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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBBEB2 it is the complementary color #34414D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBBEB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBBEB2 shade: #D0BEAD, #E1D0C0, #F2E2D3, #FFF4E6 and #FFFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBBEB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBBEB2 shade: #CBBEB2, #BAAC9F, #A99A8C, #988879 and #877666

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBBEB2 shade: #CBBEB3, #CBB8B3 and #CBB3B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBBEB2 shade: #CBBEB3, #CBC5B3, #CACBB3, #C4CBB3 and #BDCBB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBBEB2 shade matches the following richer shades: #CBBEB3, #D5BEA8, #DFBD9E, #EABD94 and #F4BD89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBBEB2 shade: #CBBEB3, #C1BFBD, #B6BFC7, #ACC0D2 and #A2C0DC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBBEB2 shade: #CBB3B4, #CBB7B3, #CBBEB3, #CBC4B3 and #CBCBB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBBEB2 shade: #A99582, #BAA99A, #CBBEB3, #DCD3CB and #ECE8E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBBEB2 shade: #CBBEB2, #BBCBB3 and #B4B3CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBBEB2 shade: #CBBEB2, #B3CBBE and #BEB3CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBBEB2 shade: #CBBEB2, #BBCBB3, #B3C0CB and #C3B3CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBBEB2 shade: #CBBEB2, #B3CBB3, #B3C0CB and #CAB3CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 12 / 20

HEX #CBBEB2

RGB 203 190 178

HSL 28.8, 0.19%, 0.75%

LAB 77.72, 2.54, 7.69

 

Complementary color

CMYK 32 / 16 / 0 / 70

HEX #34414D

RGB 52 65 77

HSL 208.8, 0.19%, 0.25%

LAB 26.87, -1.95, -8.98

 

CMYK 0 / 9 / 17 / 18

HEX #D0BEAD

RGB 208 190 173

HSL 29.14, 0.27%, 0.75%

LAB 78.02, 3.58, 10.88

 

CMYK 0 / 8 / 15 / 12

HEX #E1D0C0

RGB 225 208 192

HSL 29.09, 0.35%, 0.82%

LAB 84.45, 3.28, 10.06

 

CMYK 0 / 7 / 13 / 5

HEX #F2E2D3

RGB 242 226 211

HSL 29.03, 0.54%, 0.89%

LAB 90.77, 3, 9.28

 

CMYK 0 / 4 / 10 / 0

HEX #FFF4E6

RGB 255 244 230

HSL 33.6, 1%, 0.95%

LAB 96.69, 1.37, 8.04

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 0 / 6 / 12 / 20

HEX #CBBEB2

RGB 203 190 178

HSL 28.8, 0.19%, 0.75%

LAB 77.72, 2.54, 7.69

 

CMYK 0 / 8 / 15 / 27

HEX #BAAC9F

RGB 186 172 159

HSL 28.89, 0.16%, 0.68%

LAB 71.18, 2.82, 8.49

 

CMYK 0 / 9 / 17 / 34

HEX #A99A8C

RGB 169 154 140

HSL 28.97, 0.14%, 0.61%

LAB 64.52, 3.13, 9.34

 

CMYK 0 / 11 / 20 / 40

HEX #988879

RGB 152 136 121

HSL 29.03, 0.13%, 0.54%

LAB 57.72, 3.48, 10.25

 

CMYK 0 / 13 / 24 / 47

HEX #877666

RGB 135 118 102

HSL 29.09, 0.14%, 0.46%

LAB 50.77, 3.89, 11.23

 

CMYK 0 / 6 / 12 / 20

HEX #CBBEB3

RGB 203 190 179

HSL 27.5, 0.19%, 0.75%

LAB 77.74, 2.71, 7.19

 

CMYK 0 / 9 / 12 / 20

HEX #CBB8B3

RGB 203 184 179

HSL 12.5, 0.19%, 0.75%

LAB 76.21, 5.91, 4.98

 

CMYK 0 / 12 / 12 / 20

HEX #CBB3B3

RGB 203 179 179

HSL 0, 0.19%, 0.75%

LAB 74.95, 8.6, 3.15

 

CMYK 0 / 6 / 12 / 20

HEX #CBBEB3

RGB 203 190 179

HSL 27.5, 0.19%, 0.75%

LAB 77.74, 2.71, 7.19

 

CMYK 0 / 3 / 12 / 20

HEX #CBC5B3

RGB 203 197 179

HSL 45, 0.19%, 0.75%

LAB 79.55, -1, 9.77

 

CMYK 0 / 0 / 12 / 20

HEX #CACBB3

RGB 202 203 179

HSL 62.5, 0.19%, 0.75%

LAB 81.03, -4.5, 11.86

 

CMYK 3 / 0 / 12 / 20

HEX #C4CBB3

RGB 196 203 179

HSL 77.5, 0.19%, 0.75%

LAB 80.57, -6.65, 11.15

 

CMYK 7 / 0 / 12 / 20

HEX #BDCBB3

RGB 189 203 179

HSL 95, 0.19%, 0.75%

LAB 80.06, -9.13, 10.35

 

CMYK 0 / 6 / 12 / 20

HEX #CBBEB3

RGB 203 190 179

HSL 27.5, 0.19%, 0.75%

LAB 77.74, 2.71, 7.19

 

CMYK 0 / 11 / 21 / 16

HEX #D5BEA8

RGB 213 190 168

HSL 29.33, 0.35%, 0.75%

LAB 78.35, 4.68, 14.09

 

CMYK 0 / 15 / 29 / 13

HEX #DFBD9E

RGB 223 189 158

HSL 28.62, 0.5%, 0.75%

LAB 78.78, 7.61, 20.19

 

CMYK 0 / 19 / 37 / 8

HEX #EABD94

RGB 234 189 148

HSL 28.6, 0.67%, 0.75%

LAB 79.63, 10.62, 26.83

 

CMYK 0 / 23 / 44 / 4

HEX #F4BD89

RGB 244 189 137

HSL 29.16, 0.83%, 0.75%

LAB 80.42, 13.35, 33.85

 

CMYK 0 / 6 / 12 / 20

HEX #CBBEB3

RGB 203 190 179

HSL 27.5, 0.19%, 0.75%

LAB 77.74, 2.71, 7.19

 

CMYK 0 / 1 / 2 / 24

HEX #C1BFBD

RGB 193 191 189

HSL 30, 0.03%, 0.75%

LAB 77.44, 0.34, 1.24

 

CMYK 9 / 4 / 0 / 22

HEX #B6BFC7

RGB 182 191 199

HSL 208.24, 0.13%, 0.75%

LAB 76.88, -1.53, -5.1

 

CMYK 18 / 9 / 0 / 18

HEX #ACC0D2

RGB 172 192 210

HSL 208.42, 0.3%, 0.75%

LAB 76.75, -3.03, -11.32

 

CMYK 26 / 13 / 0 / 14

HEX #A2C0DC

RGB 162 192 220

HSL 208.97, 0.45%, 0.75%

LAB 76.4, -3.84, -17.32

 

CMYK 0 / 12 / 11 / 20

HEX #CBB3B4

RGB 203 179 180

HSL 357.5, 0.19%, 0.75%

LAB 74.97, 8.77, 2.64

 

CMYK 0 / 10 / 12 / 20

HEX #CBB7B3

RGB 203 183 179

HSL 10, 0.19%, 0.75%

LAB 75.96, 6.45, 4.61

 

CMYK 0 / 6 / 12 / 20

HEX #CBBEB3

RGB 203 190 179

HSL 27.5, 0.19%, 0.75%

LAB 77.74, 2.71, 7.19

 

CMYK 0 / 3 / 12 / 20

HEX #CBC4B3

RGB 203 196 179

HSL 42.5, 0.19%, 0.75%

LAB 79.29, -0.47, 9.4

 

CMYK 0 / 0 / 12 / 20

HEX #CBCBB3

RGB 203 203 179

HSL 60, 0.19%, 0.75%

LAB 81.11, -4.14, 11.98

 

CMYK 0 / 12 / 23 / 34

HEX #A99582

RGB 169 149 130

HSL 29.23, 0.18%, 0.59%

LAB 62.96, 4.33, 12.76

 

CMYK 0 / 9 / 17 / 27

HEX #BAA99A

RGB 186 169 154

HSL 28.13, 0.19%, 0.67%

LAB 70.28, 3.64, 9.96

 

CMYK 0 / 6 / 12 / 20

HEX #CBBEB3

RGB 203 190 179

HSL 27.5, 0.19%, 0.75%

LAB 77.74, 2.71, 7.19

 

CMYK 0 / 4 / 8 / 14

HEX #DCD3CB

RGB 220 211 203

HSL 28.24, 0.2%, 0.83%

LAB 85.06, 1.72, 5.05

 

CMYK 0 / 2 / 3 / 7

HEX #ECE8E4

RGB 236 232 228

HSL 30, 0.17%, 0.91%

LAB 92.2, 0.65, 2.41

 

CMYK 0 / 6 / 12 / 20

HEX #CBBEB2

RGB 203 190 178

HSL 28.8, 0.19%, 0.75%

LAB 77.72, 2.54, 7.69

 

CMYK 8 / 0 / 12 / 20

HEX #BBCBB3

RGB 187 203 179

HSL 100, 0.19%, 0.75%

LAB 79.92, -9.84, 10.13

 

CMYK 11 / 12 / 0 / 20

HEX #B4B3CB

RGB 180 179 203

HSL 242.5, 0.19%, 0.75%

LAB 73.71, 5.09, -12

 

CMYK 0 / 6 / 12 / 20

HEX #CBBEB2

RGB 203 190 178

HSL 28.8, 0.19%, 0.75%

LAB 77.72, 2.54, 7.69

 

CMYK 12 / 0 / 6 / 20

HEX #B3CBBE

RGB 179 203 190

HSL 147.5, 0.19%, 0.75%

LAB 79.62, -10.59, 3.74

 

CMYK 6 / 12 / 0 / 20

HEX #BEB3CB

RGB 190 179 203

HSL 267.5, 0.19%, 0.75%

LAB 74.51, 8.42, -10.72

 

CMYK 0 / 6 / 12 / 20

HEX #CBBEB2

RGB 203 190 178

HSL 28.8, 0.19%, 0.75%

LAB 77.72, 2.54, 7.69

 

CMYK 8 / 0 / 12 / 20

HEX #BBCBB3

RGB 187 203 179

HSL 100, 0.19%, 0.75%

LAB 79.92, -9.84, 10.13

 

CMYK 12 / 5 / 0 / 20

HEX #B3C0CB

RGB 179 192 203

HSL 207.5, 0.19%, 0.75%

LAB 77.04, -2.25, -7.05

 

CMYK 4 / 12 / 0 / 20

HEX #C3B3CB

RGB 195 179 203

HSL 280, 0.19%, 0.75%

LAB 74.92, 10.12, -10.06

 

CMYK 0 / 6 / 12 / 20

HEX #CBBEB2

RGB 203 190 178

HSL 28.8, 0.19%, 0.75%

LAB 77.72, 2.54, 7.69

 

CMYK 12 / 0 / 12 / 20

HEX #B3CBB3

RGB 179 203 179

HSL 120, 0.19%, 0.75%

LAB 79.36, -12.62, 9.25

 

CMYK 12 / 5 / 0 / 20

HEX #B3C0CB

RGB 179 192 203

HSL 207.5, 0.19%, 0.75%

LAB 77.04, -2.25, -7.05

 

CMYK 0 / 12 / 0 / 20

HEX #CAB3CB

RGB 202 179 203

HSL 297.5, 0.19%, 0.75%

LAB 75.52, 12.5, -9.11

 

Description

Color code: HEX #CBBEB2 | qconv.com Color code: HEX #CBBEB2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 190 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 190 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 12 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 12% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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