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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBC590 it is the complementary color #343A6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBC590. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBC590 shade: #D0C58B, #E1D79E, #F2E9B1, #FFFBC4 and #FFFFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBC590. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBC590 shade: #CBC590, #BAB37D, #A9A16A, #988F57 and #877D44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBC590 shade: #CAC490, #CAB490, #CAA590, #CA9590 and #CA9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBC590 shade: #CAC490, #C0CA90, #B1CA90, #A1CA90 and #91CA90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBC590 shade matches the following richer shades: #CAC490, #D7CF82, #E5D975 and #F2E468

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBC590 shade: #CAC490, #BDBA9D, #B0AFAA, #A3A5B7 and #959AC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBC590 shade: #CAA490, #CAB490, #CAC390, #C1CA90 and #B2CA90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBC590 shade: #B0A757, #BDB673, #CAC490, #D7D3AC and #E5E2C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBC590 shade: #CBC590, #90CA94 and #AC90CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBC590 shade: #CBC590, #90CAC3 and #C390CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBC590 shade: #CBC590, #90CA94, #9096CA and #CA90C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBC590 shade: #CBC590, #90CAA6, #9096CA and #CA90B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 29 / 20

HEX #CBC590

RGB 203 197 144

HSL 53.9, 0.36%, 0.68%

LAB 78.83, -6.15, 27.4

 

Complementary color

CMYK 53 / 48 / 0 / 56

HEX #343A6F

RGB 52 58 111

HSL 233.9, 0.36%, 0.32%

LAB 26.46, 13.82, -31.63

 

CMYK 0 / 5 / 33 / 18

HEX #D0C58B

RGB 208 197 139

HSL 50.43, 0.42%, 0.68%

LAB 79.16, -4.83, 30.53

 

CMYK 0 / 4 / 30 / 12

HEX #E1D79E

RGB 225 215 158

HSL 51.04, 0.53%, 0.75%

LAB 85.54, -5.17, 29.43

 

CMYK 0 / 4 / 27 / 5

HEX #F2E9B1

RGB 242 233 177

HSL 51.69, 0.71%, 0.82%

LAB 91.83, -5.46, 28.38

 

CMYK 0 / 2 / 23 / 0

HEX #FFFBC4

RGB 255 251 196

HSL 55.93, 1%, 0.88%

LAB 97.73, -7.17, 26.91

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 0 / 3 / 29 / 20

HEX #CBC590

RGB 203 197 144

HSL 53.9, 0.36%, 0.68%

LAB 78.83, -6.15, 27.4

 

CMYK 0 / 4 / 33 / 27

HEX #BAB37D

RGB 186 179 125

HSL 53.11, 0.31%, 0.61%

LAB 72.34, -5.84, 28.52

 

CMYK 0 / 5 / 37 / 34

HEX #A9A16A

RGB 169 161 106

HSL 52.38, 0.27%, 0.54%

LAB 65.72, -5.47, 29.7

 

CMYK 0 / 6 / 43 / 40

HEX #988F57

RGB 152 143 87

HSL 51.69, 0.27%, 0.47%

LAB 58.98, -5.03, 30.95

 

CMYK 0 / 7 / 50 / 47

HEX #877D44

RGB 135 125 68

HSL 51.04, 0.33%, 0.4%

LAB 52.1, -4.47, 32.26

 

CMYK 0 / 3 / 29 / 21

HEX #CAC490

RGB 202 196 144

HSL 53.79, 0.35%, 0.68%

LAB 78.49, -6.01, 26.93

 

CMYK 0 / 11 / 29 / 21

HEX #CAB490

RGB 202 180 144

HSL 37.24, 0.35%, 0.68%

LAB 74.33, 2.41, 21.27

 

CMYK 0 / 18 / 29 / 21

HEX #CAA590

RGB 202 165 144

HSL 21.72, 0.35%, 0.68%

LAB 70.51, 10.49, 16

 

CMYK 0 / 26 / 29 / 21

HEX #CA9590

RGB 202 149 144

HSL 5.17, 0.35%, 0.68%

LAB 66.57, 19.22, 10.46

 

CMYK 0 / 29 / 29 / 21

HEX #CA9090

RGB 202 144 144

HSL 0, 0.35%, 0.68%

LAB 65.37, 21.96, 8.76

 

CMYK 0 / 3 / 29 / 21

HEX #CAC490

RGB 202 196 144

HSL 53.79, 0.35%, 0.68%

LAB 78.49, -6.01, 26.93

 

CMYK 5 / 0 / 29 / 21

HEX #C0CA90

RGB 192 202 144

HSL 70.34, 0.35%, 0.68%

LAB 79.31, -12.93, 27.89

 

CMYK 12 / 0 / 29 / 21

HEX #B1CA90

RGB 177 202 144

HSL 85.86, 0.35%, 0.68%

LAB 78.23, -18.53, 26.25

 

CMYK 20 / 0 / 29 / 21

HEX #A1CA90

RGB 161 202 144

HSL 102.41, 0.35%, 0.68%

LAB 77.18, -24.3, 24.65

 

CMYK 28 / 0 / 29 / 21

HEX #91CA90

RGB 145 202 144

HSL 118.97, 0.35%, 0.68%

LAB 76.24, -29.78, 23.22

 

CMYK 0 / 3 / 29 / 21

HEX #CAC490

RGB 202 196 144

HSL 53.79, 0.35%, 0.68%

LAB 78.49, -6.01, 26.93

 

CMYK 0 / 4 / 40 / 16

HEX #D7CF82

RGB 215 207 130

HSL 54.35, 0.52%, 0.68%

LAB 82.21, -8.26, 39.23

 

CMYK 0 / 5 / 49 / 10

HEX #E5D975

RGB 229 217 117

HSL 53.57, 0.68%, 0.68%

LAB 85.79, -9.03, 50.33

 

CMYK 0 / 6 / 57 / 5

HEX #F2E468

RGB 242 228 104

HSL 53.91, 0.84%, 0.68%

LAB 89.56, -10.33, 60.99

 

CMYK 0 / 3 / 29 / 21

HEX #CAC490

RGB 202 196 144

HSL 53.79, 0.35%, 0.68%

LAB 78.49, -6.01, 26.93

 

CMYK 0 / 2 / 17 / 26

HEX #BDBA9D

RGB 189 186 157

HSL 54.38, 0.2%, 0.68%

LAB 75.06, -3.86, 15.1

 

CMYK 0 / 1 / 3 / 31

HEX #B0AFAA

RGB 176 175 170

HSL 50, 0.04%, 0.68%

LAB 71.41, -0.56, 2.68

 

CMYK 11 / 10 / 0 / 28

HEX #A3A5B7

RGB 163 165 183

HSL 234, 0.12%, 0.68%

LAB 68.11, 2.91, -9.5

 

CMYK 24 / 21 / 0 / 23

HEX #959AC4

RGB 149 154 196

HSL 233.62, 0.28%, 0.68%

LAB 64.55, 7.43, -22.21

 

CMYK 0 / 19 / 29 / 21

HEX #CAA490

RGB 202 164 144

HSL 20.69, 0.35%, 0.68%

LAB 70.26, 11.03, 15.65

 

CMYK 0 / 11 / 29 / 21

HEX #CAB490

RGB 202 180 144

HSL 37.24, 0.35%, 0.68%

LAB 74.33, 2.41, 21.27

 

CMYK 0 / 3 / 29 / 21

HEX #CAC390

RGB 202 195 144

HSL 52.76, 0.35%, 0.68%

LAB 78.23, -5.49, 26.57

 

CMYK 4 / 0 / 29 / 21

HEX #C1CA90

RGB 193 202 144

HSL 69.31, 0.35%, 0.68%

LAB 79.38, -12.55, 28

 

CMYK 12 / 0 / 29 / 21

HEX #B2CA90

RGB 178 202 144

HSL 84.83, 0.35%, 0.68%

LAB 78.3, -18.16, 26.36

 

CMYK 0 / 5 / 51 / 31

HEX #B0A757

RGB 176 167 87

HSL 53.93, 0.36%, 0.52%

LAB 67.69, -7.75, 42.16

 

CMYK 0 / 4 / 39 / 26

HEX #BDB673

RGB 189 182 115

HSL 54.32, 0.36%, 0.6%

LAB 73.23, -7.4, 34.98

 

CMYK 0 / 3 / 29 / 21

HEX #CAC490

RGB 202 196 144

HSL 53.79, 0.35%, 0.68%

LAB 78.49, -6.01, 26.93

 

CMYK 0 / 2 / 20 / 16

HEX #D7D3AC

RGB 215 211 172

HSL 54.42, 0.35%, 0.76%

LAB 83.97, -4.96, 19.85

 

CMYK 0 / 1 / 13 / 10

HEX #E5E2C8

RGB 229 226 200

HSL 53.79, 0.36%, 0.84%

LAB 89.5, -3.33, 13.08

 

CMYK 0 / 3 / 29 / 20

HEX #CBC590

RGB 203 197 144

HSL 53.9, 0.36%, 0.68%

LAB 78.83, -6.15, 27.4

 

CMYK 29 / 0 / 27 / 21

HEX #90CA94

RGB 144 202 148

HSL 124.14, 0.35%, 0.68%

LAB 76.26, -29.43, 21.12

 

CMYK 15 / 29 / 0 / 21

HEX #AC90CA

RGB 172 144 202

HSL 268.97, 0.35%, 0.68%

LAB 64.15, 21.74, -26.02

 

CMYK 0 / 3 / 29 / 20

HEX #CBC590

RGB 203 197 144

HSL 53.9, 0.36%, 0.68%

LAB 78.83, -6.15, 27.4

 

CMYK 29 / 0 / 3 / 21

HEX #90CAC3

RGB 144 202 195

HSL 172.76, 0.35%, 0.68%

LAB 77.35, -20.1, -2.52

 

CMYK 3 / 29 / 0 / 21

HEX #C390CA

RGB 195 144 202

HSL 292.76, 0.35%, 0.68%

LAB 66.38, 29.18, -22.41

 

CMYK 0 / 3 / 29 / 20

HEX #CBC590

RGB 203 197 144

HSL 53.9, 0.36%, 0.68%

LAB 78.83, -6.15, 27.4

 

CMYK 29 / 0 / 27 / 21

HEX #90CA94

RGB 144 202 148

HSL 124.14, 0.35%, 0.68%

LAB 76.26, -29.43, 21.12

 

CMYK 29 / 26 / 0 / 21

HEX #9096CA

RGB 144 150 202

HSL 233.79, 0.35%, 0.68%

LAB 63.35, 9.65, -27.45

 

CMYK 0 / 29 / 2 / 21

HEX #CA90C5

RGB 202 144 197

HSL 305.17, 0.35%, 0.68%

LAB 66.93, 30.54, -18.72

 

CMYK 0 / 3 / 29 / 20

HEX #CBC590

RGB 203 197 144

HSL 53.9, 0.36%, 0.68%

LAB 78.83, -6.15, 27.4

 

CMYK 29 / 0 / 18 / 21

HEX #90CAA6

RGB 144 202 166

HSL 142.76, 0.35%, 0.68%

LAB 76.63, -26.14, 12.05

 

CMYK 29 / 26 / 0 / 21

HEX #9096CA

RGB 144 150 202

HSL 233.79, 0.35%, 0.68%

LAB 63.35, 9.65, -27.45

 

CMYK 0 / 29 / 11 / 21

HEX #CA90B4

RGB 202 144 180

HSL 322.76, 0.35%, 0.68%

LAB 66.37, 27.52, -10.04

 

Description

Color code: HEX #CBC590 | qconv.com Color code: HEX #CBC590 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 197 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 197 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 29 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 29% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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