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Color name
HEX #CBD9D6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBD9D6 it is the complementary color #342629. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBD9D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBD9D6 shade: #D0D9D1, #E1EBE4 and #F2FDF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBD9D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBD9D6 shade: #CBD9D6, #BAC7C3, #A9B5B0, #98A39D and #87918A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBD9D6 shade: #C9D8D5, #C9D8D1, #C9D8CD, #CAD8C9 and #CED8C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBD9D6 shade: #C9D8D5, #C9D7D8, #C9D3D8, #C9CFD8 and #C9CBD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBD9D6 shade matches the following richer shades: #C9D8D5, #C2DFD9, #BAE7DD, #B3EEE2 and #ACF6E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBD9D6 shade: #C9D8D5, #D1D1D1, #D8C9CC, #E0C2C8 and #E7BAC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBD9D6 shade: #C9D8CD, #C9D8D1, #C9D8D5, #C9D7D8 and #C9D3D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBD9D6 shade: #99B5AF, #B1C7C2, #C9D8D5, #E1E9E8 and #F9FBFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBD9D6 shade: #CBD9D6, #C9CAD8 and #D8CFC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBD9D6 shade: #CBD9D6, #D5C9D8 and #D8D5C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBD9D6 shade: #CBD9D6, #C9CAD8, #D8C9CC and #D8D8C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBD9D6 shade: #CBD9D6, #CDC9D8, #D8C9CC and #D4D8C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 1 / 15

HEX #CBD9D6

RGB 203 217 214

HSL 167.14, 0.16%, 0.82%

LAB 85.59, -5.25, -0.16

 

Complementary color

CMYK 0 / 27 / 21 / 80

HEX #342629

RGB 52 38 41

HSL 347.14, 0.16%, 0.18%

LAB 16.88, 7.18, 0.57

 

CMYK 4 / 0 / 4 / 15

HEX #D0D9D1

RGB 208 217 209

HSL 126.67, 0.11%, 0.83%

LAB 85.83, -4.49, 2.87

 

CMYK 4 / 0 / 3 / 8

HEX #E1EBE4

RGB 225 235 228

HSL 138, 0.2%, 0.9%

LAB 92.14, -4.58, 2.23

 

CMYK 4 / 0 / 2 / 1

HEX #F2FDF7

RGB 242 253 247

HSL 147.27, 0.73%, 0.97%

LAB 98.37, -4.67, 1.61

 

CMYK 6 / 0 / 1 / 15

HEX #CBD9D6

RGB 203 217 214

HSL 167.14, 0.16%, 0.82%

LAB 85.59, -5.25, -0.16

 

CMYK 7 / 0 / 2 / 22

HEX #BAC7C3

RGB 186 199 195

HSL 161.54, 0.1%, 0.75%

LAB 79.17, -5.19, 0.46

 

CMYK 7 / 0 / 3 / 29

HEX #A9B5B0

RGB 169 181 176

HSL 155, 0.08%, 0.69%

LAB 72.64, -5.13, 1.1

 

CMYK 7 / 0 / 4 / 36

HEX #98A39D

RGB 152 163 157

HSL 147.27, 0.06%, 0.62%

LAB 65.98, -5.07, 1.76

 

CMYK 7 / 0 / 5 / 43

HEX #87918A

RGB 135 145 138

HSL 138, 0.04%, 0.55%

LAB 59.19, -5.01, 2.46

 

CMYK 7 / 0 / 1 / 15

HEX #C9D8D5

RGB 201 216 213

HSL 168, 0.16%, 0.82%

LAB 85.17, -5.59, -0.27

 

CMYK 7 / 0 / 3 / 15

HEX #C9D8D1

RGB 201 216 209

HSL 152, 0.16%, 0.82%

LAB 85.06, -6.34, 1.7

 

CMYK 7 / 0 / 5 / 15

HEX #C9D8CD

RGB 201 216 205

HSL 136, 0.16%, 0.82%

LAB 84.96, -7.08, 3.68

 

CMYK 6 / 0 / 7 / 15

HEX #CAD8C9

RGB 202 216 201

HSL 116, 0.16%, 0.82%

LAB 84.94, -7.46, 5.77

 

CMYK 5 / 0 / 7 / 15

HEX #CED8C9

RGB 206 216 201

HSL 100, 0.16%, 0.82%

LAB 85.23, -6.09, 6.22

 

CMYK 7 / 0 / 1 / 15

HEX #C9D8D5

RGB 201 216 213

HSL 168, 0.16%, 0.82%

LAB 85.17, -5.59, -0.27

 

CMYK 7 / 0 / 0 / 15

HEX #C9D7D8

RGB 201 215 216

HSL 184, 0.16%, 0.82%

LAB 84.98, -4.5, -2.12

 

CMYK 7 / 2 / 0 / 15

HEX #C9D3D8

RGB 201 211 216

HSL 200, 0.16%, 0.82%

LAB 83.95, -2.42, -3.65

 

CMYK 7 / 4 / 0 / 15

HEX #C9CFD8

RGB 201 207 216

HSL 216, 0.16%, 0.82%

LAB 82.91, -0.33, -5.17

 

CMYK 7 / 6 / 0 / 15

HEX #C9CBD8

RGB 201 203 216

HSL 232, 0.16%, 0.82%

LAB 81.89, 1.78, -6.69

 

CMYK 7 / 0 / 1 / 15

HEX #C9D8D5

RGB 201 216 213

HSL 168, 0.16%, 0.82%

LAB 85.17, -5.59, -0.27

 

CMYK 13 / 0 / 3 / 13

HEX #C2DFD9

RGB 194 223 217

HSL 167.59, 0.31%, 0.82%

LAB 86.63, -10.71, -0.3

 

CMYK 19 / 0 / 4 / 9

HEX #BAE7DD

RGB 186 231 221

HSL 166.67, 0.48%, 0.82%

LAB 88.36, -16.47, 0.06

 

CMYK 25 / 0 / 5 / 7

HEX #B3EEE2

RGB 179 238 226

HSL 167.8, 0.63%, 0.82%

LAB 89.96, -21.04, -0.26

 

CMYK 30 / 0 / 7 / 4

HEX #ACF6E6

RGB 172 246 230

HSL 167.03, 0.8%, 0.82%

LAB 91.86, -26.1, 0.39

 

CMYK 7 / 0 / 1 / 15

HEX #C9D8D5

RGB 201 216 213

HSL 168, 0.16%, 0.82%

LAB 85.17, -5.59, -0.27

 

CMYK 0 / 0 / 0 / 18

HEX #D1D1D1

RGB 209 209 209

HSL 0, 0%, 0.82%

LAB 83.84, 0, -0.01

 

CMYK 0 / 7 / 6 / 15

HEX #D8C9CC

RGB 216 201 204

HSL 348, 0.16%, 0.82%

LAB 82.23, 5.74, 0.38

 

CMYK 0 / 13 / 11 / 12

HEX #E0C2C8

RGB 224 194 200

HSL 348, 0.33%, 0.82%

LAB 81.07, 11.59, 0.91

 

CMYK 0 / 19 / 15 / 9

HEX #E7BAC4

RGB 231 186 196

HSL 346.67, 0.48%, 0.82%

LAB 79.67, 17.7, 1.1

 

CMYK 7 / 0 / 5 / 15

HEX #C9D8CD

RGB 201 216 205

HSL 136, 0.16%, 0.82%

LAB 84.96, -7.08, 3.68

 

CMYK 7 / 0 / 3 / 15

HEX #C9D8D1

RGB 201 216 209

HSL 152, 0.16%, 0.82%

LAB 85.06, -6.34, 1.7

 

CMYK 7 / 0 / 1 / 15

HEX #C9D8D5

RGB 201 216 213

HSL 168, 0.16%, 0.82%

LAB 85.17, -5.59, -0.27

 

CMYK 7 / 0 / 0 / 15

HEX #C9D7D8

RGB 201 215 216

HSL 184, 0.16%, 0.82%

LAB 84.98, -4.5, -2.12

 

CMYK 7 / 2 / 0 / 15

HEX #C9D3D8

RGB 201 211 216

HSL 200, 0.16%, 0.82%

LAB 83.95, -2.42, -3.65

 

CMYK 15 / 0 / 3 / 29

HEX #99B5AF

RGB 153 181 175

HSL 167.14, 0.16%, 0.65%

LAB 71.5, -10.75, -0.15

 

CMYK 11 / 0 / 3 / 22

HEX #B1C7C2

RGB 177 199 194

HSL 166.36, 0.16%, 0.74%

LAB 78.51, -8.41, -0.04

 

CMYK 7 / 0 / 1 / 15

HEX #C9D8D5

RGB 201 216 213

HSL 168, 0.16%, 0.82%

LAB 85.17, -5.59, -0.27

 

CMYK 3 / 0 / 0 / 9

HEX #E1E9E8

RGB 225 233 232

HSL 172.5, 0.15%, 0.9%

LAB 91.73, -2.84, -0.45

 

CMYK 1 / 0 / 0 / 2

HEX #F9FBFA

RGB 249 251 250

HSL 150, 0.2%, 0.98%

LAB 98.45, -0.83, 0.24

 

CMYK 6 / 0 / 1 / 15

HEX #CBD9D6

RGB 203 217 214

HSL 167.14, 0.16%, 0.82%

LAB 85.59, -5.25, -0.16

 

CMYK 7 / 6 / 0 / 15

HEX #C9CAD8

RGB 201 202 216

HSL 236, 0.16%, 0.82%

LAB 81.63, 2.31, -7.07

 

CMYK 0 / 4 / 7 / 15

HEX #D8CFC9

RGB 216 207 201

HSL 24, 0.16%, 0.82%

LAB 83.67, 2.07, 4.07

 

CMYK 6 / 0 / 1 / 15

HEX #CBD9D6

RGB 203 217 214

HSL 167.14, 0.16%, 0.82%

LAB 85.59, -5.25, -0.16

 

CMYK 1 / 7 / 0 / 15

HEX #D5C9D8

RGB 213 201 216

HSL 288, 0.16%, 0.82%

LAB 82.31, 6.87, -5.95

 

CMYK 0 / 1 / 7 / 15

HEX #D8D5C9

RGB 216 213 201

HSL 48, 0.16%, 0.82%

LAB 85.2, -1.06, 6.28

 

CMYK 6 / 0 / 1 / 15

HEX #CBD9D6

RGB 203 217 214

HSL 167.14, 0.16%, 0.82%

LAB 85.59, -5.25, -0.16

 

CMYK 7 / 6 / 0 / 15

HEX #C9CAD8

RGB 201 202 216

HSL 236, 0.16%, 0.82%

LAB 81.63, 2.31, -7.07

 

CMYK 0 / 7 / 6 / 15

HEX #D8C9CC

RGB 216 201 204

HSL 348, 0.16%, 0.82%

LAB 82.23, 5.74, 0.38

 

CMYK 0 / 0 / 7 / 15

HEX #D8D8C9

RGB 216 216 201

HSL 60, 0.16%, 0.82%

LAB 85.97, -2.62, 7.39

 

CMYK 6 / 0 / 1 / 15

HEX #CBD9D6

RGB 203 217 214

HSL 167.14, 0.16%, 0.82%

LAB 85.59, -5.25, -0.16

 

CMYK 5 / 7 / 0 / 15

HEX #CDC9D8

RGB 205 201 216

HSL 256, 0.16%, 0.82%

LAB 81.68, 4.18, -6.96

 

CMYK 0 / 7 / 6 / 15

HEX #D8C9CC

RGB 216 201 204

HSL 348, 0.16%, 0.82%

LAB 82.23, 5.74, 0.38

 

CMYK 2 / 0 / 7 / 15

HEX #D4D8C9

RGB 212 216 201

HSL 76, 0.16%, 0.82%

LAB 85.67, -4.01, 6.91

 

Description

Color code: HEX #CBD9D6 | qconv.com Color code: HEX #CBD9D6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 217 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 217 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 1 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 1% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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