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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBEFC9 it is the complementary color #341036. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBEFC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBEFC9 shade: #D0EFC4, #E1FFD7, #F2FFEA and #FFFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBEFC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBEFC9 shade: #CBEFC9, #BADDB6, #A9CBA3, #98B990 and #87A77D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBEFC9 shade: #CAEEC8, #D4EEC8, #DEEEC8, #E9EEC8 and #EEE9C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBEFC9 shade: #CAEEC8, #C8EED0, #C8EEDA, #C8EEE5 and #C8EDEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBEFC9 shade matches the following richer shades: #CAEEC8, #C4F4C2 and #BFFABC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBEFC9 shade: #CAEEC8, #CFE8CD, #D4E3D3, #D9DDD9 and #DED7DF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBEFC9 shade: #DFEEC8, #D4EEC8, #CAEEC8, #C8EECF and #C8EEDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBEFC9 shade: #8CDB88, #ABE5A8, #CAEEC8 and #E8F8E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBEFC9 shade: #CBEFC9, #C8E9EE and #EEC8DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBEFC9 shade: #CBEFC9, #C8CAEE and #EEC8CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBEFC9 shade: #CBEFC9, #C8E9EE, #ECC8EE and #EECDC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBEFC9 shade: #CBEFC9, #C8DDEE, #ECC8EE and #EED8C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 16 / 6

HEX #CBEFC9

RGB 203 239 201

HSL 116.84, 0.54%, 0.86%

LAB 91.07, -18.68, 14.53

 

Complementary color

CMYK 4 / 70 / 0 / 79

HEX #341036

RGB 52 16 54

HSL 296.84, 0.54%, 0.14%

LAB 11.74, 24.38, -16.57

 

CMYK 13 / 0 / 18 / 6

HEX #D0EFC4

RGB 208 239 196

HSL 103.26, 0.57%, 0.85%

LAB 91.29, -17.83, 17.47

 

CMYK 12 / 0 / 16 / 0

HEX #E1FFD7

RGB 225 255 215

HSL 105, 1%, 0.92%

LAB 97, -16.79, 15.9

 

CMYK 5 / 0 / 8 / 0

HEX #F2FFEA

RGB 242 255 234

HSL 97.14, 1%, 0.96%

LAB 98.57, -7.92, 8.56

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 15 / 0 / 16 / 6

HEX #CBEFC9

RGB 203 239 201

HSL 116.84, 0.54%, 0.86%

LAB 91.07, -18.68, 14.53

 

CMYK 16 / 0 / 18 / 13

HEX #BADDB6

RGB 186 221 182

HSL 113.85, 0.36%, 0.79%

LAB 84.76, -18.78, 15.38

 

CMYK 17 / 0 / 20 / 20

HEX #A9CBA3

RGB 169 203 163

HSL 111, 0.28%, 0.72%

LAB 78.34, -18.89, 16.27

 

CMYK 18 / 0 / 22 / 27

HEX #98B990

RGB 152 185 144

HSL 108.29, 0.23%, 0.65%

LAB 71.82, -19.01, 17.2

 

CMYK 19 / 0 / 25 / 35

HEX #87A77D

RGB 135 167 125

HSL 105.71, 0.19%, 0.57%

LAB 65.18, -19.15, 18.2

 

CMYK 15 / 0 / 16 / 7

HEX #CAEEC8

RGB 202 238 200

HSL 116.84, 0.53%, 0.86%

LAB 90.72, -18.69, 14.55

 

CMYK 11 / 0 / 16 / 7

HEX #D4EEC8

RGB 212 238 200

HSL 101.05, 0.53%, 0.86%

LAB 91.38, -15.31, 15.56

 

CMYK 7 / 0 / 16 / 7

HEX #DEEEC8

RGB 222 238 200

HSL 85.26, 0.53%, 0.86%

LAB 92.06, -11.86, 16.63

 

CMYK 2 / 0 / 16 / 7

HEX #E9EEC8

RGB 233 238 200

HSL 67.89, 0.53%, 0.86%

LAB 92.86, -7.99, 17.86

 

CMYK 0 / 2 / 16 / 7

HEX #EEE9C8

RGB 238 233 200

HSL 52.11, 0.53%, 0.86%

LAB 91.96, -3.69, 16.66

 

CMYK 15 / 0 / 16 / 7

HEX #CAEEC8

RGB 202 238 200

HSL 116.84, 0.53%, 0.86%

LAB 90.72, -18.69, 14.55

 

CMYK 16 / 0 / 13 / 7

HEX #C8EED0

RGB 200 238 208

HSL 132.63, 0.53%, 0.86%

LAB 90.77, -17.95, 10.45

 

CMYK 16 / 0 / 8 / 7

HEX #C8EEDA

RGB 200 238 218

HSL 148.42, 0.53%, 0.86%

LAB 91, -16.12, 5.58

 

CMYK 16 / 0 / 4 / 7

HEX #C8EEE5

RGB 200 238 229

HSL 165.79, 0.53%, 0.86%

LAB 91.27, -14.02, 0.24

 

CMYK 16 / 0 / 0 / 7

HEX #C8EDEE

RGB 200 237 238

HSL 181.58, 0.53%, 0.86%

LAB 91.24, -11.72, -4.5

 

CMYK 15 / 0 / 16 / 7

HEX #CAEEC8

RGB 202 238 200

HSL 116.84, 0.53%, 0.86%

LAB 90.72, -18.69, 14.55

 

CMYK 20 / 0 / 20 / 4

HEX #C4F4C2

RGB 196 244 194

HSL 117.6, 0.69%, 0.86%

LAB 91.83, -24.62, 19.15

 

CMYK 24 / 0 / 25 / 2

HEX #BFFABC

RGB 191 250 188

HSL 117.1, 0.86%, 0.86%

LAB 93.05, -30.09, 23.86

 

CMYK 15 / 0 / 16 / 7

HEX #CAEEC8

RGB 202 238 200

HSL 116.84, 0.53%, 0.86%

LAB 90.72, -18.69, 14.55

 

CMYK 11 / 0 / 12 / 9

HEX #CFE8CD

RGB 207 232 205

HSL 115.56, 0.37%, 0.86%

LAB 89.57, -13.17, 10.36

 

CMYK 7 / 0 / 7 / 11

HEX #D4E3D3

RGB 212 227 211

HSL 116.25, 0.22%, 0.86%

LAB 88.75, -7.91, 6.09

 

CMYK 2 / 0 / 2 / 13

HEX #D9DDD9

RGB 217 221 217

HSL 120, 0.06%, 0.86%

LAB 87.71, -2.07, 1.48

 

CMYK 0 / 4 / 0 / 13

HEX #DED7DF

RGB 222 215 223

HSL 292.5, 0.11%, 0.86%

LAB 86.73, 3.83, -3.08

 

CMYK 6 / 0 / 16 / 7

HEX #DFEEC8

RGB 223 238 200

HSL 83.68, 0.53%, 0.86%

LAB 92.13, -11.51, 16.74

 

CMYK 11 / 0 / 16 / 7

HEX #D4EEC8

RGB 212 238 200

HSL 101.05, 0.53%, 0.86%

LAB 91.38, -15.31, 15.56

 

CMYK 15 / 0 / 16 / 7

HEX #CAEEC8

RGB 202 238 200

HSL 116.84, 0.53%, 0.86%

LAB 90.72, -18.69, 14.55

 

CMYK 16 / 0 / 13 / 7

HEX #C8EECF

RGB 200 238 207

HSL 131.05, 0.53%, 0.86%

LAB 90.75, -18.13, 10.93

 

CMYK 16 / 0 / 8 / 7

HEX #C8EEDA

RGB 200 238 218

HSL 148.42, 0.53%, 0.86%

LAB 91, -16.12, 5.58

 

CMYK 36 / 0 / 38 / 14

HEX #8CDB88

RGB 140 219 136

HSL 117.11, 0.54%, 0.7%

LAB 80.75, -40.49, 33.35

 

CMYK 25 / 0 / 27 / 10

HEX #ABE5A8

RGB 171 229 168

HSL 117.05, 0.54%, 0.78%

LAB 85.77, -30.03, 23.94

 

CMYK 15 / 0 / 16 / 7

HEX #CAEEC8

RGB 202 238 200

HSL 116.84, 0.53%, 0.86%

LAB 90.72, -18.69, 14.55

 

CMYK 6 / 0 / 7 / 3

HEX #E8F8E7

RGB 232 248 231

HSL 116.47, 0.55%, 0.94%

LAB 96.02, -8.28, 6.35

 

CMYK 15 / 0 / 16 / 6

HEX #CBEFC9

RGB 203 239 201

HSL 116.84, 0.54%, 0.86%

LAB 91.07, -18.68, 14.53

 

CMYK 16 / 2 / 0 / 7

HEX #C8E9EE

RGB 200 233 238

HSL 187.89, 0.53%, 0.86%

LAB 90.2, -9.7, -6.04

 

CMYK 0 / 16 / 8 / 7

HEX #EEC8DA

RGB 238 200 218

HSL 331.58, 0.53%, 0.86%

LAB 84.25, 16.32, -3.92

 

CMYK 15 / 0 / 16 / 6

HEX #CBEFC9

RGB 203 239 201

HSL 116.84, 0.54%, 0.86%

LAB 91.07, -18.68, 14.53

 

CMYK 16 / 15 / 0 / 7

HEX #C8CAEE

RGB 200 202 238

HSL 236.84, 0.53%, 0.86%

LAB 82.21, 6.47, -17.96

 

CMYK 0 / 16 / 15 / 7

HEX #EEC8CA

RGB 238 200 202

HSL 356.84, 0.53%, 0.86%

LAB 83.84, 13.72, 4.01

 

CMYK 15 / 0 / 16 / 6

HEX #CBEFC9

RGB 203 239 201

HSL 116.84, 0.54%, 0.86%

LAB 91.07, -18.68, 14.53

 

CMYK 16 / 2 / 0 / 7

HEX #C8E9EE

RGB 200 233 238

HSL 187.89, 0.53%, 0.86%

LAB 90.2, -9.7, -6.04

 

CMYK 1 / 16 / 0 / 7

HEX #ECC8EE

RGB 236 200 238

HSL 296.84, 0.53%, 0.86%

LAB 84.65, 19.17, -14.01

 

CMYK 0 / 14 / 16 / 7

HEX #EECDC8

RGB 238 205 200

HSL 7.89, 0.53%, 0.86%

LAB 85, 10.78, 6.76

 

CMYK 15 / 0 / 16 / 6

HEX #CBEFC9

RGB 203 239 201

HSL 116.84, 0.54%, 0.86%

LAB 91.07, -18.68, 14.53

 

CMYK 16 / 7 / 0 / 7

HEX #C8DDEE

RGB 200 221 238

HSL 206.84, 0.53%, 0.86%

LAB 87.08, -3.54, -10.67

 

CMYK 1 / 16 / 0 / 7

HEX #ECC8EE

RGB 236 200 238

HSL 296.84, 0.53%, 0.86%

LAB 84.65, 19.17, -14.01

 

CMYK 0 / 9 / 16 / 7

HEX #EED8C8

RGB 238 216 200

HSL 25.26, 0.53%, 0.86%

LAB 87.71, 5.04, 10.63

 

Description

Color code: HEX #CBEFC9 | qconv.com Color code: HEX #CBEFC9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 239 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 239 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 16 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 16% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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