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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBB795 it is the complementary color #34486A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBB795. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBB795 shade: #D0B790, #E1C9A3, #F2DBB6, #FFEDC9 and #FFFFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBB795. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBB795 shade: #CBB795, #BAA582, #A9936F, #98815C and #876F49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBB795 shade: #CAB695, #CAA895, #CA9995 and #CA9595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBB795 shade: #CAB695, #CAC595, #C1CA95, #B3CA95 and #A4CA95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBB795 shade matches the following richer shades: #CAB695, #D7BA88, #E4BD7B, #F1C06E and #FDC461

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBB795 shade: #CAB695, #BEB3A1, #B1B0AE, #A4ACBB and #97A9C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBB795 shade: #CA9995, #CAA795, #CAB695, #CAC495 and #C2CA95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBB795 shade: #AF915D, #BDA479, #CAB695, #D8C9B0 and #E6DCCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBB795 shade: #CBB795, #9ECA95 and #A095CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBB795 shade: #CBB795, #95CAB6 and #B695CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBB795 shade: #CBB795, #9ECA95, #95A9CA and #C095CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBB795 shade: #CBB795, #95CA9B, #95A9CA and #CA95C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 27 / 20

HEX #CBB795

RGB 203 183 149

HSL 37.78, 0.34%, 0.69%

LAB 75.29, 1.88, 19.91

 

Complementary color

CMYK 51 / 32 / 0 / 58

HEX #34486A

RGB 52 72 106

HSL 217.78, 0.34%, 0.31%

LAB 30.41, 2.67, -22.2

 

CMYK 0 / 12 / 31 / 18

HEX #D0B790

RGB 208 183 144

HSL 36.56, 0.41%, 0.69%

LAB 75.63, 3.15, 23.14

 

CMYK 0 / 11 / 28 / 12

HEX #E1C9A3

RGB 225 201 163

HSL 36.77, 0.51%, 0.76%

LAB 82.07, 2.72, 22.09

 

CMYK 0 / 10 / 25 / 5

HEX #F2DBB6

RGB 242 219 182

HSL 37, 0.7%, 0.83%

LAB 88.41, 2.34, 21.1

 

CMYK 0 / 7 / 21 / 0

HEX #FFEDC9

RGB 255 237 201

HSL 40, 1%, 0.89%

LAB 94.33, 0.55, 19.66

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 0 / 10 / 27 / 20

HEX #CBB795

RGB 203 183 149

HSL 37.78, 0.34%, 0.69%

LAB 75.29, 1.88, 19.91

 

CMYK 0 / 11 / 30 / 27

HEX #BAA582

RGB 186 165 130

HSL 37.5, 0.29%, 0.62%

LAB 68.72, 2.3, 20.97

 

CMYK 0 / 13 / 34 / 34

HEX #A9936F

RGB 169 147 111

HSL 37.24, 0.25%, 0.55%

LAB 62.04, 2.78, 22.1

 

CMYK 0 / 15 / 39 / 40

HEX #98815C

RGB 152 129 92

HSL 37, 0.25%, 0.48%

LAB 55.23, 3.35, 23.33

 

CMYK 0 / 18 / 46 / 47

HEX #876F49

RGB 135 111 73

HSL 36.77, 0.3%, 0.41%

LAB 48.26, 4.05, 24.67

 

CMYK 0 / 10 / 26 / 21

HEX #CAB695

RGB 202 182 149

HSL 37.36, 0.33%, 0.69%

LAB 74.94, 2.03, 19.42

 

CMYK 0 / 17 / 26 / 21

HEX #CAA895

RGB 202 168 149

HSL 21.51, 0.33%, 0.69%

LAB 71.37, 9.55, 14.46

 

CMYK 0 / 24 / 26 / 21

HEX #CA9995

RGB 202 153 149

HSL 4.53, 0.33%, 0.69%

LAB 67.66, 17.73, 9.21

 

CMYK 0 / 26 / 26 / 21

HEX #CA9595

RGB 202 149 149

HSL 0, 0.33%, 0.69%

LAB 66.69, 19.92, 7.83

 

CMYK 0 / 10 / 26 / 21

HEX #CAB695

RGB 202 182 149

HSL 37.36, 0.33%, 0.69%

LAB 74.94, 2.03, 19.42

 

CMYK 0 / 2 / 26 / 21

HEX #CAC595

RGB 202 197 149

HSL 54.34, 0.33%, 0.69%

LAB 78.84, -5.86, 24.77

 

CMYK 4 / 0 / 26 / 21

HEX #C1CA95

RGB 193 202 149

HSL 70.19, 0.33%, 0.69%

LAB 79.47, -11.86, 25.5

 

CMYK 11 / 0 / 26 / 21

HEX #B3CA95

RGB 179 202 149

HSL 86.04, 0.33%, 0.69%

LAB 78.46, -17.06, 23.96

 

CMYK 19 / 0 / 26 / 21

HEX #A4CA95

RGB 164 202 149

HSL 103.02, 0.33%, 0.69%

LAB 77.46, -22.45, 22.43

 

CMYK 0 / 10 / 26 / 21

HEX #CAB695

RGB 202 182 149

HSL 37.36, 0.33%, 0.69%

LAB 74.94, 2.03, 19.42

 

CMYK 0 / 13 / 37 / 16

HEX #D7BA88

RGB 215 186 136

HSL 37.97, 0.5%, 0.69%

LAB 76.89, 3.33, 29.19

 

CMYK 0 / 17 / 46 / 11

HEX #E4BD7B

RGB 228 189 123

HSL 37.71, 0.66%, 0.69%

LAB 78.65, 5.56, 38.49

 

CMYK 0 / 20 / 54 / 5

HEX #F1C06E

RGB 241 192 110

HSL 37.56, 0.82%, 0.69%

LAB 80.47, 8.11, 47.57

 

CMYK 0 / 23 / 62 / 1

HEX #FDC461

RGB 253 196 97

HSL 38.08, 0.98%, 0.69%

LAB 82.5, 10.01, 56.45

 

CMYK 0 / 10 / 26 / 21

HEX #CAB695

RGB 202 182 149

HSL 37.36, 0.33%, 0.69%

LAB 74.94, 2.03, 19.42

 

CMYK 0 / 6 / 15 / 25

HEX #BEB3A1

RGB 190 179 161

HSL 37.24, 0.18%, 0.69%

LAB 73.39, 0.87, 10.59

 

CMYK 0 / 1 / 2 / 31

HEX #B1B0AE

RGB 177 176 174

HSL 40, 0.02%, 0.69%

LAB 71.86, -0.01, 1.14

 

CMYK 12 / 8 / 0 / 27

HEX #A4ACBB

RGB 164 172 187

HSL 219.13, 0.14%, 0.69%

LAB 70.17, 0.24, -8.63

 

CMYK 25 / 16 / 0 / 22

HEX #97A9C8

RGB 151 169 200

HSL 217.96, 0.31%, 0.69%

LAB 68.84, 0.62, -17.89

 

CMYK 0 / 24 / 26 / 21

HEX #CA9995

RGB 202 153 149

HSL 4.53, 0.33%, 0.69%

LAB 67.66, 17.73, 9.21

 

CMYK 0 / 17 / 26 / 21

HEX #CAA795

RGB 202 167 149

HSL 20.38, 0.33%, 0.69%

LAB 71.12, 10.09, 14.11

 

CMYK 0 / 10 / 26 / 21

HEX #CAB695

RGB 202 182 149

HSL 37.36, 0.33%, 0.69%

LAB 74.94, 2.03, 19.42

 

CMYK 0 / 3 / 26 / 21

HEX #CAC495

RGB 202 196 149

HSL 53.21, 0.33%, 0.69%

LAB 78.58, -5.34, 24.41

 

CMYK 4 / 0 / 26 / 21

HEX #C2CA95

RGB 194 202 149

HSL 69.06, 0.33%, 0.69%

LAB 79.55, -11.48, 25.61

 

CMYK 0 / 17 / 47 / 31

HEX #AF915D

RGB 175 145 93

HSL 38.05, 0.34%, 0.53%

LAB 61.79, 4.31, 31.73

 

CMYK 0 / 13 / 36 / 26

HEX #BDA479

RGB 189 164 121

HSL 37.94, 0.34%, 0.61%

LAB 68.57, 2.89, 25.7

 

CMYK 0 / 10 / 26 / 21

HEX #CAB695

RGB 202 182 149

HSL 37.36, 0.33%, 0.69%

LAB 74.94, 2.03, 19.42

 

CMYK 0 / 7 / 19 / 15

HEX #D8C9B0

RGB 216 201 176

HSL 37.5, 0.34%, 0.77%

LAB 81.57, 1.19, 14.38

 

CMYK 0 / 4 / 11 / 10

HEX #E6DCCC

RGB 230 220 204

HSL 36.92, 0.34%, 0.85%

LAB 88.15, 0.74, 9.07

 

CMYK 0 / 10 / 27 / 20

HEX #CBB795

RGB 203 183 149

HSL 37.78, 0.34%, 0.69%

LAB 75.29, 1.88, 19.91

 

CMYK 22 / 0 / 26 / 21

HEX #9ECA95

RGB 158 202 149

HSL 109.81, 0.33%, 0.69%

LAB 77.09, -24.55, 21.86

 

CMYK 21 / 26 / 0 / 21

HEX #A095CA

RGB 160 149 202

HSL 252.45, 0.33%, 0.69%

LAB 64.35, 15.11, -25.8

 

CMYK 0 / 10 / 27 / 20

HEX #CBB795

RGB 203 183 149

HSL 37.78, 0.34%, 0.69%

LAB 75.29, 1.88, 19.91

 

CMYK 26 / 0 / 10 / 21

HEX #95CAB6

RGB 149 202 182

HSL 157.36, 0.33%, 0.69%

LAB 77.29, -21.38, 4.42

 

CMYK 10 / 26 / 0 / 21

HEX #B695CA

RGB 182 149 202

HSL 277.36, 0.33%, 0.69%

LAB 66.29, 22.15, -22.65

 

CMYK 0 / 10 / 27 / 20

HEX #CBB795

RGB 203 183 149

HSL 37.78, 0.34%, 0.69%

LAB 75.29, 1.88, 19.91

 

CMYK 22 / 0 / 26 / 21

HEX #9ECA95

RGB 158 202 149

HSL 109.81, 0.33%, 0.69%

LAB 77.09, -24.55, 21.86

 

CMYK 26 / 16 / 0 / 21

HEX #95A9CA

RGB 149 169 202

HSL 217.36, 0.33%, 0.69%

LAB 68.77, 0.48, -19.12

 

CMYK 5 / 26 / 0 / 21

HEX #C095CA

RGB 192 149 202

HSL 288.68, 0.33%, 0.69%

LAB 67.25, 25.43, -21.1

 

CMYK 0 / 10 / 27 / 20

HEX #CBB795

RGB 203 183 149

HSL 37.78, 0.34%, 0.69%

LAB 75.29, 1.88, 19.91

 

CMYK 26 / 0 / 23 / 21

HEX #95CA9B

RGB 149 202 155

HSL 126.79, 0.33%, 0.69%

LAB 76.68, -26.56, 18.03

 

CMYK 26 / 16 / 0 / 21

HEX #95A9CA

RGB 149 169 202

HSL 217.36, 0.33%, 0.69%

LAB 68.77, 0.48, -19.12

 

CMYK 0 / 26 / 3 / 21

HEX #CA95C4

RGB 202 149 196

HSL 306.79, 0.33%, 0.69%

LAB 68.05, 27.62, -16.46

 

Description

Color code: HEX #CBB795 | qconv.com Color code: HEX #CBB795 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 183 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 183 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 27 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 27% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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