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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBC390 it is the complementary color #343C6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBC390. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBC390 shade: #D0C38B, #E1D59E, #F2E7B1, #FFF9C4 and #FFFFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBC390. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBC390 shade: #CBC390, #BAB17D, #A99F6A, #988D57 and #877B44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBC390 shade: #CAC290, #CAB290, #CAA390, #CA9390 and #CA9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBC390 shade: #CAC290, #C2CA90, #B3CA90, #A3CA90 and #93CA90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBC390 shade matches the following richer shades: #CAC290, #D7CC82, #E5D675 and #F2DF68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBC390 shade: #CAC290, #BDB99D, #B0AFAA, #A3A5B7 and #959CC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBC390 shade: #CAA290, #CAB290, #CAC190, #C3CA90 and #B4CA90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBC390 shade: #B0A457, #BDB373, #CAC290, #D7D2AC and #E5E1C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBC390 shade: #CBC390, #90CA92 and #AA90CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBC390 shade: #CBC390, #90CAC1 and #C190CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBC390 shade: #CBC390, #90CA92, #9098CA and #CA90C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBC390 shade: #CBC390, #90CAA4, #9098CA and #CA90B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 29 / 20

HEX #CBC390

RGB 203 195 144

HSL 51.86, 0.36%, 0.68%

LAB 78.31, -5.11, 26.7

 

Complementary color

CMYK 53 / 46 / 0 / 56

HEX #343C6F

RGB 52 60 111

HSL 231.86, 0.36%, 0.32%

LAB 27.04, 12.45, -30.69

 

CMYK 0 / 6 / 33 / 18

HEX #D0C38B

RGB 208 195 139

HSL 48.7, 0.42%, 0.68%

LAB 78.64, -3.79, 29.84

 

CMYK 0 / 5 / 30 / 12

HEX #E1D59E

RGB 225 213 158

HSL 49.25, 0.53%, 0.75%

LAB 85.03, -4.14, 28.74

 

CMYK 0 / 5 / 27 / 5

HEX #F2E7B1

RGB 242 231 177

HSL 49.85, 0.71%, 0.82%

LAB 91.33, -4.45, 27.69

 

CMYK 0 / 2 / 23 / 0

HEX #FFF9C4

RGB 255 249 196

HSL 53.9, 1%, 0.88%

LAB 97.23, -6.17, 26.22

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 0 / 4 / 29 / 20

HEX #CBC390

RGB 203 195 144

HSL 51.86, 0.36%, 0.68%

LAB 78.31, -5.11, 26.7

 

CMYK 0 / 5 / 33 / 27

HEX #BAB17D

RGB 186 177 125

HSL 51.15, 0.31%, 0.61%

LAB 71.8, -4.78, 27.81

 

CMYK 0 / 6 / 37 / 34

HEX #A99F6A

RGB 169 159 106

HSL 50.48, 0.27%, 0.54%

LAB 65.18, -4.4, 28.99

 

CMYK 0 / 7 / 43 / 40

HEX #988D57

RGB 152 141 87

HSL 49.85, 0.27%, 0.47%

LAB 58.43, -3.93, 30.25

 

CMYK 0 / 9 / 50 / 47

HEX #877B44

RGB 135 123 68

HSL 49.25, 0.33%, 0.4%

LAB 51.54, -3.34, 31.56

 

CMYK 0 / 4 / 29 / 21

HEX #CAC290

RGB 202 194 144

HSL 51.72, 0.35%, 0.68%

LAB 77.97, -4.97, 26.22

 

CMYK 0 / 12 / 29 / 21

HEX #CAB290

RGB 202 178 144

HSL 35.17, 0.35%, 0.68%

LAB 73.81, 3.48, 20.56

 

CMYK 0 / 19 / 29 / 21

HEX #CAA390

RGB 202 163 144

HSL 19.66, 0.35%, 0.68%

LAB 70.01, 11.57, 15.3

 

CMYK 0 / 27 / 29 / 21

HEX #CA9390

RGB 202 147 144

HSL 3.1, 0.35%, 0.68%

LAB 66.09, 20.32, 9.78

 

CMYK 0 / 29 / 29 / 21

HEX #CA9090

RGB 202 144 144

HSL 0, 0.35%, 0.68%

LAB 65.37, 21.96, 8.76

 

CMYK 0 / 4 / 29 / 21

HEX #CAC290

RGB 202 194 144

HSL 51.72, 0.35%, 0.68%

LAB 77.97, -4.97, 26.22

 

CMYK 4 / 0 / 29 / 21

HEX #C2CA90

RGB 194 202 144

HSL 68.28, 0.35%, 0.68%

LAB 79.46, -12.17, 28.11

 

CMYK 11 / 0 / 29 / 21

HEX #B3CA90

RGB 179 202 144

HSL 83.79, 0.35%, 0.68%

LAB 78.37, -17.8, 26.46

 

CMYK 19 / 0 / 29 / 21

HEX #A3CA90

RGB 163 202 144

HSL 100.34, 0.35%, 0.68%

LAB 77.31, -23.59, 24.85

 

CMYK 27 / 0 / 29 / 21

HEX #93CA90

RGB 147 202 144

HSL 116.9, 0.35%, 0.68%

LAB 76.35, -29.11, 23.39

 

CMYK 0 / 4 / 29 / 21

HEX #CAC290

RGB 202 194 144

HSL 51.72, 0.35%, 0.68%

LAB 77.97, -4.97, 26.22

 

CMYK 0 / 5 / 40 / 16

HEX #D7CC82

RGB 215 204 130

HSL 52.24, 0.52%, 0.68%

LAB 81.43, -6.73, 38.23

 

CMYK 0 / 7 / 49 / 10

HEX #E5D675

RGB 229 214 117

HSL 51.96, 0.68%, 0.68%

LAB 85.01, -7.52, 49.39

 

CMYK 0 / 8 / 57 / 5

HEX #F2DF68

RGB 242 223 104

HSL 51.74, 0.84%, 0.68%

LAB 88.28, -7.84, 59.54

 

CMYK 0 / 4 / 29 / 21

HEX #CAC290

RGB 202 194 144

HSL 51.72, 0.35%, 0.68%

LAB 77.97, -4.97, 26.22

 

CMYK 0 / 2 / 17 / 26

HEX #BDB99D

RGB 189 185 157

HSL 52.5, 0.2%, 0.68%

LAB 74.79, -3.33, 14.73

 

CMYK 0 / 1 / 3 / 31

HEX #B0AFAA

RGB 176 175 170

HSL 50, 0.04%, 0.68%

LAB 71.41, -0.56, 2.68

 

CMYK 11 / 10 / 0 / 28

HEX #A3A5B7

RGB 163 165 183

HSL 234, 0.12%, 0.68%

LAB 68.11, 2.91, -9.5

 

CMYK 24 / 20 / 0 / 23

HEX #959CC4

RGB 149 156 196

HSL 231.06, 0.28%, 0.68%

LAB 65.08, 6.3, -21.4

 

CMYK 0 / 20 / 29 / 21

HEX #CAA290

RGB 202 162 144

HSL 18.62, 0.35%, 0.68%

LAB 69.76, 12.12, 14.95

 

CMYK 0 / 12 / 29 / 21

HEX #CAB290

RGB 202 178 144

HSL 35.17, 0.35%, 0.68%

LAB 73.81, 3.48, 20.56

 

CMYK 0 / 4 / 29 / 21

HEX #CAC190

RGB 202 193 144

HSL 50.69, 0.35%, 0.68%

LAB 77.7, -4.45, 25.86

 

CMYK 3 / 0 / 29 / 21

HEX #C3CA90

RGB 195 202 144

HSL 67.24, 0.35%, 0.68%

LAB 79.53, -11.79, 28.23

 

CMYK 11 / 0 / 29 / 21

HEX #B4CA90

RGB 180 202 144

HSL 82.76, 0.35%, 0.68%

LAB 78.44, -17.43, 26.57

 

CMYK 0 / 7 / 51 / 31

HEX #B0A457

RGB 176 164 87

HSL 51.91, 0.36%, 0.52%

LAB 66.88, -6.16, 41.18

 

CMYK 0 / 5 / 39 / 26

HEX #BDB373

RGB 189 179 115

HSL 51.89, 0.36%, 0.6%

LAB 72.43, -5.83, 33.95

 

CMYK 0 / 4 / 29 / 21

HEX #CAC290

RGB 202 194 144

HSL 51.72, 0.35%, 0.68%

LAB 77.97, -4.97, 26.22

 

CMYK 0 / 2 / 20 / 16

HEX #D7D2AC

RGB 215 210 172

HSL 53.02, 0.35%, 0.76%

LAB 83.71, -4.45, 19.49

 

CMYK 0 / 2 / 13 / 10

HEX #E5E1C8

RGB 229 225 200

HSL 51.72, 0.36%, 0.84%

LAB 89.24, -2.82, 12.72

 

CMYK 0 / 4 / 29 / 20

HEX #CBC390

RGB 203 195 144

HSL 51.86, 0.36%, 0.68%

LAB 78.31, -5.11, 26.7

 

CMYK 29 / 0 / 28 / 21

HEX #90CA92

RGB 144 202 146

HSL 122.07, 0.35%, 0.68%

LAB 76.22, -29.77, 22.13

 

CMYK 16 / 29 / 0 / 21

HEX #AA90CA

RGB 170 144 202

HSL 266.9, 0.35%, 0.68%

LAB 63.96, 21.11, -26.32

 

CMYK 0 / 4 / 29 / 20

HEX #CBC390

RGB 203 195 144

HSL 51.86, 0.36%, 0.68%

LAB 78.31, -5.11, 26.7

 

CMYK 29 / 0 / 4 / 21

HEX #90CAC1

RGB 144 202 193

HSL 170.69, 0.35%, 0.68%

LAB 77.29, -20.54, -1.52

 

CMYK 4 / 29 / 0 / 21

HEX #C190CA

RGB 193 144 202

HSL 290.69, 0.35%, 0.68%

LAB 66.17, 28.53, -22.74

 

CMYK 0 / 4 / 29 / 20

HEX #CBC390

RGB 203 195 144

HSL 51.86, 0.36%, 0.68%

LAB 78.31, -5.11, 26.7

 

CMYK 29 / 0 / 28 / 21

HEX #90CA92

RGB 144 202 146

HSL 122.07, 0.35%, 0.68%

LAB 76.22, -29.77, 22.13

 

CMYK 29 / 25 / 0 / 21

HEX #9098CA

RGB 144 152 202

HSL 231.72, 0.35%, 0.68%

LAB 63.88, 8.51, -26.63

 

CMYK 0 / 29 / 1 / 21

HEX #CA90C7

RGB 202 144 199

HSL 303.1, 0.35%, 0.68%

LAB 67, 30.91, -19.73

 

CMYK 0 / 4 / 29 / 20

HEX #CBC390

RGB 203 195 144

HSL 51.86, 0.36%, 0.68%

LAB 78.31, -5.11, 26.7

 

CMYK 29 / 0 / 19 / 21

HEX #90CAA4

RGB 144 202 164

HSL 140.69, 0.35%, 0.68%

LAB 76.59, -26.52, 13.05

 

CMYK 29 / 25 / 0 / 21

HEX #9098CA

RGB 144 152 202

HSL 231.72, 0.35%, 0.68%

LAB 63.88, 8.51, -26.63

 

CMYK 0 / 29 / 10 / 21

HEX #CA90B6

RGB 202 144 182

HSL 320.69, 0.35%, 0.68%

LAB 66.43, 27.87, -11.07

 

Description

Color code: HEX #CBC390 | qconv.com Color code: HEX #CBC390 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 195 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 195 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 29 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 29% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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