 0.39%

LAB 52.44, 3.67, 44.62

 

CMYK 0 / 24 / 81 / 47

HEX #87671A

RGB 135 103 26

HSL 42.39, 0.68%, 0.32%

LAB 45.53, 5.14, 45.24

 

CMYK 0 / 13 / 49 / 21

HEX #CAAF67

RGB 202 175 103

HSL 43.64, 0.48%, 0.6%

LAB 72.36, 0.39, 40.3

 

CMYK 0 / 27 / 49 / 21

HEX #CA9467

RGB 202 148 103

HSL 27.27, 0.48%, 0.6%

LAB 65.53, 14.97, 31.7

 

CMYK 0 / 40 / 49 / 21

HEX #CA7967

RGB 202 121 103

HSL 10.91, 0.48%, 0.6%

LAB 59.17, 29.69, 23.38

 

CMYK 0 / 49 / 49 / 21

HEX #CA6767

RGB 202 103 103

HSL 0, 0.48%, 0.6%

LAB 55.31, 39.19, 18.2

 

CMYK 0 / 13 / 49 / 21

HEX #CAAF67

RGB 202 175 103

HSL 43.64, 0.48%, 0.6%

LAB 72.36, 0.39, 40.3

 

CMYK 0 / 0 / 49 / 21

HEX #CACA67

RGB 202 202 103

HSL 60, 0.48%, 0.6%

LAB 79.49, -13.61, 48.95

 

CMYK 13 / 0 / 49 / 21

HEX #B0CA67

RGB 176 202 103

HSL 75.76, 0.48%, 0.6%

LAB 77.55, -23.99, 46.16

 

CMYK 26 / 0 / 49 / 21

HEX #95CA67

RGB 149 202 103

HSL 92.12, 0.48%, 0.6%

LAB 75.83, -34.18, 43.67

 

CMYK 40 / 0 / 49 / 21

HEX #7ACA67

RGB 122 202 103

HSL 108.48, 0.48%, 0.6%

LAB 74.42, -43.37, 41.62

 

CMYK 0 / 13 / 49 / 21

HEX #CAAF67

RGB 202 175 103

HSL 43.64, 0.48%, 0.6%

LAB 72.36, 0.39, 40.3

 

CMYK 0 / 17 / 61 / 14

HEX #DBB656

RGB 219 182 86

HSL 43.31, 0.65%, 0.6%

LAB 75.57, 2.43, 52.8

 

CMYK 0 / 20 / 70 / 8

HEX #EBBD46

RGB 235 189 70

HSL 43.27, 0.8%, 0.6%

LAB 78.75, 4.58, 63.66

 

CMYK 0 / 22 / 79 / 1

HEX #FCC535

RGB 252 197 53

HSL 43.42, 0.97%, 0.6%

LAB 82.32, 6.93, 73.84

 

CMYK 0 / 13 / 49 / 21

HEX #CAAF67

RGB 202 175 103

HSL 43.64, 0.48%, 0.6%

LAB 72.36, 0.39, 40.3

 

CMYK 0 / 10 / 36 / 27

HEX #BAA777

RGB 186 167 119

HSL 42.99, 0.33%, 0.6%

LAB 69.05, -0.19, 27.37

 

CMYK 0 / 5 / 20 / 34

HEX #A9A088

RGB 169 160 136

HSL 43.64, 0.16%, 0.6%

LAB 66.02, -0.8, 13.7

 

CMYK 0 / 0 / 1 / 40

HEX #999998

RGB 153 153 152

HSL 60, 0%, 0.6%

LAB 63.2, -0.19, 0.52

 

CMYK 20 / 14 / 0 / 34

HEX #8891A9

RGB 136 145 169

HSL 223.64, 0.16%, 0.6%

LAB 60.2, 2, -13.7

 

CMYK 0 / 40 / 49 / 21

HEX #CA7967

RGB 202 121 103

HSL 10.91, 0.48%, 0.6%

LAB 59.17, 29.69, 23.38

 

CMYK 0 / 27 / 49 / 21

HEX #CA9467

RGB 202 148 103

HSL 27.27, 0.48%, 0.6%

LAB 65.53, 14.97, 31.7

 

CMYK 0 / 14 / 49 / 21

HEX #CAAE67

RGB 202 174 103

HSL 43.03, 0.48%, 0.6%

LAB 72.1, 0.92, 39.98

 

CMYK 0 / 0 / 49 / 21

HEX #CAC967

RGB 202 201 103

HSL 59.39, 0.48%, 0.6%

LAB 79.22, -13.11, 48.63

 

CMYK 12 / 0 / 49 / 21

HEX #B1CA67

RGB 177 202 103

HSL 75.15, 0.48%, 0.6%

LAB 77.62, -23.6, 46.26

 

CMYK 0 / 18 / 66 / 35

HEX #A68838

RGB 166 136 56

HSL 43.64, 0.5%, 0.44%

LAB 58.04, 2.27, 45.92

 

CMYK 0 / 17 / 63 / 25

HEX #C09F48

RGB 192 159 72

HSL 43.5, 0.49%, 0.52%

LAB 66.88, 2.19, 48.88

 

CMYK 0 / 13 / 49 / 21

HEX #CAAF67

RGB 202 175 103

HSL 43.64, 0.48%, 0.6%

LAB 72.36, 0.39, 40.3

 

CMYK 0 / 10 / 38 / 16

HEX #D5BF85

RGB 213 191 133

HSL 43.5, 0.49%, 0.68%

LAB 77.93, -0.44, 32.12

 

CMYK 0 / 8 / 27 / 12

HEX #E0CFA4

RGB 224 207 164

HSL 43, 0.49%, 0.76%

LAB 83.52, -0.65, 23.55

 

CMYK 0 / 14 / 50 / 20

HEX #CBAF66

RGB 203 175 102

HSL 43.37, 0.49%, 0.6%

LAB 72.44, 0.71, 40.93

 

CMYK 45 / 0 / 49 / 21

HEX #6FCA67

RGB 111 202 103

HSL 115.15, 0.48%, 0.6%

LAB 73.93, -46.74, 40.92

 

CMYK 34 / 49 / 0 / 21

HEX #8667CA

RGB 134 103 202

HSL 258.79, 0.48%, 0.6%

LAB 50.73, 34.2, -47.28

 

CMYK 0 / 14 / 50 / 20

HEX #CBAF66

RGB 203 175 102

HSL 43.37, 0.49%, 0.6%

LAB 72.44, 0.71, 40.93

 

CMYK 49 / 0 / 14 / 21

HEX #67CAAE

RGB 103 202 174

HSL 163.03, 0.48%, 0.6%

LAB 74.94, -35.81, 5.07

 

CMYK 14 / 49 / 0 / 21

HEX #AE67CA

RGB 174 103 202

HSL 283.03, 0.48%, 0.6%

LAB 55.03, 45.12, -40.18

 

CMYK 0 / 14 / 50 / 20

HEX #CBAF66

RGB 203 175 102

HSL 43.37, 0.49%, 0.6%

LAB 72.44, 0.71, 40.93

 

CMYK 45 / 0 / 49 / 21

HEX #6FCA67

RGB 111 202 103

HSL 115.15, 0.48%, 0.6%

LAB 73.93, -46.74, 40.92

 

CMYK 49 / 35 / 0 / 21

HEX #6783CA

RGB 103 131 202

HSL 223.03, 0.48%, 0.6%

LAB 55.46, 9.62, -39.94

 

CMYK 4 / 49 / 0 / 21

HEX #C267CA

RGB 194 103 202

HSL 295.15, 0.48%, 0.6%

LAB 57.5, 50.77, -36.15

 

CMYK 0 / 14 / 50 / 20

HEX #CBAF66

RGB 203 175 102

HSL 43.37, 0.49%, 0.6%

LAB 72.44, 0.71, 40.93

 

CMYK 49 / 0 / 39 / 21

HEX #67CA7C

RGB 103 202 124

HSL 132.73, 0.48%, 0.6%

LAB 73.92, -45.83, 30.23

 

CMYK 49 / 35 / 0 / 21

HEX #6783CA

RGB 103 131 202

HSL 223.03, 0.48%, 0.6%

LAB 55.46, 9.62, -39.94

 

CMYK 0 / 49 / 10 / 21

HEX #CA67B5

RGB 202 103 181

HSL 312.73, 0.48%, 0.6%

LAB 57.65, 49.42, -23.82

 

Description

Color code: HEX #CBAF66 | qconv.com Color code: HEX #CBAF66 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 175 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 175 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 50 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 50% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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