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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBB2BF it is the complementary color #344D40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBB2BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBB2BF shade: #D0B2BA, #E1C4CD, #F2D6E0, #FFE8F3 and #FFFAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBB2BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBB2BF shade: #CBB2BF, #BAA0AC, #A98E99, #987C86 and #876A73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBB2BF shade: #CBB3BF, #CBB3B9 and #CBB3B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBB2BF shade: #CBB3BF, #CBB3C6, #C9B3CB, #C3B3CB and #BCB3CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBB2BF shade matches the following richer shades: #CBB3BF, #D5A8C0, #DF9EC0, #EA94C0 and #F489C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBB2BF shade: #CBB3BF, #C1BDBF, #B6C7BE, #ACD2BE and #A2DCBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBB2BF shade: #C9B3CB, #CBB3C6, #CBB3C0, #CBB3B9 and #CBB3B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBB2BF shade: #A98296, #BA9AAB, #CBB3BF, #DCCBD4 and #ECE4E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBB2BF shade: #CBB2BF, #CBC3B3 and #B3C9CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBB2BF shade: #CBB2BF, #C0CBB3 and #B3C0CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBB2BF shade: #CBB2BF, #CBC3B3, #B3CBBE and #B3BBCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBB2BF shade: #CBB2BF, #CBCAB3, #B3CBBE and #B3B3CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 6 / 20

HEX #CBB2BF

RGB 203 178 191

HSL 328.8, 0.19%, 0.75%

LAB 75.01, 11.2, -3.3

 

Complementary color

CMYK 32 / 0 / 17 / 70

HEX #344D40

RGB 52 77 64

HSL 148.8, 0.19%, 0.25%

LAB 30.42, -12.79, 4.68

 

CMYK 0 / 14 / 11 / 18

HEX #D0B2BA

RGB 208 178 186

HSL 344, 0.24%, 0.76%

LAB 75.32, 12.12, -0.06

 

CMYK 0 / 13 / 9 / 12

HEX #E1C4CD

RGB 225 196 205

HSL 341.38, 0.33%, 0.83%

LAB 81.78, 11.72, -0.73

 

CMYK 0 / 12 / 7 / 5

HEX #F2D6E0

RGB 242 214 224

HSL 338.57, 0.52%, 0.89%

LAB 88.14, 11.35, -1.36

 

CMYK 0 / 9 / 5 / 0

HEX #FFE8F3

RGB 255 232 243

HSL 331.3, 1%, 0.95%

LAB 94.07, 9.66, -2.49

 

CMYK 0 / 2 / 0 / 0

HEX #FFFAFF

RGB 255 250 255

HSL 300, 1%, 0.99%

LAB 98.77, 2.53, -1.81

 

CMYK 0 / 12 / 6 / 20

HEX #CBB2BF

RGB 203 178 191

HSL 328.8, 0.19%, 0.75%

LAB 75.01, 11.2, -3.3

 

CMYK 0 / 14 / 8 / 27

HEX #BAA0AC

RGB 186 160 172

HSL 332.31, 0.16%, 0.68%

LAB 68.43, 11.6, -2.68

 

CMYK 0 / 16 / 9 / 34

HEX #A98E99

RGB 169 142 153

HSL 335.56, 0.14%, 0.61%

LAB 61.72, 12.04, -2.04

 

CMYK 0 / 18 / 12 / 40

HEX #987C86

RGB 152 124 134

HSL 338.57, 0.12%, 0.54%

LAB 54.88, 12.53, -1.35

 

CMYK 0 / 21 / 15 / 47

HEX #876A73

RGB 135 106 115

HSL 341.38, 0.12%, 0.47%

LAB 47.88, 13.08, -0.6

 

CMYK 0 / 12 / 6 / 20

HEX #CBB3BF

RGB 203 179 191

HSL 330, 0.19%, 0.75%

LAB 75.26, 10.66, -2.93

 

CMYK 0 / 12 / 9 / 20

HEX #CBB3B9

RGB 203 179 185

HSL 345, 0.19%, 0.75%

LAB 75.1, 9.61, 0.1

 

CMYK 0 / 12 / 12 / 20

HEX #CBB3B3

RGB 203 179 179

HSL 0, 0.19%, 0.75%

LAB 74.95, 8.6, 3.15

 

CMYK 0 / 12 / 6 / 20

HEX #CBB3BF

RGB 203 179 191

HSL 330, 0.19%, 0.75%

LAB 75.26, 10.66, -2.93

 

CMYK 0 / 12 / 2 / 20

HEX #CBB3C6

RGB 203 179 198

HSL 312.5, 0.19%, 0.75%

LAB 75.46, 11.92, -6.46

 

CMYK 1 / 12 / 0 / 20

HEX #C9B3CB

RGB 201 179 203

HSL 295, 0.19%, 0.75%

LAB 75.43, 12.16, -9.25

 

CMYK 4 / 12 / 0 / 20

HEX #C3B3CB

RGB 195 179 203

HSL 280, 0.19%, 0.75%

LAB 74.92, 10.12, -10.06

 

CMYK 7 / 12 / 0 / 20

HEX #BCB3CB

RGB 188 179 203

HSL 262.5, 0.19%, 0.75%

LAB 74.35, 7.75, -10.98

 

CMYK 0 / 12 / 6 / 20

HEX #CBB3BF

RGB 203 179 191

HSL 330, 0.19%, 0.75%

LAB 75.26, 10.66, -2.93

 

CMYK 0 / 21 / 10 / 16

HEX #D5A8C0

RGB 213 168 192

HSL 328, 0.35%, 0.75%

LAB 73.52, 20.34, -5.95

 

CMYK 0 / 29 / 14 / 13

HEX #DF9EC0

RGB 223 158 192

HSL 328.62, 0.5%, 0.75%

LAB 72.19, 29.25, -7.8

 

CMYK 0 / 37 / 18 / 8

HEX #EA94C0

RGB 234 148 192

HSL 329.3, 0.67%, 0.75%

LAB 71.2, 38.35, -9.15

 

CMYK 0 / 44 / 21 / 4

HEX #F489C1

RGB 244 137 193

HSL 328.6, 0.83%, 0.75%

LAB 70.16, 47.49, -11.13

 

CMYK 0 / 12 / 6 / 20

HEX #CBB3BF

RGB 203 179 191

HSL 330, 0.19%, 0.75%

LAB 75.26, 10.66, -2.93

 

CMYK 0 / 2 / 1 / 24

HEX #C1BDBF

RGB 193 189 191

HSL 330, 0.03%, 0.75%

LAB 76.98, 1.77, -0.52

 

CMYK 9 / 0 / 5 / 22

HEX #B6C7BE

RGB 182 199 190

HSL 148.24, 0.13%, 0.75%

LAB 78.76, -7.5, 2.51

 

CMYK 18 / 0 / 10 / 18

HEX #ACD2BE

RGB 172 210 190

HSL 148.42, 0.3%, 0.75%

LAB 81.06, -16.48, 5.76

 

CMYK 26 / 0 / 14 / 14

HEX #A2DCBE

RGB 162 220 190

HSL 148.97, 0.45%, 0.75%

LAB 83.22, -24.63, 8.79

 

CMYK 1 / 12 / 0 / 20

HEX #C9B3CB

RGB 201 179 203

HSL 295, 0.19%, 0.75%

LAB 75.43, 12.16, -9.25

 

CMYK 0 / 12 / 2 / 20

HEX #CBB3C6

RGB 203 179 198

HSL 312.5, 0.19%, 0.75%

LAB 75.46, 11.92, -6.46

 

CMYK 0 / 12 / 5 / 20

HEX #CBB3C0

RGB 203 179 192

HSL 327.5, 0.19%, 0.75%

LAB 75.29, 10.84, -3.44

 

CMYK 0 / 12 / 9 / 20

HEX #CBB3B9

RGB 203 179 185

HSL 345, 0.19%, 0.75%

LAB 75.1, 9.61, 0.1

 

CMYK 0 / 12 / 12 / 20

HEX #CBB3B3

RGB 203 179 179

HSL 0, 0.19%, 0.75%

LAB 74.95, 8.6, 3.15

 

CMYK 0 / 23 / 11 / 34

HEX #A98296

RGB 169 130 150

HSL 329.23, 0.18%, 0.59%

LAB 58.6, 18.29, -4.92

 

CMYK 0 / 17 / 8 / 27

HEX #BA9AAB

RGB 186 154 171

HSL 328.13, 0.19%, 0.67%

LAB 66.89, 14.74, -4.39

 

CMYK 0 / 12 / 6 / 20

HEX #CBB3BF

RGB 203 179 191

HSL 330, 0.19%, 0.75%

LAB 75.26, 10.66, -2.93

 

CMYK 0 / 8 / 4 / 14

HEX #DCCBD4

RGB 220 203 212

HSL 328.24, 0.2%, 0.83%

LAB 83.27, 7.48, -2.33

 

CMYK 0 / 3 / 2 / 7

HEX #ECE4E8

RGB 236 228 232

HSL 330, 0.17%, 0.91%

LAB 91.3, 3.41, -0.99

 

CMYK 0 / 12 / 6 / 20

HEX #CBB2BF

RGB 203 178 191

HSL 328.8, 0.19%, 0.75%

LAB 75.01, 11.2, -3.3

 

CMYK 0 / 4 / 12 / 20

HEX #CBC3B3

RGB 203 195 179

HSL 40, 0.19%, 0.75%

LAB 79.03, 0.06, 9.03

 

CMYK 12 / 1 / 0 / 20

HEX #B3C9CB

RGB 179 201 203

HSL 185, 0.19%, 0.75%

LAB 79.42, -7, -3.53

 

CMYK 0 / 12 / 6 / 20

HEX #CBB2BF

RGB 203 178 191

HSL 328.8, 0.19%, 0.75%

LAB 75.01, 11.2, -3.3

 

CMYK 5 / 0 / 12 / 20

HEX #C0CBB3

RGB 192 203 179

HSL 87.5, 0.19%, 0.75%

LAB 80.28, -8.07, 10.69

 

CMYK 12 / 5 / 0 / 20

HEX #B3C0CB

RGB 179 192 203

HSL 207.5, 0.19%, 0.75%

LAB 77.04, -2.25, -7.05

 

CMYK 0 / 12 / 6 / 20

HEX #CBB2BF

RGB 203 178 191

HSL 328.8, 0.19%, 0.75%

LAB 75.01, 11.2, -3.3

 

CMYK 0 / 4 / 12 / 20

HEX #CBC3B3

RGB 203 195 179

HSL 40, 0.19%, 0.75%

LAB 79.03, 0.06, 9.03

 

CMYK 12 / 0 / 6 / 20

HEX #B3CBBE

RGB 179 203 190

HSL 147.5, 0.19%, 0.75%

LAB 79.62, -10.59, 3.74

 

CMYK 12 / 8 / 0 / 20

HEX #B3BBCB

RGB 179 187 203

HSL 220, 0.19%, 0.75%

LAB 75.72, 0.43, -9.01

 

CMYK 0 / 12 / 6 / 20

HEX #CBB2BF

RGB 203 178 191

HSL 328.8, 0.19%, 0.75%

LAB 75.01, 11.2, -3.3

 

CMYK 0 / 0 / 12 / 20

HEX #CBCAB3

RGB 203 202 179

HSL 57.5, 0.19%, 0.75%

LAB 80.85, -3.61, 11.61

 

CMYK 12 / 0 / 6 / 20

HEX #B3CBBE

RGB 179 203 190

HSL 147.5, 0.19%, 0.75%

LAB 79.62, -10.59, 3.74

 

CMYK 12 / 12 / 0 / 20

HEX #B3B3CB

RGB 179 179 203

HSL 240, 0.19%, 0.75%

LAB 73.63, 4.76, -12.12

 

Description

Color code: HEX #CBB2BF | qconv.com Color code: HEX #CBB2BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 178 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 178 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 6 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 6% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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