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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBEFB2 it is the complementary color #34104D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBEFB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBEFB2 shade: #D0EFAD, #E1FFC0, #F2FFD3, #FFFFE6 and #FFFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBEFB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBEFB2 shade: #CBEFB2, #BADD9F, #A9CB8C, #98B979 and #87A766

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBEFB2 shade: #CBEFB2, #DBEFB2, #ECEFB2, #EFE2B2 and #EFD1B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBEFB2 shade: #CBEFB2, #BBEFB2, #B2EFBA, #B2EFCA and #B2EFDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBEFB2 shade matches the following richer shades: #CBEFB2, #CAF6AB and #C8FEA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBEFB2 shade: #CBEFB2, #CCE7BA, #CEE0C1, #CFD9C9 and #D0D1D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBEFB2 shade: #ECEFB2, #DCEFB2, #CCEFB2, #BBEFB2 and #B2EFB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBEFB2 shade: #9DE16E, #B4E890, #CBEFB2, #E2F6D5 and #F9FDF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBEFB2 shade: #CBEFB2, #B2EFE2 and #EFB2E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBEFB2 shade: #CBEFB2, #B2CCEF and #EFB2CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBEFB2 shade: #CBEFB2, #B2EFE2, #D6B2EF and #EFB2BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBEFB2 shade: #CBEFB2, #B2EAEF, #D6B2EF and #EFB7B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 26 / 6

HEX #CBEFB2

RGB 203 239 178

HSL 95.41, 0.66%, 0.82%

LAB 90.62, -22.38, 25.75

 

Complementary color

CMYK 32 / 79 / 0 / 70

HEX #34104D

RGB 52 16 77

HSL 275.41, 0.66%, 0.18%

LAB 13.45, 30.03, -30.03

 

CMYK 13 / 0 / 28 / 6

HEX #D0EFAD

RGB 208 239 173

HSL 88.18, 0.67%, 0.81%

LAB 90.85, -21.37, 28.68

 

CMYK 12 / 0 / 25 / 0

HEX #E1FFC0

RGB 225 255 192

HSL 88.57, 1%, 0.88%

LAB 96.55, -20.37, 26.97

 

CMYK 5 / 0 / 17 / 0

HEX #F2FFD3

RGB 242 255 211

HSL 77.73, 1%, 0.91%

LAB 98.07, -11.61, 19.62

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 15 / 0 / 26 / 6

HEX #CBEFB2

RGB 203 239 178

HSL 95.41, 0.66%, 0.82%

LAB 90.62, -22.38, 25.75

 

CMYK 16 / 0 / 28 / 13

HEX #BADD9F

RGB 186 221 159

HSL 93.87, 0.48%, 0.75%

LAB 84.31, -22.46, 26.75

 

CMYK 17 / 0 / 31 / 20

HEX #A9CB8C

RGB 169 203 140

HSL 92.38, 0.38%, 0.67%

LAB 77.9, -22.54, 27.81

 

CMYK 18 / 0 / 35 / 27

HEX #98B979

RGB 152 185 121

HSL 90.94, 0.31%, 0.6%

LAB 71.39, -22.61, 28.92

 

CMYK 19 / 0 / 39 / 35

HEX #87A766

RGB 135 167 102

HSL 89.54, 0.27%, 0.53%

LAB 64.76, -22.67, 30.09

 

CMYK 15 / 0 / 26 / 6

HEX #CBEFB2

RGB 203 239 178

HSL 95.41, 0.66%, 0.82%

LAB 90.62, -22.38, 25.75

 

CMYK 8 / 0 / 26 / 6

HEX #DBEFB2

RGB 219 239 178

HSL 79.67, 0.66%, 0.82%

LAB 91.69, -16.73, 27.39

 

CMYK 1 / 0 / 26 / 6

HEX #ECEFB2

RGB 236 239 178

HSL 62.95, 0.66%, 0.82%

LAB 92.92, -10.55, 29.26

 

CMYK 0 / 5 / 26 / 6

HEX #EFE2B2

RGB 239 226 178

HSL 47.21, 0.66%, 0.82%

LAB 89.84, -2.9, 25.11

 

CMYK 0 / 13 / 26 / 6

HEX #EFD1B2

RGB 239 209 178

HSL 30.49, 0.66%, 0.82%

LAB 85.59, 5.85, 19.24

 

CMYK 15 / 0 / 26 / 6

HEX #CBEFB2

RGB 203 239 178

HSL 95.41, 0.66%, 0.82%

LAB 90.62, -22.38, 25.75

 

CMYK 22 / 0 / 26 / 6

HEX #BBEFB2

RGB 187 239 178

HSL 111.15, 0.66%, 0.82%

LAB 89.63, -27.84, 24.24

 

CMYK 26 / 0 / 22 / 6

HEX #B2EFBA

RGB 178 239 186

HSL 127.87, 0.66%, 0.82%

LAB 89.27, -29.44, 19.55

 

CMYK 26 / 0 / 15 / 6

HEX #B2EFCA

RGB 178 239 202

HSL 143.61, 0.66%, 0.82%

LAB 89.61, -26.56, 11.73

 

CMYK 26 / 0 / 8 / 6

HEX #B2EFDB

RGB 178 239 219

HSL 160.33, 0.66%, 0.82%

LAB 90, -23.25, 3.45

 

CMYK 15 / 0 / 26 / 6

HEX #CBEFB2

RGB 203 239 178

HSL 95.41, 0.66%, 0.82%

LAB 90.62, -22.38, 25.75

 

CMYK 18 / 0 / 30 / 4

HEX #CAF6AB

RGB 202 246 171

HSL 95.2, 0.81%, 0.82%

LAB 92.31, -27.11, 31.59

 

CMYK 21 / 0 / 36 / 0

HEX #C8FEA3

RGB 200 254 163

HSL 95.6, 0.98%, 0.82%

LAB 94.23, -32.65, 38.11

 

CMYK 15 / 0 / 26 / 6

HEX #CBEFB2

RGB 203 239 178

HSL 95.41, 0.66%, 0.82%

LAB 90.62, -22.38, 25.75

 

CMYK 12 / 0 / 19 / 9

HEX #CCE7BA

RGB 204 231 186

HSL 96, 0.48%, 0.82%

LAB 88.7, -16.88, 18.99

 

CMYK 8 / 0 / 14 / 12

HEX #CEE0C1

RGB 206 224 193

HSL 94.84, 0.33%, 0.82%

LAB 87.14, -11.54, 13.16

 

CMYK 5 / 0 / 7 / 15

HEX #CFD9C9

RGB 207 217 201

HSL 97.5, 0.17%, 0.82%

LAB 85.56, -6.26, 6.71

 

CMYK 0 / 0 / 0 / 18

HEX #D0D1D0

RGB 208 209 208

HSL 120, 0.01%, 0.82%

LAB 83.74, -0.52, 0.37

 

CMYK 1 / 0 / 26 / 6

HEX #ECEFB2

RGB 236 239 178

HSL 62.95, 0.66%, 0.82%

LAB 92.92, -10.55, 29.26

 

CMYK 8 / 0 / 26 / 6

HEX #DCEFB2

RGB 220 239 178

HSL 78.69, 0.66%, 0.82%

LAB 91.76, -16.37, 27.49

 

CMYK 15 / 0 / 26 / 6

HEX #CCEFB2

RGB 204 239 178

HSL 94.43, 0.66%, 0.82%

LAB 90.68, -22.04, 25.85

 

CMYK 22 / 0 / 26 / 6

HEX #BBEFB2

RGB 187 239 178

HSL 111.15, 0.66%, 0.82%

LAB 89.63, -27.84, 24.24

 

CMYK 26 / 0 / 23 / 6

HEX #B2EFB9

RGB 178 239 185

HSL 126.89, 0.66%, 0.82%

LAB 89.25, -29.62, 20.04

 

CMYK 30 / 0 / 51 / 12

HEX #9DE16E

RGB 157 225 110

HSL 95.48, 0.66%, 0.66%

LAB 82.99, -40.94, 49.11

 

CMYK 22 / 0 / 38 / 9

HEX #B4E890

RGB 180 232 144

HSL 95.45, 0.66%, 0.74%

LAB 86.72, -31.94, 37.52

 

CMYK 15 / 0 / 26 / 6

HEX #CBEFB2

RGB 203 239 178

HSL 95.41, 0.66%, 0.82%

LAB 90.62, -22.38, 25.75

 

CMYK 8 / 0 / 13 / 4

HEX #E2F6D5

RGB 226 246 213

HSL 96.36, 0.65%, 0.9%

LAB 94.69, -12.36, 13.67

 

CMYK 2 / 0 / 2 / 1

HEX #F9FDF7

RGB 249 253 247

HSL 100, 0.6%, 0.98%

LAB 98.87, -2.36, 2.39

 

CMYK 15 / 0 / 26 / 6

HEX #CBEFB2

RGB 203 239 178

HSL 95.41, 0.66%, 0.82%

LAB 90.62, -22.38, 25.75

 

CMYK 26 / 0 / 5 / 6

HEX #B2EFE2

RGB 178 239 226

HSL 167.21, 0.66%, 0.82%

LAB 90.18, -21.82, 0.05

 

CMYK 0 / 26 / 5 / 6

HEX #EFB2E4

RGB 239 178 228

HSL 310.82, 0.66%, 0.82%

LAB 79.5, 30.07, -16.36

 

CMYK 15 / 0 / 26 / 6

HEX #CBEFB2

RGB 203 239 178

HSL 95.41, 0.66%, 0.82%

LAB 90.62, -22.38, 25.75

 

CMYK 26 / 15 / 0 / 6

HEX #B2CCEF

RGB 178 204 239

HSL 214.43, 0.66%, 0.82%

LAB 81.23, -1.08, -20.13

 

CMYK 0 / 26 / 15 / 6

HEX #EFB2CC

RGB 239 178 204

HSL 334.43, 0.66%, 0.82%

LAB 78.78, 26.06, -4.44

 

CMYK 15 / 0 / 26 / 6

HEX #CBEFB2

RGB 203 239 178

HSL 95.41, 0.66%, 0.82%

LAB 90.62, -22.38, 25.75

 

CMYK 26 / 0 / 5 / 6

HEX #B2EFE2

RGB 178 239 226

HSL 167.21, 0.66%, 0.82%

LAB 90.18, -21.82, 0.05

 

CMYK 10 / 26 / 0 / 6

HEX #D6B2EF

RGB 214 178 239

HSL 275.41, 0.66%, 0.82%

LAB 77.5, 24.06, -25.54

 

CMYK 0 / 26 / 20 / 6

HEX #EFB2BF

RGB 239 178 191

HSL 347.21, 0.66%, 0.82%

LAB 78.43, 24.06, 2.11

 

CMYK 15 / 0 / 26 / 6

HEX #CBEFB2

RGB 203 239 178

HSL 95.41, 0.66%, 0.82%

LAB 90.62, -22.38, 25.75

 

CMYK 26 / 2 / 0 / 6

HEX #B2EAEF

RGB 178 234 239

HSL 184.92, 0.66%, 0.82%

LAB 89.18, -16.57, -8.22

 

CMYK 10 / 26 / 0 / 6

HEX #D6B2EF

RGB 214 178 239

HSL 275.41, 0.66%, 0.82%

LAB 77.5, 24.06, -25.54

 

CMYK 0 / 23 / 26 / 6

HEX #EFB7B2

RGB 239 183 178

HSL 4.92, 0.66%, 0.82%

LAB 79.29, 19.53, 10.38

 

Description

Color code: HEX #CBEFB2 | qconv.com Color code: HEX #CBEFB2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 239 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 239 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 26 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 26% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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