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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBDE5B it is the complementary color #3421A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBDE5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBDE5B shade: #D0DE56, #E1F069, #F2FF7C, #FFFF8F and #FFFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBDE5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBDE5B shade: #CBDE5B, #BACC48, #A9BA35, #98A822 and #87960F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBDE5B shade: #CADD59, #DDCC59, #DDA959, #DD8659 and #DD6259

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBDE5B shade: #CADD59, #A6DD59, #83DD59, #5FDD59 and #59DD77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBDE5B shade matches the following richer shades: #CADD59, #D5ED49 and #E1FD39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBDE5B shade: #CADD59, #BECD6A, #B3BD7A, #A7AC8A and #9C9C9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBDE5B shade: #DDA859, #DDCB59, #CBDD59, #A8DD59 and #85DD59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBDE5B shade: #A7BD26, #BFD637, #CADD59, #D5E47C and #E0EB9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBDE5B shade: #CBDE5B, #59DD85 and #BA59DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBDE5B shade: #CBDE5B, #59CBDD and #DD59CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBDE5B shade: #CBDE5B, #59DD85, #6B59DD and #DD59B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBDE5B shade: #CBDE5B, #59DDAD, #6B59DD and #DD598A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 59 / 13

HEX #CBDE5B

RGB 203 222 91

HSL 68.7, 0.66%, 0.61%

LAB 84.84, -24.05, 60.55

 

Complementary color

CMYK 68 / 80 / 0 / 36

HEX #3421A4

RGB 52 33 164

HSL 248.7, 0.66%, 0.39%

LAB 25.25, 47.18, -66.57

 

CMYK 6 / 0 / 61 / 13

HEX #D0DE56

RGB 208 222 86

HSL 66.18, 0.67%, 0.6%

LAB 85.16, -22.4, 63.11

 

CMYK 6 / 0 / 56 / 6

HEX #E1F069

RGB 225 240 105

HSL 66.67, 0.82%, 0.68%

LAB 91.39, -22.92, 62.25

 

CMYK 5 / 0 / 51 / 0

HEX #F2FF7C

RGB 242 255 124

HSL 65.95, 1%, 0.74%

LAB 96.76, -21.92, 60.35

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 9 / 0 / 59 / 13

HEX #CBDE5B

RGB 203 222 91

HSL 68.7, 0.66%, 0.61%

LAB 84.84, -24.05, 60.55

 

CMYK 9 / 0 / 65 / 20

HEX #BACC48

RGB 186 204 72

HSL 68.18, 0.56%, 0.54%

LAB 78.52, -23.52, 61.29

 

CMYK 9 / 0 / 72 / 27

HEX #A9BA35

RGB 169 186 53

HSL 67.67, 0.56%, 0.47%

LAB 72.1, -22.86, 61.66

 

CMYK 10 / 0 / 80 / 34

HEX #98A822

RGB 152 168 34

HSL 67.16, 0.66%, 0.4%

LAB 65.59, -22.02, 61.35

 

CMYK 10 / 0 / 90 / 41

HEX #87960F

RGB 135 150 15

HSL 66.67, 0.82%, 0.32%

LAB 58.97, -20.96, 59.82

 

CMYK 9 / 0 / 60 / 13

HEX #CADD59

RGB 202 221 89

HSL 68.64, 0.66%, 0.61%

LAB 84.48, -24.12, 60.98

 

CMYK 0 / 8 / 60 / 13

HEX #DDCC59

RGB 221 204 89

HSL 52.27, 0.66%, 0.61%

LAB 81.44, -7.92, 58.06

 

CMYK 0 / 24 / 60 / 13

HEX #DDA959

RGB 221 169 89

HSL 36.36, 0.66%, 0.61%

LAB 72.54, 10.38, 47.96

 

CMYK 0 / 39 / 60 / 13

HEX #DD8659

RGB 221 134 89

HSL 20.45, 0.66%, 0.61%

LAB 64.28, 29.13, 38.11

 

CMYK 0 / 56 / 60 / 13

HEX #DD6259

RGB 221 98 89

HSL 4.09, 0.66%, 0.61%

LAB 56.91, 47.47, 28.9

 

CMYK 9 / 0 / 60 / 13

HEX #CADD59

RGB 202 221 89

HSL 68.64, 0.66%, 0.61%

LAB 84.48, -24.12, 60.98

 

CMYK 25 / 0 / 60 / 13

HEX #A6DD59

RGB 166 221 89

HSL 85, 0.66%, 0.61%

LAB 82.13, -38, 57.72

 

CMYK 41 / 0 / 60 / 13

HEX #83DD59

RGB 131 221 89

HSL 100.91, 0.66%, 0.61%

LAB 80.33, -50.05, 55.2

 

CMYK 57 / 0 / 60 / 13

HEX #5FDD59

RGB 95 221 89

HSL 117.27, 0.66%, 0.61%

LAB 78.96, -60.13, 53.29

 

CMYK 60 / 0 / 46 / 13

HEX #59DD77

RGB 89 221 119

HSL 133.64, 0.66%, 0.61%

LAB 79.14, -57.57, 39.4

 

CMYK 9 / 0 / 60 / 13

HEX #CADD59

RGB 202 221 89

HSL 68.64, 0.66%, 0.61%

LAB 84.48, -24.12, 60.98

 

CMYK 10 / 0 / 69 / 7

HEX #D5ED49

RGB 213 237 73

HSL 68.78, 0.82%, 0.61%

LAB 89.48, -28.33, 72.69

 

CMYK 11 / 0 / 77 / 1

HEX #E1FD39

RGB 225 253 57

HSL 68.57, 0.98%, 0.61%

LAB 94.55, -31.7, 82.8

 

CMYK 9 / 0 / 60 / 13

HEX #CADD59

RGB 202 221 89

HSL 68.64, 0.66%, 0.61%

LAB 84.48, -24.12, 60.98

 

CMYK 7 / 0 / 48 / 20

HEX #BECD6A

RGB 190 205 106

HSL 69.09, 0.5%, 0.61%

LAB 79.41, -19.65, 47.2

 

CMYK 5 / 0 / 35 / 26

HEX #B3BD7A

RGB 179 189 122

HSL 68.96, 0.34%, 0.61%

LAB 74.43, -14.17, 32.75

 

CMYK 3 / 0 / 20 / 33

HEX #A7AC8A

RGB 167 172 138

HSL 68.82, 0.17%, 0.61%

LAB 69.15, -7.71, 16.93

 

CMYK 0 / 0 / 1 / 39

HEX #9C9C9A

RGB 156 156 154

HSL 60, 0.01%, 0.61%

LAB 64.3, -0.38, 1.04

 

CMYK 0 / 24 / 60 / 13

HEX #DDA859

RGB 221 168 89

HSL 35.91, 0.66%, 0.61%

LAB 72.29, 10.91, 47.67

 

CMYK 0 / 8 / 60 / 13

HEX #DDCB59

RGB 221 203 89

HSL 51.82, 0.66%, 0.61%

LAB 81.18, -7.41, 57.77

 

CMYK 8 / 0 / 60 / 13

HEX #CBDD59

RGB 203 221 89

HSL 68.18, 0.66%, 0.61%

LAB 84.55, -23.72, 61.08

 

CMYK 24 / 0 / 60 / 13

HEX #A8DD59

RGB 168 221 89

HSL 84.09, 0.66%, 0.61%

LAB 82.25, -37.26, 57.89

 

CMYK 40 / 0 / 60 / 13

HEX #85DD59

RGB 133 221 89

HSL 100, 0.66%, 0.61%

LAB 80.42, -49.41, 55.33

 

CMYK 12 / 0 / 80 / 26

HEX #A7BD26

RGB 167 189 38

HSL 68.74, 0.67%, 0.45%

LAB 72.73, -25.83, 66.99

 

CMYK 11 / 0 / 74 / 16

HEX #BFD637

RGB 191 214 55

HSL 68.68, 0.66%, 0.53%

LAB 81.54, -27.22, 70.57

 

CMYK 9 / 0 / 60 / 13

HEX #CADD59

RGB 202 221 89

HSL 68.64, 0.66%, 0.61%

LAB 84.48, -24.12, 60.98

 

CMYK 7 / 0 / 46 / 11

HEX #D5E47C

RGB 213 228 124

HSL 68.65, 0.66%, 0.69%

LAB 87.53, -20.15, 48.8

 

CMYK 5 / 0 / 33 / 8

HEX #E0EB9E

RGB 224 235 158

HSL 68.57, 0.66%, 0.77%

LAB 90.66, -15.59, 36.21

 

CMYK 9 / 0 / 59 / 13

HEX #CBDE5B

RGB 203 222 91

HSL 68.7, 0.66%, 0.61%

LAB 84.84, -24.05, 60.55

 

CMYK 60 / 0 / 40 / 13

HEX #59DD85

RGB 89 221 133

HSL 140, 0.66%, 0.61%

LAB 79.35, -55.31, 32.67

 

CMYK 16 / 60 / 0 / 13

HEX #BA59DD

RGB 186 89 221

HSL 284.09, 0.66%, 0.61%

LAB 54.87, 59.19, -51.13

 

CMYK 9 / 0 / 59 / 13

HEX #CBDE5B

RGB 203 222 91

HSL 68.7, 0.66%, 0.61%

LAB 84.84, -24.05, 60.55

 

CMYK 60 / 8 / 0 / 13

HEX #59CBDD

RGB 89 203 221

HSL 188.18, 0.66%, 0.61%

LAB 76.1, -26.96, -18.64

 

CMYK 0 / 60 / 8 / 13

HEX #DD59CB

RGB 221 89 203

HSL 308.18, 0.66%, 0.61%

LAB 58.82, 64.81, -34.38

 

CMYK 9 / 0 / 59 / 13

HEX #CBDE5B

RGB 203 222 91

HSL 68.7, 0.66%, 0.61%

LAB 84.84, -24.05, 60.55

 

CMYK 60 / 0 / 40 / 13

HEX #59DD85

RGB 89 221 133

HSL 140, 0.66%, 0.61%

LAB 79.35, -55.31, 32.67

 

CMYK 52 / 60 / 0 / 13

HEX #6B59DD

RGB 107 89 221

HSL 248.18, 0.66%, 0.61%

LAB 46.3, 41.63, -65.37

 

CMYK 0 / 60 / 20 / 13

HEX #DD59B1

RGB 221 89 177

HSL 320, 0.66%, 0.61%

LAB 57.74, 60.94, -21.14

 

CMYK 9 / 0 / 59 / 13

HEX #CBDE5B

RGB 203 222 91

HSL 68.7, 0.66%, 0.61%

LAB 84.84, -24.05, 60.55

 

CMYK 60 / 0 / 22 / 13

HEX #59DDAD

RGB 89 221 173

HSL 158.18, 0.66%, 0.61%

LAB 80.1, -47.43, 12.91

 

CMYK 52 / 60 / 0 / 13

HEX #6B59DD

RGB 107 89 221

HSL 248.18, 0.66%, 0.61%

LAB 46.3, 41.63, -65.37

 

CMYK 0 / 60 / 38 / 13

HEX #DD598A

RGB 221 89 138

HSL 337.73, 0.66%, 0.61%

LAB 56.44, 56.04, -0.36

 

Description

Color code: HEX #CBDE5B | qconv.com Color code: HEX #CBDE5B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 222 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 222 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 59 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 59% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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