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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBEFA4 it is the complementary color #34105B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBEFA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBEFA4 shade: #D0EF9F, #E1FFB2, #F2FFC5, #FFFFD8 and #FFFFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBEFA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBEFA4 shade: #CBEFA4, #BADD91, #A9CB7E, #98B96B and #87A758

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBEFA4 shade: #CAEEA3, #DFEEA3, #EEEAA3, #EED6A3 and #EEC2A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBEFA4 shade: #CAEEA3, #B6EEA3, #A3EEA5, #A3EEB9 and #A3EECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBEFA4 shade matches the following richer shades: #CAEEA3 and #CBF79B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBEFA4 shade: #CAEEA3, #CAE6AC, #CADDB5, #C9D4BD and #C9CCC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBEFA4 shade: #EEE9A3, #DFEEA3, #CBEEA3, #B7EEA3 and #A3EEA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBEFA4 shade: #A2E25D, #B6E880, #CAEEA3, #DFF5C7 and #F3FBEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBEFA4 shade: #CBEFA4, #A3EED5 and #EEA3E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBEFA4 shade: #CBEFA4, #A3CBEE and #EEA3CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBEFA4 shade: #CBEFA4, #A3EED5, #C6A3EE and #EEA3BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBEFA4 shade: #CBEFA4, #A3EEEC, #C6A3EE and #EEA3A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 31 / 6

HEX #CBEFA4

RGB 203 239 164

HSL 88.8, 0.7%, 0.79%

LAB 90.37, -24.41, 32.54

 

Complementary color

CMYK 43 / 82 / 0 / 64

HEX #34105B

RGB 52 16 91

HSL 268.8, 0.7%, 0.21%

LAB 14.71, 33.8, -37.5

 

CMYK 13 / 0 / 33 / 6

HEX #D0EF9F

RGB 208 239 159

HSL 83.25, 0.71%, 0.78%

LAB 90.62, -23.29, 35.45

 

CMYK 12 / 0 / 30 / 0

HEX #E1FFB2

RGB 225 255 178

HSL 83.38, 1%, 0.85%

LAB 96.3, -22.34, 33.68

 

CMYK 5 / 0 / 23 / 0

HEX #F2FFC5

RGB 242 255 197

HSL 73.45, 1%, 0.89%

LAB 97.8, -13.67, 26.35

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 15 / 0 / 31 / 6

HEX #CBEFA4

RGB 203 239 164

HSL 88.8, 0.7%, 0.79%

LAB 90.37, -24.41, 32.54

 

CMYK 16 / 0 / 34 / 13

HEX #BADD91

RGB 186 221 145

HSL 87.63, 0.53%, 0.72%

LAB 84.07, -24.45, 33.62

 

CMYK 17 / 0 / 38 / 20

HEX #A9CB7E

RGB 169 203 126

HSL 86.49, 0.43%, 0.65%

LAB 77.67, -24.48, 34.75

 

CMYK 18 / 0 / 42 / 27

HEX #98B96B

RGB 152 185 107

HSL 85.38, 0.36%, 0.57%

LAB 71.17, -24.48, 35.92

 

CMYK 19 / 0 / 47 / 35

HEX #87A758

RGB 135 167 88

HSL 84.3, 0.31%, 0.5%

LAB 64.56, -24.45, 37.11

 

CMYK 15 / 0 / 32 / 7

HEX #CAEEA3

RGB 202 238 163

HSL 88.8, 0.69%, 0.79%

LAB 90.02, -24.43, 32.57

 

CMYK 6 / 0 / 32 / 7

HEX #DFEEA3

RGB 223 238 163

HSL 72, 0.69%, 0.79%

LAB 91.45, -16.8, 34.73

 

CMYK 0 / 2 / 32 / 7

HEX #EEEAA3

RGB 238 234 163

HSL 56.8, 0.69%, 0.79%

LAB 91.54, -9.22, 35.04

 

CMYK 0 / 10 / 32 / 7

HEX #EED6A3

RGB 238 214 163

HSL 40.8, 0.69%, 0.79%

LAB 86.46, 0.93, 28.26

 

CMYK 0 / 18 / 32 / 7

HEX #EEC2A3

RGB 238 194 163

HSL 24.8, 0.69%, 0.79%

LAB 81.51, 11.35, 21.51

 

CMYK 15 / 0 / 32 / 7

HEX #CAEEA3

RGB 202 238 163

HSL 88.8, 0.69%, 0.79%

LAB 90.02, -24.43, 32.57

 

CMYK 24 / 0 / 32 / 7

HEX #B6EEA3

RGB 182 238 163

HSL 104.8, 0.69%, 0.79%

LAB 88.8, -31.37, 30.72

 

CMYK 32 / 0 / 31 / 7

HEX #A3EEA5

RGB 163 238 165

HSL 121.6, 0.69%, 0.79%

LAB 87.8, -37.25, 28.18

 

CMYK 32 / 0 / 22 / 7

HEX #A3EEB9

RGB 163 238 185

HSL 137.6, 0.69%, 0.79%

LAB 88.18, -33.82, 18.42

 

CMYK 32 / 0 / 14 / 7

HEX #A3EECD

RGB 163 238 205

HSL 153.6, 0.69%, 0.79%

LAB 88.61, -30.01, 8.64

 

CMYK 15 / 0 / 32 / 7

HEX #CAEEA3

RGB 202 238 163

HSL 88.8, 0.69%, 0.79%

LAB 90.02, -24.43, 32.57

 

CMYK 18 / 0 / 37 / 3

HEX #CBF79B

RGB 203 247 155

HSL 88.7, 0.85%, 0.79%

LAB 92.39, -29.4, 39.7

 

CMYK 15 / 0 / 32 / 7

HEX #CAEEA3

RGB 202 238 163

HSL 88.8, 0.69%, 0.79%

LAB 90.02, -24.43, 32.57

 

CMYK 12 / 0 / 25 / 10

HEX #CAE6AC

RGB 202 230 172

HSL 88.97, 0.54%, 0.79%

LAB 88.03, -19.25, 25.28

 

CMYK 9 / 0 / 18 / 13

HEX #CADDB5

RGB 202 221 181

HSL 88.5, 0.37%, 0.79%

LAB 85.81, -13.39, 17.54

 

CMYK 5 / 0 / 11 / 17

HEX #C9D4BD

RGB 201 212 189

HSL 88.7, 0.21%, 0.79%

LAB 83.54, -7.84, 10.1

 

CMYK 1 / 0 / 3 / 20

HEX #C9CCC6

RGB 201 204 198

HSL 90, 0.06%, 0.79%

LAB 81.66, -2.12, 2.62

 

CMYK 0 / 2 / 32 / 7

HEX #EEE9A3

RGB 238 233 163

HSL 56, 0.69%, 0.79%

LAB 91.28, -8.72, 34.7

 

CMYK 6 / 0 / 32 / 7

HEX #DFEEA3

RGB 223 238 163

HSL 72, 0.69%, 0.79%

LAB 91.45, -16.8, 34.73

 

CMYK 15 / 0 / 32 / 7

HEX #CBEEA3

RGB 203 238 163

HSL 88, 0.69%, 0.79%

LAB 90.09, -24.07, 32.67

 

CMYK 23 / 0 / 32 / 7

HEX #B7EEA3

RGB 183 238 163

HSL 104, 0.69%, 0.79%

LAB 88.86, -31.03, 30.81

 

CMYK 32 / 0 / 32 / 7

HEX #A3EEA3

RGB 163 238 163

HSL 120, 0.69%, 0.79%

LAB 87.77, -37.57, 29.15

 

CMYK 28 / 0 / 59 / 11

HEX #A2E25D

RGB 162 226 93

HSL 88.87, 0.7%, 0.63%

LAB 83.37, -41.32, 57.32

 

CMYK 22 / 0 / 45 / 9

HEX #B6E880

RGB 182 232 128

HSL 88.85, 0.69%, 0.71%

LAB 86.61, -33.24, 45.29

 

CMYK 15 / 0 / 32 / 7

HEX #CAEEA3

RGB 202 238 163

HSL 88.8, 0.69%, 0.79%

LAB 90.02, -24.43, 32.57

 

CMYK 9 / 0 / 19 / 4

HEX #DFF5C7

RGB 223 245 199

HSL 88.7, 0.7%, 0.87%

LAB 93.93, -15.14, 19.77

 

CMYK 3 / 0 / 7 / 2

HEX #F3FBEA

RGB 243 251 234

HSL 88.24, 0.68%, 0.95%

LAB 97.63, -5.59, 7.22

 

CMYK 15 / 0 / 31 / 6

HEX #CBEFA4

RGB 203 239 164

HSL 88.8, 0.7%, 0.79%

LAB 90.37, -24.41, 32.54

 

CMYK 32 / 0 / 11 / 7

HEX #A3EED5

RGB 163 238 213

HSL 160, 0.69%, 0.79%

LAB 88.8, -28.38, 4.73

 

CMYK 0 / 32 / 2 / 7

HEX #EEA3E9

RGB 238 163 233

HSL 304, 0.69%, 0.79%

LAB 76.23, 38.58, -24.03

 

CMYK 15 / 0 / 31 / 6

HEX #CBEFA4

RGB 203 239 164

HSL 88.8, 0.7%, 0.79%

LAB 90.37, -24.41, 32.54

 

CMYK 32 / 15 / 0 / 7

HEX #A3CBEE

RGB 163 203 238

HSL 208, 0.69%, 0.79%

LAB 79.99, -5.11, -21.56

 

CMYK 0 / 32 / 15 / 7

HEX #EEA3CB

RGB 238 163 203

HSL 328, 0.69%, 0.79%

LAB 75.25, 33.51, -9.13

 

CMYK 15 / 0 / 31 / 6

HEX #CBEFA4

RGB 203 239 164

HSL 88.8, 0.7%, 0.79%

LAB 90.37, -24.41, 32.54

 

CMYK 32 / 0 / 11 / 7

HEX #A3EED5

RGB 163 238 213

HSL 160, 0.69%, 0.79%

LAB 88.8, -28.38, 4.73

 

CMYK 17 / 32 / 0 / 7

HEX #C6A3EE

RGB 198 163 238

HSL 268, 0.69%, 0.79%

LAB 72.48, 27.1, -32.84

 

CMYK 0 / 32 / 21 / 7

HEX #EEA3BC

RGB 238 163 188

HSL 340, 0.69%, 0.79%

LAB 74.83, 31.22, -1.53

 

CMYK 15 / 0 / 31 / 6

HEX #CBEFA4

RGB 203 239 164

HSL 88.8, 0.7%, 0.79%

LAB 90.37, -24.41, 32.54

 

CMYK 32 / 0 / 1 / 7

HEX #A3EEEC

RGB 163 238 236

HSL 178.4, 0.69%, 0.79%

LAB 89.39, -23.4, -6.43

 

CMYK 17 / 32 / 0 / 7

HEX #C6A3EE

RGB 198 163 238

HSL 268, 0.69%, 0.79%

LAB 72.48, 27.1, -32.84

 

CMYK 0 / 32 / 30 / 7

HEX #EEA3A6

RGB 238 163 166

HSL 357.6, 0.69%, 0.79%

LAB 74.27, 28.17, 9.75

 

Description

Color code: HEX #CBEFA4 | qconv.com Color code: HEX #CBEFA4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 239 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 239 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 31 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 31% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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