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Color name
HEX #CBD51A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBD51A it is the complementary color #342AE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBD51A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBD51A shade: #D0D515, #E1E728, #F2F93B, #FFFF4E and #FFFF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBD51A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBD51A shade: #CBD51A, #BAC307, #A9B100, #989F00 and #878D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBD51A shade: #CBD51A, #D5AC1A, #D57A1A, #D5481A and #D51A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBD51A shade: #CBD51A, #98D51A, #66D51A, #34D51A and #1AD533

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBD51A shade matches the following richer shades: #CBD51A and #DCE806

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBD51A shade: #CBD51A, #BAC12D, #A8AE41, #979B54 and #868767

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBD51A shade: #D57A1A, #D5AC1A, #CBD51A, #9AD51A and #68D51A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBD51A shade: #858B11, #A8B015, #CBD51A, #DCE533 and #E2EA57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBD51A shade: #CBD51A, #1AD549 and #931AD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBD51A shade: #CBD51A, #1ACBD5 and #D51ACB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBD51A shade: #CBD51A, #1AD549, #231AD5 and #D51AA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBD51A shade: #CBD51A, #1AD581, #231AD5 and #D51A6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 88 / 16

HEX #CBD51A

RGB 203 213 26

HSL 63.21, 0.78%, 0.47%

LAB 82.03, -22.71, 78.59

 

Complementary color

CMYK 77 / 82 / 0 / 10

HEX #342AE5

RGB 52 42 229

HSL 243.21, 0.78%, 0.53%

LAB 34.07, 62.46, -90.15

 

CMYK 2 / 0 / 90 / 16

HEX #D0D515

RGB 208 213 21

HSL 61.56, 0.82%, 0.46%

LAB 82.41, -20.7, 79.85

 

CMYK 3 / 0 / 83 / 9

HEX #E1E728

RGB 225 231 40

HSL 61.88, 0.8%, 0.53%

LAB 88.6, -21.9, 81.87

 

CMYK 3 / 0 / 76 / 2

HEX #F2F93B

RGB 242 249 59

HSL 62.21, 0.94%, 0.6%

LAB 94.71, -22.94, 82.85

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4E

RGB 255 255 78

HSL 60, 1%, 0.65%

LAB 97.36, -19.76, 79.73

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 5 / 0 / 88 / 16

HEX #CBD51A

RGB 203 213 26

HSL 63.21, 0.78%, 0.47%

LAB 82.03, -22.71, 78.59

 

CMYK 5 / 0 / 96 / 24

HEX #BAC307

RGB 186 195 7

HSL 62.87, 0.93%, 0.4%

LAB 75.75, -21.4, 75.65

 

CMYK 5 / 0 / 100 / 31

HEX #A9B100

RGB 169 177 0

HSL 62.71, 1%, 0.35%

LAB 69.38, -19.89, 71.08

 

CMYK 4 / 0 / 100 / 38

HEX #989F00

RGB 152 159 0

HSL 62.64, 1%, 0.31%

LAB 62.9, -18.27, 65.69

 

CMYK 4 / 0 / 100 / 45

HEX #878D00

RGB 135 141 0

HSL 62.55, 1%, 0.28%

LAB 56.29, -16.61, 60.19

 

CMYK 5 / 0 / 88 / 16

HEX #CBD51A

RGB 203 213 26

HSL 63.21, 0.78%, 0.47%

LAB 82.03, -22.71, 78.59

 

CMYK 0 / 19 / 88 / 16

HEX #D5AC1A

RGB 213 172 26

HSL 46.84, 0.78%, 0.47%

LAB 72.04, 2.48, 70.99

 

CMYK 0 / 43 / 88 / 16

HEX #D57A1A

RGB 213 122 26

HSL 30.8, 0.78%, 0.47%

LAB 60.01, 29.32, 61.47

 

CMYK 0 / 66 / 88 / 16

HEX #D5481A

RGB 213 72 26

HSL 14.76, 0.78%, 0.47%

LAB 50.52, 53.51, 54.02

 

CMYK 0 / 88 / 88 / 16

HEX #D51A1A

RGB 213 26 26

HSL 0, 0.78%, 0.47%

LAB 45.58, 67.25, 50.18

 

CMYK 5 / 0 / 88 / 16

HEX #CBD51A

RGB 203 213 26

HSL 63.21, 0.78%, 0.47%

LAB 82.03, -22.71, 78.59

 

CMYK 29 / 0 / 88 / 16

HEX #98D51A

RGB 152 213 26

HSL 79.57, 0.78%, 0.47%

LAB 78.66, -43.16, 74.44

 

CMYK 52 / 0 / 88 / 16

HEX #66D51A

RGB 102 213 26

HSL 95.61, 0.78%, 0.47%

LAB 76.37, -59.76, 71.59

 

CMYK 76 / 0 / 88 / 16

HEX #34D51A

RGB 52 213 26

HSL 111.66, 0.78%, 0.47%

LAB 75.07, -70.51, 69.97

 

CMYK 88 / 0 / 76 / 16

HEX #1AD533

RGB 26 213 51

HSL 128.02, 0.78%, 0.47%

LAB 74.85, -72.04, 63.22

 

CMYK 5 / 0 / 88 / 16

HEX #CBD51A

RGB 203 213 26

HSL 63.21, 0.78%, 0.47%

LAB 82.03, -22.71, 78.59

 

CMYK 5 / 0 / 97 / 9

HEX #DCE806

RGB 220 232 6

HSL 63.19, 0.95%, 0.47%

LAB 88.42, -25, 86.4

 

CMYK 5 / 0 / 88 / 16

HEX #CBD51A

RGB 203 213 26

HSL 63.21, 0.78%, 0.47%

LAB 82.03, -22.71, 78.59

 

CMYK 4 / 0 / 77 / 24

HEX #BAC12D

RGB 186 193 45

HSL 62.84, 0.62%, 0.47%

LAB 75.31, -19.52, 67.8

 

CMYK 3 / 0 / 63 / 32

HEX #A8AE41

RGB 168 174 65

HSL 63.3, 0.46%, 0.47%

LAB 68.74, -16.54, 53.44

 

CMYK 3 / 0 / 46 / 39

HEX #979B54

RGB 151 155 84

HSL 63.38, 0.3%, 0.47%

LAB 62.22, -12.24, 36.56

 

CMYK 1 / 0 / 24 / 47

HEX #868767

RGB 134 135 103

HSL 61.88, 0.13%, 0.47%

LAB 55.46, -6, 17.14

 

CMYK 0 / 43 / 88 / 16

HEX #D57A1A

RGB 213 122 26

HSL 30.8, 0.78%, 0.47%

LAB 60.01, 29.32, 61.47

 

CMYK 0 / 19 / 88 / 16

HEX #D5AC1A

RGB 213 172 26

HSL 46.84, 0.78%, 0.47%

LAB 72.04, 2.48, 70.99

 

CMYK 5 / 0 / 88 / 16

HEX #CBD51A

RGB 203 213 26

HSL 63.21, 0.78%, 0.47%

LAB 82.03, -22.71, 78.59

 

CMYK 28 / 0 / 88 / 16

HEX #9AD51A

RGB 154 213 26

HSL 78.93, 0.78%, 0.47%

LAB 78.77, -42.41, 74.58

 

CMYK 51 / 0 / 88 / 16

HEX #68D51A

RGB 104 213 26

HSL 94.97, 0.78%, 0.47%

LAB 76.44, -59.19, 71.68

 

CMYK 4 / 0 / 88 / 45

HEX #858B11

RGB 133 139 17

HSL 62.95, 0.78%, 0.31%

LAB 55.58, -16.13, 56.57

 

CMYK 5 / 0 / 88 / 31

HEX #A8B015

RGB 168 176 21

HSL 63.1, 0.79%, 0.39%

LAB 69.06, -19.5, 67.92

 

CMYK 5 / 0 / 88 / 16

HEX #CBD51A

RGB 203 213 26

HSL 63.21, 0.78%, 0.47%

LAB 82.03, -22.71, 78.59

 

CMYK 4 / 0 / 78 / 10

HEX #DCE533

RGB 220 229 51

HSL 63.03, 0.77%, 0.55%

LAB 87.72, -22.67, 78.21

 

CMYK 3 / 0 / 63 / 8

HEX #E2EA57

RGB 226 234 87

HSL 63.27, 0.78%, 0.63%

LAB 89.72, -20.88, 67.96

 

CMYK 5 / 0 / 88 / 16

HEX #CBD51A

RGB 203 213 26

HSL 63.21, 0.78%, 0.47%

LAB 82.03, -22.71, 78.59

 

CMYK 88 / 0 / 66 / 16

HEX #1AD549

RGB 26 213 73

HSL 135.08, 0.78%, 0.47%

LAB 75.01, -70.12, 55.28

 

CMYK 31 / 88 / 0 / 16

HEX #931AD5

RGB 147 26 213

HSL 278.82, 0.78%, 0.47%

LAB 40.81, 72.96, -69.53

 

CMYK 5 / 0 / 88 / 16

HEX #CBD51A

RGB 203 213 26

HSL 63.21, 0.78%, 0.47%

LAB 82.03, -22.71, 78.59

 

CMYK 88 / 5 / 0 / 16

HEX #1ACBD5

RGB 26 203 213

HSL 183.21, 0.78%, 0.47%

LAB 74.66, -36.56, -16.62

 

CMYK 0 / 88 / 5 / 16

HEX #D51ACB

RGB 213 26 203

HSL 303.21, 0.78%, 0.47%

LAB 50.92, 81.8, -46.91

 

CMYK 5 / 0 / 88 / 16

HEX #CBD51A

RGB 203 213 26

HSL 63.21, 0.78%, 0.47%

LAB 82.03, -22.71, 78.59

 

CMYK 88 / 0 / 66 / 16

HEX #1AD549

RGB 26 213 73

HSL 135.08, 0.78%, 0.47%

LAB 75.01, -70.12, 55.28

 

CMYK 84 / 88 / 0 / 16

HEX #231AD5

RGB 35 26 213

HSL 242.89, 0.78%, 0.47%

LAB 29.16, 63.44, -89.15

 

CMYK 0 / 88 / 22 / 16

HEX #D51AA6

RGB 213 26 166

HSL 315.08, 0.78%, 0.47%

LAB 49.05, 76.93, -28.22

 

CMYK 5 / 0 / 88 / 16

HEX #CBD51A

RGB 203 213 26

HSL 63.21, 0.78%, 0.47%

LAB 82.03, -22.71, 78.59

 

CMYK 88 / 0 / 39 / 16

HEX #1AD581

RGB 26 213 129

HSL 153.05, 0.78%, 0.47%

LAB 75.7, -61.82, 29.69

 

CMYK 84 / 88 / 0 / 16

HEX #231AD5

RGB 35 26 213

HSL 242.89, 0.78%, 0.47%

LAB 29.16, 63.44, -89.15

 

CMYK 0 / 88 / 48 / 16

HEX #D51A6E

RGB 213 26 110

HSL 333.05, 0.78%, 0.47%

LAB 46.99, 71.28, 2.56

 

Description

Color code: HEX #CBD51A | qconv.com Color code: HEX #CBD51A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 213 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 213 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 88 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 88% 16% C M Y K

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Provide designers and agencies with accurate color values.

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